critical book reviews

How to Write a Critical Book Review

Your review should have two goals: first, to inform the reader about the content of the book, and second, to provide an evaluation that gives your judgment of the book’s quality.

Your introduction should include an overview of the book that both incorporates an encapsulated summary and a sense of your general judgment. This is the equivalent to a thesis statement.

Do NOT spend more than one-third or so of the paper summarizing the book. The summary should consist of a discussion and highlights of the major arguments, features, trends, concepts, themes, ideas, and characteristics of the book. While you may use direct quotes from the book (make sure you always give the page number), such quotes should never be the bulk of the summary. Much of your grade will depend on how well you describe and explain the material IN YOUR OWN WORDS. You might want to take the major organizing themes of the book and use them to organize your own discussion. This does NOT mean, however, that I want a chapter-by-chapter summary. Your goal is a unified essay.

So what do I want, if not just a summary? Throughout your summary, I want you to provide a critique of the book. (Hence the title: “A Critical Book Review.”) A critique consists of thoughts, responses, and reactions. It is not necessarily negative. Nor do you need to know as much about the subject as the author (because you hardly ever will). The skills you need are an ability to follow an argument and test a hypothesis. Regardless of how negative or positive your critique is, you need to be able to justify and support your position.

Here are a number of questions that you can address as part of your critique. You need not answer them all, but questions one and two are essential to any book review, so those must be included. And these are ABSOLUTELY NOT to be answered one after another ( seriatim ). Don’t have one paragraph that answers one, and then the next paragraph that answers the next, etc. The answers should be part of a carefully constructed essay, complete with topic sentences and transitions.

• What is your overall opinion of the book? On what basis has this opinion been formulated? That is, tell the reader what you think and how you arrived at this judgment. What did you expect to learn when you picked up the book? To what extent – and how effectively – were your expectations met? Did you nod in agreement (or off to sleep)? Did you wish you could talk back to the author? Amplify upon and explain your reactions.
• Identify the author’s thesis and explain it in your own words. How clearly and in what context is it stated and, subsequently, developed? To what extent and how effectively (i.e., with what kind of evidence) is this thesis proven? Use examples to amplify your responses. If arguments or perspectives were missing, why do you think this might be?
• What are the author’s aims? How well have they been achieved, especially with regard to the way the book is organized? Are these aims supported or justified? (You might look back at the introduction to the book for help). How closely does the organization follow the author’s aims?
• How are the author’s main points presented, explained, and supported? What assumptions lie behind these points? What would be the most effective way for you to compress and/or reorder the author’s scheme of presentation and argument?
• How effectively does the author draw claims from the material being presented? Are connections between the claims and evidence made clearly and logically? Here you should definitely use examples to support your evaluation.
• What conclusions does the author reach and how clearly are they stated? Do these conclusions follow from the thesis and aims and from the ways in which they were developed? In other words, how effectively does the book come together?
• Identify the assumptions made by the author in both the approach to and the writing of the book. For example, what prior knowledge does the author expect readers to possess? How effectively are those assumptions worked into the overall presentation? What assumptions do you think should not have been made? Why?
• Are you able to detect any underlying philosophy of history held by the author (e.g., progress, decline, cyclical, linear, and random)? If so, how does this philosophy affect the presentation of the argument?
• How does the author see history as being motivated: primarily by the forces of individuals, economics, politics, social factors, nationalism, class, race, gender, something else? What kind of impact does this view of historical motivation have upon the way in which the author develops the book?
• Does the author’s presentation seem fair and accurate? Is the interpretation biased? Can you detect any distortion, exaggeration, or diminishing of material? If so, for what purpose might this have been done, and what effect does hit have on the overall presentation?

These questions are derived from Robert Blackey, “Words to the Whys: Crafting Critical Book Reviews,” The History Teacher, 27.2 (Feb. 1994): 159-66.

– Serena Zabin, Feb. 2003

How to Write Critical Reviews

When you are asked to write a critical review of a book or article, you will need to identify, summarize, and evaluate the ideas and information the author has presented. In other words, you will be examining another person’s thoughts on a topic from your point of view.

Your stand must go beyond your “gut reaction” to the work and be based on your knowledge (readings, lecture, experience) of the topic as well as on factors such as criteria stated in your assignment or discussed by you and your instructor.

Make your stand clear at the beginning of your review, in your evaluations of specific parts, and in your concluding commentary.

Remember that your goal should be to make a few key points about the book or article, not to discuss everything the author writes.

Understanding the Assignment

To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work–deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole.

Analyzing the work will help you focus on how and why the author makes certain points and prevent you from merely summarizing what the author says. Assuming the role of an analytical reader will also help you to determine whether or not the author fulfills the stated purpose of the book or article and enhances your understanding or knowledge of a particular topic.

Be sure to read your assignment thoroughly before you read the article or book. Your instructor may have included specific guidelines for you to follow. Keeping these guidelines in mind as you read the article or book can really help you write your paper!

Also, note where the work connects with what you’ve studied in the course. You can make the most efficient use of your reading and notetaking time if you are an active reader; that is, keep relevant questions in mind and jot down page numbers as well as your responses to ideas that appear to be significant as you read.

Please note: The length of your introduction and overview, the number of points you choose to review, and the length of your conclusion should be proportionate to the page limit stated in your assignment and should reflect the complexity of the material being reviewed as well as the expectations of your reader.

Write the introduction

Below are a few guidelines to help you write the introduction to your critical review.

Introduce your review appropriately

Begin your review with an introduction appropriate to your assignment.

If your assignment asks you to review only one book and not to use outside sources, your introduction will focus on identifying the author, the title, the main topic or issue presented in the book, and the author’s purpose in writing the book.

If your assignment asks you to review the book as it relates to issues or themes discussed in the course, or to review two or more books on the same topic, your introduction must also encompass those expectations.

Explain relationships

For example, before you can review two books on a topic, you must explain to your reader in your introduction how they are related to one another.

Within this shared context (or under this “umbrella”) you can then review comparable aspects of both books, pointing out where the authors agree and differ.

In other words, the more complicated your assignment is, the more your introduction must accomplish.

Finally, the introduction to a book review is always the place for you to establish your position as the reviewer (your thesis about the author’s thesis).

As you write, consider the following questions:

• Is the book a memoir, a treatise, a collection of facts, an extended argument, etc.? Is the article a documentary, a write-up of primary research, a position paper, etc.?
• Who is the author? What does the preface or foreword tell you about the author’s purpose, background, and credentials? What is the author’s approach to the topic (as a journalist? a historian? a researcher?)?
• What is the main topic or problem addressed? How does the work relate to a discipline, to a profession, to a particular audience, or to other works on the topic?
• What is your critical evaluation of the work (your thesis)? Why have you taken that position? What criteria are you basing your position on?

Provide an overview

In your introduction, you will also want to provide an overview. An overview supplies your reader with certain general information not appropriate for including in the introduction but necessary to understanding the body of the review.

Generally, an overview describes your book’s division into chapters, sections, or points of discussion. An overview may also include background information about the topic, about your stand, or about the criteria you will use for evaluation.

The overview and the introduction work together to provide a comprehensive beginning for (a “springboard” into) your review.

• What are the author’s basic premises? What issues are raised, or what themes emerge? What situation (i.e., racism on college campuses) provides a basis for the author’s assertions?
• How informed is my reader? What background information is relevant to the entire book and should be placed here rather than in a body paragraph?

Write the body

The body is the center of your paper, where you draw out your main arguments. Below are some guidelines to help you write it.

Organize using a logical plan

Organize the body of your review according to a logical plan. Here are two options:

• First, summarize, in a series of paragraphs, those major points from the book that you plan to discuss; incorporating each major point into a topic sentence for a paragraph is an effective organizational strategy. Second, discuss and evaluate these points in a following group of paragraphs. (There are two dangers lurking in this pattern–you may allot too many paragraphs to summary and too few to evaluation, or you may re-summarize too many points from the book in your evaluation section.)
• Alternatively, you can summarize and evaluate the major points you have chosen from the book in a point-by-point schema. That means you will discuss and evaluate point one within the same paragraph (or in several if the point is significant and warrants extended discussion) before you summarize and evaluate point two, point three, etc., moving in a logical sequence from point to point to point. Here again, it is effective to use the topic sentence of each paragraph to identify the point from the book that you plan to summarize or evaluate.

Questions to keep in mind as you write

With either organizational pattern, consider the following questions:

• What are the author’s most important points? How do these relate to one another? (Make relationships clear by using transitions: “In contrast,” an equally strong argument,” “moreover,” “a final conclusion,” etc.).
• What types of evidence or information does the author present to support his or her points? Is this evidence convincing, controversial, factual, one-sided, etc.? (Consider the use of primary historical material, case studies, narratives, recent scientific findings, statistics.)
• Where does the author do a good job of conveying factual material as well as personal perspective? Where does the author fail to do so? If solutions to a problem are offered, are they believable, misguided, or promising?
• Which parts of the work (particular arguments, descriptions, chapters, etc.) are most effective and which parts are least effective? Why?
• Where (if at all) does the author convey personal prejudice, support illogical relationships, or present evidence out of its appropriate context?

Keep your opinions distinct and cite your sources

Remember, as you discuss the author’s major points, be sure to distinguish consistently between the author’s opinions and your own.

Keep the summary portions of your discussion concise, remembering that your task as a reviewer is to re-see the author’s work, not to re-tell it.

And, importantly, if you refer to ideas from other books and articles or from lecture and course materials, always document your sources, or else you might wander into the realm of plagiarism.

Include only that material which has relevance for your review and use direct quotations sparingly. The Writing Center has other handouts to help you paraphrase text and introduce quotations.

Write the conclusion

You will want to use the conclusion to state your overall critical evaluation.

You have already discussed the major points the author makes, examined how the author supports arguments, and evaluated the quality or effectiveness of specific aspects of the book or article.

Now you must make an evaluation of the work as a whole, determining such things as whether or not the author achieves the stated or implied purpose and if the work makes a significant contribution to an existing body of knowledge.

Consider the following questions:

• Is the work appropriately subjective or objective according to the author’s purpose?
• How well does the work maintain its stated or implied focus? Does the author present extraneous material? Does the author exclude or ignore relevant information?
• How well has the author achieved the overall purpose of the book or article? What contribution does the work make to an existing body of knowledge or to a specific group of readers? Can you justify the use of this work in a particular course?
• What is the most important final comment you wish to make about the book or article? Do you have any suggestions for the direction of future research in the area? What has reading this work done for you or demonstrated to you?

Academic and Professional Writing

This is an accordion element with a series of buttons that open and close related content panels.

Analysis Papers

Reading Poetry

A Short Guide to Close Reading for Literary Analysis

Using Literary Quotations

Play Reviews

Writing a Rhetorical Précis to Analyze Nonfiction Texts

Incorporating Interview Data

Grant Proposals

Planning and Writing a Grant Proposal: The Basics

Additional Resources for Grants and Proposal Writing

Job Materials and Application Essays

Writing Personal Statements for Ph.D. Programs

• Before you begin: useful tips for writing your essay
• Guided brainstorming exercises
• Get more help with your essay
• Frequently Asked Questions

Resume Writing Tips

CV Writing Tips

Cover Letters

Business Letters

Proposals and Dissertations

Resources for Proposal Writers

Resources for Dissertators

Research Papers

Planning and Writing Research Papers

Quoting and Paraphrasing

Writing Annotated Bibliographies

Creating Poster Presentations

Writing an Abstract for Your Research Paper

Thank-You Notes

Advice for Students Writing Thank-You Notes to Donors

Reading for a Review

Critical Reviews

Writing a Review of Literature

Scientific Reports

Scientific Report Format

Sample Lab Assignment

Writing for the Web

Writing an Effective Blog Post

Writing for Social Media: A Guide for Academics

Organizing Your Social Sciences Research Assignments

• Annotated Bibliography
• Analyzing a Scholarly Journal Article
• Group Presentations
• Dealing with Nervousness
• Using Visual Aids
• Grading Someone Else's Paper
• Types of Structured Group Activities
• Group Project Survival Skills
• Leading a Class Discussion
• Multiple Book Review Essay
• Reviewing Collected Works
• Writing a Case Analysis Paper
• Writing a Case Study
• About Informed Consent
• Writing Field Notes
• Writing a Policy Memo
• Writing a Reflective Paper
• Writing a Research Proposal
• Generative AI and Writing
• Acknowledgments

A book review is a thorough description, critical analysis, and/or evaluation of the quality, meaning, and significance of a book, often written in relation to prior research on the topic. Reviews generally range from 500-2000 words, but may be longer or shorter depends on several factors: the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review examines two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability to effectively synthesize research so that you reach an informed perspective about the topic being covered.

There are two general approaches to reviewing a book:

• Descriptive review: Presents the content and structure of a book as objectively as possible, describing essential information about a book's purpose and authority. This is done by stating the perceived aims and purposes of the study, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• Critical review: Describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in contrast to and in comparison with the research of others. It should include a statement about what the author has tried to do, evaluates how well you believe the author has succeeded in meeting the objectives of the study, and presents evidence to support this assessment. For most course assignments, your professor will want you to write this type of review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University; Kindle, Peter A. "Teaching Students to Write Book Reviews." Contemporary Rural Social Work 7 (2015): 135-141; Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Rowan and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

NOTE:   Since most course assignments require that you write a critical rather than descriptive book review, the following information about preparing to write and developing the structure and style of reviews focuses on this approach.

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose.
• A review offers a critical assessment of the content in relation to other studies on the same topic . This involves documenting your reactions to the work under review--what strikes you as noteworthy or important, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often recommends whether or not readers would value the work for its authenticity and overall quality . This measure of quality includes both the author's ideas and arguments and covers practical issues, such as, readability and language, organization and layout, indexing, and, if needed, the use of non-textual elements .

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should say, "This book shows...,” "The study demonstrates...," or “The author argues...," rather than "This happened...” or “This is the case....”

II.  Developing a Critical Assessment Strategy

There is no definitive methodological approach to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under investigation before you begin to write. Therefore, writing a book review is a three-step process: 1) carefully taking notes as you read the text; 2) developing an argument about the value of the work under consideration; and, 3) clearly articulating that argument as you write an organized and well-supported assessment of the work.

A useful strategy in preparing to write a review is to list a set of questions that should be answered as you read the book [remember to note the page numbers so you can refer back to the text!]. The specific questions to ask yourself will depend upon the type of book you are reviewing. For example, a book that is presenting original research about a topic may require a different set of questions to ask yourself than a work where the author is offering a personal critique of an existing policy or issue.

Here are some sample questions that can help you think critically about the book:

• Thesis or Argument . What is the central thesis—or main argument—of the book? If the author wanted you to get one main idea from the book, what would it be? How does it compare or contrast to the world that you know or have experienced? What has the book accomplished? Is the argument clearly stated and does the research support this?
• Topic . What exactly is the subject or topic of the book? Is it clearly articulated? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What type of approach has the author adopted to explore the research problem [e.g., topical, analytical, chronological, descriptive]?
• Evidence . How does the author support their argument? What evidence does the author use to prove their point? Is the evidence based on an appropriate application of the method chosen to gather information? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem?
• Structure . How does the author structure their argument? Does it follow a logical order of analysis? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• Take-aways . How has this book helped you understand the research problem? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the general presentation of information. Question to ask may include:

• The Author: Who is the author? The nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events they wrote about? What other topics has the author written about? Does this work build on prior research or does it represent a new or unique area of research?
• The Presentation: What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

NOTE: Most critical book reviews examine a topic in relation to prior research. A good strategy for identifying this prior research is to examine sources the author(s) cited in the chapters introducing the research problem and, of course, any review of the literature. However, you should not assume that the author's references to prior research is authoritative or complete. If any works related to the topic have been excluded, your assessment of the book should note this . Be sure to consult with a librarian to ensure that any additional studies are located beyond what has been cited by the author(s).

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207;   Motta-Roth, D. “Discourse Analysis and Academic Book Reviews: A Study of Text and Disciplinary Cultures.”  In Genre Studies in English for Academic Purposes . Fortanet Gómez, Inmaculada  et  al., editors. (Castellò de la Plana: Publicacions de la Universitat Jaume I, 1998), pp. 29-45. Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Suárez, Lorena and Ana I. Moreno. “The Rhetorical Structure of Academic Journal Book Reviews: A Cross-linguistic and Cross-disciplinary Approach .” In Asociación Europea de Lenguas para Fines Específicos, María del Carmen Pérez Llantada Auría, Ramón Plo Alastrué, and Claus Peter Neumann. Actas del V Congreso Internacional AELFE/Proceedings of the 5th International AELFE Conference . Zaragoza: Universidad de Zaragoza, 2006.

Structure and Writing Style

I.  Bibliographic Information

Bibliographic information refers to the essential elements of a work if you were to cite it in a paper [i.e., author, title, date of publication, etc.]. Provide the essential information about the book using the writing style [e.g., APA, MLA, Chicago] preferred by your professor or used by the discipline of your major . Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this:

[Complete title of book. Author or authors. Place of publication. Publisher. Date of publication. Number of pages before first chapter, often in Roman numerals. Total number of pages]. The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207 pp.)

Reviewed by [your full name].

II.  Scope/Purpose/Content

Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinctly stated, accurate, and unbiased.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you determine that this is a deficiency], you may arrive at an understanding of the book's overall purpose by assessing the following:

• Scan the table of contents because it can help you understand how the book was organized and will aid in determining the author's main ideas and how they were developed [e.g., chronologically, topically, historically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity [i.e., quality of the narrative flow].
• How did the book affect you? Were there any prior assumptions you had about the subject that were changed, abandoned, or reinforced after reading the book? How is the book related to your own personal beliefs or assumptions? What personal experiences have you had related to the subject that affirm or challenge underlying assumptions?
• How well has the book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Support your remarks with specific references to text and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following literary methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. The description presents background and setting. Its primary purpose is to help the reader realize, through as many details as possible, the way persons, places, and things are situated within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in scholarly books is on narration of the events. Narration tells what has happened and, in some cases, using this method to forecast what could happen in the future. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish understanding of a particular truth, often in the form of addressing a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contributions does the book make to the field?
• Is the treatment of the subject matter objective or at least balanced in describing all sides of a debate?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to explain alternate outcomes?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion?
• Does the book bring attention to the need for further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state the book's quality in relation to other scholarly sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the text? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE:   It is important to carefully distinguish your views from those of the author so as not to confuse your reader. Be clear when you are describing an author's point of view versus expressing your own.

V.  Examine the Front Matter and Back Matter

Front matter refers to any content before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i - xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

Front matter that may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book? Does it help in understanding a logical sequence of content?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation and prior publications can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author and the content of the book, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but rather, serves as a means of validating the book's existence. In these cases, the foreword is often written by a leading scholar or expert who endorses the book's contributions to advancing research about the topic. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain how the latest edition differs from previous editions. These are most often written by the author.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, people who curate important archival collections, or organizations that funded the research. In these particular cases, it may be worth noting these sources of support in your review, particularly if the funding organization is biased or its mission is to promote a particular agenda.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains numerous charts, photographs, maps, tables, etc. will often list these items after the table of contents in the order that they appear in the text. Is this useful?

Back matter that may be considered for evaluation when reviewing its overall quality:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, summarizes key recommendations or next steps, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- are there separate indexes for names and subjects or one integrated index. Is the indexing thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book? Does the index include "see also" references to direct you to related topics?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are there key terms missing? Are any terms or concepts mentioned in the text not included that should have been?
• Endnotes -- examine any endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text? Should any notes have been better integrated into the text rather than separated? Do the same if the author uses footnotes.
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized, including important digital resources or archival collections.

VI.  Summarize and Comment

State your general conclusions briefly and succinctly. Pay particular attention to the author's concluding chapter and/or afterword. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references to text and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite them at the end of your book review in the same writing style as your bibliographic heading of the book.

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Gastel, Barbara. "Special Books Section: A Strategy for Reviewing Books for Journals." BioScience 41 (October 1991): 635-637; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Lee, Alexander D., Bart N. Green, Claire D. Johnson, and Julie Nyquist. "How to Write a Scholarly Book Review for Publication in a Peer-reviewed Journal: A Review of the Literature." Journal of Chiropractic Education 24 (2010): 57-69; Nicolaisen, Jeppe. "The Scholarliness of Published Peer Reviews: A Bibliometric Study of Book Reviews in Selected Social Science Fields." Research Evaluation 11 (2002): 129-140;.Procter, Margaret. The Book Review or Article Critique. The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It. The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. "Writing Book Reviews for the Journal Of Range Management and Rangelands." Rangeland Ecology and Management 57 (2004): 418-421; Simon, Linda. "The Pleasures of Book Reviewing." Journal of Scholarly Publishing 27 (1996): 240-241; Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Writing Tip

Always Read the Foreword and/or the Preface

If they are included in the front matter, a good place for understanding a book's overall purpose, organization, contributions to further understanding of the research problem, and relationship to other studies is to read the preface and the foreword. The foreword may be written by someone other than the author or editor and can be a person who is famous or who has name recognition within the discipline. A foreword is often included to add credibility to the work.

The preface is usually an introductory essay written by the author or editor. It is intended to describe the book's overall purpose, arrangement, scope, and overall contributions to the literature. When reviewing the book, it can be useful to critically evaluate whether the goals set forth in the foreword and/or preface were actually achieved. At the very least, they can establish a foundation for understanding a study's scope and purpose as well as its significance in contributing new knowledge.

Distinguishing between a Foreword, a Preface, and an Introduction . Book Creation Learning Center. Greenleaf Book Group, 2019.

Locating Book Reviews

There are several databases the USC Libraries subscribes to that include the full-text or citations to book reviews. Short, descriptive reviews can also be found at book-related online sites such as Amazon , although it's not always obvious who has written them and may actually be created by the publisher. The following databases provide comprehensive access to scholarly, full-text book reviews:

• ProQuest [1983-present]
• Book Review Digest Retrospective [1905-1982]

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary from which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."
• "This work challenges assumptions about...."

Paquot, Magali. Academic Keyword List. Centre for English Corpus Linguistics. Université Catholique de Louvain.

• << Previous: Leading a Class Discussion
• Next: Multiple Book Review Essay >>
• Last Updated: Jun 3, 2024 9:44 AM
• URL: https://libguides.usc.edu/writingguide/assignments

How to Write a Critical Book Review

The NetGalley community loves shouting from the rooftops about books they’ve enjoyed, but it can be tricky to find the right words when talking about a book critically. We want to help NetGalley members craft the best reviews possible, so first, we shared general tips for writing book reviews and audiobook reviews , and now we’re following that up with advice for writing critical book reviews. Where glowing reviews are filled with praise, more often a reviewer will share elements that both did and didn’t work for them as a reader. A critical review isn’t necessarily negative, but rather a valuable source of feedback. Being critical doesn’t have to mean criticizing—the most helpful reviews will critically encourage, with specific details and concrete analysis. Even the “best books” are critically acclaimed because they have been analyzed, flaws and all, and there is still much to celebrate. Read on for our tips and share yours in the comments!

Make your opinion clear This might seem obvious, but if you’re new to writing critical reviews you might be tempted to beat around the bush. Don’t be afraid to be open and honest and say that this book wasn’t for you.

Explain your critiques Once you’ve shared your opinion, it’s time to share what helped inform it. Writing “I didn’t like this” isn’t helpful to fellow readers if it isn’t supported. Whether it was the plot, characterization, or pacing, tell your readers specifically what didn’t work for you, and what could be improved. Spend time considering why, and be as specific as possible.

Readers are sometimes concerned that critical reviews may impact their chances of requests being approved in the future. But publishers learn a lot about what readers want from both glowing and critical reviews. In fact, in our interview with Cynthia Shannon, the Senior Marketing Manager of Food and Lifestyle at Chronicle Books, she shared a story about how critical early reviews of a cookbook helped to change her team’s marketing plan! Read about it here .

Don’t go negative In a critical review, the goal should be to outline the elements that didn’t work for you and why. We’ve all read (and maybe written) a rant review, but our goal as NetGalley members is to craft reviews that are valuable to the publisher, author, and fellow book advocates. Be thoughtful and respectful about the work and the author. Aim for meaningful, not mean. Focus on the merits of the book, rather than the author as an individual.

Talk about the positives A critical review helps to express your view of a book. It’s a way to help the right reader discover the book, but also a way to let readers who have similar tastes as yours know they can steer clear. Make sure you highlight any elements that you did enjoy, big and small.

Make a sandwich When formatting your review, think about a sandwich—a little cushion on the top and bottom with the meat in the middle. Start with a short summary of the book, then share your thoughts and critiques, and finally end with anything you did enjoy and a consideration of the types of readers who may be a good fit for this book.

Imagine the alternatives It’s helpful for publishers to hear what elements didn’t work for readers, but also to see how readers felt the book could’ve been improved. Were there simply too many POVs where one would’ve sufficed? Did the characters feel flat in an intricately built fantasy? Share your expectations for what the book could have been.

Steer clear of spoilers It can be a challenge to explain your critiques without spoilers, but there are tricks for getting around it. For example, instead of ruining the twist ending, you could talk about how it felt rushed, involved too much suspension of disbelief, or wasn’t satisfying. Respect your fellow readers by staying away from spoilers , because even if a book didn’t work for you, they may decide to experience it for themselves.

Consider your audience Are you a bookseller considering a title for purchase? Are you a librarian who recommends books to patrons? A teacher building your classroom library? A blogger sharing your latest read with your followers? As an influential reader, your review should reflect the audience you’re writing it for.

Recommend to the right readers Reading is a personal experience. A five-star read for you could be a DNF (did not finish) for your closest friend. Reflect on the book you’ve read and decide if you believe this book would be better suited for a specific reader. For example, a 2-star fantasy that didn’t work for you due to the level of gore might work better for fans of Game of Thrones .

On the other hand, if you believe the book contains problematic content that could be harmful to all readers (for example books that perpetuate racism, homophobia, or ableism), be sure to share that in your review. Including potential trigger warnings can also be valuable.

Rating system Professional reviewing platforms like NetGalley provide readers with a pre-set rating system . When crafting your review, consider how your critical thoughts impact your rating so that your message is clear and consistent. A critical review paired with a four star rating may be confusing to the publisher, author, and fellow readers. Find a balance that accurately reflects your opinion.

Remember the value of critical reviews On NetGalley, your reviews help shape a publisher’s idea of who you are as a reader. In our interview with Forever publicist Estelle Hallick , she spoke about the importance of reviews of all kinds: “I want our reviewers to be honest. Giving a book a critical review won’t mean you aren’t qualified to receive other books for review; if anything it makes it easier for us to understand what kind of books you do enjoy.”

While a critical review of an ARC or galley may not always directly impact change in the finished book, your feedback can still help to shape the author’s next work, the sorts of books a publisher acquires in the future, the style of covers, and more. Critical opinions are just as valuable as positive ones.

Proofread, proofread, proofread Reread your review after you’ve finished writing it. Then reread it again. Be sure to check facts or quotes you share, the spelling of character and author names, and any pronouns used. This way everyone who reads your review can focus on the message you’re sharing, rather than getting hung up on distracting typos or grammatical errors that hurt your credibility.

Share thoughtfully As a NetGalley member, sharing reviews is second nature. Don’t forget that the target audience for your reviews are fellow readers. In addition to submitting your feedback via NetGalley , tagging the publisher in a review is a great way to show them your appreciation for the copy they sent you, but don’t tag the author in your critical review. ​It’s common practice on social media to tag authors when recommending their books, but most prefer not to be tagged in critical reviews, since that is a direct (and very public) communication. Let publishers decide which critiques should be passed along to the author.

Don’t stress Writing reviews takes time. Transforming your thoughts, emotions, and notes into a thoughtful review is no easy task. Don’t be afraid to take a break and come back to writing when you’re ready. Remind yourself why you love reading and reviewing, and don’t be too hard on yourself.

Check out our tips on fighting reviewer writer’s block here!

Check out the  netgalley review guidelines  and  tips for writing and submitting feedback  to publishers. , netgalley tips.

The Different Ways to Access Books on NetGalley

How to Review Books Across Different Platforms

Tips for Making Your Social Media Accounts More Accessible

Everything You Want To Know About Requesting Books on NetGalley

What to Do When You DNF a NetGalley Book

10 Things You Should Include in Your NetGalley Profile

Join the #NetGalleyBingo Summer Reading Challenge!

Tips for Promoting Your NetGalley Reviews on Social Media

Answering NetGalley Members’ FAQs About ARCs

10 Things You Might Not Know About NetGalley

Kelly Gallucci

Kelly Gallucci is the Executive Editor of We Are Bookish, where she oversees the editorial content, offers book recommendations, and interviews authors and NetGalley members. When she's not working, Kelly can be found color coordinating her bookshelves, eating Chipotle, and watching way too many baking shows.

This is an extremely helpful article. Sometimes you come across a book that needs help, and I blame the Editor, Proofreader, never the Authors. This article will help me focus on what specifically went wrong, and how to convey that to the publisher. I appreciate these types of articles from Netgalley. Thank you, Carolintallahassee

A very good overview of writing a critical review. The lowest rating I give is two stars for the author’s effort. Thank you bookish.

“Focus on the merits of the book, rather than the author as an individual.” I agree that we have to always remember that we are reviewing the book and not the author. Sometimes, though, I do acknowledge the author’s merits as well, especially when it’s obvious that the work went through thorough research and study. Merging facts into fiction is tricky if you don’t know what you are talking about.

A helpful article that will help me to convey to the publisher where a certain book might need help. Thank you, wondermommy22

How do you tag a publisher? When I review for a Netgally book, it says it goes to Amazon and Barnes and noble. I never post on any other site. Thank you!

This is very helpful. I find it is tricky to give critical reviews, but I feel that I must be honest, as that is the point of reviewing books. I keep in mind that the author has spent many long hours writing their book, so I do try not to be overly negative. It is useful to know that publishers welcome this approach, and I will continue to try to be kind, accepting that a particular book may not be to my taste, but will appeal to other readers.

Thank you for the tips. I really don’t like sharing too much of a story as to not spoil the setup the author has played in building characters. Thank you for the additional advice.

Leave a Reply Cancel reply

Your email address will not be published.

Save my name, email, and website in this browser for the next time I comment.

Please enter an answer in digits: five × 5 =

Subscribe to our monthly newsletter for book recs, interviews, and favorites from our editor.

Critical Book Reviews: Write a Critical Review

• Author Information
• Find Book Reviews
• Evaluate Reviews
• Write a Critical Review
• Inter-Library Loan
• Citing Sources
• Scholarship

Writing a Critical Book Review

How to write book reviews.

Some tips adapted from: Mary Lynn Rampolla, A Pocket Guide to Writing History (Boston, 1995).

"Book Review"

  A book review is not the same thing as a book report, which simply summarizes the content of a book. When writing a book review, you not only report on the content of the book but also assess its strengths and weaknesses. Students sometimes feel unqualified to write a book review; after all, the author of the book is a professional historian. However, even if you cannot write from the same level of experience and knowledge as the author, you can write an effective review if you understand what the assignment requires. In writing a review you do not just relate whether or not you liked the book; you also tell your readers why you liked or disliked it. It is not enough to say, "This book is interesting"; you need to explain why it is interesting. Similarly, it is not enough to report that you disliked a book; you must explain your reaction. Did you find the book unconvincing because the author did not supply enough evidence to support his or her assertions? Or did you disagree with the book's underlying assumptions?

To understand your own reaction to the book, you need to read it carefully and critically.

As a critical reader, you are not passive; you should ask questions of the book and note reactions as you read. Your book review then discusses those questions and reactions. Though there is no "correct" way to structure a review, the following is one possible approach.

• Summarize the book and relate the author's main point, or thesis. (Somewhere early in the paper, identify the author briefly.) [One paragraph]
• Describe the author's viewpoint and purpose for writing; note any aspects of the author's background that are important for understanding the book. [One paragraph]
• Note the most important evidence the author presents to support his or her thesis. [One or two paragraphs]
• Evaluate the author's use of evidence, and describe how he or she deals with counter evidence. [One paragraph]
• Is the book's argument convincing? If so why, if not, why not. Cite examples from the text. [One paragraph]
• Compare this book with other books or articles you have read on the same subject. [One paragraph]
• Conclude with a final evaluation of the book. You might discuss who would find this book useful and why. [One paragraph]

NOTE : "Critical" does not mean negative; skeptical does not mean cynical. If a book is well written and presents an original thesis supported by convincing evidence, say so. A good book review does not have to be negative; it does have to be fair and analytical.

Adapted from Back to Michael Kucher's Courses: Technology and the Environment at UW Tacoma

• << Previous: Evaluate Reviews
• Next: Websites >>
• Last Updated: Feb 5, 2024 1:46 PM
• URL: https://palmbeachstate.libguides.com/criticalbookreviews

• Biggest New Books

Non-Fiction

• All Categories
• First Readers Club Daily Giveaway
• How It Works

• Case Studies
• Free Coaching Session

A Critical Review: How to Do it Step by Step

Last Updated:  

April 24, 2023

You have been asked to write a critical review of a novel, a painting, a movie, a play, a piece of music... and you don't know where to start? It's not the same as asking "how to write my papers or an academic essay" because a review has a different structure and emphases to pay attention to. But don't panic! Read this post carefully, and you'll learn how to organise and write it step by step. You can also read various sample critiques by other writers to prepare for them better.

Key Takeaways section on how to write a Critical Review

• Understand the purpose : A critical review should summarise and evaluate the work, providing well-argued and justified opinions.
• No standard length : Critical reviews can range from 500 to 800 words depending on the complexity of the work being analysed.
• Five-part structure : Include a title, introduction, summary, critical commentary, and conclusion in your review.
• Create a compelling title : A title should summarise your general opinion; consider writing it after completing the review to capture the essence of your conclusions.
• Offer well-supported evaluations : Your critical commentary should be extensive and supported by arguments, not just simple statements of liking or disliking the work.
• Brief conclusions : Summarise your critical commentary and overall thoughts on the work in a concise manner.
• Prepare before writing : Approach the work without prejudice, take notes, make summaries, and gather relevant information to ensure a successful critical review.

What to take into account when writing a critical review?

The first thing to remember is that it is an expository-argumentative text. Therefore, your critical review must fulfil two objectives:

Summarise the work , i.e., provide an overall view by synthesising its most important aspects.

Evaluate the work , that is, give a personal value judgement about it. Your opinion must be well-argued and justified.

And how long should this text be, you may be wondering. The truth is that there is no standard length. That is, it depends on how long and complex the object of your analysis is (reviewing a short film is not the same as reviewing a three-hour movie). A reasonable measure would be between 500 words minimum and 800 words maximum. But remember - a text must say something, give information, so if your text is short, but you don't think it is necessary to add anything more, don't continue writing! Go to the point and remember: empty text only serves to confuse and divert attention from the main topic.

The structure of a critical review

As we have seen, your review should summarise the work you are analysing and give your opinion about it. To fulfil both objectives, you will have to follow this five-part structure:

• ‍ Title of the review: it should be a title that synthesises your general opinion. For example, if you are reviewing the novel Love in the Time of Cholera, you liked it and what moved you most is how the author narrates a love that resists decades and decades - your title could be something like this: 'Love in the Time of Cholera: the moving tale of a patient love that can do anything. A trick to write the perfect title is to wait until the end of the review since the essence of the title is usually in the conclusions. ‍
• Introduction: this section should be very brief, and in it you will have to introduce the author and the work. In the case of Love in the Time of Cholera, we would briefly talk about Gabriel García Márquez's career and tell that the book is about the love between Florentino, Fermina and Juvenal throughout the years. ‍
• Summary : This third part is broader than the presentation, and it is here where you should go deeper into the theme of the work. It is about choosing those key moments or features that shape the play. Returning to the example of Love in the Time of Cholera, some moments that should be in the expository summary would be the love affair between Florentino and Fermina, her marriage to Juvenal, the death of the doctor, and the reunion with Florentino, since they mark turning points in the story. ‍
• Critical commentary: this point should be the most extensive of all the critical reviews since you must give your opinion about the work, but be careful! it is not enough to say 'I liked it' or 'I didn't like it', but your evaluation must have a basis and be supported by arguments. To do this, you will have to choose the points of the work that most caught your attention and comment on them, saying if you agree with the way it has been presented. And if the work has seemed novel or not, if you think it has maintained coherence from beginning to end, if the characters seem relevant to you, if you think another approach would have been more effective… and why. ‍
• Conclusions: this part should be very brief, and in it you have to summarise your critical commentary and say what you thought of the work in general and how it made you feel.

How to prepare a critical review

To make sure that the writing of your review is perfect, you will have to start preparing it before you start writing while you are enjoying the book.

Approach the works without prejudice! If, for example, you go to a concert thinking you won't like it, you will probably be unfairly negative in your review.

Take notes as you read, watch, listen and observe the work to recover them in your review.

In the case of long works, make summaries of their parts: it will be easier and faster to synthesise the whole.

Make sure you have a good understanding of the work to be able to judge it correctly. To do this, consult information and bibliography about it.

Now that you know how to write it, your next critical review will be a success!

People Also Like to Read...

Beginners Guide to Survey Data Analysis

Analysing the Best Marketing Campaigns: What Makes Them Work?

© 2016 - 2024 Robin Waite. All rights reserved.

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to Write a Book Review- A Step-by-Step Guide

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could be improved? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “How to write a Book Review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair: Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “How to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

Order Original Papers & Essays

Your First Custom Paper Sample is on Us!

Timely Deliveries

No Plagiarism & AI

100% Refund

Try Our Free Paper Writing Service

Related blogs.

Connections with Writers and support

Privacy and Confidentiality Guarantee

Average Quality Score

• University of Memphis Libraries
• Research Guides

CJUS 3130: Research Methods

• Critical Book Review Guide/Rubric
• Required Readings/Books
• Topic Selection Guide
• Annotated Bibliography Guide/Rubric
• Thesis Statement Guide/Rubric
• Research Writing Assignment Rubric

Sample Guidelines for Critical Book Review

• Interlibrary Loan

Preliminary Considerations

First, one must understand that a critical book review is not a book report (a summary of the contents of a book). A critical book review is a vehicle for examining and discussing issues the book itself raises or fails to raise. One writes a critical book review for the benefit of those who might not presently have time to read the book but who nevertheless need to learn more about its basic approach should they desire to read or study it at a future time. The job of the book reviewer is to inform these readers concerning any merits and/or shortcomings the book may have. From information based on a well-written review, the reader may conclude that this book is either indispensable or inconsequential.

Components of a Critical Book Review

A. Give complete bibliographical information at the top of the page (title, author, publisher, place of publication, date of publication, number of pages, and name of reviewer).

Use the following format:

Toward Rediscovering the Old Testament , by Walter C. Kaiser, Jr. Grand Rapids: Zondervan, l987. 250 pages. Reviewed by Randy C. Slocum.

B. Briefly state the reason this book was chosen for review. State the author's credentials (education, place of employment, previous achievements, etc.) as a preface to giving the book a serious hearing. Biographical information about the author should be included only as it demonstrates the author’s competency to write the book. Within the context of the paper, do not use titles (Dr., Rev., etc.). In most brief reviews, you will likely need to limit the introduction to one or two paragraphs.

C. Briefly (in one or two well-written sentences) summarize the thesis of the book. This is a crucial step because the thesis contains the reason why the author produced this particular book (there may be dozens on the market with similar subject matter). The thesis will state the author's basic presuppositions and approach. The critical nature of the book review will then grow from the reviewer's conclusion that the book does or does not achieve the author's stated purpose.

D. The main body of a critical book review will be concerned with "thesis development." That is, did the author achieve the stated purpose? In this section the reviewer will inspect each of the chapters of the book to see how the thesis is (or is not) developed. If the author makes progress and develops the thesis convincingly, providing adequate information and statistical data, the reviewer says so, providing concrete examples and citing their page numbers in the text.

Given the limited amount of space in a brief book review, footnotes should not be utilized. Quotations or ideas taken directly from the text should be followed parenthetically by the page number of the quotation. The abbreviation for page(s) (p./pp.) should not be used.

Rainer argues that evangelistic churches should focus on reaching youth (20). Indeed, he writes, “Many churches fail to recognize that adolescence is a critical time of receptivity to the gospel” (21).

If the thesis is poorly developed or if the examples are inadequate to support the assertions of the author, the reviewer will point this out as well. Most critical book reviews will contain both praise and criticism, carefully weighed and balanced against one another.

Remember the purpose of a critical book review is not to provide a summary of the book. You may assume that the professor and the grader know the contents of the book.

Questions the reviewer will seek to answer in this section might include:

• Is there an adequate, consistent development of the author's stated thesis? Why or why not?
• What is the author’s purpose, i.e., what does he/she hope to accomplish through this book? Does the author accomplish the purpose? If so, how does he/she do so? If not, why not?
• Does the author approach the subject with any biases, i.e., do the author’s theological, experiential, philosophical, denominational, or cultural perspectives influence his/her conclusions?
• Does the author properly support his/her thesis? Does the author adequately consider and refute opposing viewpoints? Is the book limited in application to specific types of churches? Is the book relevant to contemporary culture?
• Does the author have to resort to suppression of contrary evidence in order to make the thesis credible (slanting)? If so, what additional evidence would weaken the case? • Is the thesis sound but marred by a flawed procedure?
• Is the author's case proved, or would another thesis have been more appropriately chosen?

E. Finally, a summary section should be attached. How does this book differ from other treatments of the same subject matter? What is unique and valuable about this approach as opposed to the others? Would the reviewer recommend this book above others? Why or why not?

This final summary should include the major strengths and weaknesses of the book and evaluate its value for readers who may be interested in that particular field of inquiry. Your primary purpose in this section is to respond both positively and negatively to the book’s contents and presentation. Needless to say, this response should be more in-depth than, “This book is a good book that should be recommended reading for everyone.” On the other hand, “This book is a lousy book not worth reading” is also inadequate. Central to this is the basic question of whether or not the author has achieved the book's stated purpose.

Answer questions such as:

• What are the strengths of the book, i.e., what contributions does the book make?
• Why should a person read this book?
• What did you learn from this book?
• How might you apply the lessons of this book in your ministry context?
• Would you recommend the book to other ministers? to seminary students? to laypersons? Why, or why not?

Do not allow your response to this question to become lengthy (for this paper is not primarily an evaluation of your ministry), but do make some application.

Throughout your critique, be specific in your evaluations. Do not just tell the reader about the book; tell and show the reader with concrete examples from the book. As previously suggested, include page numbers when making specific reference to the book.

F. The length of the review should be between five and seven pages, double-spaced.

Style Issues for a Critical Book Review

The following guidelines are included to counter common style errors:

A. Utilize this suggested outline to guide your book review, but do not include the specific subheadings (“Bibliographical Entry,” “Summary of the Book,” etc.) in the essay. The brevity of the review demands a smooth flow from one section to another without including the subheadings.

B. Use first-person sparingly; however, you may use “I” when referring to your opinion of a text.

C. Avoid contractions in formal writing.

D. Use active voice as much as possible.

E. Be clear and concise. A brief review allows no room for wandering from your objective.

F. Use your spell-checker, but do not trust it. A spell-check will not catch the error in such sentences as, “The whole church voted too pass the amendment.” Use your eyes as well as your spell-checker.

G. Proofread your paper. Finish the paper, and proof it. Lay it aside, and proof it again at a later time. If you do not catch your errors, someone else will. 

• << Previous: Research Writing Assignment Rubric
• Next: Interlibrary Loan >>
• Last Updated: Sep 13, 2023 12:19 PM
• URL: https://libguides.memphis.edu/keenanresearchmethods

• Research Guides
• How to Find Book Reviews
• Critical Reviews

How to Find Book Reviews: Critical Reviews

• Getting Started
• Scholarly Reviews
• General Interest Reviews

About Critical Reviews

Critical reviews are written for an informed readership, and exist at a crossroads between journalism and scholarship. The authors are often experts in their fields, but they are writing for a general rather than a scholarly audience. These reviews are longer than general interest reviews, and might appear in such publications as the New York Review of Books , The New Yorker , or The Village Voice .

Best Bet Library Databases

Individual Titles

The following magazines can be searched individually online. For other review titles (for example,  London Review of Books ) use the databases in Best Bets above to find citations and then locate the full text of the article in print.

Research Tip: Book Review Searching

Book review searching.

• Search for the title of the book, enclosed in quotation marks ("World's Best Book")
• If the title is not very distinctive, add the author's last name
• Look for limit to "book review" or add search term "review"

Need Help? You can ask!

Other ways to get help:

Call us at 413-597-2505

Text us at 413-648-6071

Stop by during our service hours .

• << Previous: Scholarly Reviews
• Next: General Interest Reviews >>
• Last Updated: Jul 16, 2024 5:51 PM
• URL: https://libguides.williams.edu/book-reviews

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Writing a Book Review

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

Book reviews typically evaluate recently-written works. They offer a brief description of the text’s key points and often provide a short appraisal of the strengths and weaknesses of the work.

Readers sometimes confuse book reviews with book reports, but the two are not identical. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, and/or main idea of the work. Most often, book reports are a K-12 assignment and range from 250 to 500 words. If you are looking to write a book report, please see the OWL resource, Writing a Book Report.

By contrast, book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. They typically range from 500-750 words, but may be longer or shorter. A book review gives readers a sneak peek at what a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.

Before You Read

Before you begin to read, consider the elements you will need to included in your review. The following items may help:

• Author: Who is the author? What else has s/he written? Has this author won any awards? What is the author’s typical style?
• Genre: What type of book is this: fiction, nonfiction, romance, poetry, youth fiction, etc.? Who is the intended audience for this work? What is the purpose of the work?
• Title: Where does the title fit in? How is it applied in the work? Does it adequately encapsulate the message of the text? Is it interesting? Uninteresting?
• Preface/Introduction/Table of Contents: Does the author provide any revealing information about the text in the preface/introduction? Does a “guest author” provide the introduction? What judgments or preconceptions do the author and/or “guest author” provide? How is the book arranged: sections, chapters?
• Book Jacket/Cover/Printing: Book jackets are like mini-reviews. Does the book jacket provide any interesting details or spark your interest in some way? Are there pictures, maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the work?

As You Read

As you read, determine how you will structure the summary portion or background structure of your review. Be ready to take notes on the book’s key points, characters, and/or themes.

• Characters: Are there characters in the work? Who are the principal characters? How do they affect the story? Do you empathize with them?
• Themes/Motifs/Style: What themes or motifs stand out? How do they contribute to the work? Are they effective or not? How would you describe this author’s particular style? Is it accessible to all readers or just some?
• Argument: How is the work’s argument set up? What support does the author give for her/findings? Does the work fulfill its purpose/support its argument?
• Key Ideas: What is the main idea of the work? What makes it good, different, or groundbreaking?
• Quotes: What quotes stand out? How can you demonstrate the author’s talent or the feel of the book through a quote?

When You Are Ready to Write

Begin with a short summary or background of the work, but do not give too much away. Many reviews limit themselves only to the first couple of chapters or lead the reader up to the rising action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s argument without too much detailed.

The final portion of your review will detail your opinion of the work. When you are ready to begin your review, consider the following:

• Establish a Background, Remember your Audience: Remember that your audience has not read the work; with this in mind, be sure to introduce characters and principles carefully and deliberately. What kind of summary can you provide of the main points or main characters that will help your readers gauge their interest? Does the author’s text adequately reach the intended audience? Will some readers be lost or find the text too easy?
• Minor principles/characters: Deal only with the most pressing issues in the book. You will not be able to cover every character or idea. What principles/characters did you agree or disagree with? What other things might the author have researched or considered?
• Organize: The purpose of the review is to critically evaluate the text, not just inform the readers about it. Leave plenty room for your evaluation by ensuring that your summary is brief. Determine what kind of balance to strike between your summary information and your evaluation. If you are writing your review for a class, ask your instructor. Often the ratio is half and half.
• Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you? How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?
• Publisher/Price: Most book reviews include the publisher and price of the book at the end of the article. Some reviews also include the year published and ISBN.

When making the final touches to your review, carefully verify the following:

• Double-check the spelling of the author name(s), character names, special terms, and publisher.
• Try to read from the vantage point of your audience. Is there too much/enough summary? Does your argument about the text make sense?
• Should you include direct quotes from the reading? Do they help support your arguments? Double-check your quotes for accuracy.

• Brandeis Library
• Research Guides

Finding Book Reviews

• Critical Reviews
• Getting Started
• Scholarly Reviews
• Popular Reviews

Critical Book Reviews

Critical book reviews include an analysis of the work, but are are authored for a general audience not necessarily an academic one. The authors of critical book reviews are often experts in their respective fields, but not always academics or scholars, and their reviews are lengthier than general interest (popular) reviews. These reviews can be used to help determine if a an individual or a larger entity, such as a library or a bookstore, want to purchase the media in question, or for determining if a book is relevant to one's research.

Select Titles for Recent and Older Reviews

• The New York Review of Books Includes reviews from 1963-present. The New York Review of Books is a semi-monthly magazine with articles on literature, culture, economics, science and current affairs.
• The New York Times Book Review Includes reviews from 2001-present. The New York Times Book Review is weekly paper-magazine supplement to The New York Times in which current non-fiction and fiction books are reviewed.
• Times Literary Supplement Includes reviews from 2010-present. The Times Literary Supplement is a weekly literary review published in London by News UK.
• The Times Literary Supplement Index, 1902-1939 Main Library Microform Reference: AI21 .T53 1978
• The Times Literary Supplement Index, 1940-1980 Main Library Microform Reference: AI21 .T532 1982
• The Women's Review of Books Reviews from 1983-present.
• << Previous: Scholarly Reviews
• Next: Popular Reviews >>
• Last Updated: Jun 13, 2024 11:48 AM
• URL: https://guides.library.brandeis.edu/bookreviews

Michael Milton

Michael Milton and Faith for Living, Inc.

June 6, 2018

How to Write a Critical Book Review

The theological student is required to write book reviews. This paper is designed to give structure and guidance to the student in this vital pursuit. The goal is not merely technical, however. Instead, the author lays out a plan of reading and responding that takes the student into a more in-depth discovery of the given book for pastoral application and ministry.

Introduction

What is a critical book review?

There is an art, if not science, to the academic pursuits of reading. No one has summarized this activity better than the late Dr. Mortimer Adler in his essential work, How to Read a Book: The Classic Guide to Intelligent Reading. In the course of your theological-higher-education-learning-experience, you will be asked, repeatedly, to conduct a review of a selected book and to write a report. This white paper is prepared to help you to write that paper.

The critical divisions of a Critical Book Review are observation, response, conclusion.

Observation

Using the tools of Adler’s How to Read a Book will guide you in this necessary first-stage of a Critical Book Review. The essential variables of a critical book review include at least the following:

• Locating the proposition or thesis of the book.
• Ascertaining the author’s intent.
• Learning about the author and his or her relationship to the subject of the book.
• Considering the chapter flow of the book.
• Identifying the genre of the book.

The gathering of all of these facts about the book is only the first step in conducting a critical book review. The second step involves you, your experiences, and your response to the book. The essential elements of this response include:

• Critical thinking about all or part of the facts of the book.
• These steps should help you to provide your conclusion or a p ractical or pastoral application of the book.

Let’s think through each of these three elements of response in a critical book review.

[perfectpullquote align=”right” bordertop=”false” cite=”” link=”” color=”” class=”” size=””]Critical thinking involves questioning. [/perfectpullquote]

Critical Thinking

Critical thinking involves what it says: careful consideration of the factual elements that you located; and your response, supported by examples or references. You are making a case as to whether the author achieved some measure of effectiveness in the book (according to your perception of his or her own goals of writing the book). Critical thinking involves questioning. Thus, questions related to the factual elements of the book would include:

“Is the thesis clear in this book? Why or why not? Provide an example.”

“Can we appropriately ascertain the author’s intent in the book? Did she clearly state that intent? Did he state the intent but failed to achieve his mission?” You are evaluating the factual elements, in this case, as it relates to the author’s intent for the book.

“Is the subject matter familiar to the author?” Or, to put it another way, “Is the author a subject matter expert on the topic of the book? How so? How did this interplay with the other factual elements that you located?”

“Did the chapter flow of the book unfold the author’s ideas?” “Get the chapter flow of the book support or detract from the premise of the book? How so? Provide support for your answer.”

Critical thinking leads to theological reflection on this book you are reviewing.

[perfectpullquote align=”left” bordertop=”false” cite=”” link=”” color=”” class=”” size=””] Theological reflection is a high cognitive-level activity that seeks to connect the relationship(s) between your observation of the factual elements of the book with the more abstract notions about God, humanity, life, work, and so forth.[/perfectpullquote]

Theological Reflection

Theological reflection is one of the most important disciplines to cultivate during your time at university or in seminary. Theology and religious studies students who become either members of the clergy or a faculty will use theological reflection daily. Indeed, theological reflection is an expected area of the Christian life. Theological reflection is a high cognitive-level activity that seeks to connect the relationship(s) between your observation of the factual elements of the book with the more abstract notions about God, humanity, life, work, and so forth. Or this exercise might lead to appropriating the thesis and flow of the selected volume with some point in Biblical history or human existence. All theological reflection necessarily begins with formulating diagnostic questions:

“Did you locate a common theological theme that tied the chapters of the book together into one larger theological narrative?   What is that theological theme and give an example of your reflection.”

“Did you discover numerous theological themes and were they connected? Was there a sense of disunity? Where the theological themes concealed within the text, or were they apparent? Provide examples for your response. Was this effective? Why or why not?”

“Relate the story of the book to the meta-narrative of Scripture. Where does the thesis of this book lie in the covenant of God and the mission of God in the world?”

You have read and researched the book before you so that you have located the factual elements of the book and given a response. Your response has involved critical thinking, theological reflection. Now, it is time to move to the final step in a Critical Book Review.

Your Conclusion (s)

The third and final division of a critical book review is the conclusion. This conclusion is not a rehashing of the author’s findings. This conclusion is your own. As a result of observation and response, you prepare yourself to apply critical thinking and theological reflection to bring about final comments on the book. A proper conclusion seeks to connect the book to some area of life, work, or ministry.

You have made a critical assessment of the factual elements of the book. You have located and interacted with theological concepts in the book. Your questions about the book in both accurate observation and theological reflection have led you to your conclusion or conclusions. Your Critical Book Review started with observations. It moved to a place of questions. Your review now ends with propositions. For example, your findings may include statements such as these:

“In summary, the author not only achieved her stated goals in writing the book but introduced the reader to questions about God’s grace in the midst of suffering. Indeed, this book will be of practical help to Christians going through times of affliction. This work will also be a solid pastoral resource for the practitioner.”

“By the end of my consideration of both the factual elements of the book and my theological reflection on the book I must conclude with these observations:

I did not find the book ‘practical for the Christian life’ for the pastoral ministry, in the way that we usually mean. However, the book is more about an examination of theological concepts and abstract ideas. To the degree that the author intended to cultivate thinking and discussion, perhaps there is some robust application after all: the use that I bring from the book is   to take the time to meditate upon Biblical truths without any pressure to immediately apply them.   Is there not virtue is merely thinking? Beyond the utilitarian approach to that requires implementing some lessons of a book, I believe there is an opportunity, here, for reflection. In this, the author has succeeded.  There is, after all, spiritual benefit from meditation”.”

[perfectpullquote align=”right” bordertop=”false” cite=”” link=”” color=”” class=”” size=””]The conclusion fuses observation and response with the bonding agent of reason.[/perfectpullquote]

A Critical Book Review is a research paper that demonstrates the student’s experience of learning during interaction with a selected book. This exercise in research includes observation of factual elements of the book, a response to the book with critical thinking and theological reflection. Both of these steps lead to a conclusion where the student can make application to some area of human existence or even provide thoughts on something altogether different from that which we might call “practical.” The conclusion is always “the student’s conclusion.” From the professor’s standpoint, the conclusion fuses observation and response with the bonding agent of reason.

A critical book review aims to actuate “deeper learning” in the course by interacting with the ideas of others. The critical book review goes beyond Mayor reading — an exercise wholly worthy in its own right — and moves to a place of connecting a person with an idea and allowing that person to respond. In this, we trust there is a genuine experience of learning.

Select Bibliography

Adler, Mortimer J., and Charles Van Doren. How to Read a Book: The Classic Guide to Intelligent Reading. Revised edition. New York: Touchstone, 1972.

Johnson, Marshall D. “A Short Guide to Writing Research Papers in Biblical Studies and Theology” (n.d.): 16.

Trupiano, Rose. “Research Guides: Theology & Religious Studies: Article Search.” Accessed May 24, 2018. https://libguides.marquette.edu/c.php?g=36663&p=232883 .

“A Brief Guide for Writing Theological Reflection Papers.” Michael Milton , August 13, 2014. Accessed May 24, 2018. https://michaelmilton.org/2014/08/13/a-brief-guide-for-writing-theological-reflection-papers/ .

“Books on Writing.Pdf,” n.d. Accessed May 24, 2018. https://divinity.duke.edu/sites/divinity.duke.edu/files/documents/writing-center/Books%20on%20Writing.pdf .

“Find Information.” Accessed May 24, 2018. http://www.erskine.edu/library/find-information/ .

“Google Scholar.” Accessed May 24, 2018. https://scholar.google.com/ .

“How to Recognize Peer-Reviewed Journals.” Accessed May 24, 2018. http://www.angelo.edu/services/library/handouts/peerrev.php .

“How to Write a Theological Paper (John M. Frame).” Accessed May 24, 2018. http://www.proginosko.com/docs/frame_theol_paper.html .

“Michael A Milton, PhD | Erskine College and Theological Seminary – Academia.Edu.” Accessed May 24, 2018. http://erskineseminary.academia.edu/MichaelMilton .

“Resource Links for Theology and Religious Studies.” Michael Milton , March 10, 2007. Accessed May 24, 2018. https://michaelmilton.org/reformed-and-evangelical-links-2/ .

“Seven Questions about Books, Life, and Ministry with Michael Milton.” Servants of Grace . Last modified September 27, 2017. Accessed May 24, 2018. http://servantsofgrace.org/seven-questions-books-life-ministry-michael-milton/ .

“What Is A Peer-Reviewed Article? – Evaluating Information Sources – LibGuides at John Jay College of Criminal Justice, CUNY.” Accessed May 24, 2018. http://guides.lib.jjay.cuny.edu/c.php?g=288333&p=1922599 .

“What Is Theological Reflection and Critical Thinking and How Do I Use It in a Graduate-Level Research Paper?” Michael Milton , October 30, 2017. Accessed May 24, 2018. https://michaelmilton.org/2017/10/30/what-is-theological-reflection-and-critical-thinking-and-how-do-i-use-it-in-a-graduate-level-research-paper/ .

“Writing the Weekly Research Paper.” Michael Milton , July 24, 2016. Accessed May 24, 2018. https://michaelmilton.org/2016/07/24/writing-the-weekly-research-paper/ .

RESOURCES FOR THE JOURNEY

Amazon Associates supports the ministry, Faith for Living, Inc., a North Carolina Faith-based nonprofit corporation. Please consider your textbook and supply needs here.

Join Discovery, the new community for book lovers

Trust book recommendations from real people, not robots 🤓

Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

How much of a book nerd are you, really?

Find out here, once and for all. Takes 30 seconds!

Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

Continue reading

More posts from across the blog.

100 Best Fantasy Series Ever

Reading (or listening to!) fantasy is the ultimate escape: from stress, work, and indeed all of life’s more mundane realities. Because what’s

35 Inspirational Books to Change Your Life 🌅

Inspiration comes in many forms, particularly when it comes to books. Fiction can propel us to grow just as the characters did. And non-fiction is not ...

70 Best Game of Thrones Quotes from the Books and TV Series

Well, whether you loved or hated the hotly contested final season of HBO's Game of Thrones series, we can bet on one thing: you're sad to say goodbye to Sunday nights spent watching the Seven Kingdoms battle it out for the Iron Throne. True, we do have <...

Heard about Reedsy Discovery?

Trust real people, not robots, to give you book recommendations.

Or sign up with an

Or sign up with your social account

• Submit your book
• Reviewer directory

Want to be a book reviewer?

Review new books and start building your portfolio.

• Skip to main content
• Keyboard shortcuts for audio player

Book Reviews

• NPR Books Home
• Subscribe to Books Newsletter

Entitlement Penguin Random House hide caption

'Entitlement' disappoints — 'Leave the World Behind' was a tough act to follow

September 19, 2024 • Rumaan Alam’s previous novel was an inspired swirl of suspense, social commentary and apocalyptic disaster. His latest is about a young Black woman working for a uber-rich white socialite.

'Brothers and Ghosts' is a multi-generational saga of the Vietnamese diaspora

September 18, 2024 • Khuê Phạm's debut novel follows a young Berlin journalist whose parents emigrated from South Vietnam. A message from an estranged uncle in the U.S. prompts her to explore her family history.

Crater Lake Simon and Schuster hide caption

Rachel Kushner's new espionage thriller may be her coolest book yet

September 10, 2024 • In Creation Lake, a hard-drinking American spy infiltrates a radical farming collective in a remote region of France. Kushner challenges readers to keep up with her and not to flinch.

'We're Alone,' but together, in Edwidge Danticat's remarkable essays

September 9, 2024 • With clear, concise prose that delves into harsh topics without losing its sense of humor, Danticat once again proves that she is one of contemporary literature's strongest, most graceful voices.

'Colored Television' is an ungentle satire set in post-post-racial America

September 9, 2024 • Danzy Senna's new novel is an exhilarating yet poignant riff on the struggling artist as a wannabe middle-aged sellout. The writing is endlessly quotable and meaningfully provocative.

Everything is the worst in this 'Banal Nightmare'

September 8, 2024 • Novelist Halle Butler understands our worst enemy is sometimes our own brain. Her dark, chaotic novel manages to be often hilarious yet relentlessly uncheerful.

'I Just Keep Talking' is a refreshing and wide-ranging essay collection

September 5, 2024 • Scholar, historian, artist and raconteur Nell Irvin Painter is the author of The History of White People and Old in Art School. Her latest book is an insightful addition to her canon.

Gather 'round — we have some fall reading recommendations for you. Above, children listen to a story in Central Park on Oct. 23, 2017. Don Emmert/AFP via Getty Images hide caption

Here are the new books we're looking forward to this fall

September 4, 2024 • Bad news: Summer's over. Good news: Fall books are here! We've got a list of 16 titles — fiction and nonfiction — you'll want to look out for.

This is genius: A new graphic novel imagines conversations between Einstein and Kafka

August 28, 2024 • Turns out Albert Einstein and Franz Kafka lived in Prague at the same time and had the same circle of friends. In a new graphic novel, Ken Krimstein puts us in the room with two 20th century geniuses.

'Interpretations of Love' is debut novel for 82-year-old author

August 24, 2024 • Two years ago, Cat Brushing, a collection of provocative stories about older women still very much in touch with the sensual side of life, put Jane Campbell on the map.

Paradise Bronx Macmillan Publishers hide caption

Frazier's 'Paradise Bronx' makes you want to linger in NYC's 'drive-through borough'

August 21, 2024 • Ian Frazier’s signature voice — droll, ruminative, generous — draws readers in. But his underlying subject here is even bigger than the Bronx: It’s the way the past “bleeds through” the present.

A Wilder Shore Penguin Random House hide caption

'A Wilder Shore' charts the course of a famous bohemian marriage

August 19, 2024 • Camille Peri's lively and substantive dual biography of Fanny and Robert Louis Stevenson offers a glimpse of their unconventional marriage — and an inspiration for living fearlessly.

Wendell Berry veers from gratitude to yearning in 'Another Day'

August 15, 2024 • In his sequel to 'This Day,' Berry’s themes, including bringing alive the joys and sorrows of hard-working rural Kentuckians. are revisited in ways both familiar and fresh.

Pop Culture Happy Hour

Three great fiction audiobooks.

August 8, 2024 • It's summer, and whether you're taking a trip – or simply staying out of the heat with the AC running – there's nothing like relaxing with a good audiobook. So in this encore episode, we are recommending three of our favorite fiction audiobooks.

Blindsided by 'The Most': This is a superb novel of a marriage at its breakpoint

July 30, 2024 • The story takes place in Newark, over the course of a single day in 1957, which we experience from the two spouses' alternating points of view. Jessica Anthony's novel deserves to become a classic.

Naval vessels participate in a Taiwanese military drill near the naval port in Kaohsiung in southern Taiwan on Jan. 27, 2016. Sam Yeh/AFP via Getty Images hide caption

Year of Global Elections

These dictators are different. 'autocracy, inc.' explains how.

July 24, 2024 • The dictators of today aren't united by ideology, writes Anne Applebaum: They operate like companies, focused on preserving their wealth, repressing their people and maintaining power at all costs.

Someone Like Us Penguin Random House hide caption

'Someone Like Us' is a fresh, idiosyncratic novel about immigrating to the U.S.

July 24, 2024 • Dinaw Mengestu's ingenuity and eloquence as a writer are on display in this novel about an Ethiopian American man who returns home only to learn that his father has just died.

'Liars' is an autopsy of a bitterly disappointing marriage

July 22, 2024 • In her fierce second novel, Sarah Manguso writes a requiem for a failed relationship from the point of view of a survivor, the wife left behind.

Chef Mustapha Kachetel serves a couscous royal in the restaurant Le Fémina, in Noailles. Emilienne Malfatto for NPR hide caption

A new French cookbook explores Marseille as a cultural melting pot

July 20, 2024 • A new cookbook celebrates Marseille, France's second-largest city.

A new French cookbook shows the diversity Marseille through its cuisine

8 hot new love stories from a stellar lineup of Black authors

July 19, 2024 • Some of the most fabulous romances by Black authors still fly under the radar. So we have recommendations for your summer reading enjoyment.

'This Great Hemisphere' tackles racism, classism, and political power struggles

July 18, 2024 • Mateo Askaripour's sophomore novel is a sprawling speculative-fiction narrative that delivers a heartwarming story about a young woman learning to navigate the world.

This absorbing debut novel about writing takes its cue from 'Mrs. Dalloway'

July 16, 2024 • Rosalind Brown's debut novel, Practice , centers on an undergraduate student trying to write an essay on Shakespeare. Along the way, we are treated to the fleeting insights of the the brain at work.

It's Been a Minute

Simmering over summer books.

July 15, 2024 • We're at the peak of summer, which means sunny days on the grass with a good book! Bestselling authors Tia Williams and Jean Chen Ho join host Brittany Luse to give their recommendations for great summer reads. They also offer some armchair theories on why we love a gossipy summer novel.

'State of Paradise' effortlessly blends the commonplace and the extraordinary

July 10, 2024 • With exquisite prose, smart lines on every page, a building sense of growing strangeness tinged with dread, and surprises all the way to the end, this might be Laura van den Berg's best novel so far.

• ADMIN AREA MY BOOKSHELF MY DASHBOARD MY PROFILE SIGN OUT SIGN IN

Discover Books

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read. - Groucho Marx

• Select Genre BIOGRAPHY & MEMOIR BUSINESS CHILDREN'S CURRENT EVENTS & SOCIAL ISSUES FICTION GRAPHIC NOVELS & COMICS HISTORY MYSTERY & DETECTIVE NONFICTION ROMANCE SCIENCE FICTION & FANTASY TEENS & YOUNG ADULT THRILLER & SUSPENSE

• Genre BIOGRAPHY & MEMOIR BUSINESS CHILDREN'S CURRENT EVENTS & SOCIAL ISSUES FICTION GRAPHIC NOVELS & COMICS HISTORY MYSTERY & DETECTIVE NONFICTION ROMANCE SCIENCE FICTION & FANTASY TEENS & YOUNG ADULT THRILLER & SUSPENSE

Filter results by

This Week’s Bestsellers

• Popularity Release Date (Coming Soon) Release Date (Available Now)

ALGONQUIN YOUNG READERS' BEST BOOKS OF 2022!

• THE MONEY TRAP Alok Sama

• RUNAWAY TRAIN Eric Roberts, Sam Kashner

• CONNIE Connie Chung

• THE MYSTERIOUS BOOKSHOP PRESENTS THE BEST MYSTERY STORIES OF THE YEAR 2024 Anthony Horowitz, Otto Penzler

• WE SOLVE MURDERS Richard Osman

• THE ALASKA SANDERS AFFAIR Joël Dicker, Robert Bononno

• NIGHT OWLS A.R. Vishny

• SPELLS TO FORGET US Aislinn Brophy

• SEASONS OF FLESH AND FLAME A.G. Howard

• FEAR THE FLAMES Olivia Rose Darling

• ALIEN CLAY Adrian Tchaikovsky

• VILEST THINGS Chloe Gong

• KARAOKE QUEEN Dominic Lim

• ROLAND ROGERS ISN'T DEAD YET Samantha Allen

• WESTFALLEN Ann Brashares, Ben Brashares

• ELLIE'S DELI Lisa Greenwald, Galia Bernstein

• IZZY WONG’S NOSE FOR NEWS Marty Chan

• THE GENIZAH Wayne Karlin

• A HELL OF A STORM David S. Brown

• HIGHER ADMISSIONS Nicholas Lemann

• THE UNSEEN TRUTH Sarah Lewis

• PRECIPICE Robert Harris

• HAMPTON HEIGHTS Dan Kois

• THE NIGHT WE LOST HIM Laura Dave

• PRECIOUS Helen Molesworth

• VOTE WITH YOUR PHONE Bradley Tusk

• THE HIGHEST LAW IN THE LAND Jessica Pishko

• LANDING THE PARIS CLIMATE AGREEMENT Todd Stern

• BEIRUT Barrack Zailaa Rima, Carla Calargé, Alexandra Gueydan-Turek

• THE ROAD Cormac McCarthy, Manu Larcenet

• CAPITAL & IDEOLOGY Thomas Piketty, Claire Alet, Benjamin Adam

NEW RELEASES

• Discover Books Fiction Thriller & Suspense Mystery & Detective Romance Science Fiction & Fantasy Nonfiction Biography & Memoir Teens & Young Adult Children's
• News & Features Bestsellers Book Lists Profiles Perspectives Awards Seen & Heard Book to Screen Kirkus TV videos In the News
• Kirkus Prize Winners & Finalists About the Kirkus Prize Kirkus Prize Judges
• Magazine Current Issue All Issues Manage My Subscription Subscribe
• Writers’ Center Hire a Professional Book Editor Get Your Book Reviewed Advertise Your Book Launch a Pro Connect Author Page Learn About The Book Industry
• More Kirkus Diversity Collections Kirkus Pro Connect My Account/Login
• About Kirkus History Our Team Contest FAQ Press Center Info For Publishers
• Privacy Policy
• Terms & Conditions
• Reprints, Permission & Excerpting Policy

© Copyright 2024 Kirkus Media LLC. All Rights Reserved.

Popular in this Genre

Hey there, book lover.

We’re glad you found a book that interests you!

Please select an existing bookshelf

Create a new bookshelf.

We can’t wait for you to join Kirkus!

Please sign up to continue.

It’s free and takes less than 10 seconds!

Already have an account? Log in.

Trouble signing in? Retrieve credentials.

Almost there!

• Industry Professional

Welcome Back!

Sign in using your Kirkus account

Contact us: 1-800-316-9361 or email [email protected].

Don’t fret. We’ll find you.

Magazine Subscribers ( How to Find Your Reader Number )

If You’ve Purchased Author Services

Don’t have an account yet? Sign Up.

Advertisement

Supported by

editors’ choice

7 New Books We Recommend This Week

Suggested reading from critics and editors at The New York Times.

• Share full article

Our recommended books this week include two substantial new biographies: one a reassessment of Ronald Reagan and his legacy, the other an account of the estimable partnership between the Scottish novelist Robert Louis Stevenson and his American wife, Fanny Van de Grift. We also recommend a memoir of raves and romance gone wrong, a new poetry collection by the virtuosic Paul Muldoon, and fiction from Yoko Ogawa, Ismet Prcic and Laszlo Krasznahorkai. Happy reading. — Gregory Cowles

REAGAN: His Life and Legend Max Boot

Boot, a historian and foreign policy analyst, grew up idolizing Ronald Reagan, but in this measured, comprehensive biography of the 40th president, he explores the legacy of the Reagan years to ask whether they paved the way for Donald Trump, whose presidency led Boot to abandon his habitual embrace of the right.

“Gripping. … Stands out for its deep research, lucid prose and command of its subject’s broad political and social context. ‘Reagan’ dives straight into the contradictions that defined the man.”

From Jennifer Burns’s review

Norton | $45

A WILDER SHORE: The Romantic Odyssey of Fanny and Robert Louis Stevenson Camille Peri

Stevenson’s American wife, Fanny Van de Grift, was a powerful personality in her own right: an individualist who paid no mind to conventional gender roles, a brave and sometimes reckless adventurer who encouraged Stevenson’s penchant for a wandering life.

“Engrossing. … Previous Stevenson biographers have reflexively labeled Fanny as ‘difficult’ without trying to understand how necessary she was to her delicate and high-strung husband, or the ‘passion, companionship and creative energy that became the life force of the Stevensons’ marriage.’”

From Brooke Allen’s review

Viking | $35

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.

Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times.

Thank you for your patience while we verify access.

Already a subscriber?  Log in .

Want all of The Times?  Subscribe .

An Expert’s Guide to Investigating Controversial Use-of-Force Incidents

Get the expert guide to investigating some of the most controversial use-of-force incidents, written by one of the country’s top Use of Force Experts. GET A FREE CHAPTER TODAY!

In this book, you’ll learn:

• Learn what makes use of force and Officer Involved Shooting controversial
• Methodically and expertly investigate critical incidents
• Gain an understanding of what a reasonable officer would do
• Use available evidence to identify decision-making windows in force incidents
• Create highly accurate timelines
• Dispel the most common myths and misunderstandings in use of force
• Conduct thorough force investigations
• Boost your investigative skills
• The basics of video for force investigators
• Confidently explain the incident to administrators and decision-makers

There is no book on the market that explains critical incidents like this from the investigator’s perspective. Get yours in Print and for Digital Download.

After 25 years of policing, and 13 years of focusing on use of force, SGT Jamie Borden (Ret) has worked on hundreds of controversial uses of force cases at his agency, in civil lawsuits, and when an officer was charged with a crime.

Get a free chapter TODAY...when you put your name on the standby list. You’ll get critical updates, investigative tools, and exclusive interviews while you wait!

Drop your info below to start getting your information:

Get Your Free Chapter Below

The CIR Team has logged thousands of hours of continued and focused education in the field of Human Behavioral Sciences as it relates to law enforcement and has also logged thousands of hours of documented instruction time with multiple law enforcement entities as instructors, lecturers and authors.

Review Roundup: What are the critics saying about Waiting for Godot?

Posted on 20 September 2024

Ben Whishaw ( Paddington, James Bond ) was so inspired by a production of Waiting for Godot , that he quit his Art foundation degree to study acting instead. Does the new adaptation carry the same life changing weight, or will you be waiting for it to end?

The most well-known play from the Theatre of the Absurd movement, Waiting for Godot was written by theatre legend Samuel Beckett in 1953. 35 years after it first premiered, the play was voted the most important English-language play of the 20th century. The latest reincarnation, currently playing at the Theatre Royal Haymarket stars Ben Wishaw and Lucian Msamati ( Game of Thrones, See How They Run ) as the patient pair, Didi and Gogo. 

The duo wait for Godot, they don’t know who he is, why they are meeting or what time he is coming – only that something incredible could happen when he does…

What are the critics saying about Waiting for Godot?

⭐⭐⭐⭐⭐ ' Profoundly funny and infinitely sad' - WhatsOnStage

⭐⭐⭐⭐ ' Tremendous Ben Whishaw leads a night of plentiful horrors' - The Telegraph

⭐⭐⭐⭐  'The best staging of this challenging classic I’ve ever seen' - Evening Standard

Book Waiting for Godot tickets now

Don’t let the time run out! Playing a strictly limited run at the Theatre Royal Haymarket, book your official tickets today.

By Sian McBride