glasgow university phd creative writing

15 Best universities for Creative Writing in Scotland

Updated: February 29, 2024

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Below is a list of best universities in Scotland ranked based on their research performance in Creative Writing. A graph of 60.2K citations received by 5.59K academic papers made by 15 universities in Scotland was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles.

1. University of Edinburgh

For Creative Writing

2. University of Glasgow

3. University of St Andrews

4. University of Strathclyde

5. University of Aberdeen

6. University of Stirling

7. University of Dundee

8. University of the West of Scotland

9. Heriot-Watt University

10. Edinburgh Napier University

11. Glasgow Caledonian University

12. Robert Gordon University

13. Queen Margaret University

14. Abertay University

15. Glasgow School of Art

Closest to Scotland states to learn Creative Writing

Art & Design subfields in Scotland

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Course type

Qualification, university name, phd creative writing in scotland.

3 degrees at 3 universities in Scotland.

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About Postgraduate Creative Writing

Creative writing extends beyond the boundaries of normal professional journalism or academic forms of literature. It is often associated with fiction and poetry, but primarily emphasises narrative craft, character development, and the use of traditional literary forms.

A PhD level exploration of creative writing is a three-year full-time programme, where candidates delve into the complexities of literary expression, developing their own research and create projects with the goal of making an original contribution to the field.

There are more than fifty creative writing PhD programmes in the UK, and these give candidates a platform to fully immerse themselves in their ideas and take their work to the next level.

What to expect

A PhD in creative writing offers the time and space to develop personal creative methods, combined with advanced workshops, critical seminars, and guest lectures from working authors. Under an academic mentor's supervision, candidates typically work towards completing a novel, poetry collection or screenplay.

Postgraduate programmes such as these often foster a supportive community of writers and scholars, and collaboration with peers is encouraged. Graduates can expect to emerge as confident and aspirational authors, with a developed style and professional aspiration, prepared for careers in writing, publishing, academia, or other creative industries. The degree provides a pathway for making significant contributions to the world of literature through original and innovative creative works.

Related subjects:

• PhD Creative Writing
• PhD Broadcasting Studies
• PhD Communication Studies
• PhD Communications and Media
• PhD Film Studies
• PhD Media Studies
• PhD Television Studies
• PhD Visual Communication
• PhD Writing

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PhD/ MPhil/ MRes Creative Writing

University of strathclyde.

As well as the popular MLitt in Creative Writing, we also offer a research-led Creative Writing route, which may suit those who wish to Read more...

• 3 years Full time degree: £4,786 per year (UK)

Creative Writing PhD

The university of edinburgh.

The PhD in Creative Writing provides the capstone to the postgraduate Creative Writing suite, offering students graduating from the MSc an Read more...

• 6 years Part time degree: £2,393 per year (UK)

University of Aberdeen

Our Creative Writing PhD programme offers a dedicated, supportive and multi-award winning team of full-time supervisory staff specialising Read more...

Course type:

• Full time PhD
• Part time PhD

Qualification:

Related subjects:.

Creative writing

Here in Scotland, storytelling is at the heart of our culture, and in Glasgow particularly, literary culture is varied and rich. Whether you’re interested in poetry, fiction, creative non-fiction, or screenwriting, we'll guide you towards telling the best story possible, in a city full of opportunity and inspiration.

Creative Writing has had a strong profile at Strathclyde for many years. Some of our students and staff have won, or been listed for, major international prizes and grants from awarding bodies including Creative Scotland, the Arts & Humanities Research Council (AHRC); the Wyndham-Campbell Literature Prize, Dylan Thomas Prize, Somerset Maugham Prize, Authors’ Club Novel Award and the Desmond Elliot Prize (for the best first novel in the UK).

Former staff and students include:

• Zoë Wicomb (South African-Scottish novelist and short story writer, author of You Can’t Get Lost in Cape Town, now Emeritus Professor)
• David Kinloch (long-time Professor of Poetry at Strathclyde, David is the author of five collections of poetry published by Carcanet, including Un Tour d’Ecosse and Finger of a Frenchman)
• Louise Welsh (author of The Cutting Room and many other successful crime novels)
• Margaret Elphinstone (historical fiction writer, author of The Sea Road)
• Andrew O'Hagan (ex-student, nominated three times for the Booker Prize, novelist and nonfiction author, also Editor at large at the London Review of Books)
• James Kelman (hugely influential winner of the Book Prize for How Late it Was, How Late)
• Ali Smith (multi-award-winning novelist, short story writer and essayist, author of How to Be Both and The Season Quartet)

Until recently, we had the privilege of working with novelist and dramatist, Beatrice Colin, who was a Senior Lecturer in Creative Writing. Sadly, Beatrice passed away in February 2019. She was an inspirational teacher and is much missed by students and staff. An obituary by Gaynor MacFarlane, may be found here . The Beatrice Colin Prize, for the best Creative Writing Dissertation, has been set up in her name.

We combine the best creative instincts with first-hand experience in the creative industries. The world of storytelling is ever-changing, so we make sure to invite only the most relevant industry speakers from the worlds of broadcasting, publishing and digital media. We also regularly work with Glasgow’s Aye Write! Book Festival on events and creative writing workshops, as well as with other partners in the world of publishing, giving students how the real world of publishing works.

In your time with us, you'll be preparing for making a life in writing. Everyone has a story to tell. The challenge lies in learning how to tell it well.

Our areas of research

Work in this area tackles issues relating to sexual orientation and gender. Discover more about our research.

Screenwriting

Drawing from his wide industry experience, Andrew Meehan’s way of looking at screenplay development will inspire any emerging screenwriter and filmmaker.

Contemporary fiction & non-fiction

At the forefront of our work are the latest developments in fiction and creative non-fiction. Here’s why.

Discover more about creative writing

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Postgraduate Courses in Creative Writing in Scotland - 34 Courses

University of aberdeen school of language, literature, music and visual culture.

• Comparative Literature MLitt
• Creative Writing MLitt
• Cultural and Creative Communication MSc
• English Language and Literature MLitt
• Ethnology and Folklore MLitt

The University of Edinburgh School of Literatures, Languages and Cultures

• Creative Writing Doctor of Philosophy - PhD MSc

University of Glasgow School of Critical Studies

• Creative Writing (online) MLitt

Heriot-Watt University Combined Studies

• Pre-Masters Graduate Diploma in Design Studies Pre-Master's Diploma
• Pre-Masters Graduate Diploma in Design Studies (Accelerated) Pre-Master's Diploma

University of St Andrews English

• Creative Writing MLitt Master of Fine Arts - MFA (PG)

University of Stirling Languages, Cultures and Religions

University of Strathclyde Humanities

University of Dundee School of Humanities Social Sciences and Law

• English (PhD) Doctor of Philosophy - PhD
• English (PhD) (Part-Time) Doctor of Philosophy - PhD

Edinburgh Napier University School of Arts and Creative Industries

• Creative Writing MSc
• Screenwriting MA
• Writing Popular Fiction Master of Fine Arts - MFA (PG)

Glasgow Caledonian University Department of Social Sciences, Media and Journalism

• Television Fiction Writing MA

University of the Highlands and Islands (UHI) Humanities, Education and Gaelic

• Highlands and Islands Literature MLitt
• Orkney and Shetland Studies MLitt

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Course Description

Church and Christian faith practices are in the midst of critical sea-change made all the more intense and unsettling by the Covid 19 pandemic. Navigating this contemporary cultural change presents opportunities and challenges for effective Christian discipleship, to re-imagine and experiment in both ancient and new vessels. This course will use biblical and theological perspectives combined with insights from history and the social sciences to provide portals through which to understand and engage with an increasingly disruptive environment. It will include exploring a range of creative expressions of Christian life for both individuals and communities this Advent, and equip people for spiritual renewal in diverse local contexts.

This is an open access course available as a 10-credit course (accredited by the University of Glasgow) or audit-only for those who just wish to engage with the learning programme for their own personal benefit.

Online Practical Theology Short Courses with Trinity College Glasgow & Theology & Religious Studies,  University of Glasgow

CREATIVE WRITING AS SPIRITUAL REFLECTION

Liz MacWhirter is an award-winning writer and theologian. Her Theology through Creative Practice PhD (University of Glasgow) explores Theopoetics and faith in trauma. ‘Black Snow Falling’ (Scotland Street Press, 2018), her debut novel, gained a Carnegie Medal nomination. ‘Blue: a lament for the sea’ has been performed at Yale University GCRE, Mystical Theology Network, All Borders Blur, Hidden Door Arts Festival, IMC. Her Poetry is published by Theology in Scotland, Lucy Writers Cambridge, Yale University GCRE, 4M Netlabel. Liz has spoken at the Edinburgh International Book Festival; Universities of Yale, Oxford, St Andrews; Iona Community; and is a Scottish Book Trust Live Literature Author. As a creative copywriter Liz has won 20 awards. Liz enjoys spending time in nature, and hiking around her home in the Border hills.

This course will enable and support the use of creative writing as a means of theological reflection upon personal, spiritual and contemporary experience. Each week participants will engage with key texts, undertake writing exercises, produce their own creative writing and share their work within small groups. By the end of the course they will have produced a piece of creative writing and a critical reflection on this for assessment and/or feedback. The ethos of the course will be supportive, participatory and require the engaged, respectful participation of all members.

Timetable & Duration

Sept 30th - Nov 25th, 2024

This course will take place online on Monday evenings, 7-9 pm . This course will be taught over 9 weeks (including a one-week break) via meetings & instruction and after class activities.

Introduction to the course

This course will provide the opportunity to:

Provide a supportive environment in which participants will develop their own writing practice.

Consider various models of theological reflection upon personal, spiritual and contemporary cultural issues through creative writing.

Critically engage with key texts on theological reflection through creative writing.

  By the end of this course participants will have:

Produced examples of creative writing and have received feedback on their work from peers and the course tutor.

Employed various models of theological reflection in their creative writing.

Developed an awareness of a number of key themes and issues explored in the literature on reflective theological writing

Course information

This course is conducted online. The directed online instruction will be explored in weekly real-time conversations along with materials and interaction using the learning platform, Moodle. Zoom as an online meeting tool will be used for the real-time conversations and online group times. Access to these tools will be supported by the course administration. More information about the use of these will be provided once enrolled. ​

Learners may choose to undertake assessments, and thus qualify for 10 credit points towards a Higher Education certificate or Glasgow University approved theology programme, or may engage with the learning programme for their own personal benefit without the final assessments. 

£207​​*​

*Priority Area subsidy available for this course. Please contact [email protected] for more information.

Sponsorship or subsidies may also be available through your own church for training or study purposes and we encourage you to approach them with the details of the course.

How to Apply

Notify your interest now via email: TrinityCollegeGlasgow@ gmail.com .

Applications close on Friday the 30th August 2024. 

If you are applying to access a short course online from the UK or internationally, please ensure you have communicated with [email protected] outlining briefly your interest in the course and any experience relevant to the course you are applying for including any former higher or further education. This will help us to ensure you are able to achieve your goals and enjoy the short course experience.  

These courses are delivered through the University of Glasgow. We will contact you with more information and guidance regarding applying, completing your details and payment in time for the course start date. If you have any questions regarding the process, you can contact us on the above email address. 

If you have any difficulties with this process – please contact Heather O'Connor (office administrator) at :

[email protected]

• Schools & departments

Creative Writing PhD

Awards: PhD

Study modes: Full-time, Part-time

Funding opportunities

Programme website: Creative Writing

Introduction to Postgraduate Study at the University of Edinburgh

Join us online on 25 September to learn more about Scotland, the city of Edinburgh and postgraduate study at the University.

Find out more and register

Research profile

The PhD in Creative Writing offers committed and talented writers the opportunity to study Creative Writing at the highest level.

Supported by an expert supervisory team you will work independently towards the production of a substantial, publishable piece of creative writing, accompanied by a sustained exercise in critical study.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose, fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark - Fiction
• Dr Patrick Errington - Poetry
• Dr Miriam Gamble - Poetry
• Dr Alan Gillis - Poetry
• Nicola McCartney - Drama
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Find out more about the programme and our team

Training and support

We encourage you to share your research and learn from the work of others through a programme of seminars and visiting speakers.

We have an in-house Writer-in-Residence, annual writing prizes, and a range of opportunities to learn from experts in the publishing industry.

We also offer access to opportunities provided by the Sottish Graduate School for Arts & Humanities.

Our postgraduate journal, Forum, is a valuable conduit for research findings and provides an opportunity to gain editorial experience.

• Forum: postgraduate journal of culture and the arts

A UNESCO World City of Literature, Edinburgh is a remarkable place to study, write, publish, discuss and perform prose, poetry and drama.

Take a PhD with us and you will be based in the School of Literatures, Languages and Cultures (LLC) in the historic centre of this world-leading festival city.

Our buildings are close to:

• National Library of Scotland (where collections include the Bute Collection of early modern English drama and the John Murray Archive)
• Edinburgh Central Library
• Scottish Poetry Library
• Scottish Storytelling Centre
• Writers’ Museum
• Traverse Theatre

We have strong links with the Edinburgh International Book Festival, which annually welcomes around 1,000 authors to our literary city.

There are lots of opportunities to write and share your work, from Forum to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you’ll find library readings and bookshop launches, spoken word gigs, cabaret nights and poetry slams, including events run by celebrated publishing outlets, from Canongate and Polygon / Birlinn to Luath Press, 404 Ink, Taproot Press and Mariscat.

You will have access to the University’s many literary treasures, which include:

• William Drummond library
• Lewis Grassic Gibbon library
• Hugh MacDiarmid library
• Norman MacCaig library
• W.H. Auden collection
• Corson collection
• works by and about Sir Walter Scott
• Ramage collection of poetry pamphlets

The Centre for Research Collections also holds a truly exceptional collection of early Shakespeare quartos and other early modern printed plays. These have been put together by the 19th century Shakespearean James Halliwell-Phillipps, the correspondence of Thomas and Jane Welsh Carlyle (the focus of one of the major editorial projects in Victorian studies of the last half-century), and the extensive Laing collection of medieval and early modern manuscripts.

You will also have access to letters and papers by - and relating to - authors including:

• Christopher Isherwood
• Rudyard Kipling
• John Middleton Murry
• Walter de la Mare
• George Mackay Brown
• Compton Mackenzie

Many of the University's Special Collections are digitised and available online from our excellent Resource Centre, Computing Labs, and dedicated PhD study space in the School of Literatures, Languages and Cultures (LLC).

Look inside the PhD study space in LLC

Entry requirements

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK masters degree, or its international equivalent, in creative writing, normally with distinction.

We may also consider your application if you have equivalent qualifications or experience. For additional information please refer to the pre-application guidance in the 'How to apply' section.

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

• Fees and costs

Read our general information on tuition fees and studying costs:

Scholarships and funding

Featured funding.

There are a number of scholarship schemes available to eligible candidates on this PhD programme, including awards from the Arts and Humanities Research Council.

Please be advised that many scholarships have more than one application stage, and early deadlines.

• Find out more about scholarships in literatures, languages and cultures

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: [email protected]
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

This programme is not currently accepting applications. Applications for the next intake usually open in October.

Start date: September

Awards: PhD (36 mth FT, 72 mth PT)

Application deadlines

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Deadlines for applicants applying to study in 2024/25:

• How to apply
• Pre-application guidance

Before you formally apply for this PhD, you should look at the pre-application information and guidance on the programme website.

This will help you decide if this programme is right for you, and help us gain a clearer picture of what you hope to achieve.

The guidance details the writing samples you should send us as part of your application (either fiction or poetry, along with a shorter sample of your academic writing).

It will also give you practical advice for writing your project summary – one of the most important parts of your application.

Find out more about the general application process for postgraduate programmes:

King's College London

Creative writing research phd.

Key information

The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.

Key Benefits

Our unique programme offers students:

• a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops
• purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication
• valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme
• practical experience in public engagement, through curating and chairing public literary events at King’s
• a community of fellow writers and collaborative projects

English Department

We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture.

The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms.

Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature.

Their most recent publications are:

Benjamin Wood

The Young Accomplice (Penguin Viking, 2022) – fiction

A Station on the Path to Somewhere Better (Scribner, 2018) – fiction

Edmund Gordon

The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction

Loop of Jade (Chatto & Windus, 2015) – poetry

Anthony Joseph

Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry

The Frequency of Magic (Peepal Tree Press, 2019) – fiction

Lara Feigel

The Group (John Murray Press, 2020) – fiction

Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction

Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction

Daughters of the Labyrinth (Corsair, 2021) – fiction

Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry

Emerald (Chatto & Windus, 2018) – poetry

Andrew O'Hagan

Mayflies (Faber & Faber, 2020) – fiction

The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction

*may vary according to research leave and availability.

King's Alumni

The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf.

Course Detail

Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College.

At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour.

That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry.

Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme.

After three years (full-time) or six years (part-time), students are expected to submit either:

• a novel or short story collection
• a poetry collection
• a full-length work of creative non-fiction

In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential).

• How to apply
• Fees or Funding

Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s.

UK Tuition Fees 2023/24

Full time tuition fees:

£5,820 per year (MPhil/PhD, Creative Writing)

Part time tuition fees:

£2,910 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2023/24

£22,900 per year (MPhil/PhD, Creative Writing)

£11,450 per year (MPhil/PhD, Creative Writing)

UK Tuition Fees 2024/25

£6,168 per year (MPhil/PhD, Creative Writing)

£3,084 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2024/25

£24,786 per year (MPhil/PhD, Creative Writing)

£12,393 per year (MPhil/PhD, Creative Writing)

These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions.

• Study environment

Base campus

Strand Campus

Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties.

PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced.

We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library.

Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include:

Benjamin Wood (Senior Lecturer in Creative Writing)

Supervises projects in fiction.

Edmund Gordon (Senior Lecturer in Creative Writing)

Supervises projects in fiction and creative non-fiction.

Sarah Howe (Lecturer in Poetry)

Supervises projects in poetry.

Anthony Joseph (Lecturer in Creative Writing)

Supervises projects in poetry and fiction.

Jon Day (Senior Lecturer in English)

Supervises projects in creative non-fiction and fiction

Lara Feigel (Professor of Modern Literature)

Supervises projects in creative non-fiction and fiction.

Ruth Padel (Professor Emerita of Poetry)

Andrew O’Hagan (Visiting Professor)

*Teaching staff may vary according to research leave and availability.

Our programme also incorporates the following taught components:

Thesis Workshop

A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course.

The Writing Life

A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer.

Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson.

Other elements of professional development are included in the degree:

Agents-in-Residence

Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses.

Undergraduate Teaching

Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation.

Reading Series

Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing.

Postgraduate Training

There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions.

Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so.

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Creative Writing, Master of Fine Arts

Department of English

College of Arts and Letters

This program, which involves completing a creative thesis, allows you to balance academic course work in English with the serious study of creative writing.

University Requirements

To receive a master’s degree at Northern Arizona University, you must complete a planned group of courses from one or more subject areas, consisting of at least 30 units of graduate-level courses. Many master’s degree programs require more than 30 units. You must additionally complete:

• All requirements for your specific academic plan(s). This may include a thesis.
• All graduate work with a cumulative grade point average of at least 3.0.
• All work toward the master's degree must be completed within six consecutive years. The six years begins with the semester and year of admission to the program.

Read the full policy here .

In addition to University Requirements:

• Complete individual plan requirements.

Purpose Statement The Master of Fine Arts in Creative Writing balances the study and practice of creative writing with academic coursework in English. Students participate in writing workshops in fiction, nonfiction, and poetry, undertake coursework in literature, and study critical theory. MFA candidates will present a creative thesis of between 45 to 120 pages, depending on genre.  The MFA Program at Northern Arizona University allows you to:   

• live and write in the beautiful, vibrant city of Flagstaff
• focus on poetry, fiction, or creative nonfiction
• participate in intensive writing workshops with dedicated professors

Student Learning Outcomes   Upon completion of the Creative Writing MFA students will be able to:

• Examine, explicate, analyze and evaluate literary texts of considerable difficulty in order to determine the place of the student’s own work within a literary tradition.
• Develop the student’s own critical and aesthetic position, based on recognizing, understanding, and interpreting critical positions and literary arguments of other authors.
• Read and respond thoughtfully and thoroughly to work by other MFA students in order to hone the critical, intellectual, and analytical skills that are crucial to success in a broad range of literary, artistic, cultural and professional fields.
• Investigate the world of literary publishing in order to discover suitable journals, magazines and/or quality trade book publishers to which the student author can submit his/her own finished work.
• Refine skills in drafting, revising and editing in a primary literary genre with the goal of producing a polished creative manuscript of marketable quality.
• public readings,
• interviewing other writers,
• attending outside readings,
• writing book reviews,
• serving on editorial boards, and
• organizing literary events.

Graduate Admission Information

The NAU graduate online application is required for all programs. Admission to many graduate programs is on a competitive basis, and programs may have higher standards than those established by the Graduate College. Admission requirements include the following:

• Transcripts.
• Undergraduate degree from a regionally accredited institution with a 3.0 GPA on a 4.0 scale ("A" = 4.0), or the equivalent.

Visit the NAU Graduate Admissions website for additional information about graduate school application deadlines, eligibility for study, and admissions policies. Ready to apply? Begin your application now.

International applicants have additional admission requirements. Please see the International Graduate Admissions Policy .

Additional Admission Requirements

Individual program admission requirements over and above admission to NAU are required.

• 2 letters of recommendation
• Writing sample
• Personal statement or essay

Master's Requirements

This Master’s degree requires 36 units distributed as follows:

• Creative Writing courses: 12 units
• Supportive coursework: 12 units
• Electives chosen with your advisor’s approval: 6 to 9 units
• Thesis: 3 to 6 units (if 6 units of thesis are selected, it will reduce the number of units of electives required for the degree)
• 500- and 600-level creative writing courses, some of which may be repeated for 9 units of credit (12 units)
• Coursework in literature, literary criticism, literary theory, and/or readings in creative writing (12 units) 
• Electives chosen with your advisor's approval (6-9 units)
• ENG 699 , for the research, writing, and revision of an approved thesis. Please note: You may end up taking more than the 6 units of thesis credit you can count toward your degree because you must register for it each semester while you are working on your thesis. (3-6 units)
• Note that up to 6 units of 400-level literature courses may count toward degree, with advisor approval

Additional Information

Be aware that some courses may have prerequisites that you must also successfully complete. For prerequisite information, click on the course or see your advisor.

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Creative Writing

Hone your craft with the pros, start a lifelong apprenticeship in the literary arts.

The creative writing program that nurtured Dennis Lehane ’88, best-selling author and HBO writer/producer, is now accepting applications to earn B.A. and BFA degrees. But you don’t have to be gunning for a Hollywood contract to enroll. Our liberal arts graduates also go on to MFA programs and careers in journalism, media, PR, editing and publishing, counseling and software design.

Only@Eckerd

Writers in paradise.

Spend 8 days in workshops with writers like Andre Dubus III, Anne Hood, Laura Lippman, Lori Roy, Stewart O’Nan, David Yoo and Laura Williams McCaffrey. This writer’s conference is held on our Florida campus every January.

Facetime with famous authors

You’ll also have the chance to meet and talk with other celebrated writers including Stephen King, Carl Hiaasen, Julianna Baggott and Mark Bowden. These and other literary lights give talks here throughout the year.

Get help paying for college

Need help with finances? In addition to the academic scholarships we hand out upon application, you can apply for the Artistic Achievement Award .

In Their Own Words

Without my mentors through the creative writing department, I wouldn’t be in graduate school studying for my MFA with the opportunities ahead of me to teach and write. With their support, I was able to study travel writing in Paris and London, which was instrumental in my growth as a writer and a person. The creative writing department at Eckerd College is a hidden gem—once you find it, you must hold onto it! —Olivia Jacobson ’22

Beyond the Classroom

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Creative Writing majors have interned on campus with our student newspaper, The Current , and our literary magazine, Eckerd Review . Another recent student was an editing intern at I Love the Burg , a creative agency in downtown St. Petersburg.

Pay it forward by tutoring with Journeys in Journalism . This community program teaches local elementary, middle and high school students how to be reporters, photographers, editors and page designers for their school newspapers.

Spend a term living at our London Study Centre and studying the literature of Great Britain. Includes a week of travel and tickets to epic museums and theatre productions. Or choose from one of 300+ other destinations we offer every year.

Eckerd is just a stone’s throw from some of America’s hottest literary landmarks and events. Check it out:

• The Earnest Hemingway Home
• The Marjorie Kinnan Rawlings historic site
• Miami Book Fair (November)
• Zora Neale Hurston Festival (January)

Popular classes

Craft of writing.

This course reviews poetic and narrative language and introduces the concept of literary texture. Present what you write in class at public readings held on campus once a semester.

Writing Workshop: The Personal Essay

Learn about literary essays by reading masters like Harry Crews, Eudora Welty and Joan Didion. This class explores how to use imagination to shape format, technique and your own personal style.

What can I do with a Creative Writing degree?

• Business Manager
• Educational Assessor
• Media and Newspaper Reporter
• Software Designer of Interactive Fiction
• Technical Writer

Where our Creative Writing majors go to graduate school

• Chapman University
• Emerson College
• Florida International University
• George Mason University
• Hollins College
• Indiana University
• Stanford University
• The Johns Hopkins University
• The University of Miami
• The University of North Carolina at Greensboro
• University of Alabama
• University of Iowa Writers Workshop

Where our Creative Writing majors go to work

• Bluewater Books & Charts
• Dupont Registry
• Novelist & Poet
• St. Petersburg College
• Time Magazine

St. Petersburg, Florida 33711 800.456.9009 or 727.867.1166

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• Subjects A-Z

Creative Writing

Postgraduate research.

• Postgraduate taught degrees
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Glasgow’s creative writing programmes are among the most prestigious in the UK, having launched the careers of many successful writers.

We offer the following research study options: DFA, MFA. Our research areas include:

• Experimental poetry and poetics
• Literary and genre fiction
• Hybrid forms and literary experimental essaying
• Cross-medial projects, eg arts and writing practice
• Conceptual writing.
• Postgraduate research opportunities: Creative Writing

You may want to identify and contact a potential supervisor to discuss your research proposal before you apply.

• Staff research interests search