theme essay lord of the flies

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Lord of the Flies Themes

Themes in lord of the flies, loss of innocence, savageness and society, vice against virtue, end of rationalism, absence of social norms, dehumanization of relations, the nature of evil or vice, community against individual, progress of civilization, absence of laws, related posts:, post navigation.

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

• Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
• The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
• Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
• The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
• Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
• Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
• Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
• Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
• The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

Lord of the Flies Quiz

Test your understanding of human nature and survival with our " Lord of the Flies " Trivia Quiz! Do you have the insight and knowledge to navigate the complex dynamics and symbolism of William Golding's masterpiece? Accept the challenge now and prove your mastery over the gripping and thought-provoking world of " Lord of the Flies "!

1) Who leads the boys in the brutal killing of Simon?

2) What is Ralph's main concern throughout the novel?

3) Who is responsible for maintaining the signal fire?

4) What do the boys use to start a fire?

5) What tragic event occurs when the boys reenact the hunt?

6) How does Piggy die?

7) Who is the first boy to suggest the existence of a "beast" on the island?

8) What do the boys call the younger children on the island?

9) Which character represents the voice of reason and intelligence?

10) What theme does "Lord of the Flies" primarily explore?

11) What do the boys chant during their tribal rituals?

12) What object is used to symbolize authority and order?

13) What is Jack's main priority on the island?

14) What happens to the conch shell?

15) How does the naval officer react when he sees the boys?

16) What role does Roger play in the novel?

17) How are the boys finally rescued?

18) What event causes the boys to be stranded on the island?

19) Who is the author of "Lord of the Flies"?

20) What does Ralph cry for at the end of the novel?

21) Who is the last boy to remain loyal to Ralph?

22) What does the "Lord of the Flies" symbolize?

23) What does the face paint symbolize for Jack's tribe?

24) What happens to the boy with the mulberry-colored birthmark?

25) What is the significance of the beast in the novel?

26) What is the "Lord of the Flies"?

27) Who discovers the true nature of the "beast"?

28) Why do Jack and his hunters attack Ralph's camp?

29) What is the main source of conflict between Ralph and Jack?

30) Who is elected leader of the boys at the beginning of the novel?

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About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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Home of The Brave

Lord of the flies – sample essay..

Choose a novel in which an important theme is explored. Explain how the author develops this theme throughout the novel.

            The Lord of the Flies by William Golding is a novel in which the theme of savagery versus civilisation is explored. Some British boys are stranded on an isolated island at the time of an imaginary nuclear war. On the island we see conflict between two main characters, Jack and Ralph, who respectively represent civilisation and savagery. This has an effect on the rest of the boys throughout the novel as they delve further and further into savagery.

             The theme of savagery versus civilisation is first introduced to us through the symbol of the conch shell which we associate with Ralph as he is the person who first uses it and becomes the elected leader of the boys. This symbolises authority amongst the boys. At the first assembly Ralph says “I’ll give the conch to the next person to speak…he won’t be interrupted”. This suggests civilisation as Ralph is allowing each boy to have an equal say and opinion. If they have the conch, no matter who they are or what age they are they will be given the chance to speak and will be listened to by the rest of the boys. The boys have created the island to be a democratic place which shows a civilised side to them as they try to mimic the homes they have just left.

             Contrasting with the symbol of the conch is the symbol of the beast which comes to be associated with Jack as by the end of the novel he is almost devil worshipping it. The beast begins as a  “snake thing” but by the end of the novel it has become “the Lord of the Flies”. The first quote shows us that the beast is clearly evil. Western society considers snakes to be bad omens because it was a snake that led Eve to eat from the tree of knowledge. However at this stage of the novel the beast is quite insubstantial as it is only a “thing”. As the boys fear of the beast grows so to does the beast itself until it has manifested into the devil – the ultimate and most powerful evil. He has a strong status as a Lord although it is over something pretty disgusting – the flies. The boys belief in the beast leads them to behave more like savages as they act out from their fear and they begin to loose hold of the rules, led by Jack, thus demonstrating the theme of savagery.

             One of ways Golding shows conflict between savagery and civilisation is when Jack and some of the other boys are killing the first pig. Jack chants “kill the pig, cut her throat, spill the blood”. This suggests savagery as the boys are being violent and aggressive when killing the pig and they don’t care about it. This is particularly clear through Golding’s word choice. Jack talks about cutting the pig’s throat which makes it sound like a savage action and spilling her blood which reinforces the lack of care and feeling shown towards the pug’s carcass. This shows that the boys are no longer feeling guilty about what they have done thus showing them becoming savages. 

             We can see the conflict between savagery and civilisation developing further when Piggy’s glasses are broken. We are told “Piggy cried out in terror ‘my specs!” This shows us that the boys savage natures are beginning to overule their more civilised sides. At the start of the book Jack would never have dared touch Piggy, but here he actually snaps and goes for Piggy who he despises. We can tell that Piggy is really scared as Golding chooses the words “cried” and “terror” to describe the scene. Piggy sounds like he is hurting and is genuinely terrified about what Jack might do to him and the loss of his sight. Piggy’s glasses have also come to represent intelligence on the island, with them breaking we see that the pathway to savagery is now completely open for the boys. This is the first true piece of violence between the two factions on the island and it will result in nearly all the boys becoming savages.

             A final way in which we see the theme of savagery versus civilisation being demonstrated is when Ralph sticks up for Piggy after he is attacked by Jack. Ralph says “that was a dirty trick”. This shows that Ralph is really angry at Jack for what he said and did to Piggy. He is still attempting to impose himself as leader here as he says this in an aggressive and assertive tone. This suggests there is still some glimmers of civilisation on the island at this point as there is still someone with a sense of moral goodness ready to fight for justice.

             In conclusion The Lord of the Flies by William Golding is a novel in which the theme of savagery versus civilisation is shown. Ralph represents civilisation as he wants to enforce rules and let everyone have an equal say. Whereas Jack who represents savagery as he rules over the boys and he is not interested in what they have to say. Through the boys actions Golding shows us that we need rules and to consciously impose them to make sure society functions properly.

27 thoughts on “Lord of the Flies – sample essay.”

AWESOME thanks guys!!

This essay was really helpful and thought provoking. I noticed a comment about how this essay could improve and I understand that this essay follows Scottish Qualifications, but I just have two suggestions to improve it.

At the beginning of Paragraph 4 it states “One of ways”. I think that perhaps the author meant “One of the ways”.

Also, in Paragraph 5 the author uses “We”, it may be different in Scotland, but I learnt that in essays one does not use personal pronouns.

Other than that it was really well written <3 Thank you!

I’m sorry you didn’t find the essay any help. There are mistakes in this as it was written by a National 5 class and is an exact sample essay as written by the pupils (equivalent to GCSE) and as a result of that there are some errors. It does talk about the same thing over and over again – civilisation versus savagery – but it is supposed to as this was the focus of the essay question. When writing a critical essay you need to pick out things from the text that answer the question. You will notice that different things are picked out from the text that relate to the fight between civilisation and savagery – whether this is the symbols used in the book or the actions of some of the characters. Once this has been selected to speak about you need to lift evidence from the text to support what you are saying and then explain it to your readers. I hope this has helped you understand the point of the essay a bit better.

Ms Davidson

Is this essay meant to be for a GSCE course? I am doing an essay about it now and I’m in year 8.

This text is being used by students in a Scottish Secondary School for their National 5 English qualification. They sit their exam at the equivalent age to those studying GCSEs. It doesn’t really matter what age you are when you study the text, it’s more to do with the levels of analysis you go through whilst studying the text. This essay would be a minimum pass at National 5 in Scotland. It is written by students and is simply an example of what students could write in their exam.

Hope that’s helped, Ms Davidson

I was desperate to know what to write in the conclusion but then this conclusion gave me some help, Thank you

Thank you so much!! The points in this essay are extremely helpful and I was able to interlink them in my GCSE exam today. Very helpful source!!

You are very welcome!

I’m glad you found it useful!

Thanks so much I have this 5 paragraph essay that’s due and you helped me so much for idea wise

WOOOOW amazing thank you so much

😍😍😍😍❤❤❤❤❤❤❤

this is gold as I have to write an essay on lotf and was having troubles finding main quotes the had good techniques paired to them and this helped a lot

Is this a full mark piece ?

This would probably get 15-16 out of 20 at National 5 in the Scottish system. Hope that helps.

Glad it was useful!

Thank you so much this was so extremely helpful. You are a lifesaver!

I’m glad I found this essay because i got an A on my school essay. THANK YOU SO MUCH 🙂

I wanted conflict between ralph and jack ONLY

You can change the points and the link backs (the first and last sentence in each paragraph) to focus on the conflict between Jack and Ralph if you need to. Each symbol talked about here is either associated with Jack or Ralph. Also Jack and Ralph link to the wider theme of the book with each boy respectively representing civilisation or savagery. This essay can be used to help you structure the one you need to write.

I am writing a paragraph and i need to write about the theme, charecters/groups… i cant start the paragraph with the answers, i need an intro, what can i do for an intro, i am a bit stuck

I’m not sure I understand your question Sarah. Your paragraph seems to include an awful lot of things. What is the overall point you are trying to talk about? If you were looking at the theme of civilisation then you could start with a simple sentence saying “The Lord of the Flies explores the theme of savagery versus civilisation”. If you are focusing on a particular character then begin with “The Lord of the Flies uses one of it’s main characters Jack/Ralph to explore certain ideas within the text.” I hope this helps. Ms Davidson

This helped me soon much!I’m so happy that I got an A+!My teacher was so happy.

That’s excellent!

THANK YOU SO MUCH 🙂

I need help with that essay lotf essay why should a leader read lotf base on ralph.

Take a look at the essay based on the character Ralph. Adapt it the first sentence in each paragraph (your POINT) so that it focuses on Ralph being a good example of being a leader, or how they can learn a lesson from him doing something that shows him being a bad leader. Then adapt the final sentence (your LINK BACK) so it responds to him setting an example (or not!) for leaders.

I was reading through the comments and you mentioned that the essay would be about 15-16 marks out of 20, and was wonder what improvements could be made to get the last few marks?

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Lord of the Flies

By william golding, lord of the flies themes, civilization vs. savagery.

The overarching theme of Lord of the Flies is the conflict between the human impulse towards savagery and the rules of civilization which are designed to contain and minimize it. Throughout the novel, the conflict is dramatized by the clash between Ralph and Jack, who respectively represent civilization and savagery. The differing ideologies are expressed by each boy's distinct attitudes towards authority. While Ralph uses his authority to establish rules, protect the good of the group, and enforce the moral and ethical codes of the English society the boys were raised in, Jack is interested in gaining power over the other boys to gratify his most primal impulses. When Jack assumes leadership of his own tribe, he demands the complete subservience of the other boys, who not only serve him but worship him as an idol. Jack's hunger for power suggests that savagery does not resemble anarchy so much as a totalitarian system of exploitation and illicit power.

Golding's emphasis on the negative consequences of savagery can be read as a clear endorsement of civilization. In the early chapters of the novel, he suggests that one of the important functions of civilized society is to provide an outlet for the savage impulses that reside inside each individual. Jack's initial desire to kill pigs to demonstrate his bravery, for example, is channeled into the hunt, which provides needed food for the entire group. As long as he lives within the rules of civilization, Jack is not a threat to the other boys; his impulses are being re-directed into a productive task. Rather, it is when Jack refuses to recognize the validity of society and rejects Ralph's authority that the dangerous aspects of his character truly emerge. Golding suggests that while savagery is perhaps an inescapable fact of human existence, civilization can mitigate its full expression.

The rift between civilization and savagery is also communicated through the novel's major symbols: the conch shell, which is associated with Ralph, and The Lord of the Flies , which is associated with Jack. The conch shell is a powerful marker of democratic order on the island, confirming both Ralph's leadership-determined by election-and the power of assembly among the boys. Yet, as the conflict between Ralph and Jack deepens, the conch shell loses symbolic importance. Jack declares that the conch is meaningless as a symbol of authority and order, and its decline in importance signals the decline of civilization on the island. At the same time, The Lord of the Flies, which is an offering to the mythical "beast" on the island, is increasingly invested with significance as a symbol of the dominance of savagery on the island, and of Jack's authority over the other boys. The Lord of the Flies represents the unification of the boys under Jack's rule as motivated by fear of "outsiders": the beast and those who refuse to accept Jack's authority. The destruction of the conch shell at the scene of Piggy 's murder signifies the complete eradication of civilization on the island, while Ralph's demolition of The Lord of the Flies-he intends to use the stick as a spear-signals his own descent into savagery and violence. By the final scene, savagery has completely displaced civilization as the prevailing system on the island.

Individualism vs. Community

One of the key concerns of Lord of the Flies is the role of the individual in society. Many of the problems on the island-the extinguishing of the signal fire, the lack of shelters, the mass abandonment of Ralph's camp, and the murder of Piggy-stem from the boys' implicit commitment to a principle of self-interest over the principle of community. That is, the boys would rather fulfill their individual desires than cooperate as a coherent society, which would require that each one act for the good of the group. Accordingly, the principles of individualism and community are symbolized by Jack and Ralph, respectively. Jack wants to "have fun" on the island and satisfy his bloodlust, while Ralph wants to secure the group's rescue, a goal they can achieve only by cooperating. Yet, while Ralph's vision is the most reasonable, it requires work and sacrifice on the part of the other boys, so they quickly shirk their societal duties in favor of fulfilling their individual desires. The shelters do not get built because the boys would rather play; the signal fire is extinguished when Jack's hunters fail to tend to it on schedule.

The boys' self-interestedness culminates, of course, when they decide to join Jack's tribe, a society without communal values whose appeal is that Jack will offer them total freedom. The popularity of his tribe reflects the enormous appeal of a society based on individual freedom and self-interest, but as the reader soon learns, the freedom Jack offers his tribe is illusory. Jack implements punitive and irrational rules and restricts his boys' behavior far more than Ralph did. Golding thus suggests not only that some level of communal system is superior to one based on pure self-interest, but also that pure individual freedom is an impossible value to sustain within a group dynamic, which will always tend towards societal organization. The difficult question, of course, is what individuals are willing to give up to gain the benefits of being in the group.

The Nature of Evil

Is evil innate within the human spirit, or is it an influence from an external source? What role do societal rules and institutions play in the existence of human evil? Does the capacity for evil vary from person to person, or does it depend on the circumstances each individual faces? These questions are at the heart of Lord of the Flies which, through detailed depictions of the boys' different responses to their situation, presents a complex articulation of humanity's potential for evil.

It is important to note that Golding's novel rejects supernatural or religious accounts of the origin of human evil. While the boys fear the "beast" as an embodiment of evil similar to the Christian concept of Satan, the novel emphasizes that this interpretation is not only mistaken but also, ironically, the motivation for the boys' increasingly cruel and violent behavior. It is their irrational fear of the beast that informs the boys' paranoia and leads to the fatal schism between Jack and Ralph and their respective followers, and this is what prevents them from recognizing and addressing their responsibility for their own impulses. Rather, as The Lord of the Flies communicates to Simon in the forest glade, the "beast" is an internal force, present in every individual, and is thus incapable of being truly defeated. That the most ethical characters on the island-Simon and Ralph-each come to recognize his own capacity for evil indicates the novel's emphasis on evil's universality among humans.

Even so, the novel is not entirely pessimistic about the human capacity for good. While evil impulses may lurk in every human psyche, the intensity of these impulses-and the ability to control them-appear to vary from individual to individual. Through the different characters, the novel presents a continuum of evil, ranging from Jack and Roger , who are eager to engage in violence and cruelty, to Ralph and Simon, who struggle to contain their brutal instincts. We may note that the characters who struggle most successfully against their evil instincts do so by appealing to ethical or social codes of behavior. For example, Ralph and Piggy demand the return of Piggy's glasses because it is the "right thing to do." Golding suggests that while evil may be present in us all, it can be successfully suppressed by the social norms that are imposed on our behavior from without or by the moral norms we decide are inherently "good," which we can internalize within our wills.

The ambiguous and deeply ironic conclusion of Lord of the Flies , however, calls into question society's role in shaping human evil. The naval officer, who repeats Jack's rhetoric of nationalism and militarism, is engaged in a bloody war that is responsible for the boys' aircraft crash on the island and that is mirrored by the civil war among the survivors. In this sense, much of the evil on the island is a result not of the boys' distance from society, but of their internalization of the norms and ideals of that society-norms and ideals that justify and even thrive on war. Are the boys corrupted by the internal pressures of an essentially violent human nature, or have they been corrupted by the environment of war they were raised in? Lord of the Flies offers no clear solution to this question, provoking readers to contemplate the complex relationships among society, morality, and human nature.

Man vs. Nature

Lord of the Flies introduces the question of man's ideal relationship with the natural world. Thrust into the completely natural environment of the island, in which no humans exist or have existed, the boys express different attitudes towards nature that reflect their distinct personalities and ideological leanings. The boys' relationships to the natural world generally fall into one of three categories: subjugation of nature, harmony with nature, and subservience to nature. The first category, subjugation of nature, is embodied by Jack, whose first impulse on the island is to track, hunt, and kill pigs. He seeks to impose his human will on the natural world, subjugating it to his desires. Jack's later actions, in particular setting the forest fire, reflect his deepening contempt for nature and demonstrate his militaristic, violent character. The second category, harmony with nature, is embodied by Simon, who finds beauty and peace in the natural environment as exemplified by his initial retreat to the isolated forest glade. For Simon, nature is not man's enemy but is part of the human experience. The third category, subservience to nature, is embodied by Ralph and is the opposite position from Jack's. Unlike Simon, Ralph does not find peaceful harmony with the natural world; like Jack, he understands it as an obstacle to human life on the island. But while Jack responds to this perceived conflict by acting destructively towards animals and plant life, Ralph responds by retreating from the natural world. He does not participate in hunting or in Simon's excursions to the deep wilderness of the forest; rather, he stays on the beach, the most humanized part of the island. As Jack's hunting expresses his violent nature to the other boys and to the reader, Ralph's desire to stay separate from the natural world emphasizes both his reluctance to tempt danger and his affinity for civilization.

Dehumanization of Relationships

In Lord of the Flies , one of the effects of the boys' descent into savagery is their increasing inability to recognize each other's humanity. Throughout the novel, Golding uses imagery to imply that the boys are no longer able to distinguish between themselves and the pigs they are hunting and killing for food and sport. In Chapter Four, after the first successful pig hunt, the hunters re-enact the hunt in a ritual dance, using Maurice as a stand-in for the doomed pig. This episode is only a dramatization, but as the boys' collective impulse towards complete savagery grows stronger, the parallels between human and animal intensify. In Chapter Seven, as several of the boys are hunting the beast, they repeat the ritual with Robert as a stand-in for the pig; this time, however, they get consumed by a kind of "frenzy" and come close to actually killing him. In the same scene, Jack jokes that if they do not kill a pig next time, they can kill a littlun in its place. The repeated substitution of boy for pig in the childrens' ritual games, and in their conversation, calls attention to the consequences of their self-gratifying behavior: concerned only with their own base desires, the boys have become unable to see each other as anything more than objects subject to their individual wills. The more pigs the boys kill, the easier it becomes for them to harm and kill each other. Mistreating the pigs facilitates this process of dehumanization.

The early episodes in which boys are substituted for pigs, either verbally or in the hunting dance, also foreshadow the tragic events of the novel's later chapters, notably the murders of Simon and Piggy and the attempt on Ralph's life. Simon, a character who from the outset of the novel is associated with the natural landscape he has an affinity for, is murdered when the other children mistake him for "the beast"-a mythical inhuman creature that serves as an outlet for the children's fear and sadness. Piggy's name links him symbolically to the wild pigs on the island, the immediate target for Jack's violent impulses; from the outset, when the other boys refuse to call him anything but "Piggy," Golding establishes the character as one whose humanity is, in the eyes of the other boys, ambiguous. The murders of Simon and Piggy demonstrate the boys' complete descent into savagery. Both literally (Simon) and symbolically (Piggy), the boys have become indistinguishable from the animals that they stalk and kill.

The Loss of Innocence

At the end of Lord of the Flies , Ralph weeps "for the end of innocence," a lament that retroactively makes explicit one of the novel's major concerns, namely, the loss of innocence. When the boys are first deserted on the island, they behave like children, alternating between enjoying their freedom and expressing profound homesickness and fear. By the end of the novel, however, they mirror the warlike behavior of the adults of the Home Counties: they attack, torture, and even murder one another without hesitation or regret. The loss of the boys' innocence on the island runs parallel to, and informs their descent into savagery, and it recalls the Bible's narrative of the Fall of Man from paradise.

Accordingly, the island is coded in the early chapters as a kind of paradise, with idyllic scenery, fresh fruit, and glorious weather. Yet, as in the Biblical Eden, the temptation toward corruption is present: the younger boys fear a "snake-thing." The "snake-thing" is the earliest incarnation of the "beast" that, eventually, will provoke paranoia and division among the group. It also explicitly recalls the snake from the Garden of Eden, the embodiment of Satan who causes Adam and Eve's fall from grace. The boys' increasing belief in the beast indicates their gradual loss of innocence, a descent that culminates in tragedy. We may also note that the landscape of the island itself shifts from an Edenic space to a hellish one, as marked by Ralph's observation of the ocean tide as an impenetrable wall, and by the storm that follows Simon's murder.

The forest glade that Simon retreats to in Chapter Three is another example of how the boys' loss of innocence is registered on the natural landscape of the island. Simon first appreciates the clearing as peaceful and beautiful, but when he returns, he finds The Lord of the Flies impaled at its center, a powerful symbol of how the innocence of childhood has been corrupted by fear and savagery.

Even the most sympathetic boys develop along a character arc that traces a fall from innocence (or, as we might euphemize, a journey into maturity). When Ralph is first introduced, he is acting like a child, splashing in the water, mocking Piggy, and laughing. He tells Piggy that he is certain that his father, a naval commander, will rescue him, a conviction that the reader understands as the wishful thinking of a little boy. Ralph repeats his belief in their rescue throughout the novel, shifting his hope that his own father will discover them to the far more realistic premise that a passing ship will be attracted by the signal fire on the island. By the end of the novel, he has lost hope in the boys' rescue altogether. The progression of Ralph's character from idealism to pessimistic realism expresses the extent to which life on the island has eradicated his childhood.

The Negative Consequences of War

In addition to its other resonances, Lord of the Flies is in part an allegory of the Cold War. Thus, it is deeply concerned with the negative effects of war on individuals and for social relationships. Composed during the Cold War, the novel's action unfolds from a hypothetical atomic war between England and "the Reds," which was a clear word for communists. Golding thus presents the non-violent tensions that were unfolding during the 1950s as culminating into a fatal conflict-a narrative strategy that establishes the novel as a cautionary tale against the dangers of ideological, or "cold," warfare, becoming hot. Moreover, we may understand the conflict among the boys on the island as a reflection of the conflict between the democratic powers of the West and the communist presence throughout China, Eastern Europe, and the Soviet Union. (China's cultural revolution had not yet occurred, but its communist revolution was fresh in Western memory.) Ralph, an embodiment of democracy, clashes tragically with Jack, a character who represents a style of military dictatorship similar to the West's perception of communist leaders such as Joseph Stalin and Mao Zedong. Dressed in a black cape and cap, with flaming red hair, Jack also visually evokes the "Reds" in the fictional world of the novel and the historical U.S.S.R., whose signature colors were red and black. As the tension between the boys comes to a bloody head, the reader sees the dangerous consequences of ideological conflict.

The arrival of the naval officer at the conclusion of the narrative underscores these allegorical points. The officer embodies war and militaristic thinking, and as such, he is symbolically linked to the brutal Jack. The officer is also English and thus linked to the democratic side of the Cold War, which the novel vehemently defends. The implications of the officer's presence are provocative: Golding suggests that even a war waged in the name of civilization can reduce humanity to a state of barbarism. The ultimate scene of the novel, in which the boys weep with grief for the loss of their innocence, implicates contemporary readers in the boys' tragedy. The boys are representatives, however immature and untutored, of the wartime impulses of the period.

Lord of the Flies Questions and Answers

The Question and Answer section for Lord of the Flies is a great resource to ask questions, find answers, and discuss the novel.

Where had Simon fainted before?

From the text:

“He's always throwing a faint,”said Merridew. “He did in Gib.; and Addis; and at matins over the precentor.”

Quote Analysis. "There was a throb..."

At this point Ralph is once again challenging Jack's authority, Unfortunately all the cards are stacked against Ralph. A storm is brewing and to deflect the boys' fears, Jack orders them to dance around the fire. This communal spectacle of...

How do the boys respond to Jack's call for Ralph's removal as chief? How does Jack react? Respond with evidence from the text.

There is a lot of immaturity here. The other boys refuse to vote Ralph out of power. Enraged, Jack has a tantrum and runs away from the group, saying that he is leaving and that anyone who likes is welcome to join him.The boys don't like the open...

Study Guide for Lord of the Flies

Lord of the Flies study guide contains a biography of William Golding, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Lord of the Flies
• Lord of the Flies Summary
• Lord of the Flies Video
• Character List

Essays for Lord of the Flies

Lord of the Flies essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Lord of the Flies by William Golding.

• Two Faces of Man
• The Relationship Between Symbolism and Theme in Lord of the Flies
• A Tainted View of Society
• Death and Social Collapse in Lord of the Flies
• Lumination: The Conquest of Mankind's Darkness

Lesson Plan for Lord of the Flies

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Lord of the Flies
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Lord of the Flies Bibliography

Wikipedia Entries for Lord of the Flies

• Introduction

'Lord of the Flies' Themes, Symbols, and Literary Devices

• B.A., English, Rutgers University

Lord of the Flies , William Golding's tale of British schoolboys stranded on a deserted island, is nightmarish and brutal. Through its exploration of themes including good versus evil, illusion versus reality, and chaos versus order, Lord of the Flies raises powerful questions about the nature of humankind.

Good vs. Evil

The central theme of Lord of the Flies is human nature: are we naturally good, naturally evil, or something else entirely? This question runs through the entire novel from beginning to end.

When the boys gather on the beach for the first time, summoned by the sound of the conch, they have not yet internalized the fact that they are now outside the normal bounds of civilization. Notably, one boy, Roger, remembers throwing stones at younger boys but deliberately missing his targets for fear of retribution by adults. The boys decide to set up a democratic society in order to maintain order. They elect Ralph as their leader and create a crude mechanism for discussion and debate, designating that anyone who holds the conch has the right to be heard. They build shelters and show concern for the youngest among them. They also play make believe and other games, exulting in their freedom from chores and rules.

Golding seems to suggest that the democratic society they create is simply another game. The rules are only as effective as their enthusiasm for the game itself. It is notable that at the beginning of the novel, all the boys assume rescue is imminent, and thus that the rules they're accustomed to following will soon be reimposed. As they come to believe that they will not be returned to civilization anytime soon, the boys abandon their game of democratic society, and their behavior becomes increasingly fearful, savage, superstitious, and violent.

Golding’s question is perhaps not whether humans are inherently good or evil, but rather whether these concepts have any true meaning. While it is tempting to see Ralph and Piggy as ‛good’ and Jack and his hunters as ‛evil,’ the truth is more complex. Without Jack’s hunters, the boys would have suffered hunger and deprivation. Ralph, the believer in rules, lacks authority and the ability to enforce his rules, leading to disaster. Jack’s rage and violence leads to the destruction of the world. Piggy’s knowledge and book learning are proven as to be meaningless as his technology, represented by the fire-starting glasses, when they fall into the hands of boys who do not understand them.

All of these issues are mirrored subtly by the war that frames the story. Although only vaguely described, it is clear that the adults outside the island are engaged in a conflict, inviting comparisons and forcing us to consider whether the difference is merely a matter of scale.

Illusion vs. Reality

The nature of reality is explored in several ways in the novel. On the one hand, appearances seem to doom the boys to certain roles—most notably Piggy. Piggy initially expresses the dim hope that he can escape the abuse and bullying of his past through his alliance with Ralph and his usefulness as a well-read child. However, he quickly falls back into the role of the bullied ‛nerd’ and becomes reliant on Ralph’s protection.

On the other hand, many aspects of the island are not clearly perceived by the boys. Their belief in The Beast stems from their own imaginations and fears, but it quickly takes on what seems to the boys to be a physical form. In this way, The Beast becomes very real to the boys. As the belief in The Beast grows, Jack and his hunters descend into savagery. They paint their faces, changing their appearance in order to project a fearsome and frightening visage that belies their true childish nature.

More subtly, what seemed real in the beginning of the book—Ralph’s authority, the power of the conch, the assumption of rescue—slowly erodes over the course of the story, revealed to be nothing more than the rules of an imaginary game. In the end, Ralph is alone, there is no tribe, the conch is destroyed (and Piggy murdered) in the ultimate refutation of its power, and the boys abandon the signal fires, making no effort to prepare for or attract rescue.

At the terrifying climax, Ralph is hunted through the island as everything burns—and then, in a final twist of reality, this descent into horror is revealed to be unreal. Upon discovering they have in fact been rescued, the surviving boys immediately collapse and burst into tears.

Order vs. Chaos

The civilized and reasonable behavior of the boys at the beginning of the novel is predicated on the expected return of an ultimate authority: adult rescuers. When the boys lose faith in the possibility of rescue, their orderly society collapses. In a similar way, the morality of the adult world is governed by a criminal justice system, armed forces, and spiritual codes. If these controlling factors were to be removed, the novel implies, society would quickly collapse into chaos.

Everything in the story is reduced to its power or lack thereof. Piggy’s glasses can start fires, and thus are coveted and fought over. The conch, which symbolizes order and rules, can challenge raw physical power, and so it is destroyed. Jack’s hunters can feed hungry mouths, and thus they have an outsize influence over the other boys, who quickly do as they are told despite their misgivings. Only the return of adults at the end of the novel changes this equation, bringing a more powerful force to the island and instantly reimposing the old rules.

On a superficial level, the novel tells a story of survival in a realistic style. The process of building shelters, gathering food, and seeking rescue are recorded with a high level of detail. However, Golding develops several symbols throughout the story that slowly take on increasing weight and power in the story.

The Conch comes to represent reason and order. In the beginning of the novel, it has the power to quiet the boys and force them to listen to wisdom. As more boys defect to Jack’s chaotic, fascist tribe, the Conch's color fades. In the end, Piggy—the only boy who still has faith in the Conch—is killed trying to protect it.

The Pig’s Head

The Lord of the Flies, as described by a hallucinating Simon, is a pig’s head on a spike being consumed by flies. The Lord of the Flies is a symbol of the increasing savagery of the boys, on display for all to see.

Ralph, Jack, Piggy, and Simon

Each of the boys represent fundamental natures. Ralph represents order. Piggy represents knowledge. Jack represents violence. Simon represents good, and is in fact the only truly selfless boy on the island, which makes his death at the hands of Ralph and the other supposedly civilized boys shocking.

Piggy’s Glasses

Piggy’s glasses are designed to provide clear vision, but they are transformed into a tool to make fire. The glasses serve as a symbol of control more powerful than the Conch. The Conch is purely symbolic, representing rules and order, while the glasses convey true physical power.

The beast represents the unconscious, ignorant terror of the boys. As Simon thinks, "The beast is the boys." It did not exist on the island before their arrival.

Literary Device: Allegory

Lord of the Flies is written in a straightforward style. Golding eschews complex literary devices and simply tells the story in chronological order. However, the entire novel serves as a complex allegory, in which every major character represents some larger aspect of society and the world. Thus, their behavior is in many ways predetermined. Ralph represents society and order, and so he consistently attempts to organize and hold the boys to standards of behavior. Jack represents savagery and primitive fear, and so he consistently devolves to a primitive state.

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• 'Lord of the Flies' Questions for Study and Discussion
• 'Lord of the Flies' Quotes Explained
• 'Lord of the Flies' Characters: Descriptions and Significance
• Memorable Quotes From 'Lord of the Flies'
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• 'Lord of the Flies' Vocabulary
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• 'Lord of the Flies' Summary
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Lord of the Flies: Themes ( AQA GCSE English Literature )

Revision note.

Exam responses that are led by themes, or the ideas that a writer is exploring in their text, are more likely to reach the highest levels of the mark scheme. Exploring the text thematically, specifically in relation to the question being asked, will help to increase your fluency and assurance in writing about Golding’s novel.

Below are some themes which could be explored in Lord of the Flies. This list is not exhaustive and you are encouraged to identify other ideas within the novel. Below you will find sections on:

Civilisation versus savagery

Good versus evil, power and leadership.

Perhaps the central concern of Lord of the Flies is a question: is it more natural for human beings to work together and create a community (civilisation), or do people naturally tend towards their individualistic impulses (savagery)? 

Knowledge and evidence:

• Golding creates a setting – a deserted island – which is free of any markers of civilisation:
• Since there is no existing civilisation on the island, the boys are liberated from the trappings of civilisation:
• Laws and rules
• Existing social and ethical codes of conduct
• Creating a setting which is free of all the obligations and expectations of society (a tabula rasa , or ‘blank-slate’) allows Golding to create a thought-experiment in which the boys can decide whether or not it is best to work together, or act as individuals
• Golding deliberately chooses boys – children – as his characters since they are the embodiment of innocence:
• Therefore, if these children choose savagery, it can be assumed that all human beings would also succumb to their base impulses
• Initially, there are boys for whom order and cooperation are important:
• Ralph, and particularly Piggy, look to establish rules and order from the outset:
• In Chapter 1, Ralph and Piggy establish meetings
• These meetings involve rules, including a rule which states that whoever is holding the conch shell must be heard:
• As such, the conch shell represents democracy and free speech
• They also initiate a leadership vote (which represents democratic elections)
• Ralph and Piggy also attempt to create a system of shared responsibilities:
• They create a rota for tending the signal fire
• They assign roles to different members of the group, including water collectors, hut builders and hunters
• This division of labour – and the creation of rules and order – represents government , and also the most basic form of civilisation
• However, Golding suggests that the boys – and perhaps humanity in general – find these responsibilities arduous , and much less attractive than acting on their impulses:
• Instead of fulfilling their responsibilities and following rules, the boys selfishly prefer to do what they want to:
• The choir hunt instead of tending the signal fire
• The other older boys do little work building the huts (except Ralph and Simon)
• The littluns do no work at all
• The boys begin to defecate in the stream, thus potentially poisoning the water supply
• Increasingly, the rules established in Chapter 1 are adhered to less and less:
• This is shown in Chapter 5 when Jack says “Bollocks to the rules!” 
• This culminates in Chapter 11 when the conch shell – representing democracy and order – is shattered
• When the boys do not fulfil their assigned responsibilities, or do not follow the rules, it is always for self-gratification:
• It is more fun hunting than tending the signal fire
• The littluns just play all day, making sandcastles
• It is easier not to walk all the way to the designated toilet area than to defecate in the stream
• Golding seems to suggest that it is in human nature to act naturally on our own impulses, above working for the collective good
• For Golding, the issue seems to be that in rejecting collective responsibility humans turn to barbarism
• Over the course of the novel, the boys become increasingly savage:
• Their hair grows longer
• They become increasingly naked
• They begin to paint their faces
• They commence ritualistic dances and sacrifices
• All of these may be seen as rejections of the customs of civilised society
• However, they also serve to progressively dehumanise the boys:
• As the veil of society is lifted from the boys, they become more aggressive and violent
• They become more bestial , which makes them more difficult to distinguish from animals:
• In the ritual that follows the successful hunt in Chapter 7, a boy named Robert is nearly killed when pretending to be a pig
• Simon is killed because he is presumed to be a beast
• During Simon’s murder the boys are described as attacking him with “claws” and “teeth”
• In Lord of the Flies, the Beast is a representation of human evil, but can also be seen as a symbol for human savagery:
• Simon says that the Beast is just “us”, meaning all people have a capacity for savagery
• This is proved in the novel when even the most upstanding of characters – Piggy and Ralph – are overcome by their inner savagery when taking part in the murder of Simon
• Golding seems to be suggesting that civilisation exists to suppress “the Beast” in all of humanity

What is Golding’s intention?

• Golding creates a thought-experiment to interrogate whether, if the foundations of civilisation were taken away, human beings would naturally choose savagery over an ordered and rule-bound society:
• Golding is suggesting that it is a supreme effort for human beings to maintain an ordered, rule-bound society
• He seems to conclude that even the most innocent in society – children – would ultimately choose savagery over civilisation
• Golding is suggesting that the urge to escape a rule-bound society with codes of conduct is natural:
• However, he is also suggesting that this freedom from order and control is illusory , and causes people more harm than good
• Golding is perhaps also arguing that humanity needs civilisation to protect ourselves from our natural impulses towards savagery

For the very highest marks in the exam, you need to produce a “conceptualised response”. This contrasts with a “narrative” or “descriptive” approach at the bottom of the mark scheme. What this means is that your essay should move beyond telling the examiner what happens in the novel, to how Golding creates meaning, and, for the best responses, to why Golding does this.

This means you should focus on Golding’s ideas when answering your essays. These ideas are included in the themes outlined on this page. Think: what is Golding trying to say on a more general, abstract level? How is he using his plot and characters to explore bigger ideas about human nature, or power, or religion?

In many ways Lord of the Flies is a morality tale exploring the two sides of human nature. Golding is exploring whether evil is inherent in human beings, or whether it is learnt. Ultimately, his view is a pessimistic one: he seems to suggest that all human beings have a natural capacity for evil. 

• William Golding is reported to have said that, by writing Lord of the Flies, he aimed to trace society's flaws back to their source in human nature:
• His view therefore is that evil is not external but inherent in human beings
• The characters in Lord of the Flies represent the full range of the human capacity for good and evil:
• Roger is presented from very early on as barely able to contain his desire to commit violent acts:
• He tramples over sandcastles and throws rocks at the littluns as early as Chapter 4
• Once Jack’s stronghold is established on Castle Rock, Roger becomes torturer-in-chief
• In Chapter 11 he launches the rock that hits Piggy, leading to his death
• Sam and Eric describe Roger as “a terror” in Chapter 12
• Simon, by contrast, represents human goodness:
• Simon can be viewed as a Christ-like figure, who represents absolute human goodness
• However, Golding seems to suggest that goodness is not a trait that makes humans popular or attractive
• Simon is presented as a loner, an outsider
• His noble actions do not persuade others to follow his lead
• Golding contrasts Simon with Roger by juxtaposing their interactions with the littluns:
• Roger is presented as first bullying the littluns in Chapter 4
• Only a few pages earlier, in Chapter 3, Simon is shown helping the littluns gather fruit 
• Ultimately, Simon’s goodness is extinguished by the evil that lurks in all the boys:
• Even the most morally upstanding characters of Piggy and Ralph take part in Simon’s murder
• It can also be argued that evil – as represented by Jack’s reign of terror and Roger’s threats of violence – wins over good on the island
• For Golding, because humans are more attracted naturally to evil than good, we need society to protect humanity from themselves:
• Society creates moral and social codes that can combat evil desires
• The moral and ethical codes of English society are something that Ralph, and especially Piggy, seek to maintain:
• On the island these are the rules and expectations that Piggy and Ralph look to establish among the boys
• Ralph says in Chapter 1 that “We can't have everybody talking at once. We'll have to have 'Hands up' like at school”
• Ralph, and especially Piggy, refer to “adults”, “grown-ups” and “school” frequently to maintain a connection to the moral safety net of society
• For Piggy especially these rules represent safety: 
• Golding is suggesting that these codes of conduct protect humanity from base or primal desires: to overpower others weaker than ourselves
• Piggy is physically weak, and a lower class than many of the other middle-class boys 
• If these established codes of conduct were abandoned he could become a victim of physical intimidation, or explicit prejudice
• Ralph and Simon both recognise humanity’s capacity for evil:
• Indeed, Ralph acknowledges his own part in the murder of Simon, and as such, his own potential for evil
• Golding’s pessimistic message about human nature is that evil naturally prevails over good: 
• Simon’s absolute moral goodness loses out to Jack’s (and particularly Roger’s) tendency towards evil
• He also suggests that evil is inherent , even in children
• Golding suggests that society’s rules and values protect humanity, and especially the weakest in society, from human evil: exploitation, prejudice or violence

Some people assume that Lord of the Flies is a religious allegory , but this reading is perhaps too simple: instead, Golding seems to explore the complex relationship between human beings’ inner natures and external value systems, such as Christianity. 

• There is a lot of Christian imagery in Lord of the Flies, but Golding is not attempting to create a straightforward religious allegory :
• Instead, he uses religious symbolism to explore ideas about human nature, and human goodness and evil
• The island can be seen to represent the Garden of Eden :
• The Garden of Eden  in the Christian Bible was an untouched paradise which was spoilt when the Devil tempted Eve, the first woman
• This biblical story represents mankind’s loss of innocence
• The island the boys land on is also an unspoilt paradise
• However, Golding seems to suggest that it is “unspoilt” because there are no people there, and when humans come into contact with paradise, they ruin it
• Unlike in the Bible, the evil is not introduced by an external force (the Devil), but by the evil nature of human beings themselves
• Unlike in the Bible, Golding’s boys are not totally innocent like Eve, despite the fact they are children
• Again, this highlights the fact that Golding is suggesting that evil is inherent in human beings, even children
• Another interpretation is that the glade   that Simon retreats to is a symbol for the Garden of Eden:
• In Chapter 3 Simon finds a secluded glade  – a clearing in the forest – and sits there a while, soaking in the island’s beauty:
• Where other boys are fearful of the island, he sees its wonder: butterflies and “bright fantastic birds”
• The glade represents a spot on the island that is unspoilt by the boys
• Golding is, therefore, suggesting that it is unspoilt by humanity
• However, later in the novel, in Chapter 8, Simon returns to the glade and it is no longer the unspoilt paradise it once was:
• Instead, a sow ’s head has been placed on a stick in the middle of the clearing
• It is no longer a place of peace, but has become a place of anxiety and fear
• It could be said that the glade has been sullied by human evil
• Either way, both Edens are spoilt by the character of Jack:
• Jack is the one who places the sacrificial pig’s head on the stick in the glade
• Jack is continually described as treating the island with contempt:
• He hacks at its leaves
• He curses it 
• By Chapter 12, this contempt has grown, and leads him to burn entire swathes of forest 
• Jack – the embodiment of human savagery and evil – destroys all that is innocent and good
• Simon himself can be seen to represent Jesus Christ:
• He is absolutely good:
• He helps those less fortunate than himself (the littluns)
• He always fulfils his responsibilities to the group (for example in Chapter 3 he is the only boy helping to build huts)
• It could be argued that Simon also represents the Christian concept of grace :
• Divine grace is the influence of God, or Jesus, which inspires good deeds
• However, again, Golding isn’t creating a religious parallel here
• Unlike Jesus Christ, Simon’s goodness does not inspire the others to become more virtuous , or to help each other
• Golding goes as far as to suggest that humanity destroys goodness, even if it is perfectly good
• The sacrificial pig’s head could be seen as representing the Devil:
• The name “Lord of the Flies” is another name for the Devil
• This “devil”, like in the Bible, spoils a paradise (here, Simon’s once-peaceful glade)
• However, unlike in the Bible, the evil here is not external (a real beast, or monster) but internal (the boys’ own evil):
• The “Lord of the Flies” is a representation of the boys’ own disordered minds
• The boys create this monster in their own minds, just like they create the beast
• Golding could be suggesting that Jack’s leadership represents a rejection of Christian values:
• He rejects the moral and social codes that Ralph and Piggy look to establish
• He demands absolute obedience from his tribe
• This could be seen as idolatry : his tribe is forced almost to worship Jack as a God
• Golding seems to be suggesting that it is in human nature to destroy all that is good
• Golding also seems to suggest that the human capacity for evil overrides existing value systems, like the moral code of Christianity

• Golding uses the first few chapters of Lord of the Flies to explore the power struggle between Ralph and Jack:
• Both feel that they should act as the leader of the boys
• Both feel a sense of entitlement; they both feel they deserve the role of leader:
• Ralph feels he deserves it because he is attempting to create a functioning society that benefits all the boys
• Jack feels he deserves the role because he is the most powerful (he is one of the tallest and oldest of the children), and because he already leads a group (the choir)
• Golding uses the characters of Ralph and Jack to represent different types of leadership:
• Ralph represents a democratically elected politician:
• He is elected by a majority of the other boys in Chapter 1
• He sets up rules and shares out responsibilities
• He attempts to do what is best for the group
• Jack, on the other hand, represents an anti-democratic autocrat :
• He is seen commanding the choir from the outset of the novel:
• In Chapter 1 Jack is described as “controlling” the choir while marching them along the beach
• He quickly loses interest in the rules set out by Ralph and Piggy
• In Chapter 8 he fails to recognise Ralph’s (democratically elected) leadership any longer
• Golding sets the two styles of leadership, and leader, in opposition to one another:
• Ralph is measured where Jack is impulsive
• Ralph is rational where Jack is unthinking
• Ralph focuses on collective responsibility while Jack prioritises personal freedom
• The objects associated with Ralph and Jack also represent these differing styles of leadership:
• The conch shell represents democracy and free speech: everyone is allowed a voice in Ralph’s system of government
• Jack’s spear represents authoritarian rule:
• His rule is not based on shared responsibility and collective decision-making, but on threats, violence and torture
• Ultimately, a different weapon – a rock – destroys the conch shell:
• This represents the victory of authoritarianism over democracy
• It also represents the total rejection of the civilised government Ralph was trying to establish
• Overall, Golding is exploring whether human beings naturally choose community and collective responsibility over self-interest :
• Ralph’s style of leadership requires hard work from the boys, and doesn’t offer instant rewards:
• Completing chores and following rules will benefit all the boys eventually, but Golding suggests that human beings prefer instant gratification
• Jack’s style of leadership offers the boys total freedom from order and a rule-bound, collectivist society:
• This is ironic, given that Jack’s tribe is not free at all (they have to do exactly what he orders) and any boy who goes against his wishes is punished
• Golding argues that – given the choice – human beings will reject altruism over i ndividualism :
• Creating a functional society requires sacrifice, which is arduous
• However, the absence of rules and responsibilities creates an environment in which autocrats can thrive
• However, the personal freedom offered by autocrats is illusory :
• Far from being free of rules and responsibilities, Golding argues that life under autocracy is more harmful than the alternative, d emocracy

It is crucial that you develop the skills to find your own ideas and arrive at your own meanings and interpretations to the text. Try to take a more exploratory and discursive approach to your reading of the novel as the examiner will reward you highly for this approach. For instance, you could begin to develop your own interpretations by using sentence starters such as: ‘Golding may have used the character of Ralph to highlight ideas about …’ 

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Author: Nick

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Home — Essay Samples — Literature — Books — Lord of The Flies

Essays on Lord of The Flies

Choosing the right essay topic is a crucial step in your academic journey. It's an opportunity to explore your creativity, delve into personal interests, and engage with the themes and ideas presented in the novel Lord of the Flies by William Golding. We aim to provide you with a variety of essay topics, introduction paragraph examples, and conclusion paragraph examples for different essay types. Remember, a well-chosen topic can make your essay more engaging and insightful.

Essay Types and Topics

Argumentative essays.

In argumentative essays, you'll analyze and present arguments related to the novel. Here are some topic examples:

• 1. The role of fear in the descent into savagery on the island.
• 2. The symbolism of the "beast" in Lord of the Flies and its impact on the characters.

Example Introduction Paragraph for an Argumentative Essay: In William Golding's Lord of the Flies , the pervasive fear among the stranded boys serves as a catalyst for their descent into savagery. This essay explores the profound influence of fear on the characters and the consequences it has on their civilization, ultimately demonstrating the fragile nature of human society on the isolated island.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the exploration of fear in Lord of the Flies highlights its ability to unravel the thin threads of civilization. Through the lens of Golding's narrative, we see how fear can lead individuals to abandon reason and morality. As we reflect on this gripping tale, we must consider the implications of fear in our own lives and societies, striving for a world where humanity remains steadfast in the face of adversity.

Compare and Contrast Essays

In compare and contrast essays, you'll examine the similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the leadership styles of Ralph and Jack.
• 2. Analyze the parallels between Lord of the Flies and George Orwell's Animal Farm in terms of power and control.

Example Introduction Paragraph for a Compare and Contrast Essay: The comparison between the leadership styles of Ralph and Jack in William Golding's Lord of the Flies provides valuable insights into the dynamics of human leadership and its consequences. This essay delves into the contrasting approaches taken by these two characters and their impact on the island's civilization.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the juxtaposition of Ralph's democratic leadership and Jack's authoritarian rule in Lord of the Flies serves as a powerful commentary on the complexities of human governance. By examining these characters in parallel, we gain a deeper understanding of leadership dynamics and their consequences both in fiction and the real world.

Descriptive Essays

Descriptive essays in the context of Lord of the Flies allow you to vividly depict settings, characters, or events. Here are some topic ideas:

• 1. Describe the lush beauty of the island in detail.
• 2. Paint a picture of the transformation in the appearance and behavior of the characters as they descend into savagery.

Example Introduction Paragraph for a Descriptive Essay: The lush and untouched beauty of the island in William Golding's Lord of the Flies serves as a captivating backdrop for the unfolding drama of the stranded boys. This essay aims to provide a sensory and detailed exploration of the island, evoking the senses and immersing the reader in its natural wonders.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the vivid description of the island in Lord of the Flies not only serves as a beautiful canvas but also mirrors the fragile balance of nature and humanity. Through this exploration, we are reminded of the profound connection between our environment and our actions.

Persuasive Essays

Persuasive essays allow you to argue a point of view related to the novel. Consider these persuasive topic examples:

• 1. Persuade your readers that the conch shell symbolizes the only hope for order and civilization on the island.
• 2. Argue for or against the idea that the boys' descent into savagery is inevitable given their circumstances.

Example Introduction Paragraph for a Persuasive Essay: The conch shell in William Golding's Lord of the Flies has been a symbol of order and democracy. This essay takes a persuasive stance in advocating for the significance of the conch as the beacon of hope for maintaining civilization and harmony on the isolated island.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument in favor of the conch shell as a symbol of order and civilization underscores the importance of symbols in society and their ability to rally individuals around shared values. As we reflect on the power of the conch, we are reminded of the delicate balance between chaos and order in the human experience.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of Lord of the Flies . Explore these narrative essay topics:

• 1. Narrate your own survival story as a character stranded on the same island as the boys in the novel.
• 2. Share a personal experience where you faced a moral dilemma similar to those encountered by the characters in the story.

Example Introduction Paragraph for a Narrative Essay: Imagine finding yourself on the same remote island as the characters in William Golding's Lord of the Flies . In this narrative essay, we embark on a journey where I, as a fellow survivor, recount the challenges and moral dilemmas faced while striving for survival and maintaining humanity in our isolated microcosm.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my survival journey on the island parallels the timeless themes explored by Golding in Lord of the Flies . It serves as a testament to the human spirit's resilience and the constant struggle to balance our innate instincts with our moral compass. Through this narrative, we are reminded of the enduring relevance of these themes in our lives.

The Symbolic Significance of The Pig's Head on a Stick in Lord of The Flies

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Jack Merridew: The Descent into Savagery

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Depiction of Humans as Inherently Evil in The Lord of The Flies

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The Ralph's Leadership in The Lord of The Flies by William Golding

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17 September 1954, William Golding

Allegorical novel

Ralph, Piggy, Jack, Simon, twins Sam and Eric

William Golding wrote "Lord of the Flies" as a response and counterpoint to R.M. Ballantyne's youth novel "The Coral Island" published in 1857. While Ballantyne's novel presented a romanticized portrayal of young boys stranded on an uninhabited island, depicting them as cooperative and civilized, Golding sought to challenge this idealistic view. Golding was dissatisfied with the notion that children, when left to their own devices, would naturally form a harmonious and idyllic society. He believed that human nature was inherently flawed and prone to darkness and savagery, even in the absence of adult supervision. "Lord of the Flies" served as a critique of the optimistic perspective presented in "The Coral Island," aiming to explore the potential for moral degradation and the loss of innocence in a primal environment.

Innocence, Friendship, Childhood, Fear, Anger, Allegories.

The story follows a group of British boys who find themselves stranded on a deserted island after their plane crashes during a wartime evacuation. Without any adult supervision, the boys must establish their own society and survive until rescue arrives. Initially, the boys attempt to create order and maintain a sense of civilization by electing a leader, Ralph, and establishing rules. However, as time passes, the inherent savagery within some of the boys begins to emerge. Jack, the antagonist, gradually rebels against Ralph's leadership and forms his own tribe, indulging in hunting and violence. The conflict between Ralph and Jack symbolizes the battle between order and chaos, reason and instinct. As the boys succumb to their primal instincts, they gradually lose their sense of morality and descent into brutality. The novel explores themes of power, the loss of innocence, and the darkness that resides within all individuals. Ultimately, the arrival of a naval officer interrupts the boys' descent into savagery, revealing the horrors they have unleashed upon themselves.

"Lord of the Flies" by William Golding is set on a deserted tropical island in the midst of an unspecified global war. The location remains undisclosed, allowing the focus to be on the boys' struggle for survival rather than the specific geopolitical context. The island itself is described as a paradise, with its lush vegetation, beautiful beaches, and abundant resources. The island serves as an isolated microcosm where the boys' behavior unfolds without the influence of adult society. It becomes a blank canvas upon which the boys project their own fears, desires, and conflicts. The absence of adults and external authority creates a vacuum that allows the boys to establish their own social order and rules.

Symbolism (the conch shell, the signal fire, the beast, etc.), allegory (the boys' descent into savagery and the struggle for power), foreshadowing (the appearance of the sow's head), irony, imagery.

"Lord of the Flies" has had a significant influence on literature and popular culture since its publication. The novel's exploration of the darkness within human nature and its commentary on the fragility of civilization continue to resonate with readers worldwide. One notable influence of "Lord of the Flies" is its impact on dystopian and post-apocalyptic literature. The story's portrayal of a society descending into chaos and the exploration of power dynamics have influenced numerous works in this genre, such as Suzanne Collins' "The Hunger Games" and Margaret Atwood's "The Handmaid's Tale." The novel has also had a profound influence on the study of human behavior and psychology. It raises important questions about the nature of evil, the role of society in shaping individuals, and the impact of isolation on human relationships. These themes have sparked discussions and academic analyses across disciplines, including psychology, sociology, and philosophy. Furthermore, "Lord of the Flies" has become a cultural touchstone, frequently referenced in various forms of media, including films, television shows, and music. Its enduring popularity and ability to provoke introspection and critical thinking contribute to its ongoing influence in contemporary society.

One notable adaptation of "Lord of the Flies" is the 1963 film directed by Peter Brook, which brought the story to life on the big screen. The film received critical acclaim for its raw portrayal of the boys' descent into savagery and its faithful adaptation of the novel's themes. The novel has also inspired theatrical productions, with stage adaptations being performed in different parts of the world. These adaptations provide a unique opportunity to experience the story in a live setting, further emphasizing the intensity and psychological depth of the narrative. Furthermore, the influence of "Lord of the Flies" can be seen in popular culture references, such as television shows, music, and literature. Its impact has sparked discussions and inspired creative works that explore similar themes of civilization, power, and human nature.

1. William Golding expressed dissatisfaction with his own work, describing his novel as dull and unrefined, a sentiment he later expressed in interviews and private conversations. 2. The impact of "Lord of the Flies" extends globally, as the book has been translated into more than 30 languages, allowing readers from diverse cultures to engage with its themes and messages. 3. Before finding a publishing home, "Lord of the Flies" faced considerable rejection, with publishers rejecting the manuscript a staggering 21 times. This highlights the initial challenges Golding faced in getting his work recognized. 4. Esteemed author Stephen King has publicly expressed his admiration for "Lord of the Flies," identifying it as one of his favorite books. King's endorsement speaks to the lasting influence and appeal of Golding's work. 5. "Lord of the Flies" has served as a source of inspiration for a range of musicians across different genres, including rap and metal. Bands like Iron Maiden have drawn inspiration from the novel, incorporating its themes and imagery into their music. 6. "Lord of the Flies" holds a significant place among the most banned books in the United States. Its exploration of dark themes and depiction of violence has led to challenges and attempts to restrict its availability in educational settings.

“Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.” “The thing is - fear can't hurt you any more than a dream.” “Maybe there is a beast… maybe it's only us.” “What are we? Humans? Or animals? Or savages?” “We've got to have rules and obey them. After all, we're not savages. We're English, and the English are best at everything.”

The novel "Lord of the Flies" holds a significant place in literary discourse and continues to captivate readers across generations. Exploring timeless themes of human nature, morality, power, and civilization, it presents a compelling narrative that provokes introspection and critical analysis. Writing an essay about "Lord of the Flies" allows one to delve into the complexities of human behavior, the fragility of societal structures, and the potential for darkness within individuals. The novel's depiction of the descent into savagery and the loss of innocence offers a profound examination of the human condition. Moreover, "Lord of the Flies" serves as a cautionary tale, urging readers to reflect on the consequences of unchecked power, societal breakdown, and the thin veneer of civilization. It prompts discussions on leadership, group dynamics, and the inherent conflicts that arise in challenging circumstances. By exploring the multifaceted layers of the story, an essay on "Lord of the Flies" allows students to sharpen their critical thinking skills, analyze complex themes, and engage in meaningful conversations about the darker aspects of human nature and society. It remains a relevant and thought-provoking piece of literature that invites examination and interpretation from various perspectives.

1. Bhalla, R., & Kowalski, C. (2017). What Lord of the Flies teaches us about primitive defence mechanisms and societal discontent. https://www.cambridge.org/core/journals/the-british-journal-of-psychiatry/article/what-lord-of-the-flies-teaches-us-about-primitive-defence-mechanisms-and-societal-discontent/348B50D2158ABAC55B3E94B2DB6F20BA The British Journal of Psychiatry, 210(3), 189-189. 2. Tippetts, C. S. (1926). The End of the Par Collection Litigation. The American Economic Review, 16(4), 610–621. (https://www.jstor.org/stable/2) 3. Alnajm, A. L. (2015). The main themes in Lord of the Flies. International Journal of English and Literature, 6(6), 98-102. (https://academicjournals.org/journal/IJEL/article-full-text/011E73A53478) 4. Gilfillan, James (1963) "Review: "Lord of the Flies"," Calliope (1954-2001): Vol. 10 , Article 25. (https://scholarworks.wmich.edu/calliope/vol10/iss1/25) 5. Arnold Kruger (1999) Golding's Lord of the Flies, The Explicator, 57:3, 167-169. (https://www.tandfonline.com/doi/abs/10.1080/00144949909596859?journalCode=vexp20) 6. Chougule, R. B., & Hanash, M. M. SCARCE LIFE BETWEEN LEADERSHIP AND NATURE OF SAVAGERY IN WILLIAM GOLDING'S LORD OF THE FLIES. (https://www.literaryendeavour.org/files/9x6upa7d5i55pltczctm/2020-01%2007%20SCARCE%20LIFE%20BETWEEN%20LEADERSHIP%20AND%20NATURE%20OF%20SAVAGERY%20IN%20WILLIAM%20GOLDING%E2%80%99S%20LORD%20OF%20THE%20FLIES%20%20-%20Dr.%20R.%20B.%20Chougule%20&%20Manee%20M.%20Hanash.pdf) 7. Kabra, S. (2021). Lord of the Flies: International Intellectual Property Laws. UC Davis J. Int'l L. & Pol'y, 28, 1. (https://heinonline.org/HOL/LandingPage?handle=hein.journals/ucdl28&div=4&id=&page=) 8. Burgess, J. (1963). Lord of the Flies by Peter Brook, Lewis Allen, Dana Hodgdon. (https://online.ucpress.edu/fq/article-abstract/17/2/31/38032/Review-Lord-of-the-Flies-by-Peter-Brook-Lewis)

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Lord of the Flies

William golding.

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William Golding once said that in writing Lord of the Flies he aimed to trace society's flaws back to their source in human nature. By leaving a group of English schoolboys to fend for themselves on a remote jungle island, Golding creates a kind of human nature laboratory in order to examine what happens when the constraints of civilization vanish and raw human nature takes over. In Lord of the Flies , Golding argues that human nature, free from the constraints of society, draws people away from reason toward savagery.

The makeshift civilization the boys form in Lord of the Flies collapses under the weight of their innate savagery: rather than follow rules and work hard, they pursue fun, succumb to fear, and fall to violence. Golding's underlying argument is that human beings are savage by nature, and are moved by primal urges toward selfishness, brutality, and dominance over others. Though the boys think the beast lives in the jungle, Golding makes it clear that it lurks only in their hearts.

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