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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

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Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

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How to Create a Photo Essay in 9 Steps (with Examples)

Photo Editing & Creativity , Tutorials

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What is a photo essay?

• Photo essays vs photo stories
• How photo essays help you
• 9 Steps to create photo essays

How to share your photo essays

Read Time: 11 minutes

Gather up a handful of images that seem to go together, and voila! It’s a photo essay, right? Well… no. Though, this is a common misconception.

In reality, a photo essay is much more thoughtful and structured than that. When you take the time to craft one, you’re using skills from all facets of our craft – from composition to curation.

In this guide, you’ll learn what makes a photo essay an amazing project that stretches your skills. You’ll also learn exactly how to make one step by step.

• Photo essay vs photo story

A photo essay is a collection of images based around a theme, a topic, a creative approach, or an exploration of an idea. Photo essays balance visual variety with a cohesive style and concept.

What’s the difference between a photo essay and a photo story?

The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of “photo essay” includes using images to convey either a theme or a story.

But in my experience, a photo essay and a photo story are two different things. As you delve into the field of visual storytelling, distinguishing between the two helps you to take a purposeful approach to what you’re making .

The differences ultimately lie in the distinctions between theme, topic and story.

Themes are big-picture concepts. Example: Wildness

Topics are more specific than themes, but still overarching. Example : Wild bears of Yellowstone National Park

Stories are specific instances or experiences that happen within, or provide an example for, a topic or theme. Example: A certain wild bear became habituated to tourists and was relocated to maintain its wildness

Unlike a theme or topic, a story has particular elements that make it a story. They include leading characters, a setting, a narrative arc, conflict, and (usually) resolution.

With that in mind, we can distingush between a photo essay and a photo story.

Themes and Topics vs Stories

A photo essay revolves around a topic, theme, idea, or concept. It visually explores a big-picture something .

This allows a good deal of artistic leeway where a photographer can express their vision, philosophies, opinions, or artistic expression as they create their images.

A photo story  is a portfolio of images that illustrate – you guessed it – a story.

Because of this, there are distinct types of images that a photo story uses that add to the understanding, insight, clarity and meaning to the story for viewers. While they can certainly be artistically crafted and visually stunning, photo stories document something happening, and rely on visual variety for capturing the full experience.

A photo essay doesn’t need to have the same level of structured variety that a photo story requires. It can have images that overlap or are similar, as they each explore various aspects of a theme.

Photo essays can be about any topic. If you live in a city, consider using your nature photography to make an essay about the wildlife that lives in your neighborhood . 

The role of text with photos

A photo story typically runs alongside text that narrates the story. We’re a visual species, and the images help us feel like we are there, experiencing what’s happening. So, the images add significant power to the text, but they’re often a partner to it.

This isn’t always the case, of course. Sometimes photo stories don’t need or use text. It’s like reading a graphic novel that doesn’t use text. Moving through the different images that build on each other ultimately unveils the narrative.

Photo essays don’t need to rely on text to illuminate the images’ theme or topic. The photographer may use captions (or even a text essay), or they may let the images speak for themselves.

Definitions are helpful guidelines (not strict rules)

Some people categorize photo essays as either narrative or thematic. That’s essentially just calling photo stories “narrative photo essays” and photo essays “thematic photo essays.”

But, a story is a defined thing, and any writer/editor will tell you themes and topics are not the same as stories. And we use the word “story” in our daily lives as it’s defined. So, it makes far more sense to name the difference between a photo essay and a photo story, and bask in the same clarity writers enjoy .

Photo stories illustrate a particular experience, event, narrative, something that happened or is happening.

Photo essays explore an idea, concept, topic, theme, creative approach, big-picture something .

Both photo essays and photo stories are immensely powerful visual tools. And yes, the differences between them can certainly be blurred, as is always the case with art.

Simply use this distinction as a general guideline, providing extra clarity around what you’re making and why you’re making it.

To dig into specific types of images used to create powerful photo stories, check out this training: 6 Must-Have Shots for a Photo Story. 

Meanwhile, let’s dig deeper into photo essays.

Capturing amazing wildlife photos requires not only passion and skill but also the right equipment.

This guide breaks down the best options so you can find the perfect camera for your specific needs , whether you're a beginner or pro.

Photo essays are a chance to try new styles or techniques that stretch your skills and creativity. This image was part of an essay exploring simplicity and shape, and helped me learn new skills in black and white post-processing.

How photo essays improve your photography

Creating photo essays is an amazing antidote if you’ve ever felt a lack of direction or purpose in your photography. Photo essays help build your photographic skills in at least 3 important ways.

1. You become more strategic in creating a body of work

It’s easy to get stuck in a rut of photographing whatever pops up in front of you. And when you do, you end up with a collection of stand-alone shots.

These singles may work fine as a print, a quick Instagram post, or an addition to your gallery of shots on your website. But amassing a bunch of one-off shots limits your opportunities as a photographer for everything from exhibits to getting your work published.

Building photo essays pushes you to think strategically about what you photograph, why, and how. You’re working toward a particular deliverable – a cohesive visual essay – with the images you create.

This elevates your skills in crafting your photo essay, and in how you curate the rest of your work, from galleries on your website to selecting images to sell as prints .

2. You become more purposeful in your composition skills

Composition is so much more than just following the rule of thirds, golden spirals, or thinking about the angle of light in a shot.

Composition is also about thinking ahead in what you’re trying to accomplish with a photograph – from what you’re saying through it to its emotional impact on a viewer – and where it fits within a larger body of work.

Photo essays push you to think critically about each shot – from coming up with fresh compositions for familiar subjects, to devising surprising compositions to fit within a collection, to creating compositions that expand on what’s already in a photo essay.

You’re pushed beyond creating a single pleasing frame, which leads you to shoot more thoughtfully and proactively than ever.

(Here’s a podcast episode on switching from reactive shooting to proactive shooting .)

3. You develop strong editing and curation skills

Selecting which images stay, and which get left behind is one of the hardest jobs on a photographer’s to-do list. Mostly, it’s because of emotional attachment.

You might think it’s an amazing shot because you know the effort that went into capturing it. Or perhaps when you look at it, you get a twinge of the joy or exhilaration you felt the moment you captured it. There’s also the second-guessing that goes into which of two similar images is the best – which will people like more? So you’re tempted to just show both.

Ultimately, great photographers appear all the more skilled because they only show their best work. That in and of itself is a skill they’ve developed through years of ruthlessly editing their own work.

Because the most powerful photo essays only show a handful of extraordinary images, you’re bound to develop the very same critical skill (and look all the more talented because of it).

Photo essays are also a great stepping stone to creating photo stories. If you’re interested in moving beyond stand-alone shots and building stories, shooting photo essays will get your creative brain limbered up and ready for the adventure of photo stories.

A photo essay exploring the natural history of a favorite species is an exciting opportunity for an in-depth study. For me, that was a photo essay on emotive images of the American dipper (Cinclus mexicanus) as it hunts in streams. 

9 Simple steps to create your photo essays

1. clarify your theme.

Choose a theme, topic, or concept you want to explore. Spend some time getting crystal clear on what you want to focus on. It helps to write out a few sentences, or even a few paragraphs noting:

• What you want the essay to be about
• What kinds of images you want to create as part of it
• How you’ll photograph the images
• The style, techniques, or gear you might use to create your images
• What “success” looks like when you’re done with your photo essay

You don’t have to stick to what you write down, of course. It can change during the image creation process. But fleshing your idea out on paper goes a long way in clarifying your photo essay theme and how you’ll go about creating it.

2. Create your images

Grab your camera and head outside!

As you’re photographing your essay, allow yourself some freedom to experiment. Try unusual compositions or techniques that are new to you.

Stretch your style a little, or “try on” the style of other photographers you admire who have photographed similar subjects.

Photo essays are wonderful opportunities to push yourself outside of your comfort zone and grow as a photographer .

Remember that a photo essay is a visually cohesive collection of images that make sense together. So, while you might stretch yourself into new terrain as you shoot, try to keep that approach, style, or strategy consistent.

Don’t be afraid to create lots of images. It’s great to have lots to choose from in the editing process, which comes up next.

3. Pull together your wide edit

Once you’ve created your images, pull together all the images that might make the cut. This could be as many as 40-60 images. Include anything you want to consider for the final essay in the wide edit.

From here, start weeding out images that:

• are weaker in composition or subject matter
• stand out like a sore thumb from the rest of the collection
• Are similar to other stronger images in the collection

It’s helpful to review the images at thumbnail size. You make more instinctive decisions and can more easily see the body of work as a whole. If an image is strong even at thumbnail size to stand out from similar frames while also partnering well with other images in the collection, that’s a good sign it’s strong enough for the essay.

4. Post-process your images for a cohesive look

Now it’s time to post-process the images. Use whatever editing software you’re comfortable with to polish your images.

Again, a photo essay has a cohesive visual look. If you use presets, filters, or other tools, use them across all the images.

5. Finalize your selection

It’s time to make the tough decisions. Select only the strongest for your photo essay from your group of images.

Each image should be strong enough to stand on its own and make sense as part of the whole group.

Many photo essays range from 8-12 images. But of course, it varies based on the essay. The number of images you have in your final photo essay is up to you.

Remember, less is more. A photo essay is most powerful when each image deserves to be included.

6. Put your images in a purposeful order

Create a visual flow with your images. Decide which image is first, and build from there. Use compositions, colors, and subject matter to decide which image goes next, then next, then next in the order.

Think of it like music: notes are arranged in a way that builds energy, or slows it down, surprise listeners with a new refrain, or drop into a familiar chorus. How the notes are ordered creates emotional arcs for listeners.

How you order your images is similar.

Think of the experience a viewer will have as they look at one image, then the next, and the next. Order your images so they create the experience you want your audience to have.

7. Get feedback

The best photographers make space for feedback, even when it’s tough to hear. Your work benefits from not just hearing feedback, but listening to it and applying what you learn from it.

Show your photo essay to people who have different sensibilities or tastes. Friends, family members, fellow photographers – anyone you trust to give you honest feedback.

Watch their reactions and hear what they say about what they’re seeing. Use their feedback to guide you in the next step.

8. Refine, revise, and finalize

Let your photo essay marinate for a little while. Take a day or two away from it. Then use your freshened eyes and the feedback you received from the previous step to refine your essay.

Swap out any selects you might want to change and reorder the images if needed.

9. Add captions

Even if you don’t plan on displaying captions with your images, captioning your images is a great practice to get into. It gives context, story, and important information to each image. And, more than likely, you will want to use these captions at some point when you share your photo essay, which we dive into later in this article.

Add captions to the image files using Lightroom, Bridge, or other software programs.

Create a document, such as a Google or Word doc, with captions for each image.

In your captions, share a bit about the story behind the image, or the creation process. Add whatever makes sense to share that provides a greater understanding of the image and its purpose.

Photo essays allow you to explore deliberate style choices, such as a focus on shapes, patterns, textures, and lines. Since each photo is part of a larger essay, it encourages you to be bold with choices you might not otherwise make. 

5 Examples of amazing nature photo essays

1. “how the water shapes us” from the nature conservancy.

This gorgeous essay, crafted with the work of multiple photographers, explores the people and places within the Mississippi River basin. Through the images, we gain a sense of how the water influences life from the headwater all the way to the Gulf of Mexico. Notice how each photographer is tasked with the same theme, yet approaches it with their own distinct style and vision. It is a wonderful example of the sheer level of visual variety you can have while maintaining a consistent style or theme.

View it here

2. “A Cyclist on the English Landscape” from New York Times’ The World Through A Lens series

This photo essay is a series of self-portraits by travel photographer Roff Smith while “stuck” at home during the pandemic. As he peddled the roads making portraits, the project evolved into a “celebration of traveling at home”. It’s a great example of how visually consistent you can be inside a theme while making each image completely unique.

3. “Vermont, Dressed In Snow” from New York Times’ The World Through A Lens series

This essay by aerial photographer Caleb Kenna uses a very common photo essay theme: snow. Because all images are aerial photographs, there’s a consistency to them. Yet, the compositions are utterly unique from one another. It’s a great example of keeping viewers surprised as they move from one image to the next while still maintaining a clear focus on the theme.

4. “Starling-Studded Skies” from bioGraphic Magazine

This beautiful essay is by Kathryn Cooper, a physicist trained in bioinformatics, and a talented photographer. She used a 19th century photographic technique, chronophotography, to create images that give us a look at the art and science of starling murmurations. She states: “I’m interested in the transient moments when chaos briefly changes to order, and thousands of individual bodies appear to move as one.” This essay is a great example of deep exploration of a concept using a specific photographic technique.

View it here   (Note: must be viewed on desktop)

5. “These Scrappy Photos Capture the Action-Packed World Beneath a Bird Feeder” from Audubon Magazine

This photo essay from conservation photographer Carla Rhodes explores the wildlife that takes advantage of the bounty of food waiting under bird feeders . Using remote camera photography , Rhodes gives viewers a unique ground-level perspective and captures moments that make us feel like we’re in conversation with friends in the Hundred Acre Woods. This essay is a great example of how perspective, personality, and chance can all come into play as you explore both an idea and a technique.

25 Ideas for creative photo essays you can make

The possibilities for photo essays are truly endless – from the concepts you explore to the techniques you use and styles you apply.

Choose an idea, hone your unique perspective on it, then start applying the 9 simple steps from above. 

• The life of a plant or animal (your favorite species, a species living in your yard, etc)
• The many shapes of a single species (a tree species, a bird species, etc)
• How a place changes over time
• The various moods of a place
• A conservation issue you care about
• Math in nature
• Urban nature
• Seasonal changes
• Your yard as a space for nature
• Shifting climate and its impacts
• Human impacts on environments
• Elements: Water, wind, fire, earth
• Day in the life (of a person, a place, a stream, a tree…)
• Outdoor recreation (birding, kayaking, hiking, naturalist journaling…)
• Wildlife rehabilitation
• Lunar cycles
• Sunlight and shadows
• Your local watershed
• Coexistence

As you zero in on a photo essay theme, consider two things: what most excites you about an idea, and what about it pushes you out of your comfort zone. The heady mix of joy and challenge will ensure you stick with it. 

Your photo essay is ready for the world! Decide how you’d like to make an impact with your work. You might use one or several of the options below.

1. Share it on your website

Create a gallery or a scrollytelling page on your website. This is a great way to drive traffic to your website where people can peruse your photo essay and the rest of the photography you have.

Putting it on your website and optimizing your images for SEO helps you build organic traffic and potentially be discovered by a broader audience, including photo editors.

2. Create a scrollytelling web page

If you enjoy the experience of immersive visual experiences, consider making one using your essay. And no, you don’t have to be a whiz at code to make it happen.

Shorthand helps you build web pages with scrollytelling techniques that make a big impression on viewers. Their free plan allows you to publish 3 essays or stories.

3. Create a Medium post

If you don’t have a website and want to keep things simple, a post on Medium is a great option.

Though it’s known for being a platform for bloggers, it’s also possible to add images to a post for a simple scroll.

And, because readers can discover and share posts, it’s a good place for your photos to get the attention of people who might not otherwise come across it.

4. Share it on Instagram

Instagram has changed a lot over the last couple of years, but it’s still a place for photographers to share their work thoughtfully.

There are at least 3 great ways to share your photo essay on the platform.

– Create a single post for each image. Add a caption. Publish one post per day until the full essay is on your feed. Share each post via Instagram Stories to bring more attention and interaction to your photo essay.

– Create a carousel post. You can add up 10 photos to a carousel post, so you may need to create two of them for your full photo essay. Or you might create a series of carousel posts using 3-4 images in each.

– Create a Reel featuring your images as a video.  The algorithm heavily favors reels, so turning your photo essay into a video experience can get it out to a larger audience.

I ran a “create a reel” challenge in my membership community. One member created a reel with her still images around a serious conservation issue. It gathered a ton of attention and landed her opportunities to share her message through YouTube and podcast interviews and publishing opportunities. Watch it here.

5. Exhibit it locally

Reach out to local galleries, cafes, pubs, or even the public library to see if they’re interested in hanging your photo essay for display. Many local businesses and organizations happily support the work of local artists.

6. Pitch your photo essay to publications

One of the best ways to reach an audience with your work is to get it published. Find publications that are a great fit for the theme and style of your photo essay, then pitch your essay for consideration. You gain a fantastic opportunity to share your work widely and can earn a paycheck at the same time.

Remember that if you want to get your photo essay published, you may want to hold back from sharing it publicly before you pitch it to publications.

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How to Create a Photo Essay

The photographic essay, also called a photo essay or photo story, is a powerful way for photographers to tell a story with their images. If you are interested in creating your own photo essay, this article will guide you through the whole process, from finding a story to shoot to the basics of crafting your first visual narrative.

Table of Contents

What is a photo essay.

A photo essay tells a story visually. Just like the kind you read, the photo essay offers a complete rendering of a subject or situation using a series of carefully crafted and curated images. Photo stories have a theme, and each image backs up that overarching theme which is defined in the photo essay’s title and is sometimes supported with text.

From documentary to narrative to essay, photo stories are designed to move their audience, to inspire a certain action, awareness, or emotion. Photo stories are not just a collection of cool photos. They must use their visual power to capture viewers’ attention and remain unforgettable.

History of the Photo Story

In the “old days”, that is, before 1948, magazines ran photo stories very different from what we know today. They were staged, preconceived by an editor, not a truthful observation of life. Along came a photographer named W. Eugene Smith, who worked for Life magazine.

Deciding to follow a rural doctor for six weeks, he gathered material for a photo essay that really showed what it was like to be in that doctor’s shoes, always on the go to help his scattered patients. Smith’s piece, “ Country Doctor ,” shook other photographers out of their scripted stupor and revolutionized the way photographers report what they see.

From then on, photojournalism gained life and an audience through the lenses of legends like Robert Capa, Dorothea Lange, David “Chim” Seymour, Gordon Parks, Werner Bischof, and Henri Cartier-Bresson. The Vietnam War provided many examples for photo stories as represented by Philip Jones Griffiths, Catherine Leroy, and many more.

More recently, photo stories have found a sturdy home online thanks to the ease of publishing a series of photos digitally versus in print. Lynsey Addario, Peter Essick, and Adam Ferguson represent a few of the photographers pushing visual storytelling today.

Ways to Find Photo Stories and Themes

Photo stories exist all around, right in the midst of everyday life and in the fray of current events. A good place to begin developing a photo essay is by choosing a general theme.

Topics that Interest You

The best expression comes from the heart, so why not choose a topic that interests you. Maybe it’s a social issue, an environmental one, or just something you’re curious about. Find what moves you and share that with the world.

Personal Experiences

The more you’ve lived, the more you have to tell. This doesn’t necessarily mean age, it can also refer to experiences, big and small. If you know a subject better than most, like what it’s like to recover from a car crash, you’re an expert on the matter and therefore you have a story to tell. Also, consider the things you read and see or watch, like news or history, and incorporate that into your search for a story.

Problem/Solution

Problems abound in the world. But so do solutions. Photojournalists can present either, or both. Have a look at something that’s wrong in society and show why it’s a problem. Or find a problem that’s been resolved and show the struggle it took to get there. Even better, take your time shooting your story — sometimes it can take years — and document how a wrong is righted.

Day-in-the-Life

One of the most popular formats, day-in-the-life photo stories present microcosms of life that relate to the bigger picture. In a similar vein, behind-the-scenes photo stories show viewers what life is really like for others, especially in situations that are difficult or impossible to access. Events represent another simple yet powerful theme for documenting and storytelling with a camera.

Types of Photo Stories

Most photo stories concern people. If it’s about something like the environment, for example, the photo story can showcase the people involved. In either case, the impactful photo story will present the challenges and dilemmas of the human condition, viscerally.

There are three general types of photo stories.

Narrative Story

Narrative deals with complications and their resolution, problems, and solutions. If there appears to be no resolution, at least the struggle to find one can provide material for a photo essay. Some sort of narrative thread must push the story from beginning to middle to end, just like what you see in a good movie.

A good story also requires action, which in this case must be visual. Good stories are page-turners, whether they’re a Kerouac tale or a series of photos demonstrating the difficulties of single parenting. Adventure stories are one good example of photographic narrative storytelling.

The term “photo story” is generally used interchangeably with “photo essay”, but some photographers hold that there are subtle differences between the two. The essay type of photo story implies opinion, they argue. Essays make a point. They are the opposite of facts-only news. A photo story essay makes a case for something, like showing the danger and consequences of illegal fireworks or advocating for the preservation of a forest.

Documentary

On the other hand, documentaries lack opinion. Their purpose is to inform without adding judgment. Documentaries present the facts and let viewers decide. They illustrate something that’s occurring but they don’t always include a narrative story or an opinionated approach. Historical places, current events, and unique lifestyles always make for good documentary photo stories.

How to Craft a Photo Essay

Several elements come into play when putting together a photo essay. Once you’ve found a theme, it’s time to give your project a name. While out shooting, jot down titles that come to mind. Consider the title a magazine headline that explains in few words what the whole story is about.

Choose your photos according to whether or not they relate to and support the photo essay’s title. Reject those photos that don’t. If your collection seems to suggest a different angle, a different title, don’t be afraid to rename it. Sometimes stories develop organically. But if your title can’t assemble and define your selection of photos, maybe it’s too vague. Don’t rush it. Identify the theme, take the photos and the photo essay will take shape.

Certain techniques help tell the photo essay.

A photo essay is composed of a diversity of views, angles, and focal lengths. While masters like Henri Cartier-Bresson could capture a photo essay with a single prime lens, in his case a 50mm, the rest of us are wise to rely on multiple focal lengths. Just like what we see in the movies, a story is told with wide shots that set the scene, medium shots that tell the story, and close-ups that reveal character and emotion.

Unique angles make viewers curious and interested, and they break the monotony of standard photography. Consider working black-and-white into your photo essay. The photo essay lends itself well to reportage exclusively in monochrome, as the legends have demonstrated since W. Eugene Smith.

Visual Consistency

The idea of a photo essay is to create a whole, not a bunch of random parts. Think gestalt. The images must interact with each other. Repetition helps achieve this end. Recurring themes, moods, styles, people, things, and perspectives work to unify a project even if the photos tell different parts of the story.

Text can augment the impact of a photo essay. A photo may be worth a thousand words, but it doesn’t always replace them. Captions can be as short as a complete sentence, as long as a paragraph, or longer. Make sure to take notes in case you want to add captions. Some photo stories, however, function just fine without words.

Tell a Story as a Photographer

Few genres of photography have moved people like the photo essay. Since its inception, the art of visual storytelling has captivated audiences. Photo stories show viewers things they had never seen, have moved masses to action, and have inspired video documentaries. Today, photo stories retain their power and place, in part thanks to the internet. Every photographer should experiment with a photo essay or two.

The method of crafting a photo essay is simple yet complicated, just like life. Careful attention must be paid to the selection of images, the choice of title, and the techniques used in shooting. But follow these guidelines and the photo stories will come. Seek issues and experiences that inspire you and go photograph them with the intention of telling a complete story. The viewing world will thank you.

Image credits: Header photo shows the May 13, 1957 story in LIFE magazine titled, “ The Tough Miracle Man of Vietnam .” Stock photos from Depositphotos

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Advice for an Unforgettable Photo Essay

Six steps for turning your images into a memorable photo essay, from curating your best work to crafting a title.

A man sits alone on a chair on the side of the road. We see him from above, surrounded by grey cobblestones neatly placed, a broken plastic chair, and some pylons scattered along the curb. A street cat wanders out of the frame and away from the man. He appears lonely, the only person inhabiting the place in which he seems so comfortably seated. As the eye wanders throughout the frame, however, the viewer discovers more: a vast city cast beyond the street and behind the man’s chair. This image closes Sarah Pannell’s photo essay Sehir , a quiet study of urban life.

Possibilities, discovery, and stories: these are some of the most effective elements of a photo essay. Collections of images can help produce a narrative, evoke emotion, and guide the viewer through one or more perspectives. A well-executed photo essay doesn’t rely on a title or any prior knowledge of its creator; it narrates on its own, moving viewers through sensations, lessons, and reactions.

Famous photo essays like Country Doctor by W. Eugene Smith or Gordon Parks’ The Harlem Family are acclaimed for showing a glimpse into the lives of the sick and impoverished. Other well-made photo essays offer a new way to look at the everyday, such as Peter Funch’s much-reposted photo series 42nd and Vanderbilt , for which Funch photographed the same street corner for nine years. As shown by these photographers’ experiences with the medium, a collection of photos can enliven spaces and attitudes. Strong photo essays can give voice to marginalized individuals and shine a spotlight on previously overlooked experiences.

You don’t necessarily need to be a documentary photographer to create a powerful photo essay. Photo essays can showcase any topic, from nature photography to portraiture to wedding shots. We spoke to a few photographers to get their perspectives on what makes a good photo essay, and their tips for how any photographer can get started in this medium. Here are six steps to follow to create a photo essay that tells a memorable story.

Choose a specific topic or theme for your photo essay.

There are two types of photo essays: the narrative and the thematic. Narrative photo essays focus on a story you’re telling the viewer, while thematic photo essays speak to a specific subject.

The most natural method for choosing a topic or theme for your photo essay is to go with what you know. Photograph what you experience. Whether that includes people, objects, or the things you think about throughout the day, accessibility is key here. Common topics or concepts to start with are emotions (depicting sadness or happiness) or experiences (everyday life, city living).

For photographer Sharon Pannen , planning a photo essay is as simple as “picking out a subject you find interesting or you want to make a statement about.”

From Paper & Stories , a photo series by Sharon Pannen for Schön! Magazine.

Consider your photo subjects.

The subjects of your photographs, whether human or not, will fill the space of your photos and influence the mood or idea you’re trying to depict. The subject can determine whether or not your photos are considered interesting. “I always try to find someone that catches my eye. I especially like to see how the light falls on their face and how a certain aesthetic might add to their persona,” says photographer Victoria Wojtan .

While subjects and their interest factor are, well, subjective, when considering your subjects, you should ask yourself about your audience. Do other people want to see this? Is my subject representative of the larger idea my photo essay is trying to convey? Your projects can involve people you know or people you’ve only just met.

“Most projects I work on involve shooting portraits of strangers, so there’s always a tension in approaching someone for a portrait,” says photographer Taylor Dorrell . For Wojtan, that tension can help build trust with a subject and actually leads to more natural images “If there’s tension it’s usually because the person’s new to being photographed by someone for something that’s outside of a candid moment or selfie, and they need guidance for posing. This gives me the opportunity to make them feel more comfortable and let them be themselves. I tend to have a certain idea in mind, but try to allow for organic moments to happen.”

Aim for a variety of images.

Depending on your theme, there are a few types of photos you’ll want to use to anchor your essay. One or two lead photos should slowly introduce the viewer to your topic. These initial photos will function in a similar way to the introductory paragraph in a written essay or news article.

From there, you should consider further developing your narrative by introducing elements like portraiture, close ups, detail shots, and a carefully selected final photo to leave the viewer with the feeling you set out to produce in your photos. Consider your opening and closing images to be the most important elements of your photo essay, and choose them accordingly. You want your first images to hook the viewer, and you also want your final images to leave a lasting impression and perhaps offer a conclusion to the narrative you’ve developed.

Including different types of photos, shot at different ranges, angles, and perspectives, can help engage your viewer and add more texture to your series.

Says photographer Taylor Dorrell: “After I have a group of images, I tend to think about color, composition, the order the images were taken, the subject material, and relevance to the concept.”

From Taylor Dorrell’s photo essay White Fences : “White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.”

Put your emotions aside.

Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true. It can be difficult to objectively select your strongest images when creating a photo essay. This is why putting together photo essays is such a useful practice for developing your curatorial skills.

“The most important part for me is getting outside opinions. I don’t do that enough, and have a bias in selecting images that might not be the most powerful images or the most effective sequence of images,” says Dorrell. Your own perception of a photograph can cloud your ability to judge whether or not it adds to your photo essay. This is especially true when your essay deals with personal subjects. For example, a photo essay about your family may be hard to evaluate, as your own feelings about family members will impact how you take and view the photos. This is where getting feedback from peers can be invaluable to producing a strong series.

Collecting feedback while putting your photo essay together can help you determine the strengths, weaknesses, and gaps within the collection of photos you’ve produced. Ask your friends to tell you their favorites, why they like them, and what they think you’re going for in the work you’ve created. Their opinions can be your guide, not just your own emotions.

Edit your photo selection.

Beyond post-production, the series of photos you select as your essay will determine whether you’ve executed your theme or narrative effectively. Can the photos stand alone, without written words, and tell the story you set out to? Do they make sense together, in a logical sequence? The perfect photo essay will give your audience a full picture of the narrative, theme, or essence you’re looking to capture.

A good method to use to cull your images down is to remove as many as half of your images straight away to see if your narrative is still as strong with fewer photos. Or, perhaps, deciding on a small number you’d like to aim for (maybe just five to ten images) and using this as a method to narrow down to the images that tell your story best.

From Taylor Dorrell’s photo essay Over the Rhine , featured in Vice.

Give your photo essay a title, and add a concise written statement.

Finally, you’ll want to create a title and written statement for your photo essay. This will help position your work and can enable the viewer to fully understand your intention, or at least guide their perspective.

A solid written statement and title will be relevant to your topic, detail your primary objective, and introduce your point of view. It’s an opportunity to clarify your intentions to the viewer and ensure they walk away with a clear interpretation of your work. Depending on your photo essay, you may want to include several paragraphs of text, but even just one or two sentences of background can be enough to expand the viewer’s understanding of your work.

Consider if you’d like to add the written statement at the beginning of your essay to introduce it, or at the end as a conclusion. Either one can be impactful, and it depends how you’d like people to experience your work.

For his photo essay White Fences, excerpted above, Taylor Dorrell wrote only one sentence of introduction. But for his series Over the Rhine, Dorell included a longer written statement to accompany the work, which is “an ongoing photo series that seeks to explore the Cincinnati neighborhood of the same name and its surroundings. The series was started in response to the shooting of Samuel DuBose, an unarmed black man, by officer Ray Tensing of the University of Cincinnati Police, which happened July 19th, 2015.” Dorell’s text goes on to offer more background on the project, setting up the viewer with all the information they need to understand the context of the photo essay.

Depending on the motivations behind your photo essay and what sort of subject it depicts, a longer text may be necessary—or just a few words might be enough.

Looking for a place to share your photo essays with the world? Take a look at our guide to creating a photography website for tips on showcasing your photos online.

Cover image by Taylor Dorrell, from his photo essay Hurricane Over Sugar .

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What is a Photo Essay in Photography (13 Examples You Can Try)

Do you know what a photo essay is?

If not, that’s okay. Many photographers aren’t even familiar with the term. I didn’t know until a few years back myself after doing many of them unknowingly.

A photo essay is an interesting form of visual storytelling that presents a narrative through a series of images.

Powerful photo essays communicate emotions and understanding without using words.

You’re guiding the viewer through your narrative journey.

In this article, I’ll be going over the important parts of a great photo essay idea, 13 interesting photo essay ideas you can try, and a few photo essay tips.

What is a Photo Essay?

A photo essay is a powerful form of visual storytelling in which a narrative is presented through a series of images.

Unlike a written essay, a photo essay relies on visuals to tell a story and evoke emotions within the viewer. When you create a photo essay, you can stretch your creative limits and explore new ways of connecting with your audience.

In a photo story or essay, the images are carefully selected.

They’re arranged in order to create a coherent and engaging narrative.

Each photograph should contribute to the overall theme of the story and maintain visual and technical consistency throughout.

As the photographer, you play a big role in coming up with interesting photo essay ideas, the narrative, and providing context for the images.

To create a good photo essay, here are a few guidelines:

Choose a Strong Theme: Select a subject that resonates with your audience and communicates a clear message or emotion.

Curate the Images: Carefully select the photographs that best represent your theme and arrange them logically.

Maintain Consistency: Your images should have a consistent visual style, color palette, and framing. You want to create a cohesive narrative.

Provide Context: Include captions or short text descriptions to give the viewer a better understanding of the story being told.

Other Important Elements of a Photo Essay

These other components help provide a clear narrative and evoke emotions that keep the audience engaged in your story.

Storytelling : The primary purpose of a photo essay is to tell a story through your images. You must carefully choose your photos to convey a coherent and interesting narrative. The flow of your images should guide the viewer through your perspective or various viewpoints on the subject.

Emotion : A strong photo essay evokes emotions that resonate with the viewer. As you select your photos, consider how they touch the viewer emotionally. The emotions your images evoke can differ, ranging from happiness and love to fear and sadness.

Idea : Your photo essay idea should revolve around a central idea or theme. This foundation not only provides direction for your work but also ensures your images remain focused and relevant. Before starting your photo essay, you need a well-defined idea that’ll guide your photography and narrative.

Style : For your photo essay to be visually cohesive you need a consistent style. This can include using a particular color palette, choosing images with a distinct composition, or using a specific technique in each photo. As you curate your images, make sure they’re consistent in their visual qualities to create a harmonious presentation.

Composition : The composition of each photo plays a significant role in guiding the viewer’s eye within the image. Pay attention to elements like leading lines, patterns, and framing.

Technique : Using specific photography techniques can create a unique style for your photo essay. Experiment with different techniques like long exposures, shallow depth of field, and post-processing methods. Doing so will enhance the visual impact of your images.

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Why Create a Photo Essay

Creating a photo essay allows you to merge your passion for photography with the art of storytelling.

By focusing on a specific narrative, you have a purpose and direction while capturing images. This can lead to a deeper connection with your subject and inspiration to create an interesting visual story.

And as a photographer, you can use photo stories to experiment with various styles, techniques, and compositions.

This not only challenges your creativity but also helps improve your skills as a photographer. The process encourages you to explore new perspectives and angles while conveying your message.

The images you choose can make people feel happy, sad, or even angry. By doing so, you harness the power of visuals to communicate a message beyond words.

Photo essays also serve as an opportunity for reflection.

By picking a topic or theme close to your heart, you can ponder, look back, analyze, and dive deeper into a subject matter. It can be a powerful tool for personal growth and self-expression, allowing you to learn more about your own emotions and perceptions.

This is valuable if you intend to share your photography with a wider audience.

You can use a photo essay to show your skills in composition, storytelling, and emotional impact, making it a powerful way to gain recognition.

13 Photo Essay Examples

There are so many great photo essay examples, and I might try all of them myself!

But here are 13 not-too-hard photo essay ideas you can try.

1. Local Event Photo Essay

This is one of the most popular photo essay examples. You’re capturing the joy of local events by focusing on the participants’ emotions and interactions.

Doing so shows the diversity of the people and the range of activities taking place. From stall setups to exciting performances. Document memorable moments and unique aspects of the event that make it stand out.

2. A Day in the Life Photo Essay

Highlight a typical day in the life of a person, family, or community.

This photographic essay gives you an opportunity to capture the reality of daily life and routines. Focus on the small moments that give insight into the subject’s personality and relationships.

3. Transformation Photo Essay

Transformation photo essay topics are popular. This photo essay project showcases the power of change through photographs that depict the transformation of a person, place, or object. Include before and after pictures.

You want shots with angles and perspectives that show change and development. One of the most common transformation photo essay examples is weight loss before and after.

4. Family Photo Essay

Tell the story of a family’s life together by capturing candid moments, daily routines, and special occasions.

Focus on the relationships between family members and the unique characteristics that make them a cohesive unit.

5. Education Photo Essay

An educational photo essay shows the educational process in action by documenting classes, workshops, or seminars.

You can capture students’ learning and applying new skills. Observe interactions between teachers and students. Or show off diverse educational settings, from schools to informal learning environments.

6. Urban Renewal Photo Essay Examples

Explore the renewal of urban spaces with your photography.

Take pictures as the city improves, new developments go up, and the impact it has on local communities. Include images of old and new architecture, as well as scenes that feature revitalization efforts.

7. The Changing Seasons of a Park Photo Essay

Make a transformation essay showing the changing seasons in a park. With this photo story, you want to capture the elements of the atmosphere that make each season of the year unique.

Highlight the features and activities that define each season, from the colors of the leaves to the snow-covered landscapes.

Bonus points if you can shoot the same shot for each photo!

8. City Artwork and Murals Photo Essay

Another great photo essay example is celebrating the urban art scene by showcasing striking murals and street art found in cities and towns. Take photos that show the diverse styles, colors, and messages conveyed by the artists.

9. Historic Landmarks: Then and Now Photo Essay

Compare historic landmarks and sites in their current state with photographs from the past. This photo essay can show the changes and preservation efforts of these important cultural and historical places.

10. Coffee Shop Chronicles

Photograph coffee shops or the unique atmosphere of your favorite local coffee shop. Then document with your essay the diverse customers, staff members, and aesthetic elements that make it special.

Focus on the details that give it character and the emotions it evokes in visitors and customers.

11. Through The Lens of a Photographer

Be a photographer for another photographer and provide insight into their creative process. It can be a friend, another professional photographer, or even someone you want to learn from.

You can showcase their work, techniques, and equipment with your photo story. Include behind-the-scenes shots of the photographer in action, as well as their perspective on their craft.

12. Recipes From Your Favorite Local Restaurant

Do a photo shoot and partner with a local restaurant to create a visually appealing photo essay featuring their signature dishes.

You can include photographs of the cooking process, finished plates, and behind-the-scenes shots of the kitchen and staff.

13. Behind The Scenes Photo Essay

Offer a glimpse into the hidden aspects of various locations, professions, or events. Capture the unseen scenes and the people who make them happen by providing a unique and rarely seen perspective.

Tips for Creating Your Own Photo Essay

Choose Something You Love: Do something that sparks emotion in you and others. Tell a story that’s personal and meaningful to you. Whether it’s a social issue, an event, or a day in the life of a specific person, make it a subject you love.

Develop Your Own Style: Your unique photography style plays a role in keeping your audience engaged. And having a signature style can help you carve out a niche for yourself. This will attract clients who appreciate and seek your unique perspective.

Plan Your Shots: Photo essays are like storytelling, so take time to compose and plan out each image carefully. Each photo communicates an essential part of your story. Without a story, there’s nothing to captivate your viewers.

Keep The Story Cohesive: Maintain a clear narrative throughout your photo essays. Each image contributes to the story’s flow. So, organize your photos logically for effective communication of your message.

The Power of Sequence: Plotting the Narrative Arc for Your Photo Essay

Just like a traditional narrative, your photo essay should have a beginning, middle, and end.

The opening image sets the stage and draws your audience in. It’s similar to the hook in written storytelling.

As you progress towards the middle of your essay, develop your theme or subject further. This may involve using contrasting images or presenting different aspects of your topic to maintain viewer interest. And finally, end with an impactful image that leaves a lasting impression or delivers a powerful message.

View these steps as the equivalent of crafting plot points in written narratives:

Beginning : Set up your story.

Middle : Develop the main characters or themes.

End : Resolve any conflicts or deliver the final message.

Linking Images Together: The Art of Transitions in Photo Stories

Transitions are super important.

They’re key elements that string individual photos together. Photo essay transitions are like the transitions between paragraphs in writing. They help maintain flow and continuity.

A transition might be thematic, such as moving from color-filled scenes. Or black-and-white images to represent shifting moods or timescales.

It might even be visual: you can focus on common shapes, patterns, or subjects across several photographs.

To create effective photo transitions:

Identify common themes between photos.

Look for similarities in colors, textures, shapes, and lighting.

Experiment with gradually shifting the mood of your photos too.

How to Create a Photo Essay in 7 Steps

Step 1: choose a topic.

Select an engaging topic for your photo essay.

Reflect on your interests, the emotions you want to evoke, and the story you want your landmark photo essay to tell. Topics can range from personal stories to cultural explorations or even school events. You want an angle and style that will make your essay stand out and resonate with your audience.

Step 2: Research Beforehand

Before shooting, conduct research on your chosen topic. Gather information and familiarize yourself with the theme, people, and culture involved. This will help you capture consistent and authentic images. And provide depth to your photo essay project.

Step 3: Capture a Wide Variety of Images

Experiment with different shooting techniques, angles, and perspectives. Photograph various images that reflect your subject’s emotions, moods, and environment. Cover every aspect of your story. And remember, quality shots are more important than quantity.

Step 4: Create a Storyboard With Your Ideas and Images

After shooting, review your images and develop a storyboard. Arrange the photos in a manner that portrays your story effectively. Consider composition, techniques, and the flow of your narrative.

Step 5: Narrow Down, Edit, and Organize Your Photos to Tell a Story

Select the images that best illustrate your story, and edit them for style and consistency. Then organize your images in a sequence that connects with your audience emotionally. And make sure your photo essay is visually appealing and reflects the essence of your topic.

Step 6: Use Captions for Your Images as Needed

Captions can help tell your story without overwhelming your audience with text. So, if necessary, include captions to provide context and explain your images. But keep them short, concise, and informative.

Step 7: Ask for Feedback

Before publishing your photo essays, ask for feedback from friends, family, mentors, or even strangers. Then listen to their insights and suggestions, and make adjustments as needed. Getting a variety of perspectives can help ensure your photo essay is engaging, clear, and relatable to your audience.

The Importance of Photo Essays in Photography

Photo essays tell an intriguing story.

We’ve all heard the phrase, “A picture is worth a thousand words.”

But have you ever thought about how true this statement is?

When photographs are thoughtfully grouped together, they can weave a captivating narrative. A photo essay allows you to explore subjects deeply and from various angles, telling stories that may not be possible with just one image.

For instance, highlighting the daily life of a particular subject.

Or showcasing the transformation of an abandoned building into a vibrant community center. These narratives become more profound and interesting when illustrated not just through words but through the lens of a camera.

Photo Essays Can Connect With an Audience

They’re powerful tools for connecting on an emotional level with your audience.

They allow viewers to walk in someone else’s shoes, experiencing situations and emotions that might be entirely different from their own lives.

For example, a well-executed photo essay on local environmental pollution could stir up feelings of concern and urge viewers to take action.

A Good Photo Essay Can Market Your Products or Services

Photo essays offer businesses a unique way to promote products and services in a visual world.

But you aren’t simply showing off your offerings. Instead, you’re telling engaging stories around them. These stories make it easier for potential customers to relate and respond positively.

Take Airbnb as an example.

They’re pairing photos of hosts’ homes with local attractions or experiences to create mini-photo-essays. Potential customers feel like they’re getting a sneak peek at their vacation experience.

Can Convey a Wide Range of Emotions

One image may evoke joy. While another stirs up sadness.

By grouping these images together, a photo essay lets you create an emotional rollercoaster for your viewers. You’re not just showing them what’s happening—you’re making them feel it.

Consider a photo essay documenting the journey of a cancer survivor. From the initial shock and fear to the strength found in treatment, and finally, the joy of remission.

Such a powerful narrative can touch hearts and inspire action like no other medium can.

They Bring Life to an Otherwise Ordinary Collection of Photos

A random assortment of photographs might be visually appealing, but without context or purpose, they may lack depth or meaning.

That’s where photo stories come into play.

They provide structure to these collections, turning them into interesting narratives. Ones with clear themes and messages.

Imagine a series of seemingly unrelated photos—portraits of people from different walks of life.

When presented as part of a photo essay that explores societal diversity within cities, these portraits become more than just faces. They turn into symbols of unity and diversity.

Kyra Chambers (KyraTheCreative) is the Co-Founder of Red October Firm. And a photographer, artist, and graphic designer. She has been in the photography industry since 2015 and loves making photography easy for everyone.

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What is a Photo Essay? 9 Photo Essay Examples You Can Recreate

A photo essay is a series of photographs that tell a story. Unlike a written essay, a photo essay focuses on visuals instead of words. With a photo essay, you can stretch your creative limits and explore new ways to connect with your audience. Whatever your photography skill level, you can recreate your own fun and creative photo essay.

9 Photo Essay Examples You Can Recreate

• Photowalk Photo Essay
• Transformation Photo Essay
• Day in the Life Photo Essay
• Event Photo Essay
• Building Photo Essay
• Historic Site or Landmark Photo Essay
• Behind the Scenes Photo Essay
• Family Photo Essay
• Education Photo Essay

Stories are important to all of us. While some people gravitate to written stories, others are much more attuned to visual imagery. With a photo essay, you can tell a story without writing a word. Your use of composition, contrast, color, and perspective in photography will convey ideas and evoke emotions.

To explore narrative photography, you can use basic photographic equipment. You can buy a camera or even use your smartphone to get started. While lighting, lenses, and post-processing software can enhance your photos, they aren’t necessary to achieve good results.

Whether you need to complete a photo essay assignment or want to pursue one for fun or professional purposes, you can use these photo essay ideas for your photography inspiration . Once you know the answer to “what is a photo essay?” and find out how fun it is to create one, you’ll likely be motivated to continue your forays into photographic storytelling.

1 . Photowalk Photo Essay

One popular photo essay example is a photowalk. Simply put, a photowalk is time you set aside to walk around a city, town, or a natural site and take photos. Some cities even have photowalk tours led by professional photographers. On these tours, you can learn the basics about how to operate your camera, practice photography composition techniques, and understand how to look for unique shots that help tell your story.

Set aside at least two to three hours for your photowalk. Even if you’re photographing a familiar place—like your own home town—try to look at it through new eyes. Imagine yourself as a first-time visitor or pretend you’re trying to educate a tourist about the area.

Walk around slowly and look for different ways to capture the mood and energy of your location. If you’re in a city, capture wide shots of streets, close-ups of interesting features on buildings, street signs, and candid shots of people. Look for small details that give the city character and life. And try some new concepts—like reflection picture ideas—by looking for opportunities to photographs reflections in mirrored buildings, puddles, fountains, or bodies of water.

2 . Transformation Photo Essay

With a transformation photography essay, you can tell the story about change over time. One of the most popular photostory examples, a transformation essay can document a mom-to-be’s pregnancy or a child’s growth from infancy into the toddler years. But people don’t need to be the focus of a transformation essay. You can take photos of a house that is being built or an urban area undergoing revitalization.

You can also create a photo narrative to document a short-term change. Maybe you want to capture images of your growing garden or your move from one home to another. These examples of photo essays are powerful ways of telling the story of life’s changes—both large and small.

3 . Day in the Life Photo Essay

Want a unique way to tell a person’s story? Or, perhaps you want to introduce people to a career or activity. You may want to consider a day in the life essay.

With this photostory example, your narrative focuses on a specific subject for an entire day. For example, if you are photographing a farmer, you’ll want to arrive early in the morning and shadow the farmer as he or she performs daily tasks. Capture a mix of candid shots of the farmer at work and add landscapes and still life of equipment for added context. And if you are at a farm, don’t forget to get a few shots of the animals for added character, charm, or even a dose of humor. These types of photography essay examples are great practice if you are considering pursuing photojournalism. They also help you learn and improve your candid portrait skills.

4 . Event Photo Essay

Events are happening in your local area all the time, and they can make great photo essays. With a little research, you can quickly find many events that you could photograph. There may be bake sales, fundraisers, concerts, art shows, farm markets, block parties, and other non profit event ideas . You could also focus on a personal event, such as a birthday or graduation.

At most events, your primary emphasis will be on capturing candid photos of people in action. You can also capture backgrounds or objects to set the scene. For example, at a birthday party, you’ll want to take photos of the cake and presents.

For a local or community event, you can share your photos with the event organizer. Or, you may be able to post them on social media and tag the event sponsor. This is a great way to gain recognition and build your reputation as a talented photographer.

5. Building Photo Essay

Many buildings can be a compelling subject for a photographic essay. Always make sure that you have permission to enter and photograph the building. Once you do, look for interesting shots and angles that convey the personality, purpose, and history of the building. You may also be able to photograph the comings and goings of people that visit or work in the building during the day.

Some photographers love to explore and photograph abandoned buildings. With these types of photos, you can provide a window into the past. Definitely make sure you gain permission before entering an abandoned building and take caution since some can have unsafe elements and structures.

6. Historic Site or Landmark Photo Essay

Taking a series of photos of a historic site or landmark can be a great experience. You can learn to capture the same site from different angles to help portray its character and tell its story. And you can also photograph how people visit and engage with the site or landmark. Take photos at different times of day and in varied lighting to capture all its nuances and moods.

You can also use your photographic essay to help your audience understand the history of your chosen location. For example, if you want to provide perspective on the Civil War, a visit to a battleground can be meaningful. You can also visit a site when reenactors are present to share insight on how life used to be in days gone by.

7 . Behind the Scenes Photo Essay

Another fun essay idea is taking photos “behind the scenes” at an event. Maybe you can chronicle all the work that goes into a holiday festival from the early morning set-up to the late-night teardown. Think of the lead event planner as the main character of your story and build the story about him or her.

Or, you can go backstage at a drama production. Capture photos of actors and actresses as they transform their looks with costuming and makeup. Show the lead nervously pacing in the wings before taking center stage. Focus the work of stagehands, lighting designers, and makeup artists who never see the spotlight but bring a vital role in bringing the play to life.

8. Family Photo Essay

If you enjoy photographing people, why not explore photo story ideas about families and relationships? You can focus on interactions between two family members—such as a father and a daughter—or convey a message about a family as a whole.

Sometimes these type of photo essays can be all about the fun and joy of living in a close-knit family. But sometimes they can be powerful portraits of challenging social topics. Images of a family from another country can be a meaningful photo essay on immigration. You could also create a photo essay on depression by capturing families who are coping with one member’s illness.

For these projects on difficult topics, you may want to compose a photo essay with captions. These captions can feature quotes from family members or document your own observations. Although approaching hard topics isn’t easy, these types of photos can have lasting impact and value.

9. Education Photo Essay

Opportunities for education photo essays are everywhere—from small preschools to community colleges and universities. You can seek permission to take photos at public or private schools or even focus on alternative educational paths, like homeschooling.

Your education photo essay can take many forms. For example, you can design a photo essay of an experienced teacher at a high school. Take photos of him or her in action in the classroom, show quiet moments grading papers, and capture a shared laugh between colleagues in the teacher’s lounge.

Alternatively, you can focus on a specific subject—such as science and technology. Or aim to portray a specific grade level, document activities club or sport, or portray the social environment. A photo essay on food choices in the cafeteria can be thought-provoking or even funny. There are many potential directions to pursue and many great essay examples.

While education is an excellent topic for a photo essay for students, education can be a great source of inspiration for any photographer.

Why Should You Create a Photo Essay?

Ultimately, photographers are storytellers. Think of what a photographer does during a typical photo shoot. He or she will take a series of photos that helps convey the essence of the subject—whether that is a person, location, or inanimate object. For example, a family portrait session tells the story of a family—who they are, their personalities, and the closeness of their relationship.

Learning how to make a photo essay can help you become a better storyteller—and a better photographer. You’ll cultivate key photography skills that you can carry with you no matter where your photography journey leads.

If you simply want to document life’s moments on social media, you may find that a single picture doesn’t always tell the full story. Reviewing photo essay examples and experimenting with your own essay ideas can help you choose meaningful collections of photos to share with friends and family online.

Learning how to create photo essays can also help you work towards professional photography ambitions. You’ll often find that bloggers tell photographic stories. For example, think of cooking blogs that show you each step in making a recipe. Photo essays are also a mainstay of journalism. You’ll often find photo essays examples in many media outlets—everywhere from national magazines to local community newspapers. And the best travel photographers on Instagram tell great stories with their photos, too.

With a photo essay, you can explore many moods and emotions. Some of the best photo essays tell serious stories, but some are humorous, and others aim to evoke action.

You can raise awareness with a photo essay on racism or a photo essay on poverty. A photo essay on bullying can help change the social climate for students at a school. Or, you can document a fun day at the beach or an amusement park. You have control of the themes, photographic elements, and the story you want to tell.

5 Steps to Create a Photo Essay

Every photo essay will be different, but you can use a standard process. Following these five steps will guide you through every phase of your photo essay project—from brainstorming creative essay topics to creating a photo essay to share with others.

Step 1: Choose Your Photo Essay Topics

Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child’s first year. You could also focus on a city or natural area across the seasons to tell a story of changing activities or landscapes.

Since the best photo essays convey meaning and emotion, choose a topic of interest. Your passion for the subject matter will shine through each photograph and touch your viewer’s hearts and minds.

Step 2: Conduct Upfront Research

Much of the work in a good-quality photo essay begins before you take your first photo. It’s always a good idea to do some research on your planned topic.

Imagine you’re going to take photos of a downtown area throughout the year. You should spend some time learning the history of the area. Talk with local residents and business owners and find out about planned events. With these insights, you’ll be able to plan ahead and be prepared to take photos that reflect the area’s unique personality and lifestyles.

For any topic you choose, gather information first. This may involve internet searches, library research, interviews, or spending time observing your subject.

Step 3: Storyboard Your Ideas

After you have done some research and have a good sense of the story you want to tell, you can create a storyboard. With a storyboard, you can write or sketch out the ideal pictures you want to capture to convey your message.

You can turn your storyboard into a “shot list” that you can bring with you on site. A shot list can be especially helpful when you are at a one-time event and want to capture specific shots for your photo essay. If you’ve never created a photo essay before, start with ten shot ideas. Think of each shot as a sentence in your story. And aim to make each shot evoke specific ideas or emotions.

Step 4: Capture Images

Your storyboard and shot list will be important guides to help you make the most of each shoot. Be sure to set aside enough time to capture all the shots you need—especially if you are photographing a one-time event. And allow yourself to explore your ideas using different photography composition, perspective, and color contrast techniques.

You may need to take a hundred images or more to get ten perfect ones for your photographic essay. Or, you may find that you want to add more photos to your story and expand your picture essay concept.

Also, remember to look for special unplanned, moments that help tell your story. Sometimes, spontaneous photos that aren’t on your shot list can be full of meaning. A mix of planning and flexibility almost always yields the best results.

Step 5: Edit and Organize Photos to Tell Your Story

After capturing your images, you can work on compiling your photo story. To create your photo essay, you will need to make decisions about which images portray your themes and messages. At times, this can mean setting aside beautiful images that aren’t a perfect fit. You can use your shot list and storyboard as a guide but be open to including photos that weren’t in your original plans.

You may want to use photo editing software—such as Adobe Lightroom or Photoshop— to enhance and change photographs. With these tools, you can adjust lighting and white balance, perform color corrections, crop, or perform other edits. If you have a signature photo editing style, you may want to use Photoshop Actions or Lightroom Presets to give all your photos a consistent look and feel.

You order a photo book from one of the best photo printing websites to publish your photo story. You can add them to an album on a photo sharing site, such as Flickr or Google Photos. Also, you could focus on building a website dedicated to documenting your concepts through visual photo essays. If so, you may want to use SEO for photographers to improve your website’s ranking in search engine results. You could even publish your photo essay on social media. Another thing to consider is whether you want to include text captures or simply tell your story through photographs.

Choose the medium that feels like the best space to share your photo essay ideas and vision with your audiences. You should think of your photo essay as your own personal form of art and expression when deciding where and how to publish it.

Photo Essays Can Help You Become a Better Photographer

Whatever your photography ambitions may be, learning to take a photo essay can help you grow. Even simple essay topics can help you gain skills and stretch your photographic limits. With a photo essay, you start to think about how a series of photographs work together to tell a complete story. You’ll consider how different shots work together, explore options for perspective and composition, and change the way you look at the world.

Before you start taking photos, you should review photo essay examples. You can find interesting pictures to analyze and photo story examples online, in books, or in classic publications, like Life Magazine . Don’t forget to look at news websites for photojournalism examples to broaden your perspective. This review process will help you in brainstorming simple essay topics for your first photo story and give you ideas for the future as well.

Ideas and inspiration for photo essay topics are everywhere. You can visit a park or go out into your own backyard to pursue a photo essay on nature. Or, you can focus on the day in the life of someone you admire with a photo essay of a teacher, fireman, or community leader. Buildings, events, families, and landmarks are all great subjects for concept essay topics. If you are feeling stuck coming up with ideas for essays, just set aside a few hours to walk around your city or town and take photos. This type of photowalk can be a great source of material.

You’ll soon find that advanced planning is critical to your success. Brainstorming topics, conducting research, creating a storyboard, and outlining a shot list can help ensure you capture the photos you need to tell your story. After you’ve finished shooting, you’ll need to decide where to house your photo essay. You may need to come up with photo album title ideas, write captions, and choose the best medium and layout.

Without question, creating a photo essay can be a valuable experience for any photographer. That’s true whether you’re an amateur completing a high school assignment or a pro looking to hone new skills. You can start small with an essay on a subject you know well and then move into conquering difficult ideas. Maybe you’ll want to create a photo essay on mental illness or a photo essay on climate change. Or maybe there’s another cause that is close to your heart.

Whatever your passion, you can bring it to life with a photo essay.

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17 Awesome Photo Essay Examples You Should Try Yourself

You can also select your interests for free access to our premium training:

If you’re looking for a photo essay example (or 17!), you’ve come to the right place. But what is the purpose of a photo essay? A photo essay is intended to tell a story or evoke emotion from the viewers through a series of photographs. They allow you to be creative and fully explore an idea. But how do you make one yourself? Here’s a list of photo essay examples. Choose one that you can easily do based on your photographic level and equipment.

Top 17 Photo Essay Examples

Here are some fantastic ideas to get you inspired to create your own photo essays!

17. Photograph a Protest

16. Transformation Photo Essays

15. Photograph the Same Place

14. Create a Photowalk

13. Follow the Change

12. Photograph a Local Event

11. Photograph an Abandoned Building

10. Behind the Scenes of a Photo Shoot

9. Capture Street Fashion

8. Landmark Photo Essay

7. Fathers & Children

6. A Day In the Life

5. Education Photo Essay

4. Fictitious Meals

3. Photograph Coffee Shops Using Cafenol

2. Photograph the Photographers

1. Capture the Neighbors

Photo essays tell stories. And there are plenty of amazingly interesting stories to tell! Photographing photo essays is a great way to practice your photography skills while having fun. You might even learn something! These photo essay examples are here to provide you with the inspiration to go out and tell your own stories through photos!

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W. Eugene Smith: Master of the Photo Essay

100 years since the birth of W. Eugene Smith, we take a look at the work of a remarkable talent who described his approach to photography as working “like a playwright”

W. Eugene Smith

W. Eugene Smith’s membership with Magnum may have been brief, spanning the years 1955-58, but his work left left a deep impression on many of Magnum’s photographers, as it has upon the practice of photojournalism generally. Smith is regarded by many as a genius of twentieth-century photojournalism, who perfected the art of the photo essay. The following extract from Magnum Stories ( Phaidon ), serves as a pit-stop tour through his most enduring and affecting works.

With “Spanish Village” (1951), “Nurse Midwife” (1951), and his essay on Albert Schweitzer (1954), “Country Doctor” is first of a series of postwar photo essays, produced by Smith as an employee of Life magazine, that are widely regarded as archetypes of the genre. The idea to examine the life of a typical country doctor, at the time of a national shortage of GPs, was the magazine’s, not Smith’s. Though it was preconceived and pre-scripted, with a suitable doctor cast for the role before Smith got involved, he was immediately attracted to the idea of its heroic central character. He left to shoot the story the day he first heard about it – and before it was formally assigned, lest his editors decide to allocate the job to a different photographer.

Country Doctor

He described elements of his approach in an interview for Editor and Publisher later the same year:

“I made very few pictures at first. I mainly tried to learn what made the doctor tick, what his personality was, how he worked and what the surroundings were… On any long story, you have to be compatible with your subject, as I was with him.

I bear in mind that I have to have an opener and closer. Then I make a mental picture of how to fill in between these two. Sometimes, at the end of the day, I’ll lie in bed and do a sketch of the pictures I already have. Then I’ll decide what pictures I need. In this way, I can see how the job is shaping up in the layout form.

When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again.”

"When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again."

- w. eugene smith.

Central to his method was his seeking to fade “into the wallpaper”. De Ceriani, the subject of the story and the one constant witness to his working approach, recalled in an interview with Jim Hughes, Smith’s biographer, that after a week Smith “became this community figure. He may not have known everybody, but everybody knew who he was. And you fell into this pattern: he was going to be around, and you just didn’t let it bother you. He would always be present. He would always be in the shadows. I would make the introduction and then go about my business as if he were just a doorknob.”

Smith set about what might have been a straightforward assignment with a demanding intensity. “I never made a move where Gene wasn’t sitting there,” Ceriani explained; “I’d go to the john and he’d be waiting outside the door, so it would seem. He insisted that I call when anything happened, regardless of whether it was day or night… I would look around and Gene would be lying on the floor; shooting up, or draped over a chair. You never knew where he was going to be. And you never knew quite how or when he got there. He would produce a ladder in the most unusual places.”

For a four-week shoot, Smith selected 200 photographs for consideration by Life , and while he clearly had some influence over the layout, he did not control it. It did not live up to his expectations; in the interview with Editor and Publisher, Smith stated that he was “depressed” thinking about just how far short it fell. It’s not clear how different it might have been had he done the layout himself. We know that the prints he made were rejected by Life ’s art director, on the grounds that they were too dark and would not reproduce well on the magazine’s pages. Smith’s vision was darker in other regards too. Photographs not featured in Life’ s layout, but reproduced or exhibited later, include a powerful series of 82-year-old Joe Jesmer being treated following a heart attack – an old man whose face terrifyingly reveals the apparent consciousness of his imminent death. Smith also chose, for his own exhibitions, troubling photographs of Thomas Mitchell prior to his leg amputation, as well as other images more baroque than those selected by Life . But the two brilliant images between which the layout hangs – his opener of the stoical doctor on his way to the surgery under a brooding sky and his closer, showing Ceriani slumped in weary reflection with coffee and cigarette – clearly reflect Smith’s won intentions for how the story should appear.

It is in the sophistication of its narrative structure that Smith’s innovation lies. In recorded conversations between Smith and photographer Bob Combs in the late 1960s, he elaborated on the ingredients of his approach (referring here to another story, “Nurse Midwife”):

“In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair. You try to be honest and you try to be fair and maybe truth will come out.

Each night, I would mark the pictures that I took, or record my thoughts, on thousands of white cards I had. I would start roughing in a layout of what pictures I had, and note how they build and what was missing in relationships.

"In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair."

I would list the picture to take, and other things to do. It began with a beginning, but it was a much tighter and more difficult problem at the end. I’d say, ‘Well, she has this relationship to that person. I haven’t shown it. How can I take a photograph that will show that? What is this situation to other situations?’

Here it becomes really like a playwright who must know what went on before the curtain went up, and have some idea of what will happen when the curtain goes down. And along the way, as he blocks in his characters, he must find and examine those missing relationships that five the validity of interpretation to the play.

I have personally always fought very hard against ever packaging a story so that all things seem to come to an end at the end of a story. I always want to leave it so that there is a tomorrow. I suggest what might happen tomorrow – at least to say all things are not resolved, that this is life, and it is continuing.”

Smith refers to working “like a playwright”. Elsewhere he compared his work to composing music, but perhaps it is the literary reference that is most relevant to “Country Doctor”. His doctor is the emblematic hero of a drama that unfolds through several episodes – literally, acts. His opening and closing tableaux have all the content of soliloquies: single moments loaded with psychological detail and environmental description that frame the play. Unlike the experience of a play in the theatre where we watch it once, from beginning to end – we read the magazine essay back and first, at the very least reviewing the images again once we have read through it. The details of the doctor’s actions lend weight to the opening and closing portraits, and vice versa, so that the depth of its characterization reveals itself across the images as a group. It would not work if it were not wholly believable as a record of a real man, and real events. As such, its strength and its place in the history of the genre lies in the manner in which it combines a record of reality within an effective dramatic structure; in short, as a human drama.

Smith’s essay-making technique was not something he developed independently of the media that published his pictures. It began with essays produced in the early 1940s for Parade , where photographers were encouraged to experiment with story structure (without the tight scripting Smith later encountered at Life magazine) and where stories often focused on an attractive central character achieving worthwhile goals against formidable odds. Although Smith is on record as being in constant struggle with Life over its scripts – as well as its layouts, the selection of photographs, and the darkness of his prints – it seems appropriate to view his achievement as the product of a dialogue with the needs and practices of the magazine. The battles were over the details of particular decisions rather than over the mission or purpose. In fact, Smith wholly identified with the Life formula, taking and refining it to a new level of sophistication.

After Smith left life in 1954 – after several prior resignations, his final departure was over the editorial slant given to his essay on Albert Schweitzer – he embarked on his ambitious Pittsburgh essay. Working for the first time outside the framework of a magazine, with only a small advance from a book publisher, and encouraged by Magnum’s reassurance that he would find a worthwhile return from serial sales of independently executed essays, he believed that he was positioned to produce his best work yet. He wrote to his brother that he Pittsburgh essay would “influence journalism from now on”, and described in an application for a Guggenheim Fellowship that he “would recreate as does the playwright, as does the good historian – I would evoke in the beholder an experience that is Pittsburgh.”

It did not really work. Becoming a landmark in the ambition of the photo essay, and including some of his strongest photographs, the Pittsburgh essay nevertheless failed to be the symphony in photographs for which Smith strove, After four years of work, it was finally published in the small-format Popular Photography Annual of 1959 , run as a sequence of “spread tapestries” – as he described his intended layout to the editor of Life . He titled the essay Labyrinthian Walk, indicating the story was less about the city than a portrait of himself locked in a life-or-death struggle with a mythical demon. Although he himself was responsible for the layout, he judged it a failure. The dream – or necessity – of Magnum failed also. He did only two minor assignments in the time he was a member, and he left completely broke, his family in poverty, with Magnum itself smarting from the investment it too had ploughed into the Pittsburgh project.

After the “Country Doctor” story was published, Smith declared that he was “still searching for the truth, for the answer to how to do a picture story”. Later, in 1951, he stated in a letter to Life editor Ed Thompson, “Journalism, idealism and photography are three elements that must be integrated into a whole before my work can be of complete satisfaction to me.” In 1974, 20 years after embarking on the Pittsburgh essay, Smith was vindicated with the triumphant artistic and journalistic success of “Minamata”, his story about the deformed victims of the pollution by the Chisso chemical plant in Japan. The story became a new paradigm for the possibilities of photojournalism, in part because of its unambiguous moral purpose.

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18 Immersive Photo Essay Examples & Tips

By Tata Rossi 13 days ago, Professional photography

A photo essay tells a story or evokes emotion through a series of photographs. The essays allow you to be creative and fully explore an idea. Such essays exist in a variety of forms – from photos only to images with brief comments or written essays accompanied by shots. Choose a photo essay example that you can easily do based on your professional level and the equipment you use.

1. Protests

• View the “Resistance” photo essay by David Moore .

A great idea for photo essays for students is to shoot the protest to show its power. You can capture people with signs and banners to demonstrate what they are standing for. Besides, you can learn how to capture moving subjects. Use the best example of photo essay and don’t forget about angles, composition, and framing.

To create a photo essay , go up to the front and photograph the leader of the protesters walking forward. After that, go back to the end of the group to take pictures of families joining the protest. As a result, you will gain experience shooting big groups of people in motion.

2. Transformation

• View the “A Self-Portrait Every Day” photo essay by Noah Kalina .

This idea is all about capturing the way a person changes. You may take photos of a pregnant woman and then capture the same model with a child. By documenting the development of the child for several years, you can tell a great story in the form of a photo essay.

However, you can also create a photo essay about the transformation of different objects. For instance, you can create a time-lapse series to capture the history of a renovated building. While you will have to take a lot of similar photos to bring this idea to life, it will allow you to achieve an impressive result.

3. Local Event

• View the “Monday Marathon” photo essay by Quinn G. Perini .

Whether you are a resident of a large city or a small town, you can find an opportunity to visit a local event, like a marathon or a festival. This is a nice chance to follow modern photography trends and bring photo essay ideas to life.

You can capture the before-and-after stages of the event. Arrive earlier and take pictures of the preparation activities, then shoot the actual event starting with the official beginning.

Keep photographing even when the event is over and capture the cleaning up and disassembling processes.

4. Photowalk

• View the “Empty Campus” photo essay by Elise Trissel .

Explore the location where you live and find interesting objects to capture in the vicinity. Using the most interesting photo essay examples, you can decide how to make the best decisions. Don’t hurry and try to discover which angles you can use to capture the unique atmosphere of each place.

If you live in the city, you may capture architectural details, wide shots of busy streets, or just take photos of passersby and street signs. Think about the details that make every location unique. For instance, you can try capturing reflections to see how they allow you to see the city from an unusual angle. You can find reflections everywhere, so be sure to pay attention to mirrored buildings, puddles, and fountains.

5. Place Over Time

• View the “At Home in the Ozarks” photo essay by Kylee Cole .

If you want to document changes and show how the streets, buildings, and parks in your city change over time, select your favorite locations and start to visit them regularly to capture the way they look during different seasons.

• View the “Last Moments” photo essay by Ross Taylor .

You don’t necessarily have to focus on profound photo essay topics to evoke emotions. Capturing pets enjoying their worry-free and untroubled life seems like an easy but interesting activity.

Choose any animal – from a domestic bird to a dog, cat, or horse. For more emotional images, use such pet photography ideas when your pet is still a baby and recreate these shots when it is older or is in its final days.

7. Street Style

• View the Tribal Street Photography photo essay by Hans Eijkelboom .

People often express themselves with the help of clothes. The way passers-by on the streets are dressed may reflect the clothing style of a whole society. That’s why you can travel around the world and capture people’s outfits in various areas. When taking portrait photos in the streets, you can also include some of the surroundings to put them in the context.

You can ask people in the streets to pose for you or try to capture them in movement. Select a suitable location for taking photos and create a photo essay to document what kinds of people one can meet in this location. When doing urban photography , you should ask people for permission before taking photos of them. You can ask their contacts and send them your photos later.

8. Abandoned Building

• View the “Lost Collective” photo essay by Bret Pattman .

Old buildings are excellent architecture photography essay topics for students since you can capture a large number of elements. They allow you to imagine what a particular street looked like in the past. You may use a photo essay example for students as references.

Get approval before going in, but mind that such places are far from being totally safe. Bring various lenses: the macro lenses – for details and the wide-angle one – when you want to include many elements in one shot.

9. Alternative Lifestyles

• View the “Last Nomad Hippies” photo essay by Roberto Palomo .

Some people decide to lead a lifestyle that differs from the one generally accepted by society. Explore different areas and look for people with an unusual way of living. You can capture candid photos of regular people or take pictures of a person with an unusual hobby.

Take pictures of those, who reside in extraordinary conditions, representatives of various subcultures, or the LBGTQ community. These photo essay topics show other people that it is okay to go out of their comfort zone and run against the wind.

10. Social Issues

• View the “Juveniles in Prison” photo essay by Isadora Kosofsky .

The best photo essay examples for students are related to social issues, like unemployment, domestic violence, gender discrimination, and more. Address the topic carefully and look for a proper perspective.

Your shots may draw the people’s attention to a truly burning and relevant matter and have a stronger effect than any text.

11. Behind the Scenes

• View the “Follow Me” photo essay by Marius Masalar .

If you are going to visit an event, get ready to take some behind-the-scenes photos. For instance, you can document the preparations for a festival. Capture the work of the lead event planner and other professionals to tell the story of the festival from an unusual angle.

Alternatively, you can capture the events happening backstage during a drama production. Take pictures of actors and actresses when they are getting ready for the performance. Try capturing the emotions of the main lead and show how stage workers make final preparations. You can also document the work of designers and makeup professionals.

12. Landmarks

• View the “Volte-Face” photo essay by Oliver Curtis .

The pictures of landmarks are typically taken from a certain spot. One of the best photo essay ideas is to try shooting sights from various angles. You will also have an opportunity to improve your composition and your framing skills.

If you take a look at any pictorial essay example, you will see that the variety of perspectives is endless: through the streets, in the morning, afternoon, and evening, with a drone or including reflections.

    • View the “Family” photo essay by Olivia Moore .

You can capture the way family members interact with each other and demonstrate the strong connection they share. In some cases, it makes sense to focus on capturing candid photos when doing family photography .

However, you may also opt for a different approach and focus on more difficult social topics. For instance, if you want to examine the issue of immigration, you can take pictures of a family from another country. In addition, you may show how families cope with other social issues, including poverty or unequal access to healthcare.

14. A Day in the Life

• View the “A Day in the Life of Carlos Gaytan” photo essay by Sandy Noto .

One of the best photo essays concepts is related to a day in a person’s life. The main character can be any person – a relative, family member, teacher, writer, or policeman.

People are generally interested in finding out facts about the lives and daily routines of others. The life of every human is incredible, especially if you learn it in more detail. This idea is especially suitable for taking documentary photos. For instance, you can select any photo essay sample you like and then capture a portrait of a person with the tools they use for their work.

15. Education

• View the “School Day” photo essay by Nancy Borowick .

You can also take great photos in the classroom capturing the interactions of teachers and their students. Avoid distracting them, as it will be easier for you to take natural shots. Using a variety of settings, you can make your photo essay more engaging. For instance, you may visit chemistry labs, capture teachers during a break, and take photos in other locations.

• View the “Meals From the Motherland” photo essay by James Tran .

You can also focus on specific meals to create a professional photo essay about food. To make it more attention-grabbing, try using different food photography ideas .

For instance, you can take photos of popular meals, capture the meals made by a specific person, or document cooking traditions in different countries. When taking photos in a restaurant, pay attention to the surroundings as well to capture the unique atmosphere of a place.

17. Capture the Neighbors

• View the “Our Neighbors” photo essay by Jeanne Martin .

Regardless of the place where you live, you have to establish good relationships with your neighbors. People who live nearby can also be great models for professionals who specialize in portrait photography. To implement this idea, make sure to capture people at home or in front of their houses to include some of the surroundings in your photo essay.

You will discover many interesting facts about people who live nearby. Shooting a photo essay will allow you to learn them better and establish a strong connection with them. This way, you can create a sense of community and discover what holds its members together.

18. Climate Change

• View the “Effects of Climate Change” photo essay by Sanya Gupta .

It is possible to a variety of photo story ideas bring to life examining the impact of climate change. Travel to places most affected by climate change, for instance, glaciers or famous resorts.

Capture the way the continuous drought has influenced the environment, animals, and the inhabitants. As an alternative, take pictures of environmentalist protests or inexhaustible energy sources.

Photo Essay Tips for Students

Explore your topic . An in-depth exploration of the main topic of your photo essay will help you find the best ideas for conveying your message. You can also find some sources for inspiration and useful materials. This stage allows you to learn more about your subject and select the best way of organizing your photo essay.

Create a storyboard . Using a storyboard, you can better understand what shots you need to take and what order can help you to tell a story in the best way. It will also allow you to create the right mood.

Take as many pictures as you can . To create a compelling story, make sure to take a lot of photos. It will allow you to choose the best pictures for your photo essay. Besides, you will always have backup photos if some of your pictures get damaged.

Experiment with different techniques . By changing the angle and using a variety of editing techniques, you can transform the way your photos look. When taking photos, try using different angles to capture the subject in the best way. You can also try changing the distance from the model, using black-and-white film, or employing a range of developing methods.

Add text . While some photographers create photo essays without text, it can still help you bring your point across more clearly and make it easier for a viewer to understand what you imply. By providing extra information, such as some facts, you can change the perception of your image. If you don’t know how to write descriptions, you can hire a professional writer to perform this task.

Enhance your photos . To edit your pictures, make sure to use professional photo editing software like Adobe Lightroom or Photoshop. Using the available tools, you can improve and change your photos. They allow you to fix issues with lighting, adjust WB, make colors richer, crop your pics to improve the composition, and perform other tasks. In case you need to edit your photos in a consistent style, you can use Photoshop Actions or Lightroom Presets.

In some cases, your pictures may require more advanced editing. If you see that your skills are insufficient or if you don’t have enough time, you can outsource the task of enhancing your photos to the FixThePhoto team. They will professionally enhance your pictures for a budget price. Their prices start from $1.50 per photo.

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In this bundle, you will find actions created by experienced professionals who used recent photo enhancement trends to create convenient editing tools. Here, you will find a collection of brushes, patterns, overlays, and other effects for editing your photos in a realistic way.

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5 Tips for Creating a Photo Essay with a Purpose

A Post By: Lynsey Mattingly

As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. A cast of characters all working together to get your point across. Instead of proper grammar, you ensure proper exposure. Instead of spelling errors, you watch for tack-sharp focus. For those times when the story is especially important and meaningful, or for when one image doesn’t say it all, there is the photographic essay. With blogging and social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to tell.

I’ve mentioned before  that taking on a photo project is one of my favorite ways to reignite my love for photography, but beyond that, it’s a great way to get your message across and have your work seen by a larger group. A photo essay is intriguing; it’s something to talk about after people hear that you’re a photographer and want to know about the glitz and glamour of it all. It’s the perfect thing to tell them after you’re done going on and on about all of the red carpets, the celebrities, the fame, and the fortune. It also can be extremely satisfying and kick-start your creative wonderment.

By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. It can be only images, images with captions, or images with full text. In short, it can be almost anything you want it to be. Which is where I struggle most–when the options are limitless. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less. While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay:

1) Let it evolve on its own

Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the end result. An example: for a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to be able to offer them a different spin on the portrait sessions I was doing for them. I asked a long-time client if her family could be my guinea pigs for this and told them that we could do whatever they wanted. We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning. Then, very last, I photographed the two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the session and edited those last note pictures first just because they were so different from what I usually shoot, and posted them on my personal Facebook page the heading Notes Girls Write .

Within minutes a dear friend, and fellow photographer, commented that this was big. Bigger than just the two pictures. She and I would spend the next year working on a photo essay that became a blog, that in turn became a book entitled Notes Girls Write . We photographed hundreds of women of all ages with their notes, each one later expressing having their portrait taken with their own words was an extremely powerful moment for them. Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in the 4th grade for “Most Patient”, Notes Girls Write is one of my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in viewers and becoming a large and powerful project, one of the biggest markers in my career so far.

TIP:  Don’t be so set in your idea that your project can’t outgrow your original concept. Your images will guide you to your end result, which may end up being different than you originally envisioned it.

2) If you think there’s something there, there’s likely something there

For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from overpopulated shelters, or seized from terrible situations, to my area, where dog adoption rates are much higher. These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes. It’s incredibly rewarding. Especially when I had hardwood floors.

I knew from the first time I met the transport van I wanted to document what it looked like: a van full of dogs that just narrowly escaped death arriving to temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. I am also put to work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine. I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to raise awareness, or to help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the images, ready for their time, whenever that is.

TIP: If you think there is something to it, there likely is. Even if it’s just a personal passion project. Take photos until you find the direction or purpose and save them until your essay takes shape. You may not end up using all, or any of the images, but in continuing to take photographs, your project will be defined.

3) Shoot every single thing

I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting. Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the better. This is one of the few times I push my luck and ask my subjects to work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the added advantage of not pushing people until they cry or yell). Don’t be shy. Shoot everything you know you don’t need, just in case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready.

Take advantage of digital (if that’s how you shoot) and fill a memory card. You may end up trashing everything, or you may not. I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in the very beginning I ended up with some shots that told complete stories and expanded on the original concept.

TIP:  Think big. If you are shooting an essay where mountains are your subject matter, see the mountain in pieces and photograph the surrounding trees, rocks, and whatever else. This will save you having to return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned.

4) Ask for help with image selection

I struggle with this one–I let my personal feelings get involved. Throughout our Notes Girls Write project I was constantly picking images based on my personal feelings–the subjects that I had connected with more, and the girls that I knew were most interested in the project. This is where it is so helpful to have someone else help. Someone who has no personal feelings towards the images and will help you pick based only on the strength of the image and not your own feelings. Even if people were not involved as subjects, you tend to have personal feelings toward images that the general public may not see the power behind.

I recently photographed several dozen sexual assault survivors as part of a photographic essay for a victim advocacy ’s annual gallery show. This event is meant to put faces on the survivors and raise awareness, and has been a large local event for years. I was thrilled to be selected to be the exclusive photographer, though this was one of the hardest projects I’ve ever taken on. The photo sessions themselves, whether five minutes or 30, were extremely emotional for the survivors and in the time I spent with them, I often learned a lot about their journey and experience. This made it difficult for me to pick which final images would be used for the show, based only on the power of the image and not my personal feelings. In the end several select friends helped me narrow each survivor’s images down, and the subjects themselves selected which would be the final image used, as ultimately this is their story.

TIP: All creative work is personal, and looking at photographs we take ourselves is incredibly hard to do with clear eyes. We see the mistakes, the personal feelings, the shot that could have been better. It’s impossible to always set these aside so when working on a project that is incredibly important to you, or large in scale. Have others help you decide what images to use for your final pieces. Bring in people who are interested in photography and people that aren’t. People that know about your subject matter and people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings. Lastly, also bring a thick skin.

5) Tell your story, in fact shout it from the rooftops if you can

Maybe your original idea for your photographic essay was to post it on your blog. Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an organization, or a person? Could it inspire people? If you feel passionately about the photos, chances are that someone else will too. Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to create a photographic essay, there are likely “readers” for your story.

TIP: This isn’t the time to be humble. Taking on a photo essay is a large endeavour. While there’s nothing wrong with having it be something you only did for your own personal growth, showing it around can be helpful both in experience and longterm benefit. Post it on social media, find appropriate places your essay could be displayed, and think about how it helped you. Every single photo essay I have done has led to an outstanding connection, or more work, and there is nothing wrong with getting those things along with the personal gain of accomplishing something you’re proud of.

The ideas are truly for a photographic essay are limitless. Truly.

Want a few more ideas for projects, try these?

• Using a Photography Project to Spark your Creativity
• Photography projects that make you feel alive
• Jumpstart Your Photography – Start a 365 Project
• 8 Photo Projects in Your Own Backyard

Have you ever done a photographic essay? What is your experience? Share with in the comments if you have, or have considered it. If you haven’t, what are you waiting for?

Read more from our Tips & Tutorials category

photographs families, kids, couples, and other groups of people who, for whatever reason, kind of like each other. Her portrait work has been featured in People Magazine, Us Weekly, BBC Magazine, and on national TV including CNN, Oprah, and Ellen, but most importantly, in the personal galleries of clients across the country. Her photography can be viewed at www.lynseymattingly.com or on Facebook .

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How to create a photo essay

• Author Picfair
• Level Intermediate
• Reading Time 8 minutes

Cover images by James Gourley

Create a meaningful set of images by producing a photo essay or story

A photographic essay is a deeper and more meaningful way to use your photography than a single image tends to be. Typically associated with documentary and news-gathering, a photo essay doesn’t necessarily have to follow those genres, but can be used as a way to tell a longer or more in-depth story about all manner of subjects. Creating a photo essay however is about more than just taking a set of images and presenting them as one package. They require more forethought, planning and editing than many other forms of photography, but the results are often more rewarding, too. Follow our guide below if it’s something you’d like to consider putting together. ‍ ‍

1 Find a story

The first thing you will need to do is to figure out what you want to do your photo essay on.

"Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye."

Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye. If you’re not sure where to begin, you could start by looking at what’s going on in your local area - if nothing else, it’ll make the practicalities easier. Start jotting down ideas that you can explore and figure out exactly why you want to do it. Try to be as active as you can in discovering what’s going on in the world and eventually something will keep your attention for long enough that it will seem like the right idea.

‍ 2 Do your research

‍ Next, try and find out as much as you can about whatever it is you want to create your photo story on.

"If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of."

Importantly, you’ll need to see what else already exists out there - if anything - on your story. If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of. That’s not to say that you can’t also do one, but it pays to be prepared so that you can perhaps approach it in a different way. You’ll also need to do some research into the practicalities that will be required to help you along the way. You’ll need to look into people you should be contacting, how you will get to the destination (if it’s not local), any requirements you need for visiting the location, any restrictions on what you can and cannot shoot and so on. Doing as much research ahead of time as possible will make the project run smoothly when it comes to actually shooting it. ‍

3 Make a structured plan  

Once your research is complete, it’s time to make a detailed and structured plan about how you’re going to go about shooting your photo essay. It doesn’t have to be completely rigid so as to disallow flexibility, but sorting out shoot times, shoot dates, shoot locations will give you something to work with, even if things eventually go off plan. Some photo essays can be shot in an afternoon, others might take several months or even years to complete. Having an idea of how long you want to spend on a particular project can help focus your mind and give you an end date for when you might want to publish the essay. It’s also useful to tell subjects and those involved with the shoot a rough timeline of events. You might find it helpful to organise everything together in one easily accessible place - such as online calendars and spreadsheets, so you can quickly refer to anything you need to.

4 Tell a story

Your photo essay needs to be more than just a set of images on a similar theme.

"...including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach."

Think of it exactly like a story, which usually requires a beginning, a middle and an end. That’s a very simplistic way of putting it, but photographically, including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach. There might not necessarily be a neat “resolution” to whatever story you’re trying to tell, and it might not always be a happy ending, but having that at least in your mind as you go along can help to create a neatly-packaged story that has a definite and well-constructed narrative.

5 Stick with a cohesive style

Exactly how you’re going to shoot your photo essay is entirely up to you, but in order for your story to have a cohesive look, it’s usually best if you stick to the same style throughout.

"With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that..."

That could be as simple as not mixing black and white and colour, always using a particular lens, always shooting in a particular way, or even applying the same post-processing techniques to the finished shots. With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that - that is, unless you’re actively trying to use disparate styles as an artistic or storytelling technique. ‍

5 Create a strong edit

The chances are that in the process of creating your photo essay, you will have shot dozens, if not hundreds of images.

"It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best."

For the final edit of your photo story, you need to make sure that the images selected to appear are the strongest of the set, with each adding something unique to the finished story. Try to avoid “padding out” your story with too many fillers, even if you think they are strong images on their own. It’s a good idea to avoid too much repetition, and here again you should look to include images that create a strong story arc with a defined beginning, middle and end. It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best. There’s no defined number for how many images should be included in a final story, but as a general rule, you’ll probably want it to be under 20 for the most impact.  ‍

6 Ask for input

It’s very easy to get so close to your subject and your images that you become blind to any flaws in them, or the structure of your story. Asking for advice and input from somebody you trust can help to tighten up your story even further.

"Asking for advice and input from somebody you trust can help to tighten up your story even further."

In certain situations, it can be helpful to ask the subject of the photographs themselves what they think, to make it more of a collaborative process - but you should be able to determine whether that’s appropriate on a case-by-case basis. If you have any contacts who are photographers, editors or publishers, asking them to cast an eye over your finished story is a good idea, too. ‍

7 Add some text  

It can be a good idea to add some text or individual captions for a photo essay, to give some background information and context to whatever is shown in the pictures. If you’re not a writer, try to keep it as basic as possible - including things such as names, locations and dates. A short introduction to the piece to give some background information is useful, too. Ask somebody you trust to check it over for sense, clarity and mistakes.

8 Get the story seen

Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part.

"Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part."

A sensible first step is to create an album on your Picfair store which is dedicated to your photo essay. That way, anybody who is looking for that particular piece won’t have to wade through all of your other work to find it. ‍ You can then start sending out information about the work to editors and publishers, including a link to the album on your Picfair page as an easy way for them to look at it.

Editor's tip: ‍ If you're not sure where to begin with pitching to publishers, be sure to check our how to pitch guide .

Expertly crafted guides and tutorials brought to you directly from the Team Picfair.

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Essay on Photography

Students are often asked to write an essay on Photography in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

100 Words Essay on Photography

What is photography.

Photography is the art of capturing pictures using a camera. A camera is like a box that keeps a moment from running away. When you take a photo, you save a memory that you can see later.

Types of Photography

There are many kinds of photography. Some people take photos of nature, like mountains and rivers. Others click pictures of cities or people. Some even capture stars at night. Each type tells a different story.

The Importance of Photography

Photos are important because they help us remember past times. They show us how things were and how they have changed. Photos can make us feel happy or sad by reminding us of different moments.

Learning Photography

Anyone can learn photography. You start by learning how to use a camera. Then you practice taking photos. Over time, you get better at making your pictures look nice. It’s fun to learn and can become a hobby or a job.

250 Words Essay on Photography

Photography is the art of capturing light with a camera to create a picture. This can be done using a digital camera or even a phone today. In the past, people used film cameras that had to be developed in a dark room.

The Magic of Cameras

A camera is a tool that takes in light through a lens and saves the image. In old cameras, light hit a film to create a photo. Now, digital cameras use electronic sensors to record the image. The sensors work like our eyes, catching light and colors.

To be good at photography, you need to learn how to use a camera well. You also need to understand light and how it affects your photos. Practice is important. The more you take pictures, the better you get at it.

Sharing Photos

After taking pictures, people often share them with others. They might put them on the internet, in a photo album, or hang them on a wall. Sharing photos lets others see the world through your eyes.

500 Words Essay on Photography

Photography is the art of capturing light with a camera to create an image. This can be done using a digital camera that stores pictures electronically or an old-fashioned film camera that records them on film. When you take a photo, you freeze a moment in time, which you can look back on later.

The History of Photography

The story of photography began hundreds of years ago with simple cameras called pinhole cameras. Over time, inventors created better cameras and ways to make pictures clearer and more colorful. In the past, taking a photo was not easy; it took a long time for the picture to be ready. But now, thanks to modern technology, we can take pictures instantly with digital cameras and even our phones.

How Photography Works

A camera works a bit like our eyes. When we look at something, light enters our eyes and helps us see. Similarly, when you take a picture, light comes into the camera through a hole called the lens. Inside the camera, the light hits a part that is sensitive to light, either film or a digital sensor, and creates an image.

Photography is important for many reasons. It helps us remember special moments like birthdays or holidays. It also lets us see places we’ve never been to and learn about different people and animals. Newspapers and websites use photos to show us what is happening in the world. Photography can even be a way for people to express their feelings and tell stories without using words.

Anyone can learn to take good photos. It’s not just about having an expensive camera. It’s about looking carefully at what you want to photograph and thinking about where to place things in the picture. It’s also about practicing a lot. The more photos you take, the better you get at it. There are also many books and videos that can teach you how to be a better photographer.

The Fun of Photography

Photography can be a lot of fun. It lets you be creative and can even turn into a hobby or a job. You can take pictures of your friends, pets, or trips you go on. With photography, you can explore new places and meet new people. The best part is, you can start at any age and keep learning and enjoying it your whole life.

In conclusion, photography is a powerful form of art that lets us capture memories, explore the world, and share stories. It’s a skill that anyone can learn and enjoy. Whether you’re taking a picture of a beautiful sunset or snapping a photo of your best friend laughing, photography helps us save those special moments forever.

If you’re looking for more, here are essays on other interesting topics:

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How To Create a Meaningful Photography Essay In 5 Steps

The storytelling nature of photography is no secret. It has been used for a century to narrate stories in a very peculiar and effective way. Narrative photographic projects have great power, and regardless of the level of experience and maturity of the photographer, they are very appealing. Find out how to create a meaningful photography essay in 5 steps.

Photography is an amazing art form that portrays interesting stories, events, adventures, life stories, experiences, history and has been around for a very long time having great influence in human life and emotions. Photography freezes the moment and records real life happenings that can be cherished for a lifetime and beyond. To make a good photograph, the photographer needs to look for perfect locations, light, subjects and add a little creativity to it.

Rather than a single image, a set or collections of images are always more powerful in telling a story, bringing in emotions within the viewer and taking/guiding the viewer through the path of the story. It is self consistent, self explanatory and doesn't another person to help with any form of narration. Besides these, photography essays can be a powerful source to bring out suppressed problems in the societies and other issues that are often overlooked.

Photographic essays invite us to research a topic or a theme in depth. Documentary photography is perhaps one of the closest things to “narrative” as we traditionally know it. Even though times have changed, and photography has been open to more independent photographers who don't have the same resource bonanza as the editorial or journalistic photographers of previous decades, this new democracy opens the door to the freedom of speech – a freedom that doesn't have to obey any media interests whatsoever.

Alright, But What Is A Photography Essay In The First Place?

A photo essay is a narrative that uses a group or series of photographs to tell a story, evoke emotions or emphasize a specific concept. The camera plays a utilitarian role, and is pretty far from what the final result can convey to those who read it (either completely or just partially). Photography essays can be either just photographs or photographs with comments, captions or text that accompany them to complete the story.

Some examples of photography essays include collage (simplest form of telling a story), an article, a book, an art show or exhibition, part of a website or a dedicated website and so on. Earlier photography essays were printed in the printing press, but in recent times they have moved to the web which is better in terms of easy access, but will not have a similar effect to looking and reading one physically.

What Elements Should A Photography Essay Include?

Being a narrative in a very holistic form, a photography essay should include the following elements in the most extreme cases:

• Introduction
• Contextualization
• Development
• Continuation

Not all essays will allow such a complex storyline, but we can take some of these elements to formulate an idea of what an essay should include. Therefore, a photo essay is a way to tell a story from beginning to end, with substance and a meaningful content.

Most photographic essays require preparation, organization and direction. Photographic essays began to be published in the 1930s after magazines saw that a story could best be told if text was accompanied by photographs. It is no coincidence that, by this time, cameras had evolved such that they could capture images quickly enough to freeze motion.

Also around this time, portability came into the picture, thanks to the practical nature of 35mm film . It was LIFE magazine that coined the term “Photographic Essay”. One of the most classic photography essays they published is “ Country Doctor ” by W. Eugene Smith . This essay documented Dr. Ceriani’s working life as a traveling doctor in rural areas of the United States.

An essay can be short, mid- or long-term according to various factors that can affect the image recording process. After achieving a certain number of images, the editing process can take place and the story can begin its narrative course. Some things that can affect the recording process are the limited resources we endure while working abroad, and limited access to the subject or the circumstances-recurrence ratio.

Here Are The 5 Steps Involved In Creating A Photography Essay:

1. pick a topic.

Obvious indeed, but choosing a good topic can be difficult without prior research. This is perhaps the hardest part of creating a photographic essay.

The wisest way to approach this is to select a topic that won't be so hard to access – not just because it might be easy. Since it will be accessible, the risk of frustration will be lower than it is when handling a difficult topic. Experience will eventually lead us into working with trickier subjects.

A photo essay doesn't need to always be dramatic and dense. They can be done just for the fun of it, or to discover new possibilities for the photographic narrative. Some topics that are generous when they are addressed are:

• Everyday Work  

2. Choosing The Subjects Correctly

When working on a photographic essay, it is important to choose subjects correctly to keep ourselves within a certain scope. Check to see if your subjects are suitable or the story you are planning to tell and if the stories made with them will be interesting for your target audience.

Even if you don't have a human subject to portray, making use of personification can always be a good guide to avoid losing course. For example, you can focus on silence by stating that the images attempted to capture the presence of silence.

Also, solitude can be addressed without any human elements, but still maintain the purpose of capturing “the human footprint”, for example.

3. Quantity Of Images

It is important to define the number of pictures we are willing to present on our final essay. Defining that number is important for a couple of reasons.

• The first one is because it will set the bar of our project's scope (critical when we start to consider our resources).
• The second one is our readers. The story should be told from start to finish with high impact, just like a short novel or a story. If we stuff our essay with “filler” images, it will ultimately lose its power.  

4. Execution

Let the fun part begin! After defining the previous three elements, we can start shooting to create a great storytelling essay.   Shooting story telling photographs for a photography essay need to be powerful just like how you would shoot individual images to tell a story. Look for perfect light, relevant locations relating to the story to be told, perfect subjects for the story and also compositional guidelines.

Always have introductory and closing images just like how you would have an introduction and conclusion to any essay. Shoot at different light, angles, perspectives, etc. and finalise during the editing part the images that will work together to complete the photography essay.

Editing must not be confused with post-processing, which is an important element of the production of the final photographs. Editing refers to the precise selection of the images that will be included in the essay. There is no perfect quantity or order. You (or your editor) will have to be very objective to select the perfect mix to tell the story the way you want it to be told.

Ak yourself questions like, do the photographs speak the story or will they require accompanying text, is the sequence or series logical, do they stand together and complete the story from start to finish, etc. Try and tell the story with minimal images by avoiding repetition as that can bore the viewers.

Who Can Create A Photography Essay?

Some photographers believe that only photojournalists or documentary photographers can create photography essays. That is not the case – photo essays can be created on any topics like nature, wedding, events, portraits, travel, etc.

Constant planning, execution and checking can and should be applied to all the stages discussed above. You will need to have a powerful title and written text that is strong and concise. Sometimes longer text may be required.

Photo essays are a great way to improve not just as photographers, but as storytellers, too. Viewing photo essays with a reader's mindset will give you a better feeling of photography’s storytelling power.

About Author

Federico has a decade of experience in documentary photography , and is a University Professor in photography and research methodology . He's a scientist studying the social uses of photography in contemporary culture who writes about photography and develops documentary projects. Other activities Federico is involved in photography are curation, critique, education, mentoring, outreach and reviews. Get to know him better here .

Dear Federico, this is a very informative, to the point article for everyone who wants to enter the world of creating photo essays. Currently, I am teaching photography at one of the well known institutes in India and I am playing a role of a honeybee. I am creating a blend of my experience along with such articles and letting the student know what are the pros and cons of various genres of photography and how to go about it. I am obviously giving you credit for this article. Thanks and you are welcome to India. You will love my country!

Frederico, thank you for this article about photo essays! I am both a digital photographer and a freelance writer, and this idea combines both of my passions. What are the most successful photo essays that you have done that you can share?

Hi, Thank you for the article, very interesting, something I would really love to try. I do have one question though, how do I know whether a photo essay would be a success, who would judge it?

I have emailed Frederico asking permission to reprint this article in my photo club’s digital newsletter (www.spsphoto.org). I would like your permission as well. We are having a photo essay competition this month. I will include links to the original article, as well as yours and Federico’s website. Thank you.

Fine by us, Linda. Thanks for asking first.

Thank you, and Federico, for permission to reprint. I am sure my photo club members will appreciate this timely article for our annual photo essay competition !

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Table of Contents

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Essays About Photography: Top 5 Examples Plus Prompts

Discover the joy of photography by reading our guide on how to write essays about photography, including top essay examples and writing prompts. 

It is truly remarkable what pictures can tell you about the time they were taken and their subjects. For example, a well-taken photograph can expose the horrors of conflict in a war-torn country or the pain endured by victims of racial persecution. At the same time, it can also evoke a mother’s joy after seeing her newborn baby for the first time. Photography is crucial to preserving precious moments that deserve to be remembered.

Photography can be considered a form of art. So much intent is put into a picture’s composition, subject, angle, and lighting. There is a lot of talent, thought, and hard work that goes into photography to produce such thought-provoking images, 

If you are writing essays about photography, you can start by reading some examples. 

5 Essay Examples To Inspire You

1. why photography is a great hobby by lillie lane, 2. the importance of photography by emily holty, 3. why i love photography by bob locher.

• 4.  The Shocking History Of Death Photography by Yewande Ade
• 5. ​​Fashion photography by Sara Page

5 Helpful Prompts On Essays About Photography

1. what is your favorite thing to photograph, 2. why is photography so important, 3. should photography be considered an art form, 4. different types of photography, 5. interpretations of photographs.

“Be imaginative when writing your shots. Photography is about the impact of your chances. The odds are good that nobody will care to check over your picture When it is an item in a background. Discover how to produce a fantastic photograph, and take these skills and use them.”

Lane gives readers tips on taking better photos in this essay. These include keeping balance, choosing a subject widely, investing in certain pieces of equipment, and using the appropriate settings for taking pictures. She stresses that photos must appear as natural as possible, and following her advice may help people to get good pictures. 

“No matter where you go photography plays into your life somehow. We don’t realize how big of an impact photography truly has on us until we see the details of our life hidden in a photograph. When you flip through your photo album and start looking for those details you suddenly realize you are truly blessed. A photograph keeps a moment frozen in time so we have it forever. Something like joy becomes clearer as we look deeper into the photograph.”

Holty does an excellent job of describing what makes photography so appealing to many people. You can take a picture of anything you want if you want to remember it, and photos help us look at the intricacies and details of what we see around us every day. Photography also helps us keep memories in our heads and hearts as time passes by, and most of all, it allows us to document the greatness of our world. It is ever-present in our lives, and we will keep taking photos the more adventures we have. 

“Every day in normal circumstances people take thousands of pictures of the Grand Canyon. It takes very little thought to realize that few if any of these pictures will be in any way noteworthy above pictures already taken. But that said, they are OUR pictures, our personal affirmation of the wonderful scene stretched out below us, and that gives them a special validity for us.”

Locher reflects on the role photography played in his life and why he enjoys it so much, partly due to his spirituality. He previously worked in the photographic equipment business and rekindled his love for photography in his 60s. Photography, to him, is a way of affirming and acknowledging God’s creations around him and appreciating the natural world. He also briefly discusses the importance of equipment and post-editing; however, no photo is perfect. 

4.   The Shocking History Of Death Photography by Yewande Ade

“In fact, it was easier for the photographer if the dead person was in a sleeping position because there would be no need to put him or her in an appropriate position or prop the eyes open. The restful pose gave some families comfort because it made them believe that their loved one(s) had passed on happily and to a more peaceful realm. It gave the semblance of death as a painless act like sleep.”

An interesting phenomenon in the history of the camera is post-mortem photography, in which deceased people, usually children, were posed and made to look “alive,” to an extent, so their loved ones could remember them. This was done as a way of mourning; the subjects were made to look as if they were merely asleep to give their loved ones comfort that they had passed on peacefully and happily. Eventually, a reduction in the death rate led to the end of this practice. 

5. ​​ Fashion photography by Sara Page

“Modern fashion photography differs because photographers aim to be extraordinary with their work, they know that extra ordinary will interest the audience much more It is extremely evident that fashion photography has changed and developed throughout the years, however there is not just reason. It is clear that fashion photography has changed and developed because of advancements in technology, change in attitudes and the introduction of celebrities.”

Page’s essay focuses on the history of fashion photography and some techniques used in practice. It dated back to 1911 and astonished the public with glamorous photos of people wearing perfectly-styled outfits. As the years have gone on, photographers have taken the lighting of the photos more into account, as well as their settings. In addition, editing software such as Photoshop has allowed even better photos to be produced. Fashion photography has only become more extravagant with the current social culture. 

In your essay, write about your favorite subject when you take pictures- is it people, landscapes, objects, or something else? Explain why, give examples, and perhaps elaborate on your camera settings or the lighting you look for when taking photos.  

Photography is an important invention that has helped us immensely throughout the years- how exactly? Explain why photography rivals painting and why it is essential. Then, write about its importance to you, the entire world, and humanity. 

Some say photography pales compared to the intricacies of music, painting, sculpture, and even cinema and should not be considered a form of art. For an interesting argumentative essay, determine whether photography is genuine art or not and defend your position. Explore both sides of the topic and give a strong rebuttal against the opposing viewpoint. 

From street photography to food photography to portraiture, many different types of photography are classified according to the subject being captured. Write about at least three types of photography that interest you and what they entail. You may also discuss some similarities between them if any. Check out our list of the top CreativeLive photography courses .

Like other works of art, a photograph can be interpreted differently. Choose a photo you find exciting and describe how you feel about it. What is being portrayed? What emotions are being evoked? What did the photographer want to show here? Reflect on your chosen work and perhaps connect it with your personal life. 

For help with your essays, check out our round-up of the best essay checkers . If you are interested in learning more, check out our essay writing tips !

Women Who Shaped History

A Smithsonian magazine special report

History | July 9, 2024

Meet Vivian Maier, the Reclusive Nanny Who Secretly Became One of the Best Street Photographers of the 20th Century

The self-taught artist is getting her first museum exhibition in New York City, where she nurtured her nascent interest in photography

Ellen Wexler

Assistant Editor, Humanities

Vivian Maier took more than 150,000 photographs as she scoured the streets of New York and Chicago. She rarely looked at them; often, she didn’t even develop the negatives. Without any formal training, she created a sprawling body of work that demonstrated a wholly original way of looking at the world. Today, she is considered one of the best street photographers of the 20th century.

Maier’s photos provide audiences with a tantalizing peek behind the curtain into a remarkable mind. But she never intended to have an audience. A nanny by trade, she rarely showed anyone her prints. In her final years, she stashed five decades of work in storage lockers, which she eventually stopped paying for. Their contents went to auction in 2007.

Many of Maier’s photos ended up with amateur historian John Maloof , who purchased 30,000 negatives for about $400. In the years that followed, he sought out other collectors who had purchased boxes from the same lockers. He didn’t learn the photographer’s identity until 2009, when he found her name scrawled on an envelope among the negatives. A quick Google search revealed that Maier had died just a few days earlier. Uncertain of how to proceed, Maloof started posting her images online.

“I guess my question is, what do I do with this stuff?” he wrote in a Flickr post . “Is this type of work worthy of exhibitions, a book? Or do bodies of work like this come up often? Any direction would be great.”

Maier quickly became a sensation. Everyone wanted to know about the recluse who had so adeptly captured 20th-century America. Her life and work have since been the subject of a best-selling book , a documentary and exhibitions around the world .

Now, the self-taught photographer is headlining her first major American retrospective. “ Vivian Maier: Unseen Work ,” which is currently on view at Fotografiska New York, features some 230 pieces from the 1950s through the 1990s, including black-and-white and color photos, vintage and modern prints, films, and sound recordings. The show is also billed as the first museum exhibition in Maier’s hometown, the city where she nurtured her nascent interest in photography.

Born in New York City in 1926, Maier grew up mostly in France, where she began experimenting with a Kodak Brownie , an affordable early camera designed for amateurs. After returning to New York in 1951, she purchased a Rolleiflex , a high-end camera held at the waist, and began developing her signature style: images of everyday life framed with a stark humor and intuitive understanding of human emotion. She started working as a governess, a role that allowed her to spend hours wandering the city, children in tow, as she snapped away.

She left New York about five years later, when she secured a job as a nanny for three boys—John, Lane and Matthew Gensburg—in the Chicago suburbs. The family was devoted to Maier, though they knew very little about her. The boys remember attending art films and picking wild strawberries as her charges, but they don’t recall her ever mentioning any family or friends. Their parents knew that Maier traveled—they would hire a replacement nanny in her absence—but they didn’t know where she went.

“You really wouldn’t ask her about it at all,” Nancy Gensburg, the boys’ mother, told Chicago magazine in 2010. “I mean, you could, but she was private. Period.”

Despite Maier’s reclusive tendencies, the Gensburgs knew about her photography. It would have been difficult to hide. After all, she lived with the family and had a private bathroom, which she used as a darkroom to develop black-and-white photos herself. The Gensburgs frequently witnessed her taking photos; on rare occasions, she even showed them her prints.

Maier stayed with the Gensburgs until the early 1970s, when the boys were too old for a nanny. She spent the next few decades working in other caretaking roles, though she doesn’t appear to have developed a similar relationship with these families, who viewed her as a competent caregiver with an eccentric personality. Most never saw her prints, though they do remember her moving into their homes with hundreds of boxes of photos in tow.

“I once saw her taking a picture inside a refuse can,” talk show host Phil Donahue, who employed Maier as a nanny for less than a year, told Chicago magazine. “I never remotely thought that what she was doing would have some special artistic value.”

Meanwhile, the Gensburgs kept in touch. As Maier grew older, they took care of her, eventually moving her to a nursing home. They never knew about the storage lockers. When she died at age 83, a short obituary appeared in the Chicago Tribune , describing her as a “second mother” to the three boys, a “free and kindred spirit,” and a “movie critic and photographer extraordinaire.”

Maier’s mysterious backstory is a large part of her present-day appeal. Fans are captivated by the photos, but they’re also intrigued by the reclusive nanny who developed her talents in secret. “Vivian Maier the mystery, the discovery and the work—those three parts together are difficult to separate,” Anne Morin, curator of the new exhibition, tells CNN .

The show is meant to focus on the work rather than the mystery. As Morin says to the Art Newspaper , she hopes to avoid “imposing an overexposed interpretation of her character.” Instead, the exhibition aims to elevate Maier’s name to the level of other famous street photographers—such as Robert Frank and Diane Arbus —and take on the daunting task of examining her large oeuvre.

“In ten years, we could do another completely different show,” Morin tells CNN. “She has more than enough material to bring to the table.”

The subjects of Maier’s street photos ran the gamut, but she often turned her lens toward “people on the margins of society who weren’t usually photographed and of whom images were rarely published,” per a statement from Fotografiska New York. The Gensburg boys recall her taking them all over the city, adamant that they witness what life was like beyond the confines of their affluent suburb.

The exhibition is organized thematically, with sections devoted to Maier’s famous street photos, her experimental abstract compositions and her stylized self-portraits. The self-portraits, which frequently incorporate mirrors and reflections, amplify her enigmatic qualities, usually showing her with a deadpan, focused expression. Her voice can be heard in numerous audio recordings, which play throughout the exhibition. As such, even as the show focuses on the work, Maier the person is still a frequent presence in it.

“The paradox of Vivian Maier is that the lifetime of anonymity that has captured the public imagination persists in the work,” writes art critic Arthur Lubow for the New York Times , adding, “An artist uses a camera as a tool of self-expression. Maier was a supremely gifted chameleon. After immersing myself in her work, other than detecting a certain wryness, I could not get much sense of her sensibility.”

The artist undoubtedly possessed a curiosity about her immediate surroundings, which she photographed with a “lack of self-consciousness,” Sophie Wright, the New York museum’s director, tells CNN. “There’s no audience in mind.” There is no evidence that Maier wondered about her viewers—or that she ever imagined having viewers in the first place. They, however, will never stop wondering about her.

“ Vivian Maier: Unseen Work ” is on view at Fotografiska New York through September 29.

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Ellen Wexler is Smithsonian magazine’s assistant digital editor, humanities.

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9 ICONIC Soviet photographers who captured the zeitgeist (PHOTOS)

1. Alexander Rodchenko (1891-1956)

Rodchenko influenced the art of photography probably as much as French philosopher René Descartes changed science by changing the way humans think about the world.

The Orchestra, 1929.

In 1925, Alexander bought himself a light-weight handheld 35mm camera and began to experiment with angles and perspectives. He used photography to expand the parameters of how and what he saw. The unconventional artist captured the world from above, below and all sides, urging the viewer to spot the unseen.

The Staircase.

In the early 1930s, he used photography as a major tool for social change, showing the contrast between the romanticized and real Soviet actuality.

Theater designer, painter, sculptor and printer, the multi-talented Rodchenko was also a giant of photography. He experimented in a variety of media and was a founding member of the Russian Constructivism avant-garde movement.

The corner of a building.

His works are displayed at leading museums all over the world, including the Museum of Modern Art in New York.

READ MORE: 10 iconic photos of Rodchenko, one of Russia’s avant-garde legends

2. Boris Ignatovich (1899-1976)

Ignatovich started his career as a journalist before he became one of the most trailblazing photographers of his time.

Boris received his first Kodak camera as a gift and captured his first shot, quite by chance, in 1923. Ignatovich was walking on the street when he ran into famous satirist Mikhail Zoshchenko , who was buying apples from a street vendor. Ignatovich grabbed his camera and made a historic frame of the revered Soviet writer.

Mikhail Zoshchenko, 1923.

Inspired by Alexander Rodchenko, Ignatovich cultivated a new style where traditional photography was replaced by something more unorthodox and unconventional. Blending avant-garde, constructivism and realism, his timeless still life images, close-ups and portraits taken from unexpected angles proved to be something savvy viewers associate with a photography legend.

A Soviet soldier walking through the ruins of Rzhev, liberated from the German invaders.

Ignatovich won accolades for his photo essays of Moscow, becoming one of the pioneers of aerial photography. He made breathtaking images from the lowest possible flying height with a Leica wide-angle lens camera. Between the 1920s and 1930s, his photographs were published on the covers of major periodicals, such as Pravda, Soviet Architecture and USSR in Construction.

Joseph Stalin and a Tadzhik girl.

The beginning of WWII forced the talented photographer to shoot serious subjects. Ignatovich carried a camera as he followed Soviet combat forces on horseback.

3. Moisei Nappelbaum (1869-1958)

Nappelbaum is widely known for his iconic portraits of Vladimir Lenin and Joseph Stalin. But first and foremost, Moisei made a significant contribution to the development of the portrait photography genre.

Back then, posed and formal studio portraits were mostly executed. As a rule, such images lacked personal warmth and chemistry. Nappelbaum decided to abandon traditional rules of photography in favor of creative experiments.

Anna Akhmatova, 1922.

At first glance, his portraits are simple and straightforward. At the same time, they are full of internal conflict and tension. What mattered most, as with any artist, was the personality.

Alexander Blok and Korney Chukovsky in 1921.

Throughout his career, Nappelbaum explored photography’s potential as an expressive art form. The photographer could spend hours studying his model, to reveal some hidden traits.

Signature images include portraits of la crème de la crème, namely Anna Akhmatova , Boris Pasternak , Sergey Esenin , Konstantin Stanislavsky , Sergei Eisenstein , Alexander Blok and Aleksey Tolstoy . 

Vladimir Lenin, 1918.

“ A person’s past, take on life and attitude towards people leaves an incredible imprint on their face. [You] just need to read between the lines,” Nappelbaum believed.

4. Yevgeny Khaldei (1917-1997)

Khaldei was 13 when he made his first camera out of a cardboard box, creating a lens from a pair of old glasses.

After the defeat of the Nazi troops in Sevastopol.

Later, as a staff photographer at the state-run TASS news agency, he spent some 1,418 days covering the devastating WWII in pictures. His iconic images were shot on a Leica.

READ MORE: Greatest photos of War and Victory by Yevgeny Khaldei

Khaldei was a witness and chronicler of history, making dramatic shots in the line of fire. He pressed the shutter during the Battle for Moscow in 1941; documented the plight of Jews as they were liberated from the ghetto of Budapest in 1945.

Khaldei's unflinching pictures of Hermann Goering, once the second-most powerful man in Germany, portrayed the face of evil better than 1,000 words.

British Prime Minister Winston Churchill, US President Harry S. Truman and Soviet leader Joseph Stalin.

Having photographed Joseph Stalin, Winston Churchill, and Harry S. Truman at the historic Potsdam Conference, the photographer also captured rare images of ordinary people during the war.

Raising a Flag over the Reichstag.

His signature shot, Raising a Flag over the Reichstag , became the epitome of the Soviet victory over Nazi Germany. 

5. Yury Abramochkin (1936-2018)

Abramochkin’s body of work is the quintessence of what a Soviet artist was all about at the time when only social realism was allowed. The photographer documented the day to day challenges of life. But somehow Yury managed to bring his own distinctive style of photography to the setting.

Leonid Brezhnev and President Fidel Castro of Cuba.

He shot a broad range of work, photographed Soviet leaders and cosmonauts, as well as the likes of Richard Nixon, Fidel Castro and Charles de Gaulle.

Soviet cosmonaut Yury Gagarin.

When he was not busy taking pictures of Yury Gagarin , he filmed ordinary people -- pioneers, fishermen, miners or saleswomen.

Future Miners.

Whoever it was, his images were never static and dull, rather playful and humorous instead. 

6. Aleksandr Abaza (1934-2011)

Technically not a photographer, Abaza didn’t pursue a photography career. It was just a hobby at first. He graduated from the polytechnic college and served in the navy before becoming a distinguished photojournalist.

Speedway World Championship.

One of the leading technically excellent photographers of his generation, Abaza executed pictures with great attention to detail. He framed Soviet construction sites, factories, parades and ordinary people, and yet his photographs stood out with depth, complexity and gleaming clarity. They revealed raw emotion, drama and soul.

Construction graphics.

Abaza never produced staged photographs. The challenge was to create honest images of Soviet factories and plants.

Ski crossing.

Veteran photographer was also on the streets of Moscow in August 1991, filming tanks, armored vehicles and crowds of confused people during the coup attempt.

7. Evgeny Umnov (1919-1975)

You might have seen his images, whether you knew it or not. Umnov was acclaimed for his celebrity portraiture for most of the Soviet magazines, but is best known for images capturing classic ballet artists behind the scenes.

Prima ballerina of the Bolshoi Ballet Maya Plisetskaya.

Evgeny worked in an era when the Soviet socialist realism style dominated all forms of art, including photography.

Soviet ballerina Olga Lepeshinskaya.

His photographs of the Bolshoi Theater ballet dancers received accolades from none other than Sol Hurok, one of the world’s foremost impresarios, who introduced and brought Soviet ballet stars to American audiences.

The Moiseyev Ensemble.

The cultural and intellectual elite welcomed Umnov with open arms. Up-and-coming Soviet artists weren’t too superstitious, but it proved to be an unspoken rule that if Umnov picked up his camera and took your picture, your career was finally bound to take off. 

8. Eduard Pesov (1932)

Pesov spent four decades documenting political issues. He was a master portrait photographer to the Soviet leaders and political figures from the mid-1960s.

Leonid Brezhnev and Richard Nixon in Yalta.

The photojournalist covered both historical meetings and the day-to-day life of Nikita Khrushchev, Leonid Brezhnev, Mikhail Gorbachev and Boris Yeltsin, as well as foreign ministers and state leaders, notably U.S. president Gerald Ford among them.

Richard Nixon and his wife Patricia.

But Pesov’s images were much more than formal, posed pictures. He managed to put himself in the right place at the right time when he captured powerful politicians caught somewhat unaware.

Soviet cosmonaut Alexei Leonov with his wife Svetlana and US astronaut Donald Slayton in Sochi.

His historic photo of Brezhnev and Ford in 1974 in Vladivostok speaks louder than words. “I’m a sheep in wolf’s clothing,” Ford, wearing a wolfskin coat from Alaska, joked to reporters. Brezhnev then tried on the U.S. president’s coat and posed in it for photographers. Pesov captured the entire scene on camera.

9. Vladimir Lagranzh (1939)

Revered in photographic circles, Lagranzh had a considerable impact on modern photojournalism.

Children in a Moscow cafe.

The promising artist was 24 when he won his first trophy at an international photo contest in Budapest. Since then, the photographer made a lot of waves working for Soviet and foreign magazines, including Paris Match.

The view of Moscow.

A journalist by trade, his black-and-white images derive their power from their child-like simplicity and earthiness.

After school.

Lagranzh shot a broad range of work from the funny to the serious, capturing images that define an era.

READ MORE: The Soviet ‘thaw’ of the 1960s through the lens of Vladimir Lagrange 

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A photographers journey capturing Black Rodeo culture from behind the lens

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As someone who’s spent the better part of a decade living and photographing in Los Angeles, few things felt more exciting than capturing my first rodeo here and the Black riders who personified athleticism, passion and courage. As part of my journey over the past several years to find Black faces and places to document in ways only my ancestors could have dreamt of — under the project name Black Magic — I went in search for Black horseback riders and rodeo participants of all ages chasing their desire to ride, jump, lasso and embody the spirit of the old West while making it new again.

Starting in January 2024, this journey has led me to the small-but-mighty city of Tulsa, Okla. Known by most as the site of the 1921 Race Massacre and historically Black Greenwood District, Tulsa and the greater state of Oklahoma is home to some of the richest pockets of rodeo and Western culture in the country, just ask the creators of the 2023 film “Riding Legacy (An Oklahoma Black Cowboy Story)” directed and produced by Kian Taylor, Jay Ridley, Nicole Jocleen and Brittany Taylor. Unlike Tulsa, L.A. is typically one of the last places people might assume any rodeo culture exists, let alone a Black rodeo. Little did I know upon entering the Industry Hills Expo Center in West Covina recently to witness the Bill Pickett Invitational Rodeo for the first time last year, I had stumbled onto an event where Black communities across the country congregate yearly for a day of fun, food, riding and fellowship.

A photographer’s role doesn’t solely depend on our ability to see things as they are. Our job offers the opportunity to, as Solange iconically put it, see things we’ve also imagined to add an air of whimsy or fantasy to the moments we’ve intentionally frozen in time. Upon entry to the parking lot of the 40th Annual Bill Pickett Invitational Rodeo you are immediately tasked with tapping into all of your senses with an acuity we only enlist during a heightened sense of excitement. You smell the rodeo well before you approach entry gates. The assortment of fried, smothered, pickled or barbecued options guide your steps into the gentlest of food comas. Sounds of Beyoncé and Earth, Wind & Fire reach your eardrums and awaken the alto in all of us to join the choir of thousands around you. Depending on how close you end up sitting, you may even taste some of the dirt thrown from the ring as champion cowgirl Kandra Demery whirls about the strategically placed obstacles during her barrel races. Without a doubt, you’ll feel your heart racing watching the steer wrestlers hurl themselves from atop their horses to wrangle bovine companions in time to secure their victory.

With a camera in hand, I challenged myself to capture the synchronized electric slides, dozens upon dozens of Black folk on horseback in the arena for the Grand Entry trailed by the largest Pan-African flag you’ve ever seen carried by rising star Paris Wilburd. I aimed to document the fast twitch movements of each bull trying to dismount daredevils like my rodeo twin Au’Vion Horton, contributing to the treasure trove of Black culture and keeping my finger on the shutter button to get the best shot.

As the popularity of Black rodeo culture has grown in the last year, it has opened doors for countless Black folk to deepen their relationship with themselves through seeing these historic traditions and families that have upheld them for generations. One of the first faces I saw upon entry to the arena in L.A. is the rodeo’s Merchandise Manager Kristi Demery, a rodeo mom for almost 30 years from Okmulgee, Okla. now living in the Beggs, Okla. We spoke of the reverence this community has for their lifestyle and the legacy left by Bill Pickett Rodeo’s founder Lu Vason in 1984 that caused millions of Black folk to truly understand our place in Western culture.

Fast forward one year, Demery has become somewhat of a rodeo mother to me as we’ve seen each other at numerous rodeos around Oklahoma. Each rodeo is akin to a family reunion, a side glance across the bleachers can turn into an hour long conversation recalling how each other’s mothers are doing with smiles cheek to cheek and the promise of leaving with a plate of your favorite catfish.

After experiencing the captivating events a year prior, I arranged for my own reunion of sorts with around 35 friends and new faces within the Black creative community to gather and bear witness to this momentous anniversary. I think of Kilyn Hayes, Devyn Hayes and Maya Johnson for example. These young Black women from the Inland Empire and their families congregate in the VIP section of the arena to break bread, share laughter and, of course, take photos among the sea of Black rodeo enthusiasts each year. I’ve had the pleasure of photographing and spending time with them and their families for the second year in a row. Even if you don’t arrive at the show with your family, you’re almost guaranteed to feel close to kin with someone by the time you leave. The magnetic energy and gleaming smile of rodeo MC Tiffany Guess will certainly make sure of it.

The Bill Pickett Rodeo is a celebration of the culture that extends far beyond the bright lights and line dances. For 40 years, generations of people have come from far corners of America to honor the contributions made by Black people in Western culture. The dedicated staff that puts on the traveling rodeo tour reminds us as each rodeo concludes why it truly is “The Greatest Show on Dirt.”

Here’s a few more images from the Bill Pickett Invitational Rodeo in Los Angeles:

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Collection Prokudin-Gorskii Collection

Russia in color photographs, 1905-1914.

(Originally published under the title “The Prokudin-Gorskii Collection of Early 20th Century Color Photographs of Russia at the Library of Congress: Unexpected Consequences of the Digitization of the Collection, 2000-2017,” in Slavic & East European Information Resources, 18 no.3/4 (Fall/winter 2017), pages 223-230. This article is a work of the U.S. government and is not subject to copyright protection in the United States)

Harold M. Leich, Russian Area Specialist, European Division

Introduction

When I was a child, my mother used to tell me, with some regularity, “Be very careful what you wish for – you might actually get it, along with some surprises on the way....” In fact, this is exactly what has happened at the Library of Congress (LC) with the Prokudin-Gorskii collection of color photographs from the early 20th century since its digitization in 1999/2000 and our hope that the images would be of interest in Russia. We at LC never imagined the interest, enthusiasm, and passion that our digitized Prokudin-Gorskii images would evoke once they had been discovered in Russia – fulfilling, as a pleasant and welcome surprise, “on the way,” our desire to return a small part of Russia’s patrimony, a part that had by pure happenstance ended up in the U.S., back to its country of origin. So I want to concentrate in this article not on the collection itself, interesting and significant as it is, but rather on some of the most important and unexpected consequences of the discovery in Russia, and elsewhere, of LC’s digitized Prokudin-Gorskii images.

Background: The Collection and its Digitization

Russian chemist and engineer Sergei Mikhailovich Prokudin-Gorskii (1863-1944) developed a pioneering technology–one of the world’s first--for taking and displaying color photographs. Over the period of a decade, 1905-1915, in some cases after 1909 with funding and travel authorizations from tsar Nicholas II, he traveled throughout much of the Russian Empire and shot landscape scenes, religious structures, infrastructure apparatus, and people in European Russia, Finland, the Caucasus, Central Asia, the Urals, and Western Siberia. He fled Russia in mid-1918 after the 1917 Bolshevik Revolution and the assassination of Nicholas II and his family in July 1918, and ultimately (via Norway, England, and Nice) settled in Paris, where he died in 1944. In 1948 the Library of Congress purchased from the photographer’s sons the collection of the surviving 1,900 glass-plate negatives and 14 albums of black-and-white contact prints with identifications of images. 1

The technology developed by Prokudin-Gorskii, an improved version of the three-color method of German inventor Adolph Miethe, was awkward and required many assistants and lots of heavy equipment to shoot images, to develop the negatives, and finally to project the images on a screen or white wall (producing color prints was not the chief goal of Prokudin-Gorskii’s work). Mainstream color photography developed in different directions in the 20th century, leaving Prokudin-Gorskii’s technology orphaned – meaning that it became difficult and then, by the 1980s, virtually impossible to extract the original color from the negatives using the old pre-digital, “wet” methods. 2

In 1995 two LC employees, one in the Scan Center and the other in the Interpretive Programs Office (the Library’s exhibitions operation), came up with the idea of digitizing the three color-separation shots on each 3" x 9" glass negative and digitally superimposing them one on the other, to see whether the full color image originally captured almost a century before could be recovered (much as Prokudin-Gorskii’s magic-lantern projector merged the three color separations on each negative into one image when he showed them on a screen or wall). Several trial runs over the next several years ultimately proved successful, yielding color images that appeared fresh and crisp and clear, almost as if they had just been taken.

As a result of these experiments, the entire collection of glass negatives and albums was digitized in 1999-2000 and is available world-wide on the Internet. 3 An exhibit of sixty of the most striking images was held in the Jefferson Building of LC, June-September 2001, and attracted a lot of attention and press coverage. 4 With financial and logistical support from the American Embassy in Moscow, this same exhibit was taken to St. Petersburg in April 2003, where it was on display for a month at the State Russian Museum. The exhibit was then shown twice later in 2003 (June and November-December) at the Shchusev Architecture Museum in Moscow, and in March 2004 a special exhibit was held for the Federation Council. 5 The original LC exhibit then traveled to 14 cities around European Russia as well as to Georgia, Lithuania, Bulgaria, Slovenia, and Austria. 6

Quite apart from the LC exhibit itself, in 2006-2007 the Šechtl-Voseček Museum in Tábor, Czech Republic, mounted an interesting exhibition of Prokudin-Gorskii color photographs and included some of that museum’s own color images made from negatives using a tripartite technology very similar to that used by Prokudin-Gorskii. 7

LC’s goals in digitizing the Prokudin-Gorskii images and making them available universally on the Internet were twofold. The first and primary one was to preserve the negatives and albums, which were in deteriorating condition and could not be served to users (they had spent several decades in a musty basement in Paris), and make them accessible again for the first time in many years, in the process recovering the original color captured by Prokudin-Gorskii a century earlier. The second goal, more philosophical and altruistic, was to return to Russia in a usable form an important and interesting part of that country’s historical and artistic patrimony – a part that had been largely ignored, forgotten, and even vilified in the Soviet era.

Consequences of Digitizing the Collection

There was a natural time lag of a few years, but exhibits in Russia, particularly at the Shchusev Museum in Moscow and in provincial cities such as Orenburg, Petrozavodsk, Rostov-Velikii, Nizhnii Novgorod, and Ostashkov, made many Russians aware for the first time of the existence of full-color images of pre-revolutionary Russia, often of their own towns and villages. In addition, since many of the structures documented by Prokudin-Gorskii (especially churches, chapels, cathedrals, mosques, and synagogues) had been targets of anti-religious campaigns in the Soviet era, our collection provided unique documentation of structures that had been damaged, radically altered, or completely destroyed in the 20th century.

Here in summary are some of the more interesting and surprising concrete consequences of the discovery in Russia of the full-color images of pre-revolutionary Russia on the LC website:

• the establishment of websites and blogs about Prokudin-Gorskii and his work (many of these sites include “then-and-now” shots comparing the early 1900s images with what the locales look like today);
• the production of at least five Russian documentary films about the photographer and his work, all but two shot partially on site at LC;
• several university dissertations on Prokudin-Gorskii and his work;
• a boom in the publication of books in Russia and several other countries about the photographer in 2013, the 150th anniversary of his 1863 birth; these books were often accompanied by exhibits;
• the establishment in 2016 of a “Museum of Prokudin-Gorskii” at a middle school in central Moscow (open by appointment with the curator).

To go into detail about these, let me begin by noting and recommending the “Heritage of S. M. Prokudin-Gorsky” website 8 and its blog, “Old Color.” 9 Founded and run by two young men in Moscow, Vasilii Driuchin and Viacheslav Ratnikov, this is the most scholarly and serious website dealing with Prokudin-Gorskii and his work. The website itself features a lively discussion forum, and the blog contains almost daily posts of new information about details of Prokudin-Gorskii’s life and work, much of which is still in fact mysterious and unknown. It displays “then-and-now” comparisons of the original Prokudin-Gorskii images with shots taken in the past year or so. It also includes a lot of corrections and amplifications to the identification of individual images in the collection (a number of the identifications provided by Prokudin-Gorskii are incorrect or incomplete, and some images are not identified at all). This is incredibly useful to us since, being thousands of miles from Russia, we are not in a position to identify or correct identifications of photographs that are in many cases readily accessible to the guys in Moscow.

The first Russian websites displaying Prokudin-Gorskii photographs, dating back to 2003-2004, were devoted to showing his photographs of a specific city or town. Some of these are still active, e.g. one for the town of Ostashkov 10 , while regretfully a number of others are no longer maintained or accessible 11 . Nevertheless, these local sites did serve the useful purpose of bringing the photographer’s work to broader attention throughout Russia.

Documentary films

Between 2007 and 2013 at least five Russian documentary films were made about the Prokudin-Gorskii color photographs, and three of these were partially shot on site at LC and included interviews with the LC staff who had been involved with digitizing the collection and interpreting it to users. (The BBC had produced what was probably the first documentary on the collection of color photographs in 2003 12 ). In the case of the Russian documentaries, we did not always receive a copy of the final product, so these films are often difficult to cite and keep track of, and in addition the copies we did receive (on DVD) are sometimes not readable on our computers.

In 2007 the first Russian documentary appeared, authored by Svetlana Garanina and K. Kasatov, produced by A. Gundorov et al. 13 In school year 2008/09, a group of information technology students taught by Vasilii Driuchin at the Romanovskaia School (formerly Middle School #96) in central Moscow produced an admirable documentary, released in 2009, based on LC’s digitized Prokudin-Gorskii photographs. These students kindly sent this author a copy of the CD, which arrived damaged and not viewable, although I was able to get a copy in 2010 when I was in Moscow, invited to visit the school, and meet with the students and the organizers of the “Heritage of S. M. Prokudin-Gorsky” website. 14

Also in 2008/09 Igor’ Meletin, of Art-Nuvo Studio in Moscow, produced a documentary film about Prokudin-Gorskii and his work, including much footage filmed at LC and interviews with LC staff. The film was released in 2010 15 . Again in 2008, apparently a good year for starting Prokudin-Gorskii documentaries, Ivan Martynov, a student at the Gerasimov Cinematography Institute in Moscow, visited LC to film a documentary to use as the dissertation for his candidate’s degree from the institute. The film includes much old black and white film footage from pre-revolutionary Russia and old still photographs, contrasting these to the fresh, new look of Prokudin-Gorskii’s color photos from the same era. 16

Perhaps the best, highest-profile, and most controversial of the Prokudin-Gorskii documentaries is also the most recent one, filmed in 2012 and released in 2013 (the “anniversary” year, 150 years since the photographer’s birth), produced by acclaimed Russian documentary film director Leonid Parfenov 17 . Parfenov visited LC in October 2012 for several days and filmed interviews with staff and shots of the components of the collection. At the end of his film, Parfenov seems to imply that the Russia of Prokudin-Gorskii’s era was when the country truly was “in bloom” (playing on the double meaning of the Russian word tsvet as ‘color’ and as ‘flower/bloom’) – as compared with the Russia of today. This author translated the Russian script of Parfenov’s documentary into English so that it would be available in the English-speaking world. 18

Dissertations

In addition to websites and documentaries, interest in Prokudin-Gorskii has generated several dissertations that we are aware of, in addition to Martynov’s documentary, used as the dissertation for his candidate’s degree at the Gerasimov Institute. One of the first was by Roman Andreevich Kotov at the Journalism Faculty of St. Petersburg State University 19 . In addition, Dina Akhmadeeva, a Russian student at Oxford University, produced a dissertation (in English) in 2013 20 .

Exhibitions and Books

The anniversary year of 2013, already referred to, saw a number of exhibits and books published about Prokudin-Gorskii and his work. The most significant Russian publication was by Prokudin-Gorskii veteran researcher Svetlana Petrovna Garanina (Moscow State University of Culture and the Arts, Khimki) – a luxuriously illustrated album with extensive text and high-quality photographic reproductions 21 . The original edition, funded by the Russian railroad system (Rossiiskie zheleznye dorogi), was released at an anniversary exhibition in late August 2013 at the Solzhenitsyn Library (Dom russkogo zarubezh’ia) in Moscow. Publication of books continued after the anniversary year, with an important album of high-quality reproductions of photographs 22 and a short description of Prokudin-Gorskii’s life and work 23 , both issued in 2016.

Commemorations of Prokudin-Gorskii’s 150th anniversary in 2013 took place also outside Russia. An exhibition in Paris, at the Musée Ossip Zadkine, curated by Véronique Gautherin-Koehler and open from October 2013 until May 2014, was accompanied by a major book written by the curator and included very high-quality reproductions of a number of Prokudin-Gorskii images obtained from the LC website 24 . Germany also produced an important contribution to the anniversary, with the publication of a large album of high-quality color reproductions of a number of Prokudin-Gorskii photographs 25 .

A Prokudin-Gorskii Museum

Finally, in 2016 a “Museum of Prokudin-Gorskii” was established at the Romanovskaia School mentioned earlier. The founder and curator is Vasilii Driuchin, teacher of computer and information science and the teacher who led his students to produce the 2009 documentary referred to earlier 26 . The museum, being in a school, is open to visitors by appointment only, but is the only one of its kind anywhere in the world 27 . The school is scheduled to be remodeled at some point in the next few years, and it is unclear where the museum will be located when that happens.

One of the most valuable, and intangible, consequences of LC’s making available on the Internet the entire Prokudin-Gorskii collection has been the establishment of close personal contacts among specialists, curators, experts in photography, descendants of Prokudin-Gorskii, and others interested in the collection both in Russia and the U.S., as well as in France and elsewhere. I have been in regular contact since 2003 with Svetlana Petrovna Garanina, pioneer researcher on Prokudin-Gorskii since the 1970s (often at risk to her career, in the Soviet period, for studying someone who emigrated because of the 1917 revolution and had been highly critical of the Soviet regime). LC staff are also in contact with descendants of Prokudin-Gorskii in France, some of whom retain valuable family archival materials and photographs of their ancestor.

During trips to Russia in 2010, 2011, and 2012, I was able to meet the men responsible for the “Heritage of S. M. Prokudin-Gorsky” website. They drove me to a number of places in Vladimir oblast’ where Prokudin-Gorskii was born and spent his early years, and showed me locations in St. Petersburg where he later lived and had his studios. One of these guys, Vasilii Driuchin, has visited Washington and LC three times, most recently in February 2017, to research the collection and use books and journals related to Prokudin-Gorskii at LC that are unavailable in Russian libraries. Obviously, everybody benefits from these personal contacts and communication, and the body of knowledge about the photographer and his work has grown greatly because of these contacts.

In conclusion, the digitization and accessibility of the Prokudin-Gorskii collection had consequences that were unexpected and far beyond what we at LC had anticipated when the decision to digitize the collection was made in the late 1990s. It is quite likely that more surprises will happen in the years to come.

Acknowledgments

An earlier version of this paper was given April 8, 2017 at the Southern Conference on Slavic Studies, Alexandria, VA. The author would like to thank colleagues Grant Harris and Angela Cannon for comments on earlier drafts, and Roy Robson (Pennsylvania State U. Abington) and Johanna Bockman (George Mason U.) for serving as chair and discussant, respectively, of the panel at which this paper was given.

• The best English-language overview of the collection, its history and subsequent acquisition and digitization by the Library of Congress, is: Jeremy Adamson and Helena Zinkham, “The Prokudin-Gorskii Legacy: Color Photographs of the Russian Empire, 1905-1915,” Comma, International Journal on Archives, 2002 no.3/4: 107-145. [ Return to text ]
• A book published in 1980, Robert Allshouse, Photographs for the Tsar: the Pioneering Color Photography of Sergei Mikhailovich Prokudin-Gorskii Commissioned by Tsar Nicholas II (New York: Dial Press, 1980) and a small exhibit in 1986/87 at LC, curated by William Brumfield, are the only known cases of the production in the United States of pre-digital color prints from the original negatives. [ Return to text ]
• Available at: http://www.loc.gov/collection/prok with various options for searching and browsing the entire collection. [ Return to text ]
• The exhibit remains accessible online: http://www.loc.gov/exhibits/empire/ [ Return to text ]
• A special, detailed catalog with extensive text was produced for the November-December 2003 exhibition at the Shchusev Museum: Viktor Minakhin, Svetlana Garanina, Dostoprimechatel’nosti Rossii v natural’nykh tsvetakh: ves’ Prokudin-Gorskii, 1905-1916 [The splendors of Russia in natural colors: the complete Prokudin-Gorsky, 1905-1916] (Moskva: Restavrator-M, 2003). [ Return to text ]
• Russian cities in which the LC exhibit was displayed: 2003 in Orenburg, IAroslavl’, Petrozavodsk, Ivanovo; 2004, Shuia; 2005, Semkhoz; 2006, Vladimir, Nizhnii Novgorod; 2007, Ekaterinburg, Cheliabinsk, Tiumen’, Izhevsk, Omsk, Kazan’. [ Return to text ]
• The exhibition is available online at: http://sechtl-vosecek.ucw.cz/en/expozice5.html external link [ Return to text ]
• http://www.prokudin-gorsky.org/ external link [ Return to text ]
• http://oldcolor.livejournal.com/ external link [ Return to text ]
• http://www.ostashkov.ru/foto/prokudin2003 external link [ Return to text ]
• For example the site for Chimkent (now Shymkent in Kazakhstan), the former URL was: http://chimkent.by.ru/Gorskii.html external link [ Return to text ]
• The Tsar’s Last Picture Show (London: BBC Resources, 2003). [ Return to text ]
• TSvet vremeni: dokumental’nyi fil’m [The color of time: a documentary film] (Moskva: Tsentr-Studio natsional’nogo fil’ma “XXI veka”, 2007). [ Return to text ]
• 100 let rossiiskoi tsvetnoi fotografii [100 years of Russian color photography].Team leader, Ana Kondratiuk; project leaders, Vasilii Driuchin and Anton Moiseev (Moscow, 2009). [ Return to text ]
• Rossiia v tsvete [Russia in color]. Producer Igor’ Meletin (Moscow: Art-Nuvo Studio, 2010). Available at: http://tvkultura.ru/brand/show/brand_id/28232 external link [ Return to text ]
• Istoriia v tsvete [History in color]. Produced by Ivan Martynov (Moscow: Gerasimov Institute of Cinematography, 2010). [ Return to text ]
• TSvet natsii [Bloom of the nation]. Produced by Leonid Parfenov (Moscow, 2013). [ Return to text ]
• The documentary with the title Russia in Bloom and English subtitles is available at: https://www.youtube.com/watch?v=NxM5AntLPh0 external link [ Return to text ]
• Kotov Roman Andreevich, Tvorcheskii put’ fotografa i zhurnalista S.M. Prokudina-Gorskogo: sud’ba kollektsii [The career of photographer and journalist S.M. Prokudin-Gorskii]. Diplomnaia rabota (St. Peterburg: Sankt-Peterburgskii gos. universitet, Fakul’tet zhurnalistiki, 2008). [ Return to text ]
• Dina Akhmadeeva, Leave Our Ordinary Methods of Memorising Far Behind: the Tripartite Photography of Sergei Prokudin-Gorskii. PhD dissertation, Oxford University, 2013. [ Return to text ]
• S. P. Garanina, Rossiiskaia imperiia v tsvetnykh fotografiiakh S.M. Prokudina-Gorskogo, 1906-1916 [The Russian Empire in the color photographs of S. M. Prokudin-Gorskii, 1906-1916] (Moskva: Krasivaia strana, 2013). A second edition with the same title, with expanded text and higher-quality reproductions of the photographs, was issued in 2015 by the same publisher under its new name, Krasivaia kniga. [ Return to text ]
• TSvetnaia imperiia: Rossiia do potriasenii: fotograf Sergei Mikhailovich Prokudin-Gorskii [The color empire: Russia before the calamities: the photographer Sergei Mikhailovich Prokudin-Gorskii] (Moskva: RIPOL klassik, 2016). [ Return to text ]
• Liudmila Semova, Sergei Mikhailovich Prokudin-Gorskii (Moskva: Komsomol’skaia Pravda, 2016). [ Return to text ]
• Véronique Koehler, Voyage dans l’ancienne Russie: les photographies en couleurs de Serguei Mikhailovitch Procoudine-Gorsky [Journey to old Russia: the color photographs of Sergei Mikhailovich Prokudin-Gorskii] (Paris: Albin Michel, 2013). The museum’s website is at: http://www.zadkine.paris.fr/ external link [ Return to text ]
• Robert Klanten, editor, Nostalgia: the Russian Empire of Czar Nicholas II (Berlin: Gestalten, 2012). [ Return to text ]
• http://p-g-museum.org/ external link . The school is located at Bol’shoi Tishinskii pereulok 39, Moscow. [ Return to text ]
• For a brief article about the museum and an interview with Driuchin, see Elena Zhikhareva, “Istoriia v tsvete” [History in color], Russkii pioner, no.2 (71) (March 2017): 68-75. [ Return to text ]

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Photo Essay: A look at the new foods to try at the 2024 New York State Fair

The New York State Fair offers a variety of foods to try including some now-classics like deep-fried Oreos and wine slushies. Check out some new items for sale at the 2024 New York State Fair:

1. Pickled Dr. Pepper and the Mona Lisa from Fair Deli

An unlikely combination of pickles and Dr. Pepper but the key is to put in the perfect amount of pickle juice. The Mona Lisa features Fair Deli’s homemade riggies and meatballs stuffed in a freshly baked bread loaf.

2. Deep-fried half-moon cookies and “death by peanut butter” from Fried Specialties

The lime green trucks that offer everything deep-fried from pickles to peanut butter and jelly sandwiches has two new items this year.  

“We’re doing half-moon cookies right out of Utica, New York. We’re battering them, deep frying them and topping them off with some chocolate and powdered sugar,” said owner Jim Hasbrouck.  

The other item “death by peanut butter” is a Reese’s peanut butter cups sandwiched with Nutter Butters deep-fried and covered in peanut butter sauce.  

“My wife loves peanut butter, so we went nuts with it this year,” Hasbrouck said.

3. Honey butter chicken fries from GOLDENKDOG

The winner of the best food at the Erie County Fair has now come to the New York State Fair, and owners Esther and Aaron Hicks are excited about their authentic Korean street food.

“It’s a basket of fries with chicken bites drizzled in our homemade honey butter sauce and spicy mayo sauce,” Esther Hicks described.  

GOLDENKDOG is a new vendor to the State Fair but was the first food truck Korean corndogs to the U.S., according to Hicks. They will be offering their honey butter chicken fries for $5 on Tasty Tuesday.

4. Cosmic brownie strawberry cups from Chocolate Taps

Fresh strawberries and warm chocolate with a variety of different flavors can be found in the Eatery at Chocolate Taps, new to the fair this year.  

“Our classic cup is either milk or dark Belgian chocolate, and then we have concocted a bunch of fun ideas like strawberry shortcake, strawberries and cream and then we will have daily specials as well,” said manager Lisa Zheng.

The specials will change each day, but they will offer some of their signature cups throughout the fair.

5. Chicken Cesar sandwich from The Saucy Sandwich

A mixture of fresh Cesar salad and warm chicken cutlets was the idea behind the chicken Cesar sandwich, said owner Joe Vassallo.  

“Not everybody is going to want a really hot sandwich, so this is a good one because it’ll cool people down and while still being warm and refreshing,” Vassallo said.  

However, the Saucy Sandwich does offer some heartier options like their chicken parm sandwich, and their riggie chicken parm sandwich. Their Tasty Tuesday sample will be Thai chili and garlic parm meatballs.