Dr. Travis Rozier
ENGL 203
14 June 2021
: Marital Conflict in “A Red Girl’s Reasoning”
In writing “A Red Girl’s Reasoning,” Johnson explores through Christie McDonald, a mixed-race young woman like herself. Like Christie, Johnson was both a part of and yet separate from Canadian middle-class society in the early 1900s because of her Indian heritage. Christie, unlike Johnson, marries a young white man named Charlie McDonald. In Charlie, though, Christie does not find mooring for her liminality.
At the beginning of “A Red Girl’s Reasoning,” Charlie is introduced to the reader in conversation with his father-in-law while waiting for Christie to appear. When Jimmy Robinson tells Charlie that he does not understand Indigenous people or their cultures , who has lived over twenty years in native lands, Charlie balks at this assessment: “But I’m just as fond of them” and “I get on with them too, now, don’t I?” are his cries in response (Johnson 1). This incident highlights Charlie’s insistence on always being correct, regardless of whether or not he is actually right or not. It also foreshadows how his insistence at always being right will later create marital conflict with his new bride.
He also becomes jealous; at the thought, instigated by Mrs. Stuart, that Joe does not love Christie nearly as much as she deserves, he confronts his brother about the matter. “I’ve never asked you yet what you thought of her, Joe,” he ponders with his brother (4). Unsatisfied with his brother’s answer of “I’m glad she loves you,” Charlie tells Joe that “If she hated you, you’d get out. If she loved you I’d you get out” (4). This scene, while seemingly a minor incident in the text, becomes alarming when coupled with Charlie’s discussion with Jimmy Robinson. Like everyone else in Ottawa, he perceives her as “a potent charm to acquire popularity” (3).
At the party, when confronted by numerous individuals as to the nature of her father and mother’s marriage, Christie admits that they were not married by a priest. Horrified by this lack of propriety and despite her clarification that “the marriage was performed by Indian rites,” guests like Captain Logan and Mrs. Stuart immediately begin to gossip at hints of impropriety in Christie and Charlie’s marriage itself (Johnson 6). “Poor old Charlie has always thought so much of honorable birth,” Captain Logan says, perhaps the most damning indictment of Charlie’s character in the short story (6). Charlie, who was not made privy to this information before his marriage, is beyond angry by this news. What he is angry about is not the information being withheld from him, though; instead, he is angry with Christie at ruining her, and therefore his, reputation.
Immediately after the disastrous party, Charlies skulks off by himself before returning home to confront Christie. At the sight of her, he cries “You have disgraced me; and, moreover, you have disgraced yourself and both your parents” (Johnson 7). When Christie throws in his face the fact that he “who [has] studied my race and their laws for years” accuses her of bastardry, Charlie is affronted: “Your father was a fool not to insist upon the law, and so was the priest” (6-7). Despite studying and understanding Indian culture for years and marrying an Indian woman, Charlie insists that Christie’s parents “live in more civilized times” and should therefore have had a Christian wedding with a priest in order to authorize their marriage (8). Ultimately, however, Christie wears down Charlie’s ignorant arguments until he cries “the trouble is they won’t keep their mouths shut” (8). Even in this moment of intense argument with Christie over a subject that ultimately proves the end of their marriage, Charlie cannot stop prioritizing the opinions of those in white Ottawan society. Because of her announcement, Charlie has been made a fool in front of his friends, colleagues, and the city writ-large, and his anger at this prompts him to announce “God knows” when Christie asks whether it would have made a difference when deciding to marry her (8).
He alienates Christie from white society by castigating her for her parents’ lack of “propriety” (by a white man’s standard) and refusing to recognize the validity of her people’s customs. Christie occupies a liminal space between being white and being Indigenous that cannot support Charlie’s racist attempts to capitalize on her beauty and appeal to society as the new “rage” for his own social gain. Through Christie, Pauline Johnson explores the fraught nature of being an Indian in a white man’s world, while through Charlie, Johnson exposes how white society commodifies the lives and cultures of Indigenous people during the early twentieth century.
Works Cited
Attribution:
Bowling, Hannah Elizabeth. “Short Story: ‘Blood for Blood’: Marital Conflict in ‘A Red Girl’s Reasoning.’” In Surface and Subtext: Literature, Research, Writing . 3rd ed. Edited by Claire Carly-Miles, Sarah LeMire, Kathy Christie Anders, Nicole Hagstrom-Schmidt, R. Paul Cooper, and Matt McKinney. College Station: Texas A&M University, 2024. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License .
Rozier, Travis, and R. Paul Cooper. “Short Story: Sample Analysis of a Short Story.” In Surface and Subtext: Literature, Research, Writing . 3rd ed. Edited by Claire Carly-Miles, Sarah LeMire, Kathy Christie Anders, Nicole Hagstrom-Schmidt, R. Paul Cooper, and Matt McKinney. College Station: Texas A&M University, 2024. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License .
3.7--Sample Analysis of a Short Story Copyright © 2024 by Travis Rozier and R. Paul Cooper is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.
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Posted on May 17, 2021
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Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery".
A short story is a form of fiction writing defined by its brevity . A short story usually falls between 3,000 and 7,000 words — the average short story length is around the 5,000 mark. Short stories primarily work to encapsulate a mood, typically covering minimal incidents with a limited cast of characters — in some cases, they might even forgo a plot altogether.
Many early-career novelists have dabbled in the form and had their work featured in literary magazines and anthologies. Others, like Raymond Carver and Alice Munro, have made it their bread and butter. From “starter” short story writers to short story experts, there’s an incredible range of short stories out there.
In this series, we'll be looking into short stories and showing you how any writer can create a powerful piece of fiction — and even get it published. But before we get into the weeds, let's look at a few examples to demonstrate the range and flexibility of this form.
Broadly speaking, you could answer the question of "what is a short story" in a few ways, starting with the most obvious.
Though short stories must inherently be concise pieces of writing, they often incorporate elements of the novel to retain a similar impact. A ‘classic short narrative’ is the most story-telling-by-the-numbers that a short story can get — the plot will imitate long-form fiction by having a defined exposition, rising action, a climax, and a resolution.
Short stories do differ from longer prose works in some respects: they’re unlikely to contain a huge cast of characters or successive climaxes like those found in novels. But despite these cuts, if the author does their job right, a ‘classic’ short story will be just as affecting and memorable as a novel — if not more so.
Tia, disillusioned with her strict Pentecostal upbringing in a sleepy Southern town, escapes her great-aunt’s clutches to find her mother in Atlanta. This story starts with a classic expository beat — Tia at school, flicking through a religious textbook, dreaming of another life. This is followed by a crisis: Tia travels by bus to the big city, befriends a man on the street, and goes to stay with him, only to learn that he is a drug dealer and a pimp. Eventually, Tia returns home to her great-aunt. In all, it’s a sensitive story about the vulnerability of youth and the longing for family.
As short stories go, “Speaking In Tongues” has a pretty impressive narrative. You can see how the premise and plot could work as a longer piece of fiction, but they pack even more of a punch in this shorter form.
A vignette is a short story that presents a neatly packaged moment in time, usually in quite a technically accomplished fashion. ‘Vignette’ is French word more frequently used to signify a small portrait, but in a literary sense, it means “a brief evocative description, account, or episode”. This could be of a person, event or place.
Fleetingness is at the crux of a vignette short story. For that reason, it is likely to be heavy on description, light on plot . You might find a particularly embellished description of a character or setting, often with a strong dose of symbolism that corresponds with a central theme.
“Viewfinder” has a simple premise: a traveling photographer takes a photo of the narrator’s house, sells it to him on his doorstep, and is invited in for coffee. The story emphasizes feelings of loneliness that come to the fore in their interaction, captured brilliantly by Carver’s unadorned writing style. Tales like this that attribute importance to the mundane are arguably best served by a concise form as Carver's fascination with banal events could have become repetitive and rudderless in a longer piece of work.
Many critics agree that no one writes the American working classes quite like Carver. His stories chronicle the everyday experiences of Midwestern men and women eking out a living then fish, play cards, and shoot the breeze as life passes them by. It won Carver immense critical acclaim in his lifetime and is a great example of short-form writing that emphasizes mood rather than plot.
An anecdote recounted to friends is most successful when it’s pacey, humorous, and has a quick crescendo. The same can be said of short stories that capitalize on this storytelling device.
Anecdotal stories take on a more conversational tone and are more meandering in style, in contrast to the directness of other short stories and flash fiction. It can have a conventional story structure, like the classic short narrative, or it may focus on a particular stylistic recounting of an event. Basically, an anecdote allows a writer to have fun with the way a story is told — though exactly how it unfolds remains important too.
Zhang’s 2017 short story collection Sour Heart chronicles the rough-and-tumble lives of recently immigrated Chinese-Americans living in downtown Manhattan. The stories in this collection are told from the perspectives of children, and the narrative takes full advantage of the impish, filterless way in which children relate their own experiences to themselves and others.
In “We Love You Crispina”, young Christina’s life in a crowded Washington Heights tenement block is refracted through her naive, contradictory understandings of the world. Her parents are struggling to get a leg up and are contemplating sending her back to Shanghai — but Christina is more concerned with how the bed bugs in their cramped apartment are making her itchy, and dissecting the interactions she has in the school playground. It’s a wonderfully nuanced exercise in contrast, as well as a reminder of what feels most important to us when we’re small, rendered potently through Christina’s 'anecdotal' voice.
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Short stories, by nature, are more flexible pieces of fiction that aren’t wedded to the diktat of longer-form fiction. It means they can play around with and challenge the expectations of a genre’s expected conventions, in a relatively ‘low stakes’ way compared to a full-blown novel.
Oftentimes, an experiment won’t be a complete reinvention of the genre. Instead, one might find a refreshing twist on a classic trope — or, as in the example below, upping the ante and taking a genre to heights it has never been before.
This short story sent shock waves through the American literary establishment when it was first published in 1953. It follows a Southern family on a road trip to visit the children’s grandmother — who end up crashing their car and happening upon a mysterious group of men. I won’t spoil the rest for you, but one word of warning: don’t expect a happy ending.
“A Good Man Is Hard To Find” incorporates common themes of Southern gothic literature, like religious imagery, and — surprise surprise — characters meeting a gruesome demise, but its controversial final scene marks it out. The macabre detail was shocking to audiences at the time but is now held up as a stellar example of the genre (and also exemplifies how a well-executed bit of subversion can become the golden standard in literature!). You might want to sleep with one eye open after reading this, but that’s half the point, right?
How many words do you actually need to tell a great story? If you were to ask that to someone who writes flash fiction, they tell you "fewer than 1,000 words."
The defining element that sets flash fiction apart from the standard-issue short story — other than word count — is that much more needs to be implied , rather than said upfront. Flash fiction, and especially mega-short microfiction, perfectly embody this principle of inference, which itself derives from Ernest Hemingway’s Iceberg Theory of story development.
“ Curriculum ”, clocking in at exactly 500 words, is a great sampling of the emotional, personal language that appears frequently in flash fiction. A handkerchief, some cream cloth, and a pair of glasses become important symbols around which Shah contemplates identity and womanhood, in the form of a series of questions that follow her descriptions of the objects.
This kind of deliberate, highly considered structure ensures that Shah’s flash fiction makes a razor-sharp point, whilst also allowing for a contemplative tone that transcends the words on the page. When done well, this style of short fiction can be a greater-than-expected vehicle for thoughtful comments on a range of issues.
If you’re in the mood to read more around the form, check out our picks for the 31 best short stories of all time.
As you can see, the short story is an art form on its own that requires deftness, clarity, and a strong grasp of how to make an economy of words compelling and innovative. If you’re feeling ready to write a short story of your own, proceed to the next post in this series.
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How to analyze a short story.
Old Fence. A short story has a structure and a message. Can you analyze this picture in much the same way as a short story?
A short story is a work of short, narrative prose that is usually centered around one single event. It is limited in scope and has an introduction, body and conclusion. Although a short story has much in common with a novel (See How to Analyze a Novel), it is written with much greater precision. You will often be asked to write a literary analysis. An analysis of a short story requires basic knowledge of literary elements. The following guide and questions may help you:
Setting is a description of where and when the story takes place. In a short story there are fewer settings compared to a novel. The time is more limited. Ask yourself the following questions:
Study the time period, which is also part of the setting, and ask yourself the following:
Characterization deals with how the characters in the story are described. In short stories there are usually fewer characters compared to a novel. They usually focus on one central character or protagonist. Ask yourself the following:
The plot is the main sequence of events that make up the story. In short stories the plot is usually centered around one experience or significant moment. Consider the following questions:
The narrator is the person telling the story. Consider this question: Are the narrator and the main character the same?
By point of view we mean from whose eyes the story is being told. Short stories tend to be told through one character’s point of view. The following are important questions to consider:
Conflict or tension is usually the heart of the short story and is related to the main character. In a short story there is usually one main struggle.
The climax is the point of greatest tension or intensity in the short story. It can also be the point where events take a major turn as the story races towards its conclusion. Ask yourself:
The theme is the main idea, lesson, or message in the short story. It may be an abstract idea about the human condition, society, or life. Ask yourself:
The author’s style has to do with the his or her vocabulary, use of imagery, tone, or the feeling of the story. It has to do with the author’s attitude toward the subject. In some short stories the tone can be ironic, humorous, cold, or dramatic.
Your literary analysis of a short story will often be in the form of an essay where you may be asked to give your opinions of the short story at the end. Choose the elements that made the greatest impression on you. Point out which character/characters you liked best or least and always support your arguments.
Home — Essay Samples — Literature — Literary Genres — Short Story
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“I vant to drink your blood!”
While that's one of the most oft repeated vampire quotes of all time, it's hardly the only one. In fact, there are all kinds of vampire sayings from books, movies and TV shows and if you're on the hunt for one, then you're in luck, because we've got an entire collection to choose from.
Much like witches , werewolves and ghosts , vampires have come to symbolize Halloween. That said, our fascination with the mythical bloodsuckers goes all the way back to ancient times, and thanks to movies and TV shows like “Twilight” and “True Blood,” the obsession shows no signs of waning.
In honor of the beloved bloodsuckers , you find chilling vampire quotes from Bram Stoker's classic novel “Dracula” like, “I want you to believe ... to believe in things that you cannot,” as well as laugh-out-loud lines from “What We Do in the Shadows.”
There are also memorable quotes from Lord Byron, William Shakespeare and “Interview with the Vampire” author, Anne Rice, among others.
Use one of these sayings as an Instagram caption , to send to a vampire-loving friend or simply help you get into the spirit of the spooky season.
Whatever you settle on, one thing's for sure — these vampire quotes definitely don't suck .
Sarah is a lifestyle and entertainment reporter for TODAY who covers holidays, celebrities and everything in between.
Welcome to the Money blog, a hub for personal finance and consumer news and tips. Today's posts include Nationwide slashing mortgage rates and regulations encouraging builders to fit smaller windows. Listen to Ed Conway's analysis of UK borrowing and potential tax rises as you scroll.
Thursday 22 August 2024 11:37, UK
Nationwide today slashed mortgage rates across its range - with one of its deals now the cheapest on the UK-wide market.
A rate of 3.78% is now available to any new and existing customers looking to move home on a five-year fix.
This is how that compares...
The building society says other cuts apply across buyer types.
Justin Moy, managing director at EHF Mortgages, told industry news agency Newspage: "These are significant headline-grabbing rates from Nationwide. These are rates we haven't seen for at least two years.
"They will give borrowers plenty of confidence to get back into the property market."
Rates have been edging down in recent months as lenders price in forecast cuts in the base rate from the Bank of England.
Here's how average rates currently look - though it's worth saying that many buyers will be able to find deals lower than these averages...
McDonald's is to open more than 200 new restaurants across the UK and Ireland over the next four years.
It will be the fast-food chain's largest expansion programme for more than 20 years and will create 24,000 jobs.
New restaurant formats will be tested as part of the rollout, McDonald's said, including trials for smaller site formats and "drive to" restaurant sites.
"We have come a long way since we first opened our doors in Woolwich 50 years ago," said Alistair Macrow, chief executive officer of McDonald's UK&I.
"I'm delighted that in this milestone year we are able to demonstrate our ongoing commitment to growth, and announce the creation of new jobs across the country."
The growth plan is driven by a £1bn investment by the chain and its franchisees.
McDonald's revealed a target of building 10,000 more restaurants globally by 2027.
It currently has 1,435 restaurants in the UK, with around four-fifths owned and operated by franchisees.
But this year it was overtaken by Greggs in the breakfast market - with the bakery chain now turning its focus to evening meal customers.
By James Sillars , business reporter
It's a positive start on the FTSE 100.
A 4% rise in JD Sports stock helped the index climb 0.2% to 8,300 points at the open.
Sports fashion retailer JD had earlier reported a 2.4% rise in underlying sales during its second quarter.
That uptick was not enough, however, to bolster the company's annual profit forecast.
Shares fell sharply in January when JD issued a profit warning, blaming higher costs and poor demand.
They remain about 20% down in the year to date.
Elsewhere, oil costs have continued their decline of the past week.
A barrel of Brent crude currently costs $76.
Fears of weak global demand have been largely responsible for the recent easing.
On the face of it, yesterday's public finance numbers provide a clear rationale for the course of action the chancellor has (according to those I talk to in Whitehall) already decided upon: more taxes and more spending cuts in this October's budget.
It will, I'm told, be pretty grim.
However, it's worth saying there is one other way for the chancellor to create extra headroom against her fiscal rules, which is to change the particular measure she's judging that headroom against.
A lot of economists believe the net debt statistic she inherited from the Conservatives is the wrong one to use in her fiscal rules - and that she should use the country's total national debt, not excluding any debt owned by the Bank of England.
Long story short, if she uses this other measure (and I'm told this is something she is considering) then she suddenly has a lot more headroom.
Even so, don't expect her to change the tune at the budget in October. There will be more bad news to come.
Read my full analysis here ...
The new government is considering whether to scrap health and safety regulations that are seeing homebuilders shrink the size of windows, or put bars on them, to stop people falling out, the Money blog can reveal.
The rules, introduced in December 2021 by the Conservative government, are in the first instance designed to guard against "unwanted solar gains" - or, to put it another way, homes becoming too hot as the climate warms.
This, critics say, is resulting in builders installing smaller windows on new builds.
But they also require builders to account for safety - and so upstairs windows in new-build homes must now be at least 1.1 metres (3.6ft) from the floor.
Former minister Michael Gove launched a review of the rules - with the consultation concluding before the Tories lost power in July.
The new government has yet to make a decision.
A spokesperson for the Ministry of Housing, Communities and Local Government told the Money blog: "We have closed a call for evidence on building regulations and are considering the responses before we make our decision."
Earlier this year, Nicholas Boys Smith, chairman of the Create Street thinktank on urban design, told the Telegraph the "foolish" regulations have "incentivised the building of extremely small windows".
"People are not able to look out of their windows if they are sitting down," he said.
"This means, in a normal-sized suburban house, first-floor rooms are darker and less pleasant.
"It's making it nearly impossible to create houses that fit in with their 20th century, Edwardian, Georgian or Victorian predecessors. The majority of England's most beloved buildings would violate these regulations."
For Savings Guide this week, Savings Champion co-founder Anna Bowes looks at the best junior ISAs.
Most parents want to ensure their children have a strong financial footing when they are older, and there are many ways to support them.
What you choose depends on what access you want your child to have, as well as the risk you are prepared to take, but starting as soon as possible can make a huge difference. As can choosing the most tax efficient options, and a junior ISA (JISA) is often the most obvious option.
A JISA is a tax-free savings account for both the parent and the child, so it can be an ideal account to place funds that you gift to your child.
Most children's savings account could have tax implications
Children have their own personal allowance, so for the majority there will be no tax to pay on their savings interest. However, parents should be aware that there may be a tax liability to themselves on the interest earned on any money they gift to their children, until they reach the age of 18.
If the total gross interest earned on all cash gifted by each parent is more than £100 per year, then all of it (not just the excess) will be treated as that parent's interest for tax purposes and therefore they may need to pay tax at their marginal rate - if it takes them above their personal allowance and/or personal savings allowance.
If the gross interest earned is less than £100 for each parent's gift, it is considered so minimal that parents do not need to declare it.
This is a key reason why parents may prefer to place money they gift to their children into a JISA – as this tax rule does not apply.
What about gifts from other family members or friends?
Gifts from any other family members or friends will not be viewed in the same way. Instead, any interest earned will be treated as belonging to the child themselves and therefore can be earned tax free if they are non-taxpayers.
Something that parents should remember is that while in the JISA, the funds cannot be accessed until the child becomes 18, but at that stage they will have unfettered access to the funds.
But they can also transfer their JISA into an Adult ISA to continue to receive tax-free interest/investment returns.
If you, your friends and family were able to gift a total of £9,000 a year to a child from birth (the current JISA allowance), at a rate of 4.95% (the current best JISA rate), you could give them more than £264,000 when they reach 18. Now that's a gift worth having!
Top JISA rates have so far been unaffected by the recent base rate cut, but they are variable rate accounts, so it's important to keep an eye on the rates being earned going forward to make sure your child continues to earn a competitive rate.
A number of supermarkets and health and beauty retailers have been carrying out "concerning" loyalty scheme practices, Which? has said.
This include prices being increased for a product before they are sold on "offer" to members at their original price, according to the consumer group's investigation.
For example, Boots sold an Oral-B iO7 electric toothbrush at a non-member price of £400, while the members' price was £150.
However, the product had only been £400 for 13 days beforehand, prior to which it was £150 for everyone, Which? found.
Which? says it analysed the pricing history of almost 12,000 products at health and beauty retailers and supermarkets over the past year to uncover how genuine the loyalty savings have been.
It found that some products on a loyalty offer had been at its non-member price for less than half the year.
This applied to one in six Superdrug products and one in 10 at Boots.
At supermarkets, it was 10% with Tesco, 5% at Sainsbury's and 3% at Co-op.
Which? says the guidance on consumer law regarding pricing promotions needs to be updated.
The UK competition watchdog is also currently analysing displayed savings.
The Competition and Markets Authority (CMA) is looking into whether non-member, or regular, prices are artificially inflated by supermarkets to make their loyalty prices appear more attractive, but its initial findings last month indicated retailers are unlikely to be misleading shoppers.
What have the supermarkets and retailers said?
A Superdrug spokeswoman said: "Our products are regularly on a mixture of member-only prices, multibuy promos, and price promotions open to all, to ensure all our customers can make savings on their favourite products throughout the year.
"Every month we give our loyal Health & Beautycard members access to hundreds of health and beauty products at a lower price, and the investigation highlights the value this offers our members."
A Boots spokesman said: "We have always been committed to offering customers great value, helping them save money across their health and beauty needs.
"All promotions, including Price Advantage, are assessed against all applicable laws and guidelines set out by the Chartered Trading Standards Institute."
A Tesco spokesman said: "All our Clubcard Prices promotions follow strict rules, including considering how they compare against prices in the market, to ensure they represent genuine value and savings, and these rules have been endorsed by our Trading Standards Primary Authority."
A Sainsbury's spokesman said: "More people are choosing to shop at Sainsbury's and we know our customers are savvy shoppers, who understand that factors like inflation, products falling out of season, or promotions can affect our prices.
"That doesn't stop us following pricing guidance for the industry and offering great value on the products our customers buy most - whether that's with our Low Everyday Prices, Aldi Price Match or Nectar Prices."
A Co-op spokesman said: "We know our member prices provide true value for our members.
"No base prices have increased to accommodate Co-op member pricing and, in fact, many of the 'all-customer' prices were decreased to ensure Co-op was competitive on key lines for all shoppers, whether they are a member or not."
Parents with children turning 16 have until the end of the month to ensure they keep receiving child benefit.
The money may still be available to you if your child is in full-time education or training, but it's not automatic.
You need to let HM Revenue and Customs know whether this is the case by 31 August.
Training is limited to unpaid work and traineeships, and approved types of education do not include BTEC Higher National Certificate qualifications or a university degree.
The benefits will come to a stop once your child finishes their education at one of four points during the year nearest to that date: February, May, August or November.
Child benefit can be extended in some circumstances, such as if they join the armed forces.
Claiming the benefit has the added bonus of earning you national insurance credits to put towards your state pension if you are earning less that £123 a week.
Holland Barrett is trialling the world's first express DNA test service at some stores in the UK.
The retailer will offer customers on-the-spot genetic information for skincare and improved sleep in five stores across the UK, Retail Week reports.
Testing will involve a £30 cheek swab and results will be sent securely to a customer's smartphone in just 20 minutes.
The service is being provided by medical and consumer genetics testing firm DnaNudge.
The stores where the testing will be available are in Chelmsford, Bluewater, Birmingham Bullring, Princes Street Edinburgh, and Queen Street Oxford.
A savvy loophole allows Britons to save £75 on both National Trust and English Heritage membership at the same time.
The hack involves buying an annual Heritage New Zealand pass as an "overseas resident", which not only grants access to historical sites in New Zealand, but also the UK and other countries.
That's thanks to a "reciprocal agreement" with the National Trust and English Heritage that unlocks access to hundreds of their tourist hotspots.
Given the National Trust increased its prices by more than twice the rate of inflation (8.5%) this year, this saving hack is particularly helpful for those looking to purchase a membership.
UK residents can buy a non-Kiwi membership from Heritage New Zealand for just £128. Purchasing passes separately from English Heritage and National Trust combined would cost £163.20 – a difference of just over £35.
Savings become greater for families, with a New Zealand Heritage membership costing £210. For the two English Heritage and National Trust family passes, it would cost £285 - a £75 increase.
After signing up, your Kiwi heritage card will be sent in the post and you can show it upon entry at all English Heritage and National Trust sites.
However, the Kiwi card does not cover parking, meaning you will need to pay for this on the day.
Terms and conditions on the New Zealand Heritage website reveal that Wakehurst, Sussex, which is managed by the Royal Botanic Gardens, is the only National Trust-owned property where free entry is denied.
The Kiwi card also unlocks access to international heritage sites in Italy, Germany, Canada, and South Korea.
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Opinion Guest Essay
Credit... Allison Minto for The New York Times
Supported by
By James Pogue
Mr. Pogue, a writer, started talking to Senator Chris Murphy two years ago.
In December 2022, early into what he now describes as his political journey, Senator Chris Murphy of Connecticut gave a speech warning his fellow Democrats that they were ignoring a crisis staring them in the face.
For over a year, President Biden and his allies had been promoting data showing an economic miracle, as friendly pundits described it — a record-setting stock market, low unemployment and G.D.P. growth outpacing that of almost every other Western nation. But very few voters believed the story those metrics were telling. In poll after poll, they expressed a bleak view of the economy — to the frustration of both Democrats and many economists.
Mr. Murphy thought he knew why. “The challenges America faces aren’t really logistical,” he told the crowd. “They are metaphysical. And the sooner we understand the unspooling of identity and meaning that is happening in America today, the sooner we can come up with practical policies to address this crisis.”
The subject of the speech was what Mr. Murphy called the imminent “fall of American neoliberalism.” This may sound like strange talk from a middle-of-the-road Democratic senator, who up until that point had never seemed to believe that the system that orders our world was on the verge of falling. He campaigned for Hillary Clinton against Bernie Sanders during the 2016 primaries, and his most visible political stance up until then was his work on gun control after the Sandy Hook shooting.
Thoughtful but prone to speaking in talking points, he still comes off more like a polished Connecticut dad than a champion of the disaffected. But Mr. Murphy was then in the full flush of discovering a new way of understanding the state of the nation, and it had set him on a journey that even he has struggled sometimes to describe: to understand how the version of liberalism we’d adopted — defined by its emphasis on free markets, globalization and consumer choice — had begun to feel to many like a dead end and to come up with a new vision for the Democratic Party.
As the Democrats gather for their national convention this week, with Kamala Harris as their candidate for president, the party has a long way to go toward confronting the crisis Mr. Murphy sees.
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On the other hand, short stories are fictional narratives that focus on character development and plot. They can be written in various genres and styles, allowing for more creativity and imagination. While essays prioritize facts and logical arguments, short stories prioritize storytelling and evoking emotions in the reader.
Interactive example of a narrative essay. An example of a short narrative essay, responding to the prompt "Write about an experience where you learned something about yourself," is shown below. Hover over different parts of the text to see how the structure works. Narrative essay example.
A short story is a piece of fiction between 1,000 and 7,500 words. Learn how to write a short story in this comprehensive guide to the form. ... Expository prose (telling, like an essay) takes up very, very little space in your short story, and it does not appear near the beginning. The story is in Narrative format instead, in which one action ...
While the essay and the short story rely on different writing techniques, they arrive at similar outcomes: a powerful story with an idea, theme, or moral that the reader can interpret for themselves. Now, if you haven't written a narrative essay before, you might associate the word "essay" with high school English class.
The essay should allow the reader to understand your rationale. While a short story may be about the time when you got a dog & traded it in for a cat. For this short story, logic takes a back ...
It can be applied to novels, short stories, plays, poems, or any other form of literary writing. A literary analysis essay is not a rhetorical analysis, nor is it just a summary of the plot or a book review. ... It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn't be more than one sentence.
Short stories can have whatever twists and turns the author can create. They are only limited as far as the author's imagination, while a personal essay is limited by the actual events that ...
Tell the Truth. One of the most notable differences between a narrative essay and a short story is that a short story does not always have to be true. A story can be fiction or non-fiction, as both fit the definition of a short story. A narrative essay, on the other hand, is expected by the reader to be an actual experience from the writer's life.
A short story essay is a blended type of short writing that consolidates an essay's components and a short story. The word tally of a short story paper is generally between 1000 to 5000 words. This kind of article is not quite the same as a short story or simply a five-section exposition.
Ideally, an essay can be a story if the contents are supposed to be a narration of an event, an experience, or life's happenings relating to the author or a subject known to the author. Such an essay can also be a fictional story where the events are not real. However, most essays are narratives or descriptive of things relating to authors.
A short story is a short, self-contained work of fiction that generally falls between 1,000 and 10,000 words. Because of this length constraint, short stories tend to be less complex than longer works—in certain ways. In a short story, you can build a world, but not to the extent you can build a world in a (longer) novel.
A short story analysis essay follows a different format from other literature essays. That said, to help with that, here are instructive steps and helpful tips. 1. Take Down Notes. Considering that you have read the short story a couple of times, the first step you should take before writing your essay is to summarize and write down your notes ...
The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection. Conveying a Message or Insight. Narrative essays are more than just a story - they aim to teach you ...
1. Pick a simple central premise. A short story can begin life in all sorts of ways. It may be suggested by a simple but powerful image that imprints itself on the mind. It may derive from a particular character type — someone you know, perhaps — that you're keen to understand and explore.
Literary analysis looks critically at a work of fiction in order to understand how the parts contribute to the whole. When analyzing a novel or short story, you'll need to consider elements such as the context, setting, characters, plot, literary devices, and themes. Remember that a literary analysis isn't merely a summary or review, but ...
The basic structure of an essay always consists of an introduction, a body, and a conclusion. But for many students, the most difficult part of structuring an essay is deciding how to organize information within the body. This article provides useful templates and tips to help you outline your essay, make decisions about your structure, and ...
Essay and Short Story Definitions. Essay: An essay is a piece of writing about a particular subject. Story: A narrative that is shorter in length than a novel is referred to as a story. Experience and Explorations. An essay offers a detailed report on a certain subject by delving into its many facets and giving the reader accurate facts.
Assignment Description: For this essay, you will choose a short story and write an analysis that offers an interpretation of the text. You should identify some debatable aspect of the text and argue for your interpretation using your analysis of the story supported by textual evidence. Content: The essay should have a clear argumentative thesis ...
A short story is a form of fiction writing defined by its brevity. A short story usually falls between 3,000 and 7,000 words — the average short story length is around the 5,000 mark. Short stories primarily work to encapsulate a mood, typically covering minimal incidents with a limited cast of characters — in some cases, they might even ...
A short story is a work of short, narrative prose that is usually centered around one single event. It is limited in scope and has an introduction, body and conclusion. Although a short story has much in common with a novel (See How to Analyze a Novel), it is written with much greater precision. You will often be asked to write a literary analysis.
Additionally, exploring short stories through essays can deepen one's understanding of human experiences and societal issues. Tips on Choosing a Good Topic - Consider the themes: Choose a topic that explores a specific theme or idea presented in the short story. - Character analysis: Focus on the analysis of a particular character's development ...
Don't just limit your note-taking to the key focus of your paper, though. Make sure that you take notes on anything you deem important, such as setting, character traits, and key plot points. 2. Brush up on literary terms. If you're taking notes on the story, it's also important that you brush up on literary terms.
Ensuring Your Work's Originality. Rewriting & Paraphrasing: Transform Your Draft into Excellence. Editing & Proofreading: Perfecting Your Paper's Grammar, Style, and Format (APA, MLA, etc.). Elevate Your Essay. There are many elements involved in analyzing stories. Here's a guide on how to analyze a short story step-by-step to write a ...
For many children, summer is a fun time of year filled with no school, camp activities and warm weather. But for military children, summer is also known as PCS season, a time of year when many military families must move to their next duty station and begin a new chapter in a different part of the world. Malachi, a 6-year-old, shares how he feels about moving as a military child in this short ...
"I can't believe I'm in a graveyard with a strange man hunting for vampires on a school night." — Buffy, "Buffy the Vampire Slayer" "I go for a look which I call 'Dead but ...
Long story short, if she uses this other measure (and I'm told this is something she is considering) then she suddenly has a lot more headroom. Even so, don't expect her to change the tune at the ...
This story, they say, suggested that there was no possible alternative to the world where technological gadgets had colonized our brains and every aspect of our existence seemed to be reduced to a ...