A special issue of Humanities (ISSN 2076-0787)
Website : https://www.mdpi.com/journal/humanities/special_issues/6L757WY6UC
Call For Papers
Rebellion and revolution have been a part of African American literature from its inception with the 19th century slave narratives that were used in the abolitionist movement to end chattel slavery and counter pro-slavery arguments. These two themes were also prevalent during the Black Arts Movement of the 20th century when Black Arts Movement writers rebelled against the status quo and sought a revolution to center blackness by producing art for, by, and about Black people that complemented the Black Power Movement’s efforts to build economic, social, educational, and political independence for Black people.
While rebellion and revolution are distinct features of these two periods in African American literature where literature and politics melded together, the theme of rebellion and revolution are not exclusive to these periods. Works of literature by African American writers in the century between these two periods, as well as in the post -1970s and into the current millennium, have had rebellion and revolution as a major theme. The very presence of African American literature is an act of resistance especially against status quo, mainstream (i.e. white-authored) literary arts norms, canons and “classics”.
In this special issue of Humanities , we invite submissions on the theme of rebellion and revolution from any period and genre within the African American literary tradition. Indeed, the central concepts of rebellion and revolution are expansive and complex theories, each multifaceted and often overlapping. For our purposes here, rebellion implies a formidable, but temporary or reactive resistance, either individual or collective, against conditions of oppression, and revolutionentails an activity, movement, or shift in paradigm designed to effect long-standing changes to combat oppression and promote equality. Revolution, then, often follows rebellion, but is more proactive.
Some possible questions for consideration include the following:
• How are contemporary Black American writers defining revolution and rebellion in their literary production, and how do these definitions reiterate, reject, or re-envision themes of rebellion/revolution at the onset of the Black American literary tradition?
• How does the trope of rebellion/revolution get interwoven into works by African American writers?
• In terms of our capitalist economy, what are some of the social paradoxes represented in rebellion/revolution literature, and what are some of the suggested ways writers encourage readers to unpack and resolve the paradoxes of liberation and empowerment?
• What seems to be the link between rebellion/revolution and collective African American cultural and socio-historical experience?
• What are the ways in which Black American literature galvanizes and transforms theories of rebellion/revolution into a meaningful action? • What, according to African American literature have been the foremost struggles confronting Black people since their 17th Century forced arrival in the United States?
• What have been the most effective mechanisms/devices/tools (protest, …) implemented by Black Americans to combat those struggles?
• What are the ways in which literature reflects or represents the specific, on-going struggles confronting Black existence in the United States?
• Who have been the most prescient literary voices advocating for rebellion/revolution to ensure the well-being of African Americans?
• How might we talk about Black American literature as a form of activism?
Keywords:
African American, Literature, Rebellion, Revolution
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website . Once you are registered, click here to go to the submission form . Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access semimonthly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
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Guest Essay
By Tahmima Anam
Ms. Anam is a Bangladeshi-born novelist.
In Bangladesh, we are experts at erasing history.
Ever since our young nation was born 53 years ago in a traumatic war of liberation from Pakistan, historical amnesia and censorship have afflicted Bangladeshis like a chronic illness. When a regime is toppled, its successor moves quickly to erase the symbols and legacy of the previous one as if it had never existed.
That is why, for decades, when one of the two political parties that have dominated Bangladesh — the Awami League and the Bangladesh Nationalist Party — was in power, the other would often boycott Parliament or refuse to participate in elections it alleged were rigged. There has never been a healthy relationship between the people in power and those who oppose them. Party was always placed before country.
This has been a curse, preventing solid democratic institutions from flourishing in Bangladesh and making our politics fractious, hateful and peppered with violence and counterviolence.
The unexpected revolution that toppled the increasingly autocratic and corrupt rule of Prime Minister Sheikh Hasina this month offers Bangladesh a chance to break free of this cycle. What makes this revolution unprecedented and so meaningful is that it was a grass-roots movement led by idealistic university students, not one of the warring main political parties. As a Bangladeshi, I am watching with jubilation.
Yet, I also worry that the old Bangladeshi reflex to expunge the past is kicking in.
Just a few weeks ago, when visitors flew into Dhaka, the capital, they were greeted at the airport by an enormous mural of Sheikh Mujibur Rahman, Ms. Hasina’s father, who was the leader of Bangladesh’s 1971 independence movement and the nation’s founding figure. In 1975, when he was president, he was assassinated in a military coup along with most of his family. The mural’s caption welcomed travelers to “Mujib’s Bangladesh.”
Since Ms. Hasina’s overthrow, portraits and statues of Sheikh Mujib are being defaced and taken down across the country. His former home, which had become a museum to his memory, was looted and set on fire . Ms. Hasina’s declaration of Aug. 15 — the anniversary of her father’s assassination — as a national day of mourning was canceled .
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