A Streetcar Named Desire

Introduction to a streetcar named desire, summary of a streetcar named desire, major themes in a streetcar named desire, major characters a streetcar named desire, writing style of a streetcar named desire, analysis of the literary devices in a streetcar named desire, related posts:, post navigation.

A Streetcar Named Desire

By tennessee williams, a streetcar named desire study guide.

During the incredibly successful run of The Glass Menagerie , theater workmen taught Williams how to play poker. Williams was already beginning to work on a new story, about two Southern belles in a small apartment with a rough crowd of blue-collar men. A poker game played by the men was to be central to the action of the play; eventually, this story evolved into A Streetcar Named Desire .

Streetcar hit theaters in 1946. The play cemented William's reputation as one of the greatest American playwrights, winning him a New York's Critics Circle Award and a Pulitzer Prize. Among the play's greatest achievements is the depiction of the psychology of working class characters. In the plays of the period, depictions of working-class life tended to be didactic, with a focus on social commentary or a kind of documentary drama. Williams' play sought to depict working-class characters as psychologically-evolved entities; to some extent, Williams tries to portray these blue-collar characters on their own terms, without romanticizing them.

Tennessee Williams did not express strong admiration for any early American playwrights; his greatest dramatic influence was the brilliant Russian playwright Anton Chekhov. Chekhov, with his elegant juxtaposition of the humorous and the tragic, his lonely characters, and his dark sensibilities, was a powerful inspiration for Tennessee Williams' work. At the same time, Williams' plays are undeniably American in setting and character. Another important influence was the novelist D.H. Lawrence, who offered Williams a depiction of sexuality as a potent force of life; Lawrence is alluded to in The Glass Menagerie as one of the writers favored by Tom. The American poet Hart Crane was another important influence on Williams; in Crane's tragic life and death, open homosexuality, and determination to create poetry that did not mimic European sensibilities, Williams found endless inspiration. Williams also belongs to the tradition of great Southern writers who have invigorated literary language with the lyricism of Southern English.

Like Eugene O'Neill, Tennessee Williams wanted to challenge some of the conventions of naturalistic theatre. Summer and Smoke (1948), Camino Real (1953), and The Glass Menagerie (1944), among others, provided some of the early testing ground for Williams' innovations. The Glass Menagerie uses music, screen projections, and lighting effects to create the haunting and dream-like atmosphere appropriate for a "memory play." Like Eugene O'Neill's Emperor Jones and Arthur Miller's Death of a Salesman , Williams' plays explores ways of using the stage to depict the interior life and memories of a character.

In Streetcar , stage effects are used to represent Blanche's decent into madness. The maddening polka music, jungle sound effects, and strange shadows help to represent the world as Blanche experiences it. These effects are a departure from the conventions of naturalistic drama, although in this respect Streetcar is not as innovative as The Glass Menagerie . Nevertheless, A Streetcar Named Desire uses these effects to create a highly subjective portrait of the play's central action. On stage, these effects powerfully evoke the terror and isolation of madness.

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A Streetcar Named Desire Questions and Answers

The Question and Answer section for A Streetcar Named Desire is a great resource to ask questions, find answers, and discuss the novel.

What is the significance of the hand mirror Blanche looks into in this scene? What does she confront through this action?

I see no evidence of a hand mirror in Scene V. Please provide the text in question.

The difference between Blanche and Stanley’s social background is shown through their way of speaking. What are some quotes from scene 2 to support the following statements

STANLEY: What's all this monkey doings?

Blanche explains that she knows she fibs a lot, because "after all, a woman's charm is fifty percent illusion"

You can clearly see the difference in diction.

strange man

re you referring to Streetcar Named Desire?

Study Guide for A Streetcar Named Desire

A Streetcar Named Desire study guide contains a biography of Tennessee Williams, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About A Streetcar Named Desire
  • A Streetcar Named Desire Summary
  • Character List

Essays for A Streetcar Named Desire

A Streetcar Named Desire literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of A Streetcar Named Desire.

  • Chekhov's Influence on the Work of Tennessee Williams
  • Morality and Immorality (The Picture of Dorian Gray and A Streetcar Named Desire)
  • Traditionalism versus Defiance in a Streetcar Named Desire
  • Comparing Social and Ethnic Tensions in A Streetcar Named Desire and Blues for Mister Charlie
  • The Wolf's Jaws: Brutality and Abandonment in A Streetcare Named Desire

Lesson Plan for A Streetcar Named Desire

  • About the Author
  • Study Objectives
  • Introduction to A Streetcar Named Desire
  • Relationship to Other Books
  • Notes to the Teacher

Wikipedia Entries for A Streetcar Named Desire

  • Introduction

streetcar named desire ap lit essay

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A Streetcar Named Desire: Essay Questions

A list of potential essay questions to form revision and speed planning practice

‘Stella is the lynchpin within the play for better or for worse’ In light of this statement, explore William’s presentation of relationships in A Streetcar Named Desire. In your answer, you must consider relevant contextual factors.

‘Shame lies at the heart of each character’ In light of this statement, explore William’s presentation of self and identity in A Streetcar Named Desire. In your answer, you must consider relevant contextual factors.

‘A Streetcar Named Desire is a play emblematic of the modern era’ In light of this statement, explore William’s presentation of time and place in A Streetcar Named Desire. In your answer, you must consider relevant contextual factors.

‘Abuse is normalised as the strong dominate the weak’ In light of this statement, explore William’s presentation of power in A Streetcar Named Desire. In your answer, you must consider relevant contextual factors.

Examine the view that the conflict between Stanley and Blanche is primarily based on their difference in social class.

‘A play about secrets and the catastrophic consequences of their exposure’ In light of this statement explore Williams’ presentation of secrets and their revelation in A Streetcar named Desire .

To what extent can Blanche DuBois be considered a victim in A Streetcar named Desire ?

Discuss the importance of the past in A Streetcar named Desire .

‘This play explores the clash between two cultures not, two individuals’ Consider this perspective in A Streetcar named Desire .

‘The play essentially reveals to us the vulnerability of human beings’ Examine this view in A Streetcar named Desire .

Explore Williams’ use of music in the play, is it much more than a naturalistic device?

Blanche believes the opposite to death is desire. How is this theme developed throughout the play?

Discuss the role of music and other sound effects in A Streetcar named Desire .

Explore themes of morality in A Streetcar named Desire .

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Home — Essay Samples — Literature — Plays — A Streetcar Named Desire

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Essays on A Streetcar Named Desire

Choosing the right essay topic is crucial for your success in college. Your creativity and personal interests play a significant role in the selection process. This webpage aims to provide you with a variety of A Streetcar Named Desire essay topics to inspire your writing and help you excel in your academic pursuits.

Essay Types and Topics

Argumentative.

  • The role of gender in A Streetcar Named Desire
  • The impact of societal norms on the characters' behaviors

Paragraph Example:

In Tennessee Williams' A Streetcar Named Desire, the portrayal of gender dynamics is a central theme that sheds light on the power struggles and societal expectations faced by the characters. This essay aims to explore the significance of gender in the play and its influence on the characters' decisions and relationships.

Through a close examination of the gender dynamics in A Streetcar Named Desire, this essay has highlighted the complexities of societal norms and their impact on individual lives. The characters' struggles serve as a reflection of the broader societal challenges, prompting us to reconsider our perceptions of gender roles and expectations.

Compare and Contrast

  • The parallels between Blanche DuBois and Stanley Kowalski
  • The contrasting symbols of light and darkness in the play

Descriptive

  • The vivid imagery of New Orleans in the play
  • The sensory experiences portrayed in A Streetcar Named Desire
  • An argument for Blanche's mental state and its impact on her actions
  • The case for the significance of the play's setting in shaping the characters
  • Reimagining a key scene from a different character's perspective
  • A personal reflection on the themes of illusion and reality in the play

Engagement and Creativity

As you explore these essay topics, remember to engage your critical thinking skills and bring your unique perspective to your writing. A Streetcar Named Desire offers a rich tapestry of themes and characters, providing ample opportunities for creative exploration in your essays.

Educational Value

Each essay type presents a valuable opportunity for you to develop different skills. Argumentative essays can refine your analytical thinking, while descriptive essays can enhance your ability to paint vivid pictures with words. Persuasive essays help you hone your persuasive writing skills, and narrative essays allow you to practice storytelling and narrative techniques.

Reality Versus Illusion in The Streetcar Named Desire

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How Blanche and Stella Rely on Self-delusion in a Streetcar Named Desire

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An Examination of The Character of Blanche in a Streetcar Named Desire

The flaws of blanche and why she ultimately failed, analysis of stanley kowalski’s role in tennessee williams’ book, a streetcar named desire, analysis of blanche and stella relationship in a streetcar named desire, get a personalized essay in under 3 hours.

Expert-written essays crafted with your exact needs in mind

The Concealed Homosexuality in a Streetcar Named Desire

Oppression, its brutality and its inescapability, is a dominant theme in literature, similar themes in a streetcar named desire by tennessee williams and water by robery lowell, first impression lies: the power and masculinity exuded by stanley kolawski, determining the tragedy potential in a streetcar named desire, how tennessee williams is influenced by the work of chekhov, the use of suspense in a streetcar named desire, a streetcar named desire by tennessee williams: personal identity of blanche, the portrayals of sexuality in cat on a hot tin roof and a streetcar named desire, evaluation of the social class ranking as illustrated in the book, a streetcar named desire, blanche and mitch relationship in a streetcar named desire, female powerlessness in the duchess of malfi and a streetcar named desire, a comparison between the plastic theatre and expressionism in a streetcar named desire, morality and immorality in a streetcar named desire and the picture of dorian gray, oppositions and their purpose in "a streetcar named desire" and "the birthday party", how femininity and masculinity are presented in ariel and a streetcar named desire, tennessee williams’ depiction of blanche as a casualty as illustrated in his play, a streetcar named desire, history defined the themes of a streetcar named desire, comparing social and ethnic tensions in a streetcar named desire and blues for mister charlie, the use of contrast as a literary device at the beginning of a streetcar named desire.

December 3, 1947, Tennessee Williams

Play; Southern Gothic

The French Quarter and Downtown New Orleans

Blanche DuBois, Stella Kowalski, Stanley Kowalski, Harold "Mitch" Mitchell

1. Vlasopolos, A. (1986). Authorizing History: Victimization in" A Streetcar Named Desire". Theatre Journal, 38(3), 322-338. (https://www.jstor.org/stable/3208047) 2. Corrigan, M. A. (1976). Realism and Theatricalism in A Streetcar Named Desire. Modern Drama, 19(4), 385-396. (https://muse.jhu.edu/pub/50/article/497088/summary) 3. Quirino, L. (1983). The Cards Indicate a Voyage on'A Streetcar Named Desire'. Contemporary Literary Criticism, 30. (https://go.gale.com/ps/i.do?id=GALE%7CH1100001571&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00913421&p=LitRC&sw=w&userGroupName=anon%7E8abc495e) 4. Corrigan, M. A. (2019). Realism and Theatricalism in A Streetcar Named Desire. In Essays on Modern American Drama (pp. 27-38). University of Toronto Press. (https://www.degruyter.com/document/doi/10.3138/9781487577803-004/html?lang=de) 5. Van Duyvenbode, R. (2001). Darkness Made Visible: Miscegenation, Masquerade and the Signified Racial Other in Tennessee Williams' Baby Doll and A Streetcar Named Desire. Journal of American Studies, 35(2), 203-215. (https://www.cambridge.org/core/journals/journal-of-american-studies/article/abs/darkness-made-visible-miscegenation-masquerade-and-the-signified-racial-other-in-tennessee-williams-baby-doll-and-a-streetcar-named-desire/B73C386D2422793FB8DC00E0B79B7331) 6. Cahir, L. C. (1994). The Artful Rerouting of A Streetcar Named Desire. Literature/Film Quarterly, 22(2), 72. (https://www.proquest.com/openview/7040761d75f7fd8f9bf37a2f719a28a4/1?pq-origsite=gscholar&cbl=5938) 7. Silvio, J. R. (2002). A Streetcar Named Desire—Psychoanalytic Perspectives. Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry, 30(1), 135-144. (https://guilfordjournals.com/doi/abs/10.1521/jaap.30.1.135.21985) 8. Griffies, W. S. (2007). A streetcar named desire and tennessee Williams' object‐relational conflicts. International Journal of Applied Psychoanalytic Studies, 4(2), 110-127. (https://onlinelibrary.wiley.com/doi/abs/10.1002/aps.127) 9. Shackelford, D. (2000). Is There a Gay Man in This Text?: Subverting the Closet in A Streetcar Named Desire. In Literature and Homosexuality (pp. 135-159). Brill. (https://brill.com/display/book/9789004483460/B9789004483460_s010.xml)

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A Streetcar Named Desire

Tennessee williams.

streetcar named desire ap lit essay

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Theme Analysis

Sexual Desire Theme Icon

Many critics believe that Williams invented the idea of desire for the 20th century. The power of sexual desire is the engine propelling A Streetcar Named Desire : all of the characters are driven by “that rattle-trap street-car” in various ways.

Much of Blanche’s conception of how she operates in the world relies on her perception of herself as an object of male sexual desire. Her interactions with men always begin with flirtation. Blanche tells Stella that she and Stanley smoothed things over when she began to flirt with him. When Blanche meets Stanley’s poker-playing friends, she lights upon Mitch as a possible suitor and adopts the guise of a chaste lover for him to pursue.

Blanche nearly attacks the Young Man with her aggressive sexuality, flirting heavily with him and kissing him. Blanche dresses provocatively in red satin, silks, costume jewelry, etc: she calls attention to her body and her femininity through her carefully cultivated appearance. Blanche clings to her sexuality more and more desperately as the play progresses. To Blanche, perhaps motivated by her discovery that her first husband was in fact homosexual, losing her desirability is akin to losing her identity and her reason to live.

Stella’s desire for Stanley pulls her away from Belle Reve and her past. Stella is drawn to Stanley’s brute, animal sexuality, and he is drawn to her traditional, domestic, feminine sexuality. Stella is pregnant: her sexuality is deeply tied to both womanliness and motherhood. Even though Stanley is violent to Stella, their sexual dynamic keeps them together. When Blanche is horrified that Stanley beats Stella, Stella explains that the things that a man and a woman do together in the dark maintain their relationship.

Stanley’s sexuality and his masculinity are extremely interconnected: he radiates a raw, violent, brute animal magnetism. Stanley’s sexuality asserts itself violently over both Stella and Blanche. Although he hits Stella, she continues to stay with him and to submit to his force. While Stella is at the hospital giving birth to his child, Stanley rapes Blanche: the culmination of his sexual act with Stella coincides with the tragic culmination of his destined date with Blanche.

Throughout the play, sexual desire is linked to destruction. Even in supposedly loving relationships, sexual desire and violence are yoked: Stanley hits Stella, and Steve beats Eunice . The “epic fornications” of the DuBois ancestors created a chain reaction that has culminated in the loss of the family estate. Blanche’s pursuit of sexual desire has led to the loss of Belle Reve, her expulsion from Laurel, and her eventual removal from society. Stanley’s voracious carnal desire culminates in his rape of Blanche. Blanche’s husband’s “unacceptable” homosexual desire leads to his suicide.

Sexual Desire ThemeTracker

A Streetcar Named Desire PDF

Sexual Desire Quotes in A Streetcar Named Desire

They told me to take a street-car named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at—Elysian Fields!

Fantasy and Delusion Theme Icon

Sit there and stare at me, thinking I let the place go? I let the place go? Where were you ! In bed with your–Polack!

Masculinity and Physicality Theme Icon

Since earliest manhood the center of [Stanley’s] life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependently, but with the power and pride of a richly feathered male bird among hens.

I never met a woman that didn’t know if she was good-looking or not without being told, and some of them give themselves credit for more than they’ve got.

Now let’s cut the re-bop!

After all, a woman’s charm is fifty percent illusion.

Oh, I guess he’s just not the type that goes for jasmine perfume, but maybe he’s what we need to mix with our blood now that we’ve lost Belle Reve.

The kitchen now suggests that sort of lurid nocturnal brilliance, the raw colors of childhood’s spectrum.

STELL-LAHHHHH!

There are things that happen between a man and a woman in the dark–that sort of make everything else seem–unimportant.

What you are talking about is brutal desire–just–Desire!–the name of that rattle-trap street-car that bangs through the Quarter.

Don’t–don’t hang back with the brutes!

Young man! Young, young, young man! Has anyone ever told you that you look like a young Prince out of the Arabian Nights?

Sometimes–there’s God–so quickly!

It’s only a paper moon, Just as phony as it can be–But it wouldn’t be make-believe If you believed in me!

I told you already I don’t want none of his liquor and I mean it. You ought to lay off his liquor. He says you’ve been lapping it up all summer like a wild-cat!

I don’t want realism. I want magic!

Tiger–tiger! Drop the bottle-top! Drop it! We’ve had this date with each other from the beginning!

Please don’t get up. I’m only passing through.

You left nothing here but spilt talcum and old empty perfume bottles–unless it’s the paper lantern you want to take with you. You want the lantern?

Whoever you are—I have always depended on the kindness of strangers.

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Streetcar Named Desire, A - 30 Books and AP Teaching Unit

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Author(s): Williams, Tennessee
Copyright: 0
Weight: 14.40 lbs.
Item Code: 305042
ISBN: 9781935464242

A Streetcar Named Desire follows the misfortune and downward spiral of a Southern belle.

This AP* Literature Teaching Unit helps you teach A Streetcar Named Desire and at the same time prepare your students for the AP Literature and Composition Exam. It's easy to add this unit to your lesson plan, and it will save you hours of preparation.

Every AP Literature Teaching Unit includes:

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  • A list of academic objectives your students will meet in the course of completing the unit
  • Detailed lecture notes on essential information about the book
  • Answer keys for the multiple-choice test and study guide questions

This package contains 30 copies of A Streetcar Named Desire and its AP Literature Teaching Unit.

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IMAGES

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COMMENTS

  1. A Streetcar Named Desire Study Guide

    Key Facts about A Streetcar Named Desire. Full Title: A Streetcar Named Desire. When Written: 1946-7. Where Written: New York, Los Angeles, and New Orleans. When Published: Broadway premiere December 3, 1947. Literary Period: Dramatic naturalism. Genre: Psychological drama.

  2. PDF Ap English Literature and Composition 2009 Scoring Guidelines

    sophisticated. The final paragraph is a bit weaker than the rest, but the essay provides a wealth of insightful detail about the play. Plot detail is employed only in the service of analysis and never as an end in itself. Sample: 3B Score: 6 This essay about A Streetcar Named Desire improves as the student writes more, and it convincingly

  3. A Streetcar Named Desire

    A Streetcar Named Desire was written by the great American playwright, Tennessee Williams. It was first played on the stage on Broadway in 1947 after which it became Williams's representative play. It is also considered one of the best plays of the last century and was performed and adapted into several other plays across the globe.

  4. A Streetcar Named Desire Study Guide

    Essays for A Streetcar Named Desire. A Streetcar Named Desire literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of A Streetcar Named Desire. Chekhov's Influence on the Work of Tennessee Williams; Morality and Immorality (The Picture of Dorian Gray and A Streetcar ...

  5. A Streetcar Named Desire: Essay Questions

    A list of potential essay questions to form revision and speed planning practice 'Stella is the lynchpin within the play for better or for worse' In light of this statement, explore William's presentation of relationships in A Streetcar Named Desire. In your answer, you must consider relevant contextual factors. 'Shame lies at the….

  6. A Streetcar Named Desire Themes

    Many critics believe that Williams invented the idea of desire for the 20th century. The power of sexual desire is the engine propelling A Streetcar Named Desire: all of the characters are driven by "that rattle-trap street-car" in various ways. Much of Blanche's conception of how she operates in the world relies on her perception of ...

  7. A Streetcar Named Desire Summary

    Blanche suggests that they contact Shep Huntleigh, a Dallas millionaire, to help them escape. The only thing holding Stella and Stanley together, Blanche says, is the "rattle-trap street-car named Desire.". Stanley, unbeknownst to Stella and Blanche, overhears Blanche criticize Stanley as being coarse and sub-human.

  8. PDF AP English Literature and Composition

    Question 1. (Suggested time—40 minutes. This question counts as one-third of the total essay section score.) Each of the two poems below is concerned with a young man at the age of twenty-one, traditionally the age of adulthood. Read the two poems carefully.

  9. AP Literature A Streetcar Named Desire Test Study Guide

    AP Literature A Streetcar Named Desire Test Study Guide. Get a hint. The name of the street on which Stella and Stanley live, Elysian Fields Avenue, is ironic because. Click the card to flip 👆. Elysian Fields is where nobles go, but nothing is noble about their apartment. Click the card to flip 👆. 1 / 29.

  10. Sample Answers

    This is explained in the opening scene: Blanche travels on a New Orleans streetcar 'named Desire', then changes to one called Cemeteries, to reach her sister's home. This implies that desire leads to death. Making the symbolism more obvious, Blanche tells Stella in Scene Four that the 'streetcar' of desire has led her to the Kowalski ...

  11. A Streetcar Named Desire Essay

    An Examination of The Character of Blanche in a Streetcar Named Desire. 5 pages / 2287 words. In Tennessee Williams' play, A Streetcar Named Desire, the nature of theatricality, "magic," and "realism," all stem from the tragic character, Blanche DuBois. Blanche is both a theatricalizing and self-theatricalizing woman.

  12. A Streetcar Named Desire: What Does the Ending Mean?

    A Streetcar Named Desire ends with the aftermath of Stanley's climactic rape of Blanche. Stella, now a mother, has committed Blanche to a state-run mental institution, taking the rape accusation as evidence her sister has gone insane. What Stella doesn't know is that Stanley's violent and unjustifiable rape of Blanche has severed Blanche ...

  13. AP English Literature: A Streetcar Named Desire

    AP English Literature - A Streetcar Named Desire Novels and plays often depict characters caught between colliding cultures - national, regional, ethnic, religious, institutional. Such collisions can call a character's sense of identity into question. Select a novel or a play in which a character responds to such a cultural collision.

  14. Sexual Desire Theme in A Streetcar Named Desire

    Sexual Desire Theme Analysis. LitCharts assigns a color and icon to each theme in A Streetcar Named Desire, which you can use to track the themes throughout the work. Many critics believe that Williams invented the idea of desire for the 20th century. The power of sexual desire is the engine propelling A Streetcar Named Desire: all of the ...

  15. Streetcar Named Desire, A

    14.40 lbs. Item Code: 305042. ISBN: 9781935464242. A Streetcar Named Desire follows the misfortune and downward spiral of a Southern belle. This AP* Literature Teaching Unit helps you teach A Streetcar Named Desire and at the same time prepare your students for the AP Literature and Composition Exam. It's easy to add this unit to your lesson ...