case study house 9

• Case Study House 9: The Entenza House

Case Study House #9, the Entenza House, was designed for Arts & Architecture owner and editor John Entenza as part of his innovative Case Study House program. The property is situated in the Pacific Palisades next door to the Eames House on a bluff overlooking the Pacific Ocean.

The Entenza House

The  Los Angeles Conservancy  described Case Study House #9’s (also known as The Entenza House) design plan:

“Designed by Charles Eames and Eero Saarinen and completed in 1950, the house is modular in plan and features steel frame construction. But in contrast to many modern residences utilizing steel frame construction, that of the Entenza House is not actually revealed, but concealed with wood-paneled cladding. Entenza frequently entertained, so the house consists of mostly public and very little private space. The room arrangement included two bedrooms, a study, two bathrooms, kitchen, large open living/dining area, utility room, and garage. A large, sunken living room with a built-in seating area facilitates conversation.

The house is primarily sheathed in Truscon Ferrobord with the ocean-facing elevation glazed by Libby-Owens-Ford glass with Truscon steel window framing. The east elevation consists of a lightweight concrete block by Rocklite. The design of Case Study House #9 exemplifies the concept of merging interior and exterior spaces through glass expanses and seamless materials.”

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A Virtual Look Into Eames and Saarinen's Case Study House #9, The Entenza House

• Written by Christa Gebert, Archilogic
• Published on February 24, 2016

This month's interactive 3D floor plan shows a simple and beautiful steel frame structure designed by Charles Eames and Eero Saarinen . The Case Study House Program , initiated by John Entenza in 1945 in Los Angeles, was conceived to offer to the public models of a low cost and modern housing. Predicting the building boom after World War II, Entenza invited renowned architects such as Richard Neutra to design and build houses for clients, using donated materials from manufacturers and the building industry.

Entenza was the editor of the monthly magazine Arts & Architecture , in which he published the ideas of the participating architects that he had invited. Two of those architects were Eero Saarinen and Charles Eames , who for Case Study House number 6, Entenza commissioned to design his own home. The house was built just a few meters away from Charles and Ray Eames’ house which the duo also constructed as part of the Case Study program.

The Eames House consisted of two double height adjacent pavilions and was originally designed by Charles Eames and Eero Saarinen . It was substantially modified by Charles with his wife Ray during the building process. Due to these changes in the Eames House design – and despite certain similarities with the Entenza house in the treatment of the facade – a writer in a contemporary journal wrote, that they were “technological twins but architectural opposites”[1]; the Eames house could be described as vertical while the form of the Entenza house was much more horizontal.

The Entenza house, by comparison, did not go through many modifications. It was built in 1949 almost exactly the way it was published in Arts and Architecture , as a rigorous steel and glass construction with an open and adaptable space, which could be modified depending on the number of family members and guests. The architects placed four columns in the center of the structure with the goal of creating a spacious interior with as little obstruction as possible. In keeping with this principle, the communal area of the house, which was 11 meters (36 feet) long, could be divided into different relaxation, dining and meeting areas. The floor in the living room had different levels, which created steps that could be used as informal seats.

The materials inside the house consisted of plastered floors and wood-paneled walls, while the ceiling was covered with birch wood slats. A chimney was placed in the center of the living space, and the bedroom was exposed to the seating area – on a slightly raised level so that the floor of the bedroom encountered the top of the seat-backs – but could also be shut off from view by sliding walls. Sliding glass doors created the impression of an expansive inside space. They gave a view to the exterior prairie landscape and the nearby ocean.

Entenza lived and worked in his house for five years. Once he sold the house, the original design was changed several times. Other houses were built on the plot, which had a significant impact on the overall appearance of the site.

Christa Gebert is curator of Alte Fabrik and an admirer of the Case Study House Program. The 3D model included in this article was created by Orest Karaskevych of Archilogic. Photographs by Andrew B. Hurvitz .

Don't miss Archilogic's previous models shared on ArchDaily:

• Case Study House #6 / Richard Neutra
• Case Study House #22 / Pierre Koenig
• Case Study House #21 / Pierre Koenig
• Case Study House #8 / Charles & Ray Eames
• Farnsworth House / Mies van der Rohe
• Barcelona Pavilion / Mies van der Rohe
• Quoted in Elizabeth A.T. Smith, Case Study Houses , (Taschen-Verlag, 2006) p.27

• Sustainability

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Eames 和 Saarinen 的虚拟经典住宅案例研究 #9, 伊坦萨住宅

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Entenza House / Case Study House nº9

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Entenza House (Case Study House #9)

The design of Case Study House #9 exemplifies the concept of merging interior and exterior spaces through glass expanses and seamless materials.

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• Charles Eames,
• Eero Saarinen

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• Private Residence - Do Not Disturb

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• Los Angeles

Case Study House #9, also known as the Entenza House, was designed for Arts & Architecture publisher and editor John Entenza as part of his innovative Case Study House program sponsored through the magazine. The property is situated on a primarily flat parcel on a bluff in Pacific Palisades overlooking the Pacific Ocean.

Designed by Charles Eames and Eero Saarinen and completed in 1949, the house is modular in plan and features steel frame construction. But in contrast to many modern residences utilizing steel frame construction, that of the Entenza House is not actually revealed, but concealed with wood-paneled cladding.

Entenza frequently entertained, so the house consists of mostly public and very little private space.

The room arrangement included two bedrooms, a study, two bathrooms, kitchen, large open living/dining area, utility room and garage. A large, sunken living room with a built-in seating area facilitates conversation. 

The house is primarily sheathed in Truscon Ferroboard with the ocean-facing elevation glazed by Libby-Owens-Ford glass with Truscon steel window framing. The east elevation consists of lightweight concrete block by Rocklite. This design exemplified the concept of merging interior and exterior spaces through glass expanses and seamless materials.

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The Entenza House by Charles & Ray Eames, Eero Saarinen & Associates

Nestled in the lush green seaside Pacific Palisades in southern California lies the Entenza House, a private residence of 150 sqm demonstrating a perfect blend of outdoor and indoor spaces with glass expanses and seamless materials. It is the ninth house of the Case Study House program, designed by Industrial designers Charles and Ray Eames and Architect Eero Saarinen for John Entenza between 1945 and 1950.

Design of Entenza House

In response to the post second world war housing crisis, John Entenza initiated the case study House program to demonstrate minimalist houses employing open plans, easy-to-build technologies, and low-cost building materials . Regarded in the list of National Historic Places in 2013, the Entenza House was conceived by Charles & Ray Eames, Eero Saarinen & Associates for the initiator of the program himself. As per the modern style, the house features simple volumes, panoramic windows, open plans, and new materials like steel frames, concrete, plywood panels, and glass. Unlike other houses of the case study house program that celebrated the structural system, Entenza’s house makes no overt reference. In an attempt to focus attention to the views and space inside instead of the building itself, most of the framework is hidden using wooden cladding. The project is conceptualised with ​​an elastic space in which the space varies depending on the occasional occupation needs due to guests or family.

Entered from the North, the house is separated from the garage by translucent glass that allows light passage from a skylight. The 36 feet wide living room welcomes visitors, enabling the 

Pacific Ocean view framed by narrow mullions of windows. The sizeable sunken space with a built-in seating area is made to feel large using floor-to-ceiling glass sliding doors along the length of the rear wall. The living room utilises the maximum area of the house as it serves the core intent of facilitating conversations and gatherings required by the owner, being a journalist. The fireplace plays a pivotal role in separating the room into both a vast space and a more intimate one, catering to either a large group of people or a smaller one.

Adjacent to the living room is the dining room, connected to a kitchen separated by a wardrobe wall opening to the south. The corridor leads to a more private area with two bedrooms, two bathrooms, and a utility area. In juxtaposition to the public living area is the private study area, designed to be entirely closed with no windows to avoid distraction. The public area is separated from the private area by height differences.

Materials and Construction Techniques

With their central focus on materials and structural design, the modernist homes featured new materials and construction techniques . The Entenza House by Charles and Ray Eames, Eero Saarinen, and Associates showcases a flexible and simplistic steel frame structure constructed of four-inch H columns supporting twelve-inch open web joints to enclose maximum space within a minimal frame. This allows the bracing and transmitting of most of the load to the perimeter belt getting all the interior elements to support a similar and lighter load. The blurring of the boundaries between inside and outside was possible due to the use of Libby-Owens-Ford glass with Truscon steel window framing complemented by the use of lightweight concrete blocks by Rocklite and Truscon Ferrobord. To simplify the structure the roof above the house was designed to be a concrete slab, finished with birch strips covering the soffits. These new materials aided in reducing the cost of maintenance, heating, and lighting. Of the modular steel construction throughout only four columns are exposed, while the rest are hidden within the walls using drywall panels to achieve comfort and functionality . The interior of the house is finished with plastered and wood-panelled surfaces.

• Sustainability

The plot occupies nearly one hectare in a field overlooking the Pacific Ocean, located at 205 Chautauqua Boulevard, Pacific Palisades, Los Angeles (USA). The Architects Charles and Ray Eames, Eero Saarinen, and Associates designed the house on the premises such that the landscape was perceived to be an extension of it. It was designed so that the house was related to the landscape and its surroundings. Regarded as the master of his craft, Eero Saarinen is one of the most revered architects of the 20th Century. Internationally recognised at the forefront of the design, architecture, filmmaking, and furniture communities, Charles and Ray Eames have made notable contributions to the field. Working in collaboration, they crafted the house of Modern Art and Architecture journalist John Entenza who lived there for five years after its construction. Later, it was inhabited by various owners but remained a private residence. One of the most famous examples of modern architecture in history, it stands testament to the modernist architectural movement that sought to create simple, functional, and beautiful designs that were responsive to the needs of contemporary society.

References:

  Luke Fiederer .The Entenza House (Case Study #9) / Charles & Ray Eames, Eero Saarinen & Associates[online]Available at: https://www.archdaily.com/782050/ad-classics-case-study-house-9-entenza-charles-ray-eames-eero-saarinen-associates

Wikipedia Available at : https://en.wikipedia.org/wiki/Entenza_House  

Eames Office.Case Study House 9,[online]Available at : https://www.eamesoffice.com/the-work/case-study-house-9/

Mid-Century Home. 2015-06-19. The Case Study House 9: Charles Eames Eero Saarinen” .  

Citations for Images/photographs : 

Julius Shulman Photography Archive © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)

Andrew B Hurvitz(2013)

Screenshot from model ©Archilogic

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The Case Study House 9 by Charles Eames and Eero Saarinen

The Case Study House #9, was part of John Entenza’s Case Study House Program launched through his magazine Arts and Architecture in 1945.

This house was designed by Charles Eames and Eero Saarinen for Entenza himself and is considered the twin of the Charles Eames  Case Study House 8 , even if they fulfill totally different needs. They have similar structures and used the same materials and building techniques but they are conceptually different: Entenza’s is vertical while the Eames house is horizontal. A contemporary magazine defined them as “ technological twins but architectural opposites ”.

During the four years after its publication in 1945 and before its completion, the design of the Case Study House 9 changed very little. When finally ready in 1949, it became the first house of the program to have a steel and glass structure with concealed-within plaster and wood-paneled surfaces interiors.

The Case Study House. 9 is built on over an acre of meadow that overlooks the Pacific sea. Eames and Saarinen wanted to interrelate the house with its environment and so they designed it to make the landscape as an extension of the inner space.

The goal was to achieve a spacious inside within a fairly minimal structure . To do so, they placed four steel columns at the center allowing cross bracing and continuity. Also, a floor-to-ceiling sliding-glass door connects the interiors with the surrounding meadow and the ocean beyond.

Even though the building phase suffered of several problems and delays, the result was coherent to its original idea of creating a beautiful living environment . The result was a house with a living room featuring a built-in seating and conversational area to entertain friends and organising dinners: the main Entenza request.

Even though the design process was coherent and clear, always following a clear purpose, Entenza was not stunningly surprised by the result as it sometimes happens when someone has too high expectations.

Entenza lived and worked in the Case Study House #9 for five years before selling it. Since then, it has gone through many changes to its original interior design to please the several owners. Do you live in a mid-century or modernist-inspired contemporary house and want to be featured on MidCenturyHome? Contact us: [email protected]

Photos via Dailyicon

The Case Study Houses Program: Richard Neutra’s Bailey House

The case study houses program: craig ellwood’s case study house 18.

Entenza House (Case Study #9) by Charles & Ray Eames, Eero Saarinen & Associates

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The Return of Eames and Saarinen's Case Study House No. 9

"You will never see anything like this!" trumpets the copy for the new-to-market Entenza House , aka Case Study No. 9 . Which is kinda weird, because we seem to recall seeing something exactly like this on the market not too long ago. Or, to be more accurate, this very same house. Designed by Charles Eames and Eero Saarinen in 1949, the famous steel-frame structure--now converted into a guesthouse for a 9,500 square foot contemporary designed by Barry Berkus-- last changed hands in June 2010 for $10 million. The one-acre property, located in the Pacific Palisades near Case Studies No. 8 (the Eames House), No. 18 (by Rodney Walker), and No. 20 (Richard Neutra's Bailey House), was put back up for sale yesterday, with a beefed up price tag of $15.95 million . Per the listing, its features include an art gallery, two offices, a library, two kitchens, nine bathrooms, "two garages for four cars, plus off street for another 20+," a pool, and wine cellar. Virtual tour can be found here . · Case Study No 9 in the Palisades Finally Goes [Curbed LA] · 205 CHAUTAUQUA [Redfin] · The Case Study House Map of Los Angeles [Curbed LA]

Entenza House

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10 Iconic Case Study Houses in Southern California

Architectural photographer Julius Shulman’s iconic image of Pierre Koenig’s 1960 modernist masterpiece, the Stahl House—also known as Case Study House #22—shows the Hollywood Hills residence overlooking the sprawling City of Angels. It turned the photogenic Stahl House into the virtual "poster child" for a series of homes centered around the greater Los Angeles area known as the Case Study Houses.

The homes in the Case Study House Program were built between 1945 and 1966 when Arts & Architecture magazine commissioned the major architects of the day to create inexpensive and replicable model homes to accommodate the housing boom in the United States caused by the flood of returning soldiers at the end of World War II. The resulting experiment in American home design involved many of the great architects of the day, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen—and had a major impact on modern residential architecture. 

Of the 36 houses and apartment buildings that were commissioned, only a couple dozen were built, with around 20 still standing today. Ten  were added to the National Register  in 2013. While most of the homes are still private residences, some—like the Eames and Stahl Houses—are open to the public for tours. Here are some of our favorite Case Study Houses, in no particular order.

Renowned architectural photographer Julius Shulman’s famous photos of Pierre Koenig’s Stahl House helped make it one of the most famous designs from the Case Study House program.

The Stahl House (Case Study House #22)

Pierre Koenig’s Stahl House remains one of the most famous Case Study Houses, and one of L.A.’s best-known midcentury residences. In the years since it was completed in 1960, the Hollywood Hills home been featured in numerous films , fashion shoots, and advertising campaigns. (Renowned architectural photographer Julius Shulman’s iconic photos of the glass-and-steel house  are credited with helping to immortalize it.)

Pierre Koenig also designed the midcentury-modern Bailey House for the Case Study House program.

The Bailey House (Case Study House #21)

Lesser known than Stahl House, but equally representative of the Case Study House program vision, is Koenig’s Bailey House, also in the Hollywood Hills. Completed in 1959, the simple, flat-roofed, one-story box is built mostly of steel and glass. Koenig oriented it on a north/south axis to trap the sun’s warmth in the winter and screen it out during summer. 

Charles and Ray Eames built the 1949 Eames House as their home and studio.

The Eames House (Case Study House #8)

Located in L.A.’s Pacific Palisades neighborhood, the Eames House is a landmark of midcentury-modern architecture. Constructed in 1949 by husband-and-wife team Charles and Ray Eames , the modular house consists of two glass-and-steel rectangular boxes: one served as their longtime residence, while the other was their studio. The facades are comprised of black-painted grids with different-sized glass inserts (clear, translucent, or wired), Cemesto panels , stucco, aluminum, and specially treated panels, some painted white or in primary colors that lend a Mondrian-style touch to the exterior.

Saul and Dr. Ruth Bass pictured poolside at Case Study House #20B in Altadena, California.

The Bass House (Case Study House #20B)

The 1958 Bass House in Altadena, California, differs from other Case Study Houses of the late ’50s in that it was built primarily out of wood, instead of steel. Architectural firm Buff, Straub, and Hensman worked closely with the owners, renowned graphic illustrator Saul Bass and his wife, biochemist Dr. Ruth Bass, for the design of the post-and-beam construction. The architects were interested in the possibilities of wood as it pertained to mass production in home building.

Case Study House #1 by Julius Ralph Davidson was not actually the first home completed for the program. 

Case Study House #1

Despite its numbering, this 1948 home designed by Julius Ralph Davidson was not the first to be completed as part the Case Study House program. (Davidson’s Case Study House #11, completed in 1946, actually won that distinction, but was later also unfortunately the first to be demolished.) The 2,000-square-foot residence, constructed on a gently sloping lot in L.A.’s Toluca Lake neighborhood, incorporates architectural elements that came to characterize the program, including floor-to-ceiling glass, a flat roof, an open floor plan, and multipurpose rooms.

Craig Ellwood’s Case Study House #16 sits in the hills of L.A.’s Bel Air neighborhood.

Case Study House #16

This one-story, flat-roofed home was the first of three Case Study Houses designed by Craig Ellwood. The steel, glass, and concrete residence was completed in 1952 in L.A.’s Bel Air neighborhood. Today, it’s the only surviving, intact example of Ellwood’s designs for the program.

Charles Eames and Eero Saarinen designed the Entenza House adjacent to the Eames House.

The Entenza House (Case Study House #9)

Designed by Charles Eames and Eero Saarinen and completed in 1949, the Entenza House is situated on a flat bluff in the Pacific Palisades overlooking the Pacific Ocean (adjacent to the Eames House). The modular home features a steel frame construction concealed with wood-paneled cladding.

The West House by Rodney Walker marks the first of four adjacent Case Study Houses on Pacific Palisades’s Chautauqua Boulevard.

The West House (Case Study House #18)

Rodney Walker’s West House, completed in 1948, was the first of four adjacent Case Study Houses on Chautauqua Boulevard in Pacific Palisades. The neighboring Case Study Houses #8, #9, and #20 were completed within the next two years. The 1,600-square-foot home takes full advantage of panoramic ocean views with floor-to-ceiling glass panels. 

Richard Neutra’s only built Case Study House design is the Bailey House in Pacific Palisades.

The Bailey House (Case Study House #20)

Built in 1948, the two-bedroom Bailey House marks the only Case Study House designed by Richard Neutra that was actually built. Working with limited square footage and a low budget, the architect employed a classic midcentury layout: open, with flexible living areas, and large, floor-to-ceiling glass sliding doors.

Case Study House #23A, completed in 1960, marks the largest of three adjacent single-family homes intended to be a pilot project for a large tract of houses in San Diego’s La Jolla area.

Triad (Case Study House #23A)

Case Study House #23A is the largest of three adjacent single-family residences that form the Triad in San Diego’s La Jolla neighborhood, completed in 1960. The three homes, designed by the architectural firm of Edward Killingsworth, Jules Brady, and Waugh Smith, were planned to be the pilot project for a large tract of houses, but only the Triad was ever built. The goal for the three homes was to design in a manner that created a close relationship between the houses, while still maintaining privacy.

Top photo of the Stahl House by @christineevi

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Above photo: Case Study House #9. Photo: Julius Shulman / Getty Archives

Sponsored by Arts & Architecture magazine the Case Study Houses were experiments in residential architecture initiated as a response to the growing need for housing in post-World War II America. At the end of the war millions of soldiers were returning home and the need to address the increased demand in housing prompted many organizations and corporations to come up possible solutions to the housing problem. John Entenza, editor of Arts & Architecture magazine commissioned major architects of the day, including Richard Neutra, A. Quincy Jones, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, and Eero Saarinen to design and build inexpensive and efficient model homes.

The program announcement stated that, “Each house must be capable of duplication and in no sense be an individual ‘performance’… It is important that the best material available be used in the best possible way in order to arrive at a ‘good’ solution of each problem, which in the overall program will be general enough to be of practical assistance to the average American in search of a home in which he can afford to live.”

John Entenza with his neighbors Charles and Ray Eames.

Steel frame construction of CSH #9. Photo: Taschen

The cover of the 1945 issue of Arts and Architecture magazine in which the Case Study House program was announced.

Early architectural illustration of CSH #9. Photo: Julius Shulman / Getty Archives

The Case Study Program ran from 1945 until 1966 with the first six houses being built by 1948. These first houses attracted more than 350,000 visitors and captured the public’s imagination by introducing new ideas about how they might live in the future. Of the 36 Case Study House designs 26 were built, mostly in California with one in Arizona. As the program progressed it veered away from its original intent of designing low cost, mass housing concepts to more academic exercises in architectural process and experimentation. The last Case Study House to be built was #28, located in Thousand Oaks, California and was designed by Buff and Hensman in 1966.

Putting his money where his mouth was Arts & Architecture’s editor John Entenza commissioned Eero Saarinen and Charles Eames to design a Case Study home for him. To be located next door to the home of Charles and Ray Eames (Case Study House #8) in Pacific Palisades, California, the Entenza House would become Case Study House #9. Bearing many similarities to Eames’ previous work with his own house, CSH #9 utilized many of the same materials and building approach. One of the first to use steel framing the design of CSH #9 is essentially a steel-framed glass box with massive floor to ceiling windows. John Entenza – who claimed to have no concerns over privacy – was a man who also liked to entertain and insisted upon a flexible, open plan that offered seamless indoor to outdoor zones.

Completed in 1950 Case Study House #9 is often overshadowed by the fame of its neighbor #8 and the famous couple that lived there. It’s not a star like the Stahl House, #22 and not as lauded for its design ‘purity’ like the Baily House, #21B but it is, perhaps, the closest the Case Study experiment came to realizing its initial goal of building livable, well-designed and – most importantly – accessible homes to the average consumer.

Recent photo of CSH #9. Photo: Taschen

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Lovely! The recent photos are very inviting, suggesting that it is still being well taken care of.

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Photo, Print, Drawing [Case Study House No. 9 for John Entenza (Pacific Palisades, Los Angeles, California). Elevations]

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About this Item

• [Case Study House No. 9 for John Entenza (Pacific Palisades, Los Angeles, California). Elevations]
• Eames, Charles, architect
• Saarinen, Eero, 1910-1961, architect

Created / Published

• -  Entenza, John--1903---Homes & haunts--California--Los Angeles
• -  Case Study House No. 9 (Los Angeles, Calif.)--1940-1950
• -  Houses--California--Los Angeles--1940-1950
• Architectural drawings--1940-1950.
• Elevations--1940-1950.
• Elevations--1940-1950
• Architectural drawings--1940-1950
• -  House designed by Charles Eames and Eero Saarinen.
• -  Unprocessed in PR 13 CN 1989:150.5. Conservation control no. 8.95.835.111.
• 1 drawing on tracing paper : graphite and colored ink.

Call Number/Physical Location

• Unprocessed in PR 13 CN 1989:150.5. Conservation control no. 8.95.835.111 [item] [P&P]

Source Collection

• Work of Charles and Ray Eames (Library of Congress)
• Library of Congress Prints and Photographs Division Washington, D.C., 20540 USA
• cph 3c21508 //hdl.loc.gov/loc.pnp/cph.3c21508

Library of Congress Control Number

Reproduction number.

• LC-USZ62-121508 (b&w film copy neg.)

Rights Advisory

• Publication may be restricted. For information see "The Work of Charles and Ray Eames" ( http://lcweb.loc.gov/rr/print/res/069_eame.html )

Online Format

Lccn permalink.

• https://lccn.loc.gov/00650045

Additional Metadata Formats

• MARCXML Record
• MODS Record
• Dublin Core Record
• Miscellaneous Items in High Demand (118,461)
• Prints & Photographs Online Catalog (Library of Congress) (953,578)
• Prints and Photographs Division (1,077,949)
• Library of Congress Online Catalog (1,582,454)
• Photo, Print, Drawing

Contributor

• Eames, Charles
• Saarinen, Eero
• Los Angeles
• Architectural Drawings
• Case Study House No. 9 (Los Angeles, Calif.)
• Entenza, John
• Homes & Haunts

Rights & Access

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• Rights Advisory : Publication may be restricted. For information see "The Work of Charles and Ray Eames" ( http://lcweb.loc.gov/rr/print/res/069_eame.html )
• Reproduction Number : LC-USZ62-121508 (b&w film copy neg.)
• Call Number : Unprocessed in PR 13 CN 1989:150.5. Conservation control no. 8.95.835.111 [item] [P&P]
• Access Advisory : ---

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Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Eames, Charles, Architect, and Eero Saarinen. Case Study House No. 9 for John Entenza Pacific Palisades, Los Angeles, California. Elevations . California Los Angeles, ca. 1948. Photograph. https://www.loc.gov/item/00650045/.

APA citation style:

Eames, C. & Saarinen, E. (ca. 1948) Case Study House No. 9 for John Entenza Pacific Palisades, Los Angeles, California. Elevations . California Los Angeles, ca. 1948. [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/00650045/.

MLA citation style:

Eames, Charles, Architect, and Eero Saarinen. Case Study House No. 9 for John Entenza Pacific Palisades, Los Angeles, California. Elevations . Photograph. Retrieved from the Library of Congress, <www.loc.gov/item/00650045/>.