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The 6 Best UK Universities for Creative Writing Degrees

• 13-minute read
• 24th February 2023

A creative writing degree can unlock your potential and give you access to a world of career and writing opportunities. So if you’re an avid writer looking to develop your skills , a university-level degree might be the perfect next step.

But with so many options for studying creative writing in the UK, you might be wondering where (and how) to start. Your course and university choice could impact the skills you develop, the connections you make, and the direction in which your career takes off.

That’s why, in this post, we break down what a creative writing degree is, explain what you need to look out for when choosing a university, and finally, offer an overview of some of the best UK universities for creative writing degrees.

When you’re done reading, we hope you’ll be one step closer to starting your ideal creative writing degree.

What Is a Creative Writing Degree?

A creative writing degree is an undergraduate or postgraduate qualification in creative writing. The degree may focus on creative writing alone, or an institution may combine creative writing with related subjects, such as English language and literature, film studies, or journalism.

The purpose of a creative writing degree is to help students develop their writing skills, establish their authorial voice, and equip themselves with an understanding of different writing styles and techniques. Degree material may also cover practical concerns, such as how the publishing industry works.

Entry requirements for a creative writing course vary, but most institutions will ask for an A-level or the equivalent in English language and/or literature. Creative writing programs cover many forms of writing and can include modules in:

●  Prose

●  Nonfiction

●  Poetry

●  Scriptwriting

●  Writing for an online audience

●  Narrative theory

●  The creative process

●  Getting published

●  Teaching creative writing

As they progress through the course, creative writing students will produce essays alongside a portfolio of creative work, which they will then submit for assessment.

The Benefits of a Creative Writing Degree

While you don’t need a creative writing degree to publish your work, having one can provide you with unique benefits and career opportunities. Creative writing students can expect to:

●  Work with published authors and literary professionals

●  Develop contacts within the publishing industry

●  Experience dealing with and responding to feedback

●  Encounter opportunities to publish their work and establish a reputation as a writer

●  Explore the theory behind writing in depth

You will also develop transferable talents such as time management, communication skills, and self-discipline. These will help you develop your career and stand out to potential employers.

Career Opportunities for Creative Writing Graduates

Becoming an author might be the most obvious career path for creative writing graduates, but you can access plenty of other career choices with your degree. Potential careers include:

●  Editorial assistant

●  Copy editor

●  Publisher

●  Literary agent

●  Copywriter

●  Marketing assistant

●  Journalist

●  Teacher

●  English or creative writing lecturer

Things to Consider When Choosing a University

When you choose a creative writing degree, you’re also choosing the university where you will study. Each institution has its own benefits and approaches, so to make sure you select the right university for you, consider the following factors.

Location and Campus Culture

Some universities are campus-based; that is, lecture halls, accommodations, entertainment, and other facilities are all located in one place. Other institutions are spread across the town or city where they are based.

Each location will have its own atmosphere, so visiting for an open day will help you get a better idea of what attending that university would be like. You should also consider how far away from home you want to study and how easily you can travel between your university and your hometown.

The faculty members of different universities will have their own specialist subjects, research interests, and writing experience. Look for a university where the faculty members specialize in areas of writing you’re interested in. Doing so is especially important if you’re pursuing a PhD in creative writing, as you’ll need to find an appropriate PhD supervisor.

Available Resources and Facilities

While most universities are equipped with a well-stocked library, some may be more suited than others to your subject. A university library that specializes in the humanities, for example, will complement a creative writing degree well.

A university publishing press can also be a useful resource that provides work and publishing opportunities for creative writing students. University publications and magazines are good places to submit writing as well.

Professional Connections and Internships

Some universities incorporate internships into their creative writing degrees. The internships are work placements that will provide you with on-the-job skills and experience and can help you develop professional connections within the publishing industry.

1. University of East Anglia

The University of East Anglia (or UEA) was the first university in the UK to offer degree-level courses in creative writing, introducing an MA in creative writing in 1970, then following suit with the first creative writing PhD in 1987.

UEA’s courses combine creative writing with the study of literature or drama at an undergraduate level. Each of the university’s postgraduate courses focuses on a particular form of writing, such as fiction, poetry, or creative nonfiction.

Based in Norwich, a UNESCO City of Literature , UEA is able to provide a variety of resources and opportunities for creative writing students, including:

●  The National Centre for Writing and the British Archive for Contemporary Writing

●  The UEA Publishing Project , which runs three publishing presses and publishes student writing in an annual anthology

●  The UEA Award , which helps employers recognize students’ achievements

●  A variety of writing fellowships

●  Year-round literary events and festivals for students and published authors, such as UEA Live and the Norwich Crime Fiction Festival

Notable UEA alumni include Nobel Prize winner Kazuo Ishiguro and Booker Prize winner Anne Enright .

2. University of Leeds

The University of Leeds is one of the UK’s largest universities and belongs to the Russell Group . Leeds is a campus university, but it’s close to the center of the city.

Leeds offers an interdisciplinary BA in English Literature with Creative Writing , an MA in Creative Writing or Writing for Performance and Digital Media , and research degrees within the School of English or the School of Performance and Cultural Industries.

At the undergraduate level, Leeds offers a diverse range of creative writing modules (including science fiction, crime fiction, nature writing, and travel writing). Published writers and expert researchers teach all these modules.

The university has connections with a variety of creative writing projects, institutions, and festivals, including:

●  Ilkley Literature Festival

●  Leeds Playhouse

●  Leeds Grand Theatre

●  Leeds Poetry Centre

●  The School of Night , a fortnightly poetry seminar

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●  Brotherton Library, which features extensive archives and a collection of period printing presses

Leeds also has its own theater space, stage@leeds , and publishes the literary magazine Stand , both of which showcase students’ creative work. Notable Leeds alumni include playwright Wole Syonka and poet Geoffrey Hill . The university was also home to author J.R.R. Tolkien, who was a professor in the School of English and contributed poetry to the university’s newsletter.

3. University of Birmingham

Established in the West Midlands in 1900, the University of Birmingham is another campus-based Russell Group university.

Birmingham ranked first for creative writing in the Guardian University Guide 2023 . The university offers a BA in English Literature and Creative Writing or in Film and Creative Writing and an MA in Creative Writing.

The university’s creative writing modules and courses focus on exposing students to a broad range of writing styles and genres while offering workshops and professional skills training aimed at preparing students for the publishing industry.

The university also works closely with the local creative community to provide students with a range of opportunities, including:

●  The Cultural Intern Scheme

●  The Birmingham Project

●  Publishing opportunities with Nine Arches Press and Tindal Street Press

In addition, Birmingham runs the world-renowned Shakespeare Institute in Stratford-upon-Avon, where students can experience unique writing workshops and a residential trip featuring seminars, theater visits, and other events.

For graduating students, the university currently boasts a 90% employment rate within 15 months. Birmingham is the UK’s fourth-most targeted university among the top employers of graduates.

4. University of Warwick

The University of Warwick is a slightly newer university, first offering courses in 1965. Based just outside the city of Coventry, the University of Warwick is a campus university. It is home to the Warwick Arts Centre , a purpose-built facility for cinema, theater, and the visual arts.

The Warwick Writing Program provides the creative writing courses at Warwick. Established in 1996, the project aims to inspire and develop writers internationally. Published authors, poets, and literary translators make up the staff.

Within the program, students can pursue a BA in English and Creative Writing or an MA in Writing . Students can pursue the MA as either a taught degree or a long project, with the aim of producing a long-form piece of writing.

The University of Warwick provides opportunities for students and graduates, such as:

●  The Warwick Prize for Women in Translation

●  The Sunday Times Young Writer Award

●  Workshops at the Warwick Arts Centre

●  Warwick Thursdays (weekly events hosted by publishing industry experts)

●  The option to study abroad for one year

Warwick’s alumni include novelist Sophie Mackintosh , as well as Gboyega Odubanjo and Michael Askew, winners of the Eric Gregory Award.

5. University of Reading

The University of Reading is a 100-year-old institution spread across multiple campuses. It ranks in the top 30 British universities.

Reading offers one of the most diverse and flexible ranges of undergraduate creative writing degrees in the UK. Prospective students can choose to pursue the following BAs:

●  English Literature with Creative Writing

●  Creative Writing and Film

●  Creative Writing and Theatre

●  Creative Writing and Film & Theatre

●  Art and Creative Writing

An MA in Creative Writing is also available and includes modules in the publishing industry and persuasive writing to help students find careers in publishing and journalism.

Reading is home to the Archive of British Publishing and Printing and provides access to collections of rare books and manuscripts that enable students to explore the creative process of famous authors, such as Thomas Hardy. Students also have the opportunity to publish their work in The Canvas , Reading’s online magazine.

6. University of Strathclyde

Based in the center of Glasgow, Scotland’s largest city, the University of Strathclyde is a multi-award-winning university. And when it comes to creative writing, Strathclyde offers some unique areas of study for undergraduates , including Scottish literature and the Glasgow novel.

Strathclyde also offers postgraduate courses. As the university is Scottish, it offers a Master of Letters ( MLitt ) and a Master of Research ( M. Res .) in place of the more common MA in creative writing. MLitt creative writing students can choose to specialize in a research area and placement of their choice or take a module from other subjects within the School of Humanities.

The University of Strathclyde offers students numerous resources, opportunities, and connections across Glasgow. These include:

●  The Aye Right! Book Festival

●  Blaze , the university’s online creative writing classes

●  Creative Scotland

Strathclyde’s alumni include authors Ali Smith and Andrew O’Hagan . Among the current faculty members are screenwriter Andrew Meehan and poet David Kinloch .

To recap the main points of this post:

●  A creative writing degree will help you develop your writing skills, often in tandem with cultivating critical reading skills.

●  Creative writing degrees offer a variety of modules and allow you to specialize in a particular form or genre.

●  A creative writing degree can open many potential career paths.

●  The most important things to consider when choosing a university at which to study creative writing are location, staff, resources, and professional opportunities.

●  Six of the best universities for creative writing degrees in the UK are the University of East Anglia, the University of Leeds, the University of Birmingham, the University of Warwick, the University of Reading, and the University of Strathclyde.

●  Many of these universities offer lectures, workshops, and seminars delivered by published authors.

Whichever university you decide to attend, make sure it’s the right one for you. Look for modules you’re interested in, writing forms you’d like to explore, opportunities you want to make the most of, and a university atmosphere you’ll thrive in.

And if you’re looking for more options, take a look at the Complete University Guide’s 2023 rankings for creative writing .

What types of degrees can I receive in creative writing?

As an undergraduate, you can earn a Bachelor of Arts (BA) degree in creative writing. As a postgraduate, you can earn a Master of Arts (MA) degree or a Doctorate in Philosophy (PhD).

If you’re studying in Scotland, the types of degrees may differ slightly.

How do I know whether I have what it takes to pursue a degree in creative writing?

Before accepting you for a creative writing degree, most universities will require that you have certain A-level or equivalent grades. But academic achievements aren’t everything. If you’re looking to pursue a degree in creative writing, it’s helpful to have:

●  An avid interest in reading (and, of course, writing!)

●  A portfolio to demonstrate your writing

●  The ability to meet deadlines

Be prepared to work hard, but remember, the point of a creative writing degree is to help develop your writing skills and style. You don’t have to be a perfect, polished writer to be a creative writing student!

Can I pursue a creative writing degree online?

Yes, many universities now offer online versions of creative writing degrees. This means you will be able to earn the same qualification by studying online as you would if you studied in person.

However, be careful to choose a properly accredited online creative writing degree.

Where can I get feedback on my university application?

A professional proofreader or editor is the best choice for getting feedback on your application.

Our team here at Proofed can help make sure your university application is clear and correct and meets the appropriate academic standards so that you can focus on preparing for university life.

We can even proofread the first 500 words for free – so why not submit a document ?

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• Royal Holloway's institution code: R72

Make a note of the UCAS code for the course you want to apply for:

• English and Creative Writing BA - QW38
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Key information

Duration: 3 years full time

UCAS code: QW38

Institution code: R72

Campus: Egham

English and Creative Writing (BA)

By combining the study of creative writing with English, you'll become an informed and critical reader as well as a confident and expressive writer - whether specialising as a poet, playwright, or author of fiction.

Studying at one of the UK's most dynamic English departments will challenge you to develop your own critical faculties. Learning to write creatively and critically analyse in tandem, you'll be exposed to a huge variety of literature while you develop your own writing practice. Studying English will allow you to place your writing within a wider cultural context of literature throughout history, considering key texts and acquiring a sound understanding of significant periods, genres, authors and ideas.

Modules are taught by nationally and internationally known scholars, authors, playwrights and poets who are specialists in their fields who write ground-breaking books, talk or write in the national media and appear at literary festivals around the world.  This means the course you take covers the most up-to-date ideas, whether in Creative Writing, Victorian Literature, Shakespearean studies or contemporary literature.

Find your voice as a writer and develop writing techniques, learn how to create, criticise and shape an artistic work: a valuable life skill with uses beyond writing poetry, plays or novels. From journalism and website creation to advertising and academic publishing – you'll be able to use the skills you pick up in character, voice, ambiguity, style and cultural context.

• Writing practice at the heart of your learning experience.
• Taught by high-profile, award-winning writers.
• Create and shape artistic work – ideal skills for a career in media or publishing.
• Choose one of three distinct pathways: fiction, poetry, or playwriting.
• Access to a thriving culture of creative writing.

From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.

Course structure

Core modules.

In this module you will develop an understanding of a range of literary and cultural writing forms through reading, discussion and practice. You will look at poetry, drama and prose fiction alongside stand-up comedy, adaptation, translation, songwriting, and other forms of creative expression and articulation. You will learn how to offer clear, constructive, sensitive critical appraisals, and how to accept and appropriately value criticism of your own work.

In this module you will develop an understanding of a range historical perspectives on the function, forms, and value of creative writing. You will look at the genesis of particular genres, such as the short story, the novel and the manifesto, and consider relationships between historical genres and the contemporary writer. You will interrogate your own assumptions about creative writing and critically examine the relationship between creative writing and society.

In this module you will develop an understanding of the origins, developments and innovations of the novel form. You will look at a range of contemporary, eighteenth and nineteenth-century novels and learn to use concepts in narrative theory and criticism. You will consider literary history and make formal and thematic connections between texts and their varying socio-cultural contexts. You will examine novels such as 'The Accidental' by Ali Smith, 'Things Fall Apart' by Chinua Achebe and 'North and South' by Elizabeth Gaskell, analysing their cultural and intellectual contexts.

In this module you will develop an understanding of a variety of major poems in English. You will look at key poems from the Renaissance to the present day. You will engage with historical issues surrounding the poems and make critical judgements, considering stylistic elements such as rhyme, rhythm, metre, diction and imagery. You will examine poems from Shakespeare to Sylvia Plath and analyse topics such as sound, the stanza and the use of poetic language.

In this module you will develop an understanding of how to think, read and write as a critic. You will look at the concepts, ideas and histories that are central to the ‘disciplinary consciousness’ of English Literature, considering periodisation, form, genre, canon, intention, narrative, framing and identity.

You will choose two from the following:

• Playwriting

This module concentrates on a particular mode of writing, genre, theme, issue or idea. You will be encouraged to make creative work in relation to the focus, and develop your writing practice in relation to wider contexts relevant to the contemporary writer.

Creative Writing Special Focus courses are open to both creative writing and non-creative writing students.

You will choose one of the following modules. Each of these modules consists of a year-long independent project, working closely with a staff supervisor from the appropriate field.

• Playwriting 2

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

• All modules are core

Develop your skills in the close reading and critical analysis of Middle English poetry, focusing on set passages from three important fourteenth century texts: Chaucer’s Troilus and Criseyde, Langland’s Piers Plowman, and the anonymous Sir Gawain and the Green Knight. The module invites you to think about how poets understood the status of Middle English as a literary language, in comparison with Latin and French.

The Lord of the Rings regularly shows up in lists of 'The Best Books of All Time', and Tolkien continues to inspire interest and imitation for all kinds of reasons. You will examine Tolkien’s work from the perspective of his engagement with Old English poetry, a subject which constituted an important part of his scholarly activity. You will look at his three main Old English poems (in the original and in translation) and Tolkien’s two most popular works of fiction, The Lord of the Rings and The Hobbit.

In this module you will explore a major literary genre which attracted all the great poets of late medieval England: the dream vision. It considers the use of the genre in the works of Chaucer, Langland and the Gawain-poet, as well as examining the visions in mystical writing. These authors’ treatments of the genre repeatedly ask us to reflect on the relationship of literature to experience, poetic authority and identity, and the development of English as a literary language.

Romance was one of the most popular genres of secular literature in late medieval England. You will begin by looking at the Arthurian romances of Chretien de Troyes, before going on to consider works by Chaucer, the Gawain-poet and Sir Thomas Malory. You will examine romances set in the mythical British past, in the classical cities of Troy, Thebes and Athens, and in the more recognisable landscapes of medieval England and France. Attention will be paid throughout this module to the often inventive and unpredictable ways in which medieval romance works to articulate specific historical and cultural anxieties.

In this module you will develop an understanding of the Anglo-Saxon riddling tradition. You will look at a wide range of Exeter Book Riddles, learning to translate Old English Poetry into modern English. You will consider techniques of textual analysis and personal judgement to form clearly expressed critical examinations of texts. You will consider various perspectives on Anglo-Saxon culture and literature and analyse riddles on topics such as animals, religion, heroic life and runes.

This module explores in-depth three supreme examples of Shakespearean comedy, tragedy and historical drama: Richard III (1592-3), A Midsummer Night's Dream (1595-6), and Macbeth (1606).

The texts covered in this module span virtually the whole period in which early modern English drama flourished: from Marlowe in c.1593 to 1634. The texts range from famous plays like Macbeth and The Tempest to little-known comedies like The Wise-woman of Hogsden. Two central texts will be The Witch of Edmonton and The Late Lancashire Witches, plays which deal with historically documented witchcraft accusations and scares. Non-dramatic texts about witchcraft are also included for study, including news pamphlets, works by learned contemporaries expressing their opinions about witchcraft, and popular ballads.

Charting a progression from Galenic humoral theory to Cartesian dualism, you will consider the representation and significance of corporeality in sixteenth- and seventeenth-century texts. Reading Renaissance plays and poetry alongside anatomical textbooks, manuals of health, erotica, and philosophical essays, the module seeks to contextualise the period's literary treatment of the body.

This module offers the opportunity to study one very important and characteristic aspect of Milton’s Paradise Lost: his depiction of Eden, the paradise that was lost at the fall. Throughout his account of Paradise, Milton works to make the loss of Paradise poignant by lavishing on it all his evocative powers as a poet. You will spend at least three sessions looking at Milton's epic, covering aspects such as Edenic sex and marriage, Eden’s fauna and flora, and work in Eden. Throughout the module images of Paradise will be given attention, starting with Hieronymus Bosch's 'The Garden of Earthly Delight'. Alongside artworks, you will look at some of the Bible scholarship which tried to locate the site of Paradise, and deduce its fate.

An introduction to English literature from the Norman Conquest to the birth of Chaucer. This period has been described both as a period of political crisis and also as a period of cultural renaissance. It saw the conquest and colonization of England, the rise of new forms of scholarship and spirituality, and, according to some accounts, the development of new ways of thinking about national and individual identity

Explore the Victorian concept of the 'sensational' across a range of novels dating from the height of the sensation period in the 1850s and 60s. Together, we will examine some of the magazines in which these novels were originally serialized. Issues such as the role of public spectacle, the first detectives, advertising, domestic crime and the demonic woman will be explored in relation to the cultural and social context of this novelistic genre.

This module, which is designed to enable non-creative writing students to try a creative writing module, will give you the opportunity to work through some issues associated with short-story and/or novel writing. Classes will alternate seminar discussions of aspects of the craft of writing with workshops in which you will interact critically and creatively with others' work.

Examine a range of novels by gay and lesbian writers in Britain and Ireland which have emerged in the wake of the AIDS catastrophe and queer theory. You will focus on interesting though rather peculiar trends in the post-queer novel: queer historical and biographical fictions, and explore the reasons behind the dominance of these approaches in recent gay and lesbian literature.

With the appointment of Carol Ann Duffy as the first woman Poet Laureate for the United Kingdom in 2009, poetry by women became publicly validated as never before. Setting fresh horizons for women’s poetry, Duffy joined Gillian Clarke who has served as National Poet of Wales since 2008; Liz Lochhead was appointed Scots Makar in 2011, and Paula Meehan was appointed in 2013 to the Ireland Chair of Poetry. By careful reading of two collections by each poet, you will assess how each poet has moved from a position of rebellion, liminality or minority into the very heart of the cultural institution.

Discover the 'dark' topics of late-Victorian and Edwardian literature. Perhaps the most important cultural influence on these texts is the negative possibility inherent in Darwinism: that of 'degeneration', of racial or cultural reversal, explored in texts like Wells's The Time Machine, and often related to the Decadent literature of Wilde and others.

An introduction to American literature via the tradition which David Reynolds labels 'dark reform'; a satirical and often populist mode which seek out the abuses which lie beneath the optimistic surface of American life, often through grotesque, scatological, sexualized and carnivalesque imagery. You will explore the contention that because of America's history, with its notions of national consensus and fear of class conflict, political critique in America has often had to find indirect expression.

This module will familiarise you with a range of influential critical and theoretical ideas in literary studies, influential and important for all the areas and periods you will study during your degree.

An introduction to the literature of the English Renaissance, beginning in the 1590s with erotic narrative poems by Christopher Marlowe and William Shakespeare, and concluding with John Milton's drama, Samson Agonistes, first published in 1671. Marlowe and Thomas Middleton represent the extraordinarily rich drama of the period, while John Donne and Andrew Marvell are the most famous of the so-called metaphysical poets. A feature of the module is the attention given to situating these works in their historical and cultural contexts.

Between the English Revolution and the French Revolution, British literature was pulled by opposing cultural forces and experienced an extraordinary degree of experimentation. The eighteenth century is sometimes called The Age of Reason, but it is also called The Age of Sensibility. It was dominated by male writers, but also facilitated the rise of the woman novelist and the emergence of coteries of intellectual women. It continued to be an essentially rural nation, but London grew to be the biggest city in the world and industrialisation was beginning to herd workers into towns. This module explores some of the tensions and oppositions which were played out in the literature of this period.

This module is framed by the personal: it begins with Queen Victoria’s private diaries of her happiest days in Scotland, and ends just beyond the Victorian period, with one troubled man’s intensely-felt account of his Victorian childhood. You will look at examples of the novelistic form, including sensation, Romantic, domestic realist and sentimental novels. Some of the works you will study are well-known and truly canonical, while others will be excitingly unfamiliar; all, however, will contribute to a sense of the variety and contradictions inherent in being Victorian.

This module will introduce you to a broad range of literatures from the period 1780 to 1830. The module aims to problematise and scrutinise the idea of Romanticism as a homogenous literary movement and to raise awareness of the range of competing literary identities present in the period.

Providing an introduction to the study of literary modernism, a period of intense experimentation in diverse sets of cultural forms.  This module deals with issues such as modernist aesthetics; genre; gender and sexuality; the fragment; time and narration; stream-of-consciousness; history, politics and colonialism; technology, and the status of language and the real.

The principal aim of this course is to immerse second-year literature students in the world of digital tools for exploring literature. Through extensive hands-on use of online parsing tools, algorithmic methods for assessing aspects such as word co-association, various types of visualization packages and a great deal more besides, students will realise the remarkable affordances of digital tools in reading and interpreting texts.

Explore British drama staged during the first half of the twentieth century against a backdrop of two world wars. The plays studied place the values of their age under scrutiny, to raise questions about social justice, spiritual choices, class and gender inequalities. Theatrical genres were under just as much pressure as the cultural values they sought to convey; the ten plays studies during the course reflect a range of evolving genres, from the well-made play, the play of ideas, social comedy, to poetic drama.

This module aims to develop your advanced writing skills for academic attainment and employability. You will be introduced to key forms of writing from a variety of professional contexts. An initial focus on the academic essay will enable you to develop writing from more familiar experience.

A project involving designing and promoting a virtual exhibition will introduce you to the writing skills needed in heritage professions and group work. Real life writing and editing tasks introduced by industry professionals from the world of publishing will provide you with practical experience to share with potential employers. You will also be introduced to the requirements of pitches, policy briefs, and the work of writing in the legal professions.

A comprehensive study of three of Shakespeare's most difficult and most disturbing plays, collectively known as the ‘problem plays’: Troilus and Cressida, All’s Well That Ends Well and Measure for Measure. You will develop a detailed knowledge and understanding of the plays, both as individual works of dramatic art and as a group of texts sharing distinctive concerns and techniques.

In this module you will develop an understanding of representations of the body in Renaissance Literature. You will look at a broad range of canonical and non-canonical literature including medical, philosophical and theological texts. You will learn to use diverse critical and theoretical approaches and consider topics including bodily metamorphosis, foreign bodies and gendered bodies. You will examine poetry from writers such as John Donne and Philip Sidney and plays from writers such as William Shakespeare, Christopher Marlowe and John Webster.

An advanced introduction to debates about the philosophy of literature. This module is structured around three key questions: the ethics of literature, what literature is presumed to reveal and the relationship between literature and its interpretation.

This module will introduces you to a number of theorists of tragedy, and a number of significant tragic texts (in dramatic and other idioms) from Classical Greece to the present day. All works not written in English are studied in translation. You will explore a variety of theories of tragedy with specific attention to a range of tragic works in various modes: plays, novels, poetry and film.

Focusing primarily on Joyce’s major work Ulysses while putting it into context with Joyce’s other work, you will have the opportunity of getting to know and getting to enjoy what has been described as ‘the greatest novel of the 20th century’. You will examine it in various contexts, including Joyce’s other writings and the various critical approaches that have found inspiration from Joyce, whether new critical, humanist, post-structuralist, politicizing, feminist, historicizing or textualist responses to his work.

This module explores aspects of nineteenth-century literature, science and culture in some depth and brings well-known works like Charlotte Brontë's Villette, Eliot's Middlemarch and Dickens's Our Mutual Friend into conversation with the evolutionary thought of Charles Darwin, the social investigations of Henry Mayhew and nineteenth-century writings on psychology. You will look at a number of genres, including novels, poetry, journalism, science writing, autobiography, history, art criticism and examine elements of contemporary visual culture.

The objective of this course is to prepare literature students for work in the creative industries by developing their use of digital technologies in responding to literature. In using digital technology to respond to literature both critically and aesthetically, literature students can become adept at various practices that are of immediate, valuable use in the creative industry workplace. This course will cultivate these practices, show how they grow organically out of a love for reading and writing, and demonstrate how they are skills that are in great demand in a wide range of creative workplaces.

In this module you will consider a range of contemporary and experimental poetic writing and consider writing practices in relation to contemporary theory and criticism. You will look at the methods, processes and techniques used by experimental and innovative writers becoming familiar with a range of methodologies for making your own poetic practice.

In this module you will address the relationship between literature and the visual arts from c.1760 to the 1890s. You will look at theoretical issues of how the visual and the verbal arts are defined and consider their compatibility through a number of case studies of visual-verbal interactions from the period studied. You will also address the rise of the visual as the dominant cultural form of the Victorian period, tracing the development of illustrated media and new visual technologies including photography and early cinema, and the concomitant rise of the new phenomenon of the art critic - the professional interpreter of images - in the 1890s.

This module focuses on a key moment in mid-20th century art and culture: the period when the New York Schools of poetry, painting and composition emerged in parallel. In the postwar period, the city took over from Paris as the centre of contemporary art. Abstract Expressionism quickly achieved global popularity, establishing the Museum of Modern Art as the world’s leading contemporary art museum. However, other cultural currents also made a great impact on their respective disciplines. The witty, fast-moving work of the New York School Poets (Frank O’Hara, John Ashbery, Kenneth Koch, Barbara Guest and James Schuyler) challenged the authority of High Modernism in the field of poetry. The radical music of John Cage and Morton Feldman posed a similar challenge to established European composers. The leading proponents of these tendencies did not work in isolation from other disciplines. The poets, for example, wrote about art and Cage and Feldman were both inspired, in different ways, by painters such as Rauschenberg and Guston. This module examines all three fields and the relations between them.

The 1930s was a decade of extremes: extreme financial instability (after the Wall Street Crash of 1929) and extreme politics, with the rise of Fascism and Nazism in Europe. British colonialism was showing fractures; there was a war in mainland Europe (in Spain), and the increasing threat of another World War, which eventually came to pass. Could it be that it closely - all too closely - resembles the decade that we’re living in now – with the rise of nationalisms, extreme ideologies, unstable international relations, following on from a colossal crash in the financial markets? What can we learn about our world by reading fiction from the 1930s?

Examine fictional representations of the girl across a range of texts, from Charlotte Brontë's eponymous Jane Eyre through to Antonia White's Catholic schoolgirl, Nanda and Ian McEwan's remorseful Briony Tallis. As well as enabling an exploration of female development and subjectivity, you will also engage with a range of questions relating to sexuality and desire, place and belonging, knowledge and resistance, art and creativity.

In this module you will study a broad range of writing for children from the nineteenth through to the twenty-first century.

The end of the various colonial empires in the middle of the twentieth century saw an explosion of literatures from the newly emergent postcolonial societies. Rather than provide a survey of the field of postcolonial studies, this module aims at engaging the recent debates in postcolonial writing, theory and criticism. You will critically examine a range of postcolonial novels from Britain’s erstwhile empire, paying attention to issues such as the boons and contradictions of writing in the language of the colonial powers, the postcolonial reclamation of the Western canon etc. and focussing on genres such as postcolonial realism, modernism, magic realism, and science fiction. You will pay close attention to novels and their historical legacies of colonialism and resistance.

In this module you will consider two immediate, present-day concerns. The first is currently very much in circulation in English political culture and the media: what is and should be the relationship between England and continental Europe? How involved is and should the first be with the second? How close are they, how distant should they be? The second sounds rather more academic or theoretical, but is also at issue in the wider culture and involves us all. Over the past two decades, many thinkers and writers have announced that we have arrived at 'the end of modernity', and many more have declared that we are'post-modern', that we inhabit a 'postmodern condition'. Yet round about us, all the time, we hear of one kind of enthusiastic 'modernization' or another. What sense can we make of this?

Geoffrey Chaucer’s Canterbury Tales are among the greatest literary achievements of the middle Ages. Chaucer describes a group of pilgrims, drawn from all parts of late medieval English society, who enter into a tale-telling competition on their way to Canterbury. Their stories include romances, fabliaux, saints’ lives and beast fables, and address themes of love and sorrow, trickery and deception, fate and free will, satire, tragedy and magic, as well as raising questions about the nature and purposes of storytelling itself. In this module you will read The Canterbury Tales in detail in the original Middle English. You will examine how the tales relate to their literary and cultural contexts, and read them in the light of different schools of modern criticism. You will also have the opportunity to read a range of earlier writers who influenced Chaucer, including Ovid, Boethius, Dante and Boccaccio, and later writers who responded to him, including Lydgate, Hoccleve and Dryden.

In this module you will study the complete career of Charles Dickens (1812-1870), looking at eight novels in their historical and cultural contexts. You will examine Dickens's life and times, and the cultural discourses that shaped his fiction; the serialisation and illustration of his work, and the themes, forms and structures of his writing. You will also consider the richness and specificity of Dickens' actual work.

In this module you will have the opportunity to read in detail and in chronological order the full range of works by Oscar Wilde, from his early poetry to his last letters. Wilde’s work has captured the widest possible public attention since his death in 1900, and his readers and audiences are spread across the globe. His work is intensely literary and profoundly political yet it is popular and fleet-of-foot. And just as his output is exceptionally varied, so too the questions which arise from its study will take students in many directions. Aesthetic poetry, the role of the critic, the construction and betrayal of national and sexual identities, symbolist drama, platonic dialogue, fairy tale, farce, satire, wit: these are some of the topics you will examine.

Often described as the most difficult and influential poems of the twentieth-century, T. S. Eliot's "The Waste Land" is undoubtedly one of the key Modernist texts. You will you look at Eliot's 1922 poem, along with a selection of his critical writings, engaging in an intensive reading experience in which you will examine ideas about composition, structure, voice, time, myth and intertextuality.

The dissertation is an opportunity for you to undertake a substantial piece of independent work in an area of your choice, and so to deepen your understanding of literature, culture and critical theory.

Teaching & assessment

You’ll be taught through a combination of lectures and seminars, and participate in study groups, essay consultations and guided independent study, plus you will produce a portfolio of creative work.

You will be assigned a Personal Tutor and have access to many online resources and the University’s comprehensive e-learning facility, Moodle.

In your first year, you will work in small groups of just four or five students focusing on study skills such as close reading, essay writing and presentation and self-editing. As you progress through your degree, these tutorials focus on your own personal development, for instance preparing your CV.

You will also take a study skills course, designed to equip you with and enhance the writing skills you will need to be successful in your degree. This course does not count towards your final degree award but you are required to pass it to progress to your second year.

All undergraduate degree courses at Royal Holloway are based on the course unit system. This system provides an effective and flexible approach to study while ensuring that our degrees have a coherent and developmental structure.

Entry requirements

A levels: aaa-aab.

Required subjects:

• A in an essay-based Arts and Humanities subject at A-Level
• At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.

Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university, you may be eligible for an alternative lower offer. Follow the link to learn more about our  contextual offers.

We accept T-levels for admission to our undergraduate courses, with the following grades regarded as equivalent to our standard A-level requirements:

• AAA* – Distinction (A* on the core and distinction in the occupational specialism)
• AAA – Distinction
• BBB – Merit
• CCC – Pass (C or above on the core)
• DDD – Pass (D or E on the core)

Where a course specifies subject-specific requirements at A-level, T-level applicants are likely to be asked to offer this A-level alongside their T-level studies.

English language requirements

All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start of your course.

The scores we require

• IELTS: 7.0 overall. Writing 7.0. No other subscore lower than 5.5.
• Pearson Test of English: 69 overall. Writing 69. No other subscore lower than 51.
• Trinity College London Integrated Skills in English (ISE): ISE IV.
• Cambridge English: Advanced (CAE) grade C.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here .

Undergraduate preparation programme

For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.

Upon successful completion, you can progress to this degree at Royal Holloway, University of London.

Taking a degree in English sets you up with great prospects for future employability. On the course itself we place a strong emphasis on your future employability, meaning the skills that you gain won’t just be applicable to the study of English.

Although many of our students go on to further study in literature and other fields, skills such as research, presentation, teamwork, negotiation and communication will prepare you for a wide range of career opportunities.  

Fees, funding & scholarships

Home (UK) students tuition fee per year*: £9,250

EU and international students tuition fee per year**: £25,900

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about  funding options , including  loans , scholarships and bursaries . UK students who have already taken out a tuition fee loan for undergraduate study should  check their eligibility  for additional funding directly with the relevant awards body.

*The tuition fee for UK undergraduates is controlled by Government regulations. The fee for the academic year 2024/25 is £9,250 and is provided here as a guide. The fee for UK undergraduates starting in 2025/26 has not yet been set, but will be advertised here once confirmed.  

**This figure is the fee for EU and international students starting a degree in the academic year 2025/26.   

Royal Holloway reserves the right to increase tuition fees annually for overseas fee-paying students. The increase for continuing students who start their degree in 2025/26 will be 5%.  For further information see  fees and funding  and the  terms and conditions .

*** These estimated costs relate to studying this particular degree at Royal Holloway during the 202 5/ 26 academic year and are included as a guide . Costs, such as accommodation, food, books and other learning materials and printing, have not been included.  

English Undergraduate Admissions

Admissions office: +44 (0)1784 414944

Source: Complete University Guide, 2024

Source: National Student Survey, 2023 (Creative Writing)

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BA English Literature and Creative Writing

Annual tuition fees for 2024/25: £9,250 (UK) £22,860 (International) More detail .

• Am I likely to receive an offer for 2024?
• Course details
• Entry Requirements
• Teaching and assessment
• Employability

Craft a future in storytelling and literary analysis through an undergraduate BA English Literature and Creative Writing degree at the University of Birmingham. Learn to relish writing in all literary genres from a wide range of critical perspectives while honing your creative skillset in imagining and communicating narratives across genres.

Our internationally renowned academic staff offer a huge selection of literary specialisms across the full historical range to the present day, including: 

• Old English  
• Shakespeare 
• Gothic Literature  
• Fantasy and fandom 
• Dystopian fiction 
• Poets and Poetry 
• Women’s writing  
• Children’s literature  

Make use of our wide-ranging work-based placements and employability focused modules and graduate with a detailed awareness of and sought-after experience with the creative industries, including:   

• Editing 
• Events management   
• Film and TV  
• Journalism   
• Marketing   
• Media   
• Publishing  
• Theatre  
• Writing 

International undergraduate scholarships available in the College of Arts and Law

We are proud to offer 10 scholarships to international students in the form of £3,000 tuition fee awards for year one entry only.

Learn more about our scholarships and apply

The programme has built my confidence in genres and formats I never would have attempted otherwise. My knowledge and abilities are much more rounded now. The excellent contacts you make being taught by published writers has left me feeling positive about my opportunities after graduation. Emily

Why study this course?

Our undergraduate BA English Literature with Creative Writing degree is for you if you want to: 

• Learn from bestselling authors and industry experts – including 2021 Forward Poetry Prize winner Professor Luke Kennard and one of Granta magazine’s 2023 best young novelists Dr Anna Metcalfe. 
• Personalise your degree - read and write about the writing and authors that mean most to you: our course gives you the option to study everything from Old English to last year's novels; you can also incorporate optional modules across a vast range of literary genres. 
• Go beyond the printed book - take advantage of the wide-ranging expertise within our academic community and explore the study of art, comics, film, marketing, music, social media, textual production, theatre, TV and video games.
• Participate in RSC-led workshops – make use of our internationally renowned Shakespeare Institute, based in Stratford-upon-Avon, and take part in fun and interactive study trips with the Royal Shakespeare Company, such as the Stratford Residential .  
• Live and study in a city that values the written word as much as you do – explore our exceptional resources, including our Cadbury Research Library, consisting of over 200,000 rare books dating from 1471, as well as the Library of Birmingham, Europe’s largest regional library. Get involved with the numerous on campus writers' groups, including our very own newspaper , radio and TV stations and delve into the various citywide literature festivals.

Please note: You will take 120 credits of modules in each year of study. The modules listed on the website for this programme are regularly reviewed to ensure they are up-to-date and informed by the latest research and teaching methods. Unless indicated otherwise, the modules listed for this programme are for students starting in 2025. On rare occasions, we may need to make unexpected changes to compulsory modules; in this event we will contact offer holders as soon as possible to inform or consult them as appropriate.

Compulsory modules

• Literary Worlds 900-1770
• Literary Worlds 1770-Today
• Critical Environments
• Cultural Environments
• Contemporary Creative Writing
• Creative Writing Foundation

Detailed descriptions of first year compulsory modules

Second year 

Optional modules 

• 120 credits of optional modules

List of second year optional modules

Year Abroad

You can apply to study abroad for a year in an approved university around the world. If you achieve a grade of 2.1 or above in your first year, you will be eligible to apply for a Year Abroad in your second year. If your application is successful, you will go abroad in your third year and return to us for your final year.

More about a Year Abroad

• Creative Writing Project or Dissertation in English Literature  
• 80 credits of optional modules

Detailed descriptions of final year compulsory modules and list of optional modules

For UK students beginning their studies in September 2024, the University of Birmingham will charge the maximum approved tuition fee per year. The fees for your first year of study will therefore be £9,250. Visit our tuition fees page for more information .

Fees for 2024/25 are as follows:

• UK: £9,250
• International: £22,860

Eligibility for fees can be verified with Admissions. Learn more about fees for international students .

For further information on tuition fees, living costs and available financial support, please see our pages on undergraduate fees and funding .

Tuition fees when studying abroad

For those spending a whole academic year abroad (where available):

• Students who are classed as UK for fees purposes are required to pay 15% of their normal annual tuition fee
• Students who are classed as International for fee purposes are required to pay 50% of their normal annual tuition fee

For those studying abroad for just one semester (where available), normal annual tuition fees apply.

Note - Study abroad opportunities vary between courses; please see the course description for details of study abroad options offered.

How To Apply

• Apply through UCAS at www.ucas.com .
• Learn more about applying .

english-springpod

Standard offer

International requirements.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB). Holders of the Baccalauréat de l'Enseignement Secondaire (School Certificate) are not normally eligible for direct entry onto our undergraduate programmes without completion of a suitable foundation programme, such as one of our foundation pathways.

Please note:

• For Medicine country specific requirements, please visit our Applying to Medicine website .
• For Dentistry, please see the general entry requirements listed on the Dental Surgery course page

English Language

Students from Algeria need to meet the standard English language requirements for international students. 

The University will consider students who have taken GCE A Level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes.

Holders of the Bachillerato together with a recognised foundation programme, such as the Birmingham Foundation Academy, will be considered for entry to our Bachelor degree programmes.

Students who have completed the Senior Secondary School Diploma will be considered for entry to year 1 of an undergraduate programme based on the ATAR or OP score achieved as follows: A*AA = ATAR 94 or OP 1-3 AAA = ATAR 92 or OP 4 AAB = ATAR 90 or OP 4 ABB = ATAR 87 or OP 5 BBB = ATAR 85 or OP 6 Where a specific subject is required at A level this subject is required at grade 12 with an equivalent grade.

• For Dentistry, please see the general entry requirements listed on the Dental Surgery course page.

Holders of the Matura/Reifeprüfung with a minimum overall score of 'pass with distinction' (mit gutem Erfolg bestanden) and subject grades between 2-1/5 (gut-sehr gut - good-very good) will be considered for entry to the first year of our undergraduate degree programmes.  Please refer to the information below as guidance for grade comparisons to A-level entry requirements:  Holders of the Matura/Reifeprüfung will be considered with the following grade equivalencies:  A*AA - 1 overall plus 1, 1, 2 in elective subjects (inc any required subject/s)  AAA - 1 overall plus 1, 2, 2 in elective subjects (inc any required subject/s)  AAB - 1 overall plus 222 in elective subjects (inc any required subject/s)  ABB - BBB - 2 overall plus 222 in elective subjects (inc any required subject/s)  Subject specific grade equivalencies:  A* - 1  A - 1.5  B - 2 

• For Medicine country specific requirements please visit our Applying to Medicine website .

We may accept your English language grade from the Austrian Matura/Reifeprüfung if you achieved 2/5 (gut) in English (both written and oral examinations). Please note this is only valid for 2 academic years after qualification. 

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the Foundation Pathways, for entrance to undergraduate programmes.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate for entrance to onto our undergraduate programmes. Holders of the Al-Thanawiyan are not normally eligible for direct entry onto an undergraduate course without completion of a suitable foundation programme, such as one of our own foundation pathways.

Higher Secondary Certificate students will be required to take an approved Foundation Programme before they can be considered for entry to the first year of our Bachelor degree programmes (see Birmingham Foundation Pathways).

Holders of a Bachelor of Science, Arts or Commerce degree (with honours) of two, three, or four years in duration from a recognised institution in Bangladesh with a CGPA of 3.0/4 or 65% or higher may be considered for entry to the first year of an undergraduate degree programme.

For Medicine country specific requirements, please visit our Applying to Medicine website.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

For study on our Foundation and Undergraduate programmes, English language at grade C/6 or above in the Botswana General Certificate of Secondary Education Examination is sufficient to meet the standard English language requirements.

For Postgraduate programmes, Botswanan nationals with a degree from Botswana or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

GCE A Level examinations (BBB to A*AA), the International Baccalaureate (IB) (32 points overall. HL 5,5,5 to 7,7,6), or a suitable foundation programme, such as one of our Foundation Pathways. Students who have successfully completed the first year of a Licenciatura or Bacharelado degree with an overall score of 7.5/10 or higher can be considered.

• Our BNurs and MNurs Nursing courses are only available to home/EU students.

The University will consider students who have taken A Level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes. Students from Brunei will usually undertake Brunei/Cambridge GCE A level examinations or Brunei Darussalam Technical and Vocational Educational Council (BDTVEC). Both qualifications allow students to apply for undergraduate degree courses.

Holders of the "Diploma za Sredno Obrazovanie, Diploma za Zavarsheno Sredno Obrazovanie, or Diploma za Sredno Spetzialno Obrazovanie" (Diploma of Completed Secondary Education) will be considered with the following grade equivalencies:

• A*AA = 5.8 overall with 5.8 in 2 Matura exams (to include any required subjects)
• AAA = 5.8 overall with 5.6 in 2 Matura exams (to include any required subjects)
• AAB = 5.6 overall with 5.6 in 2 Matura exams (to include any required subjects)
• ABB = 5.4 overall with 5.5 in 2 Matura exams (to include any required subjects)
• BBB = 5.2 overall with 5.5 in 2 Matura exams (to include any required subjects)

Students who hold Cameroon GCE A Levels with good grades or French Baccalaureat with minimum grades of 12/20-15/20 will be considered for entrance to undergraduate programmes.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programme.

Cameroon has two systems of education, one based on the British model, the other on the French - as long as a student has studied under the British system, they will be exempt from the standard international English requirements with the following grades:

For study on our Foundation and Undergraduate programmes, English Language at grade C or above in the General Certificate of Education Ordinary Level is sufficient to meet the standard English language requirements.

For Postgraduate programmes, Cameroonian nationals with a degree that was completed in English from Cameroon or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

The University will consider students who have achieved good grades in their High School Graduation Diploma with at least 5 university-preparatory level (Grade 12) courses. For many of our programmes of study, students will need at least a B average, and possibly higher. 

Qualification Guidance

Unless otherwise stated qualification guidance is as follows:

Ontario System

A level requirements of AAA  = 85% overall in 6 x grade 12 U or U/C courses. Where an A level subject is required, the course must be at U or U/C level. 

A level requirements of AAB  = 80% overall in 6 x grade 12 U or U/C courses. Where an A level subject is required, the course must be at U or U/C level. 

A level requirements of ABB  = 75% overall in 6 x grade 12 U or U/C courses. Where an A level subject is required, the course must be at U or U/C level. 

For Maths and English GCSE equivalency the student must offer Maths and English at grade 11 minimum. (For UG programmes that require GCSE grade A equivalence, suggest 80% minimum). 

Other Canadian Provinces

British Columbia  - Grade 12 Senior Secondary Diploma with an average of at least 75% (ABB), 80% (AAB) and 85% (AAA) in 5 grade 12 subjects or Senior Secondary Graduation Diploma if awarded with at least five Bs (BBBBB) or above in acceptable grade 12 courses.

Manitoba - High School Graduation Diploma with an overall average of 75% (ABB), 80% (AAB) and 85% (AAA), including 5 credits awarded at the 300 level in at least 4 subject areas, and at least 65% in each subject.

Alberta, New Brunswick, Newfoundland, Northern W. T., Nova Scotia, P. Edward Island, Saskatchewan - General High School Diploma with an overall average of 75% (ABB), 80% (AAB) and 85% (AAA) in 5 subjects at Grade 12.

Nunavut - General High School Diploma with an overall average of 75% (ABB), 80% (AAB) and 85% (AAA) across five subjects at grade 12.

Québec - Diplôme d'Etudes Collègiales (DEC) with an overall average of 75% (ABB), 80% (AAB) and 85% (AAA).

Yukon - Senior Secondary Graduation Diploma with an overall average of at least 85% in 5 grade 12 subjects (including provincial examinations where applicable).

Entry to LLB for Graduates

We require a B+ average or a GPA of 3.0/4 in any non-law degree subject.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the Foundation Pathways, for entrance to undergraduate programmes. 

We will consider students who have completed GAOKAO for entry to our Undergraduate Programmes. Please refer to our  GAOKAO entry requirements  for further information.

Holders of the Chinese High School Certificate/Senior Middle School Graduation and a suitable foundation programme, and holders of two/three year Diplomas, with a good performance (80% average or above) from a recognised institution, will be considered for entry to undergraduate programmes.

If you have taken A level or IB diploma, please refer to the course you are interested in on our course finder and you will find entry requirements.

If you have taken exams which are from another country's national education system (e.g. the Arbitur from Germany or SAT and AP exams from the USA) you should consult that specific country page on our website for entry requirements.

The University will consider students who have taken GCE A Level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes. Holders of the Bachillerato together with a recognised foundation programme, such as the Birmingham Foundation Academy, will be considered for entry to our Bachelor degree programmes.

Candidates from Costa Rica generally require a) A levels or IB Diploma or b) Bachiller en la Enseñanza Media plus a recognised foundation programme or c) successfully completed the first year of the Bachiller or Licenciado with 8/10 or higher.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the Birmingham Foundation Academy, for entrance to undergraduate programmes.

Holders of the Maturatna Svjedodzba (Matriculation Certificate) will be considered with the following grade equivalencies:  A*AA-AAA= 5/5  AAB = 4.5/5  ABB-BBB = 4/5  Subject specific requirements:  A* - 5  A - 4.5  B - 4

Candidates offering the Caribbean Advanced Proficiency Examination (CAPE) qualification can be considered for entry to the first year of an undergraduate degree programme. CAPE is graded on a I to VI scale (I being the highest) and we would typically look for a minimum of II in each subject taken to include I in any required subject and for AAA-AAB offers to include a at least half the subjects at grade I.  Candidates offering an Associate degree from a recognised institution may also be considered for entry to the first year of an undergraduate degree programme. We would typically require a minimum GPA of 3.0 to include high grades in relevant and required subjects.

Holders of the Apolytirion of Lykeion with a minimum overall score of 18+/20 plus 2 GCE A levels will be considered for entry to the first year of our undergraduate degree programmes. The Apolytirio + 1 A level may be considered at the discretion of departments, if high grades and required subjects are offered.

Equivalent grades:

A*AA = 19/20 + A*A AAA = 19/20 + AA AAB = 18/20 + AA ABB = 18/20 +AB BBB = 18/20 + BB

Specific subject requirements:

A* - 19 A - 19 B – 18

Holders of the Vysvedceni o Maturitni Zkousce-Zkouška / Maturita will be considered with the following grade equivalencies:  A*AA-AAA: 1 overall  AAB: 1.5 overall  ABB-BBB: 2 overall  Specific subject requirements:  A* - 1  A = 1.5  B = 2

Holders of the Bevis for Studentereksamen (STX), Hojere Forberedelseseksamen (HF), Hojere Handelseksamen (HHX) or Hojere Teknisk Eksamen (HTX) will be considered with the following grade equivalencies in Level A Subjects (including any required subjects):

A*AA - 12,10,10 AAA - 10,10,10 AAB - 10,10,7 ABB - 10,7,7 BBB - 7,7,7

A* = 12 A = 10 B = 7

We may accept your English language grade from the Danish Studentereksamen if you achieved 10 in English. Please note this is only valid for 2 academic years after qualification. 

Candidates from Ecuador generally require a) A levels or IB Diploma or b) Senior Secondary School (Titulo de Bachiller en Ciencias) plus a recognised foundation programme or c) successfully completed the first year of the Licenciado (with 70% or equivalent GPA)

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entry onto our undergraduate programmes.

Holders of the Thanawiyan are not normally eligible for direct entry onto an undergraduate course without completion of a suitable foundation programme, such as one of our own foundation pathways.

• For Medicine country-specific requirements, please visit our Applying to Medicine website .

Holders of the Riigieksamid (State Examinations) plus the Gümnaasiumi lõputunnistus (GI) (Secondary School Certificate) will be considered with the following grade equivalencies:

• A*AA - 4.5 average for GI and 83% average for 3 best state exams (excluding English taken as a SELT)
• AAA - 4.4 average for GI and 80% average for 3 best state exams (excluding English taken as a SELT)
• AAB - 4.3 average for GI and 79% average for 3 best state exams (excluding English taken as a SELT)
• ABB - 4.2 average for GI and 78% average for 3 best state exams (excluding English taken as a SELT)
• BBB - 4.1 average for GI and 77% average for 3 best state exams (excluding English taken as a SELT)

Specific subject requirements - required subjects must be studied at the highest level possible at school (year 12) with following grade equivalencies: A* = 90% A = 85% B = 80%.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

Students who have completed one or two years of a Bachelors degree from an Ethiopian university with excellent grades (A or 4 points) can be considered for entrance to undergraduate programmes.

Overall successful completion of Ylioppilastutkinto / studentexamen (Matriculation Examination) with the following grade equivalencies:  A*AA - 766  AAA - 666  AAB - 665  ABB - 655  BBB - 555  Subject specific requirements:  L (Laudator) = 7 = A*  E (Eximia cum laude approbatur) = 6 = A  M (Magna cum laude approbatur) = 5 = B

We may accept your English language grade from the Finnish Ylioppilastutkinto/Studentexamen if you achieved 5 (magna cum laude approbatur) in English. Please note this is only valid for 2 academic years after qualification. 

Holders of the Baccalauréat Général / Baccalauréat Technologique (BTn) / Baccalauréat de l'Enseignement du Second Degr and Diplôme de l'Enseignement du Second Degr / Option International du Baccalauréat (OIB) will be considered with the following grade equivalencies:  A*AA: 15/20  AAA-AAB: 14/20  ABB - BBB: 13/20  Option International du Baccalauréat (OIB)  A*AA: 14/20  AAA-AAB: 13/20  ABB - BBB: 12/20  Specifc subject requirements:  A* = 15/20  A = 14/20  B = 12/20  We will consider holders of the European Baccalaureate (EB) with the following grade equivalencies:  A*AA - 88  AAA - 85  AAB - 80  ABB - 77  BBB - 75  Subject specific requirement:  A* - 9  A - 8  B - 7

We may accept your English language grade from the French Baccalauréat de l’Enseignement du Second Degré if you achieved 14 (bien) or above. Please note this is only valid for 2 academic years after qualification. 

Holders of the Abitur/Zeugnis der Allgemeinen Hochschulreife, Zeugnis der Fachgebundenen Hochschulreife or Zeugnis der Fachhochschulreife will be considered with the following grade equivalencies:  A*AA: 1.4 overall in the Abitur  AAA: 1.5 overall in the Abitur  AAB: 1.6 overall in the Abitur  ABB: 1.7 overall in the Abitur  BBB: 1.8 overall in the Abitur  Specific subject requirements:  A* = 14/15  A = 13/15  B = 11/15  Please note: For applicants taking the Fachhochschulreife, we wouldn’t normally accept this qualification for entry to undergraduate programmes.  We will consider holders of the European Baccalaureate (EB) with the following grade equivalencies:  A*AA - 88  AAA - 85  AAB - 80  ABB - 77  BBB - 75  Subject specific requirement:  A* - 9  A - 8  B - 7 

We may also accept your English language grade from the German Abitur if you achieved 10 (gut) in English (taken as an achievement/main/ intensive course. Please note this is only valid for 2 academic years after qualification. 

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

Students who hold a Higher National Diploma with a good profile of grades (distinctions and credits, or grades 1-3) will be considered for entrance to undergraduate programmes (first year entry).

Students who have completed the first year of a 4-year Bachelor degree from a recognised institution in Ghana with excellent grades (2.1, 3.0/4.0, 3.5/5.0) will be considered for entrance to undergraduate programmes (first year entry).

For study on our Foundation and Undergraduate programmes, English language at grade C or above (or in numerical terms, grade 6 or above) in the WAEC SSCE is sufficient to meet the standard English language requirements.

For Postgraduate programmes, Ghanaian nationals with a degree from Ghana or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

Holders of the National Apolytirion of Geniko Lykeio, including three Pan Hellenics examinations will be considered for undergraduate programmes with the following overall average grade equivalencies in the Apolytirion:

A*AA – 19 AAA – 18.5 AAB – 18 ABB - BBB – 17.5

Plus, an average of 17+ from Pan-Hellenic exams (3 subjects)

Specific subject requirements (required both within the Apolytirio and as a Panhellenic exam):

A* - 19 A - 18 B – 17.5

The Apolyterion of Geniko Lykeion will also be considered alongside two A levels.

Candidates from Guatemala generally require a) A levels or IB Diploma or b) Bachillerato + foundation programme or c) Successful completion of first year of the Licenicado (with score of 70 or higher)

We will consider holders of the Hong Kong Diploma of Secondary Education (HKDSE) for entry to our undergraduate programmes with the grade equivalencies shown below (excluding Chinese and Citizenship and Social and Development).

A*AA = 5*55

Applicants for programmes with subject specific requirements will need to offer these as normal (please note that combined or integrated science will not normally be acceptable where a stated science is required i.e. Biology or Chemistry). Programmes requiring Mathematics as a specified subject will require both the Compulsory and either M1 or M2.

Higher level Diplomas and Associate Degrees can be considered for year one entry. A typical requirement would be an average grade of B (70-79%) or a GPA of 3.0 out of 4.0 in a relevant subject.

Holders of Higher Diplomas with a good performance (at least B+ or GPA 3.2 above) will be considered for entry to year 2 of relevant undergraduate degree programmes within Engineering and Computer Science.

Holders of the HKU SPACE Associate Degree programme with a good performance (at least B+ or GPA 3.2 above) throughout their studies may be considered for entry to year 2 of relevant undergraduate degree programmes.

Holders of the Erettségi / Matura with at least two subjects at advanced level (emelt szint) plus any required subjects at advanced level will be considered with the following grade equivalencies:  A*AA - 85%, 80% (Advanced level) plus 80%, 80%, 80% (Intermediate level)  AAA - 80%, 80% (Advanced level) plus 80%, 80%, 80% (Intermediate level)  AAB - 80%, 80% (Advanced level) plus 80%, 80%, 80% (Intermediate level)  ABB - 80%, 75% (Advanced level) plus 80%, 80%, 80% (Intermediate level)  BBB - 75%, 75% (Advanced level) plus 80%, 80%, 75% (Intermediate level)  Subject specific requirements (Advanced level):  A* - 85%  A - 80%  B - 75%

Holders of the Indian Standard XII will be considered for entry to the first year of our undergraduate degree programmes. 

• A*AA = 90% ISC, CBSE, Maharashtra or 85% West Bengal or 95% Other State boards
• AAA = 85% ISC, CBSE, Maharashtra or 80% West Bengal or 90% Other State boards
• AAB = 80% ISC, CBSE, Maharashtra or 75% West Bengal or 85% Other State boards
• ABB/BBB = 75% ISC, CBSE, Maharashtra and West Bengal or 80% Other State boards

Where a programme requires a specific A'level subject grade please refer to the guidance below for Indian Standard XII equivalent.

• A* = 90% ISC, CBSE, Maharashtra or 85% West Bengal or 95% Other State boards
• A = 85% ISC, CBSE, Maharashtra or 80% West Bengal or 90% Other State boards
• B = 80% ISC, CBSE, Maharashtra and 75% West Bengal or 85% Other State boards

Applicants with appropriate grades in Standard XII English (English Core/English Elective/Functional English in CBSE) do not require additional SELT qualifications.

• GCE A Level in three acceptable subjects.
• International Baccalaureate (IB) with 32 points overall.
• A Diploma (D3/D4), with good grades, from a recognised Indonesian institution.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes.

Holders of the Diplom-Metevaseth are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our own foundation pathways. 

Students who have completed the Pre-University Certificate (Peeshdaneshgahe) with a minimum overall GPA of 16/20 and students who have successfully completed the National Entrance Exam (Kunkur) will be considered for entry onto our undergraduate programmes.

Holders of the Sixth Form Baccalaureate/Iraqi high school leaving certificate are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

We will consider students who have completed the Bagrut and achieved grade 8 or above in 6 subjects.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our own foundation pathways, for entrance to onto our undergraduate programmes.

Holders of the Diploma di Esame di Stato will be considered with the following grade equivalencies:  A*AA - 95  AAA - 92  AAB - 90  ABB - 88  BBB - 85  Subject specific requirements:  A* - 15/15 OR 10/10  A - 14/15 OR 9/10  B - 13/15 OR 8/10

Students who hold the French Baccalaureat with minimum grades of 12/20-15/20 will be considered for entrance to undergraduate programmes.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the  Foundation Pathways  at the BIA, for entrance to undergraduate programmes.

• GCE A Level examinations or a recognised foundation programme
• International Baccalaureate (IB) - 32 points overall for entrance to most of our undergraduate programmes, certain courses will require specific grades and subjects at Higher Level

Many students who have studied in Japan have followed a 12 year education system. For admission onto an Undergraduate degree programme, the University of Birmingham requires all applicants to have studied for 13 years, and therefore you may need to take a foundation year before commencing your undergraduate programme. 

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB). Holders of the Tawjihi are not normally eligible for direct entry onto our undergraduate programmes without completion of a suitable foundation programme, such as one of our foundation pathways.

We will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the  Birmingham International Academy , for entrance to undergraduate programmes.

We will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our  Foundation Pathways, for entrance to undergraduate programmes.

For study on our Foundation and Undergraduate programmes, English language at grade C or above in the Kenya Certificate of Secondary Education (KCSE) is sufficient to meet the standard English language requirements.

For Postgraduate programmes, Kenyan nationals with a degree from Kenya or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

We will consider students who have taken GCE A Level examination, or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Shahadat-al-thanwiia-al-a'ama are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

Candidates from Latvia generally require either A levels, an IB Diploma or a recognised foundation programme qualification in order to be considered for entry to the first year of an undergraduate degree programme. Holders of the Atestats par visparejo videjo izglitibu (Certificate of General Secondary Education) are not eligible for entry to the first year of our undergraduate degree programmes.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entry onto our undergraduate programmes. Holders of the Baccalaureat General (School Certificate) are not normally eligible for direct entry onto our undergraduate courses without prior completion of a suitable foundation programme, such as one of our foundation pathways.

The University will consider students who have taken GCE A Level examination, the International Baccalaureate (IB), or a suitable foundation programme (such as the Birmingham Foundation Academy), for entrance to undergraduate programmes.  Students who have completed a Higher Technician Diploma with minimum GPA of 65%, or a Bachelors degree from a Higher Technical or Vocational Institution with minimum GPA of 65%, may be considered for entry to the first year of an undergraduate degree programme.  Students who have the Secondary Education Certificate plus one year of a Bachelors degree from a recognised university with a minimum GPA or 65% may also be considered.

Holders of the Brandos Atestatas (Secondary School Diploma/Maturity Certificate) will be considered with the following grade equivalencies:  A*AA - 9.5 with 95% average in 3 state exams  AAA - 9.0 with 90% average in 3 state exams  AAB - 9.0 with 87% average in 3 state exams  ABB - 8.5 with 85% average in 3 state exams  BBB - 8.0 with 80% average in 3 state exams  Subject specific requirements (state exam):  A* - 95%  A - 90%  B - 85% 

Holders of the Diplôme de Fin d'Etudes Secondaires will be considered with the following grade equivalencies:  A*AA - 50/60  AAA - 48/60  AAB - 46/60  ABB - 44/60  BBB - 42/60  Subject specific requirements:  A* - 52  A - 48  B - 42 

In addition to the standard qualifications that we accept as proof of English language proficiency, the University accepts the following as proof of English language for students from Luxembourg: 6/10 in English Language I in the European Baccalaureate; or 8/10 in English Language II in the European Baccalaureat

We may also accept your English language grade from the Luxembourgish Examen de Fin d'Études Secondaires 45 (bien) in English. Please note this is only valid for 2 academic years after qualification. 

The University will consider students who have taken A Level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes.

Sigjil Tinggi Persekolahan Malaysian (STPM)

STPM is considered equivalent to A-levels and is acceptable for admissions to the first year of an undergraduate programme. Grades equivalent to the A-level requirement should be achieved in three out of the five subjects studied.

Malaysian Ministry of Education Matriculation Programme

Holders of the Malaysian Ministry of Education Matriculation Certificate in Science can be considered for entry to year one of Biosciences, Chemistry, Mathematics and Physics.

Certificates in Accountancy

Students with Certificates in Accountancy can be considered for entry to year one of the Accountancy, Economics, and Money, Banking and Finance programmes, provided a minimum GPA of 3.5 is obtained. In addition, a candidate must reach the appropriate level of English requirement for the particular course.

Canadian Pre-University (Ontario Grade 13)

A pass in 6 OACs (minimum of three at grade B, and three at grade C) is generally acceptable for admission to the first year of an undergraduate programme, although, some programmes may require higher grades.

South Australia Matriculation Programme (SAM)

For candidates offering the South Australian Matriculation qualification, a TER of between 90 to 98 is required.

Diploma and certificate

If you have completed a 2 year certificate or diploma at a local college, you may be considered for admission to undergraduate programmes in some subjects.

If you have obtained a 3 year diploma it is sometimes possible to gain 'advance standing' to the second year of some undergraduate programmes.

Unified Examination Certificate (UEC)

Holders of the UEC may be considered for entry onto the first year of an undergraduate degree course (except Medicine & Surgery or Dentistry) on the following basis:

Where a specific subject is required the following grades should be attained:  A Level grade A* -  UEC grade A1, A Level grade A - UEC grade A2, A Level grade B - UEC grade B3.  Where Maths A Level is required UEC Advanced Maths (I) or (II) should be provided at the appropriate grade.

For all courses not requiring A Level Maths UEC Maths must be studied, the grade required will vary by programme (C8 required for most programmes, some may require B6 or B3).

Direct entry to second year

Taylor's university.

The University has various twinning programmes with Taylor's University which can allow Taylors students entry into year 1, year 2 or year 3 of an Undergraduate Degree course, depending on their choice of subject and GPA score. Degree courses available through twinning agreements are: Biosciences, Computer Science, Chemical Engineering, Civil Engineering, Electrical Engineering and Mechanical Engineering.  We have a longstanding relationship with Taylor’s University (TU), and many students have joined us for a variety of Engineering and Computer Science programmes. Students from TU can enter Year 2, or Year 3 of a number of programmes. For more information please refer to the table below, or contact the TU University Placement Services office, or  [email protected] .

Students from UCSI are able to join Year 2 of the following Birmingham programmes:

• BEng or MEng Mechanical Engineering
• BEng or MEng Electronic and Electrical Engineering.

For more information please contact the UCSI Global Engagement Office, or  [email protected] .

INTI College and Prime College 

Students from INTI College and Prime College may be considered for direct entry to the second year of our Engineering programmes.

HELP Institute

Students from HELP Institute may be considered for direct entry to the second year of Computer Science programmes and those students completing the LSE Diploma may be admitted directly to the second year of Economics and Money, Banking and Finance programmes.

Direct entry from other colleges is unusual. If you are a student of any other college and you wish to be considered for second year entry, you must submit your full transcript and a copy of the syllabus you have followed so that we can assess your suitability.

• For Medicine country specific requirements, please visit our  Applying to Medicine website .

SPM 1119 or GCSE/IGCSE minimum grade C may be accepted for a range of programmes with a four year validity period. 

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the  Birmingham Foundation Academy , for entrance to undergraduate programmes.

Holders of the Advanced Matriculation will be considered with the following grade equivalencies:  A*AA - AA (Advanced level) + AAA (Intermediate level to exclude Systems of Knowledge)  AAA - AA + AAB  AAB - AA + ABB  ABB - AB + BBB  BBB - BB + BBB  Subject specific requirements:  A* & A - A  B - B  NB no overall score given as of 2012.

Applicants with a GCSE English grade 4/C equivalent or a degree from the University of Malta are exempt from taking an English proficiency test.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), the French Baccalaureate, or a suitable foundation programme, such as our Foundation Pathways, for entrance to undergraduate programmes.

For study on our Foundation and Undergraduate programmes English language at grade C or above in the CIE O Level or Cambridge High School Certificate is sufficient to meet the standard English language requirements.

For Postgraduate programmes Mauritian nationals with a degree from Mauritius or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

• For Dentistry, please see the general entry requirements listed on the Dental Surgery course page .

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB). Holders of the Diplôme du Baccalauréat / Diplôme du Baccalauréat Technique (School Certificates) are not normally eligible for direct entry onto our undergraduate programmes without completion of a suitable foundation programme, such as one of our foundation pathways.

A High School Leaving Certificate is not sufficient for undergraduate courses. Applicants for UG study will require additional qualifications, such as A Levels or the IB.

Holders of the Voorbereidend Wetenschappelijk Onderwijs (VWO - University Preparatory Education) Diploma (Gymnasium A/B and Atheneum A/B) will be considered with the following grade equivalencies:  A*AA - 8.0  AAA - 7.7  AAB - 7.5  ABB - 7.2  BBB - 7.0  Subject specific requirements:  A* - 8.5  A - 8  B - 7.5 

NB Grades 9-10 rarely awarded

We may accept your English language grade from the Dutch Voorbereidend Wetenschappelijk Onderwijs (VWO) diploma if you achieved 8 (good) in English. Please note this is only valid for 2 academic years after qualification. 

The University has a number of agreements with foundation providers in Nigeria which allows students to be considered for admission to undergraduate programmes. Please contact us for more information.

Students who have completed the first year of a 4-year Bachelor degree from a recognised institution in Nigeria with excellent grades (2.1, 3.0/4.0, 3.5/5.0) will be considered for entrance to undergraduate programmes (first year entry).

For Postgraduate programmes, Nigerian nationals with a degree from Nigeria or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

Holders of the Vitnemål for Videregående Opplaering (VVO – Upper Secondary School Leaving Certificate) with a minimum overall average score of 4/6 will be considered for entry to the first year of our undergraduate degree programmes.

Please refer to the information below as guidance for grade comparisons to A-level entry requirements:

A*AA = 5.0 overall in the Vitnemål for Videregående Opplaering AAA = 4.5 overall in the Vitnemål for Videregående Opplaering AAB = 4.5 overall in the Vitnemål for Videregående Opplaering ABB = 4.0 overall in the Vitnemål for Videregående Opplaering BBB = 4.0 overall in the Vitnemål for Videregående Opplaering 

Specific subject requirements: A*= 6, A=5, B=4

For GCSE, from the lower school leaving certificate (first year of the Vitnemål), the same equivalences would apply.

We may accept your English language grade from the Norwegian Vitnemål fra den Videregående Skole if you achieved 3 in English. Please note this is only valid for 2 academic years after qualification. 

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Thanawiyan are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

We will consider students who have taken A Level examinations and/or the International Baccalaureate (IB) for entrance to undergraduate programmes. We will also consider students who have successfully completed a Bachelors (Honours) degree of at least two years duration. Degrees must be from a Higher Education Commission recognised institution in Pakistan.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Tawijihi are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

Candidates from Paraguay generally require a) A levels or IB Diploma or b) Título de Bachillerato Científico plus a recognised foundation programme  Candidates who have completed the Título Intermedio (2-3 years) can be considered for first and/or second year entry, depending on subject fit.

Candidates from Peru generally require a) A levels or IB Diploma or b) a recognised foundation programme or c) successfully completed the first year of the Título Profesional, Bachiller or Licenciado with at least 13/20.

Holders of the Matura / Swiadectwo Dojrzalosci (Secondary School Certificate) will be considered with the following grade equivalencies:  A*AA - 90%, 85%, 85% (extended level subjects) plus 75% overall  AAA - 85%, 85%, 85% (extended level subjects) plus 75% overall  AAB - 85%, 85%, 80% (extended level subjects) plus 70% overall  ABB - 85%, 80%, 80% (extended level subjects) plus 70% overall  BBB - 80%, 80%, 80% (extended level subjects) plus 70% overall  Subject specific requirements at extended level:  A* - 90%  A - 85%  B - 80%

Holders of the Certificado de fim de Estudos Secundários / Diploma de Ensino Secundario (previously Certificado do 12 ano) will be considered with the following grade equivalencies: 

A*AA - 18/20 overall with 19, 18, 18 in 3 year 12 subjects  AAA - 18/20 with 18, 18, 18 in 3 year 12 subjects  AAB - 17/20 with 18, 18, 17 in 3 year 12 subjects ABB - 17/20 with 18, 17, 17 in 3 year 12 subjects  BBB 17/20 with 17, 17, 17 in 3 year 12 subjects 

Subject specific requirements: 

A* - 19  A - 18  B - 17 

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Qatar High School Certificate, or the Thanawiyan Mustaqala are not usually eligible for direct entry onto our undergraduate courses without the completion of a suitable foundation programme, such as one of our foundation pathways.

Holders of the Diploma de Bacalaureat with a minimum overall score of 8/10 will be considered for entry to the first year of our undergraduate degree programmes.  Please refer to the information below as guidance for grade comparisons to A-level entry requirements:  A*AA - 9  AAA – 8.5  AAB - 8.3  ABB - 8  BBB - 7.5  Specific subject requirements:  A*/A - 9  B - 8

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as the  Birmingham International Academy , for entrance to undergraduate programmes.

The University will consider students who have taken A Level examinations, the International Baccalaureate (IB) or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Thanawiyah are not normally eligible for direct entry onto our undergraduate courses without the completion of a suitable foundation programme, such as one of our foundation pathways.

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), West African Higher School Certificate (WAHSC), Cambridge Overseas Higher School Certificate COHSC), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

For Postgraduate programmes, Sierra Leonean nationals with a degree from Sierra Leone or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

Students with suitable grades at A level or International Baccalaureate (IB) may be considered for entry to an undergraduate degree programme.

Students who have successfully completed a Polytechnic Diploma may be considered for entry to our undergraduate degree programmes (applicable subjects only). Students who achieve a B grade average or above with good scores in relevant subjects can be considered for direct entry to the second year. Students who achieve a C grade average should be considered for year one entry (a few exemptions apply for certain departments).

The University has established Advance Standing Agreements with 5 Polytechnics in Singapore (Singapore, Ngee Ann, Temasek, Nanyang, Republic) which provide guidelines for some of the Diplomas we will accept and scores required by certain departments (Business, Life Sciences, Engineering, Computer Science). Please contact your institution for further information. Departments that are not part of this list can still consider Diplomas for entry to undergraduate programmes. Diplomas that are not on the list will be considering on an individual basis and may require you to provide further details such as the curriculum and module transcripts to identify suitability.

Holders of the "Vysvedcenie o Maturitnej skúska/Maturita" will be considered with the following grade equivalencies:  A*AA: 1/výborný in four subjects (if any other subjects have been taken they must be graded no lower than 2)  AAA: 1/výborný in three subjects, other subject(s) taken must be graded no lower than 2  AAB: 1/výborný in two subjects, other subjects taken must be graded no lower than 2  ABB: 1/výborný in one subject, other subjects taken must be graded no lower than 2  BBB: 2 in all subjects   Subject specific requirements:  A* & A - 1  B - 2

Holders of the "Maturitetno Spricevalo"/"Matura"/Secondary School-Leaving Diploma/Technical Matura will be considered with the following grade equivalencies:  A*AA - Total score of 28/34  AAA - 27/34  AAB - 26/34  ABB - 24/34  BBB - 22/34  Required subjects need to have been at Higher Level:  A* - 8  A - 7  B - 6

We will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes. Applicants who hold the South African National Senior Certificate (SA NSC or IEB) (or pre-2008 the Senior Certificate with matriculation) will be considered for entry onto our undergraduate degree programmes. Students need these grades in 5 subjects, not including Life Orientation.

Grade equivalencies are as follows: A*AA = 77766 AAA = 77666 AAB = 76666 ABB-BBB = 66666

For study on our Foundation and Undergraduate programmes, English language at grade 5 (or C) or above in the South African National Senior Certificate (SA NSC or IEB) (or pre-2008 in the Senior Certificate) is sufficient to meet the standard English language requirements.

For Postgraduate programmes, South African nationals with a degree from South Africa or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

Students with A levels, the International Baccalaureate, a 2 year Junior College Diploma, the NCUK International Foundation Year, a suitable foundation programme, or one or two years of university level study at a recognised institution in South Korea will be considered for entry to an undergraduate degree programme. Students need a sufficiently high score in their Diploma or University level study (3.0+/4.0 or 3.2+/4.5).

Holders of the Título de Bachillerato will be considered for undergraduate programmes with the following grade equivalencies:

A*AA - 9.0 AAA - 8.5 AAB - 8.2 ABB - 8.0 BBB - 7.7

Required subjects must be studied in Year 2 of the Bachillerato and the subject grade equivalencies are:

A* - 10/9 A - 9 B - 8

The Sri Lankan system is based on the English system. Holders of the Sri Lankan A-Levels will be considered for undergraduate programmes as an equivalent to GCE A levels. We accept local or Cambridge A Levels for entry.

Please note however that grading systems for local A Levels are as follows:

A = A grade B = B grade C = Credit S = Simple pass

For Medicine country specific requirements, please visit our Applying to Medicine website. For Dentistry, please see the general entry requirements listed on the Dental Surgery course page

Holders of the Fullständigt Slutbetyg från Gymnasieskolan / Slutbetyg från Komvux / Avgangsbetyg (previously Studentexamen) with the following grade equivalencies: A*AA: 10 subjects at A and the remainder at B. AAA: 10 subjects at A and the remainder at B. AAB: 9 subjects at A and the remainder at B. ABB: Majority of subjects at A, remainder at B BBB: Majority of subjects at B. Subject specific requirements: A*/A - A B - B 

We may accept your English language grade from the Swedish Fullständigt Slutbetyg från Gymnasieskolan/ Slutbetyg från Komvux / Avgangsbetyg if you achieved Grade C in English (numerical grade 15). Please note this is only valid for 2 academic years after qualification. 

Holders of the Federal Maturity Certificate/ Maturitatszeugnis can be considered for entry to year 1 of our undergraduate degrees. Grade equivalences: AAA* = 5.0 overall to include 5.5 in one subject and 5.0 in two further subjects AAA = 4.8 overall to include 5.0 in 3 subjects AAB-ABB = 4.8 overall to include 5.0 in 2 subjects BBB = 4.8 overall to include 5.0 in 1 subject Grade requirement for required subjects: A* = 5.5 A/B = 5.0

We may accept your English language grade from the Swiss Maturitätzeugnis / Certificat de Maturité / Attestato di Maturità (federal maturity certificate or federally-recognised cantonal maturity certificate) if you achieved 5 (gut / bien / bene) in English. Please note this is only valid for 2 academic years after qualification. 

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entrance to onto our undergraduate programmes. Holders of the Thanewiyah are not normally eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

We will consider students who have taken A Level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes.

Students with 2 year Junior College Diplomas may be considered for entry to the first year of an undergraduate degree programme, where the college is recognised by the Ministry of Education in Taiwan and/or the BTCO and where the student achieves a sufficiently high score overall.

Students with 5 year Junior College Diplomas may be considered for entry to the first and/or second year of an undergraduate degree programme, where the college is recognised by the Ministry of Education in Taiwan and/or the BTCO and where the student achieves a sufficiently high score overall.

Students who hold the East African Advanced Certificate of Education (EAACE), Advanced Certificate of Secondary Education (ACSE), Cambridge Higher School Certificate (COHSC) and National Form VI Examination will be considered for entrance to undergraduate programmes.

For study on our Foundation and Undergraduate programmes, English language at grade C or above in the ACSE is sufficient to meet the standard English language requirements.

For Postgraduate programmes, Tanzanian nationals with a degree from Tanzania or another English speaking country (as on the University's approved list) are not required to submit an English Language test.

We will consider:

• GCE A Level we will usually consider students with 3 good subjects
• International Baccalaureate (IB) we will normally consider students with 32 points overall for entrance to most of our undergraduate programmes, certain courses will require specific grades and subjects at Higher Level
• High School Certificate (M6) and a recognised one year foundation qualification may be considered
• One or two years of university level study at a recognised university in Thailand, with a sufficiently high score overall in their university level study (3.0+/4.0), may be considered for entry to an undergraduate degree programme.

Candidates from Caribbean and West Indies generally require The Caribbean Advanced Proficiency Examination (CAPE).

The University will consider students who have grades required are I – II in six CAPE units, including 2 double-unit level courses with a minimum of II in each of these double-unit courses. The requirement for a subject taken to include I for A (A-level equivalent) and II for a B (A-level equivalent) in any required subject.

For any courses that accept general studies, we will consider the Caribbean studies and Communication Studies additional to the 2 double-unit level courses, to make up the six required units.

Candidates offering an Associate degree from a recognised institution may also be considered for entry to the first year of an undergraduate degree programme. We would typically require a minimum GPA of 3.0 to include high grades in relevant and required subjects.

For Engineering and Physical Sciences degree programmes that require an A level in Mathematics, we require CAPE Pure Mathematics.  

The University will consider students who have taken A level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes.  Students educated in the Philippine system require at least two years post-high school education at a recognised institution before entering a Bachelors degree programme at Birmingham.  Many students who have studied in the Philippines have followed a 12 year education system. For admission onto an undergraduate degree programme, the University of Birmingham requires all applicants to have studied for 13 years, and therefore you may need to take a foundation year before commencing your undergraduate programme.  We will consider students for entry to the Birmingham International Academy who have completed their first year at a recognised institution in the Philippines and obtained good grades in all subject areas. 

The University will consider students who have taken the Lise Diplomasi and a suitable foundation programme, such as one of our  Foundation Pathways , or GCE A Level examinations, or the International Baccalaureate (IB) for entrance to our undergraduate programmes.

Students who have taken the Lise Diplomasi or Lise Bitirme Diplomasi from certain schools will be considered for entry to our undergraduate degree programmes.  The scores required in grade 12 on the high school diploma vary according to the A level requirement for that programme:

Alternatively students who have also taken SAT (Scholastic Aptitude Test) and AP (Advanced Placement) tests will be considered for admission to Bachelor degree programmes.  For more details on SAT and AP requirements please refer to the USA country page. 

We will consider students who have taken GCE A Level examinations or the International Baccalaureate (IB) for entry onto our undergraduate programmes. Holders of the Tawjihiyya are not usually eligible for direct entry onto our undergraduate courses without completion of a suitable foundation programme, such as one of our foundation pathways.

Pre-sessional programmes

The Birmingham International Academy (BIA) also offers pre-sessional English courses, which you can take to improve your spoken and written English in preparation for academic study. If you have a conditional offer you can attend one of these courses instead of retaking IELTS.

Our pre-sessional programmes

The University will consider students who have taken GCE A Level examinations, the International Baccalaureate (IB), the Uganda Advanced Certificate of Education (UACE), Cambridge Overseas Higher School Certificate, East African Advanced Certificate of Education or a suitable foundation programme, such as one of our Foundation Pathways, for entrance to undergraduate programmes.

Applicants from the USA can  meet Maths and English (UK-GCSE) requirements with the following. We require Maths and English (or similar e.g. Calculus, Algebra) from any of the following: AP (min grade 4), SAT S/II (min score 650), Honours classes or College-level course (min B+), HSD (pass grade at grade 12 level), ACT composite score (min 28), SAT-R (min score 670), International Baccalaureate English, Standard or Higher Level, First or Second Language (min grade 5). Other English language requirements can be found here .

Applicants studying A levels or the International Baccalaureate Diploma, will be eligible for direct entry if you meet your chosen programme’s entry requirements.

Alternatively, applicants should satisfy the following:

1. A minimum score of 3.2/4.0 GPA on the High School Diploma (HSD) (non-weighted )

2. Three distinct subject tests are required from a combination of either: (These options can be used in various combinations to meet our standard 3 subject A level requirement)

• International Baccalaureate (IB) Higher Level (HL) Subject Tests
• Advanced Placement tests (APs)
• Honours classes (Year 11/12-(1 year duration)
• College Level /dual level classes (academic, full year)
• SAT II Subject Tests (prior to being discontinued in Jan 2021)

To offer greater flexibility, one of the following tests can be used to replace one of the three subject test requirements listed above:  (for a specific subject requirement this would not be accepted)

Composite ACT with a score of 28+ to replace one subject test ( not accepted to replace a subject requirement. )

• SAT-R with a score of 1350+ to replace one subject test ( not to replace a subject requirement. )  (SAT superscores are not accepted)

For example:

(For a course that requires: A level AAA (with no specific subject requirements).  This means you could present with an HSD (3.3) + ACT (28), AP History (5) and an Honours Earth/Environmental Science (A).)

( For a course that requires: A levels AAB (A level Mathematics required). This means you could present with an HSD 3.2+, 2 subject test and as A level Mathematics is required AP Calculus BC.)                                                                      

A table of accepted A level grade equivalents can be found below. Use this table to work out the equivalents to the A level entry requirements to your preferred course(s).

• Where a certain A-level subject is required for entry to the course students must present with a suitable subject test, or have studied that subject at Community College, at a USA University or during their Associate’s degree.  (We advise that you look at the  course pages  and select entry requirements to find out if there are specific subject requirements)
• For subjects requiring A-level Mathematics applicants must present with AP Calculus BC or International Baccalaureate HL Mathematics.  (We do not accept AP Calculus AB to fulfil this requirement). Please check the individual course pages for our typical A-level requirements and see below for the corresponding scores.
• IB Higher Level (HL) Subject Tests  should be shown on the transcript or through a certificate.
• Advanced Placement tests (APs)  should be the certified test, we will not accept just the classes. 
• Honours classes (Year 11/12-(1 year duration)  these should be shown on a HSD transcript named as 'H' Honours', 'Hons' and to be taken in the USA.
• College Level /dual level classes (academic, full year)  should be shown on a transcript or certificate and named as academic subject (rather than practical or recreational) to be taken in the USA.

As an alternative to the above HSD and 3 tests, we can accept an Associate’s Degree, or one year at a Community College or a USA University to be accepted onto the first year of an  undergraduate degree. 

Entry requirements for Medicine and Surgery MBChB :  SAT1 score of 1380 or ACT score of 29. Three AP subjects at grade 5, including Biology and Chemistry or three SAT subject test scores of 700, 700 and 700, including Biology and Chemistry. We will also accept appropriate combinations of SAT and AP scores (We cannot accept other test for this programme)

• For Medicine country specific requirements, please visit our Applying to Medicine website  look for International Applicants.
• Our BNurs -Adult courses detail international entry requirements and useful tips. 

As a reminder you don't need to have completed all of these tests to apply through  UCAS . So our admissions team can fully review your application, please include your already achieved academic qualifications and tests up to your senior year (including all target/predicted results for tests you are yet to complete)   in the Education section of UCAS. 

The Designated Institution Code for College Board: The University of Birmingham is 7390.

We are registered with  ACT , therefore if you wish to provide your qualifications to us you can find our details on their website.

Applicants from the USA may already meet the English language  requirement (UK-GCSE equivalent ) through one of the following English  related tests:  SAT II Subject test (min score 650), AP (min grade 4),  Honours classes or College-level course (min B+), HSD (pass grade at grade 12 level), ACT English composite score (min 28), SAT-R Evidence-Based Reading and Writing (min score 670), International Baccalaureate English, Standard or Higher Level, First or Second Language (min grade 5). Other English language requirements can be found  here .

We will consider students who have taken A level examinations and the International Baccalaureate (IB) for entrance to undergraduate programmes.  Holders of the Certificate of Secondary Education (Attestat o srednem obrazovanii) at grade 11 and a suitable foundation programme (or 2 years study at a recognised higher education institution) will be considered for entry to our Bachelor degree programmes.  For more information on our foundation programme, please visit the  Foundation Pathways  website.

Candidates from Venezuela generally require a) A levels or IB Diploma or b) a recognised foundation programme or c) successfully completed the first year of the Licenciatura/Título with 70% or equivalent overall.

• GCE A Level in three acceptable subjects, certain courses will require specific grades and subjects.
• International Baccalaureate (IB) with 32 points overall for entrance to most of our undergraduate programmes, certain courses will require specific grades and subjects at Higher Level.
• Students who have completed the first year of a University programme in Vietnam will be considered for direct entry of the undergraduate programme at the University of Birmingham.

Students holding the Cambridge Higher School Certificate (HSC) or ZIMSEC A Levels will be considered for entrance to undergraduate programmes.

IB Diploma : 6,6,5 in Higher level subjects plus 32 points overall, to include Literature or Literature and Language at HL 5.

• BTEC Extended Diploma: DDM, plus a B at A level in the required subject/s mentioned above.
• BTEC Diploma: DD, plus a B at A level in the required subject/s mentioned above.
• BTEC Subsidiary Diploma: D, plus AB at A level, including the required subject/s mentioned above.

Other qualifications are considered - learn more about entry requirements .

Alternative offers through our Pathways to Birmingham programmes and our Contextual Offer scheme

Students who are eligible and successfully complete a Pathways to Birmingham programme will receive special consideration from admissions tutors and an alternative offer (typically two grades below the standard offer). In addition, our Contextual Offer Scheme recognises the potential of students whose personal circumstances may have restricted achievement in school or college. If you are eligible to benefit from the contextual offer scheme, you will receive an offer which is one grade lower than the standard offer.

International Students

We welcome applications from international students and invite you to join our vibrant community of over 4500 international students who represent 150 different countries. We accept a range of qualifications, our country pages show you what qualifications we accept from your country.

Depending on your chosen course of study, you may also be interested in one of our foundation pathways, which offer specially structured programmes for international students whose qualifications are not accepted for direct entry to UK universities. Further details can be found on Birmingham International Academy web pages .

You will have access to a comprehensive support system to help you make the transition to higher education when you start at Birmingham. 

Personal tutors – You will be assigned your own personal tutor who will get to know you as you progress through your studies. They will provide academic support and advice to enable you to make the most of your time here at Birmingham.

Wellbeing Officers –You will also have access to dedicated wellbeing officers who provide professional support, advice and guidance to students across a range of issues. They can meet with you to discuss extensions, disabilities, reasonable adjustments, extenuating circumstances, or to talk through any problems you might be experiencing, and help you access wider support on campus and beyond if you need it.

Our Academic Skills Centre helps you to become a more effective and independent learner through a range of high-quality support services. The centre offers workshops on a range of topics, such as note-taking, reading, academic writing and presentation skills.

The Academic Writing Advisory Service (AWAS) provides guidance on writing essays and dissertations if you need it. You can receive individual support from an academic writing advisor and meet with postgraduate tutors who specialise in particular subjects too.

Our Student Experience Team will help you get the most out of your academic experience. They offer research opportunities, study skills support, and help you prepare for your post-university career. They also organise social events, including trips.

Teaching staff

Students at the University of Birmingham are taught by a mixture of professors, senior lecturers, lecturers and doctoral researchers, thereby receiving a rich diversity of academic knowledge and experience. Many of our teaching staff have published important works about their areas of expertise, whilst others have taught at international institutions and can offer unique perspectives of their subjects.

You can find out more about the members of staff (including their qualifications, publication history and specific areas of interest) in their academic profiles linked below.

• Staff in English Literature
• Staff in English Language and Linguistics
• Staff in Film and Creative Writing

Contact Hours

All Birmingham degrees are set within a credit framework designed to measure your academic achievements. We expect all students to accumulate 120 credits in each full year of study which is equivalent to 40 hours of learning a week. Learning is considered to include contact learning (lectures and seminars), private study, revision and assessment.

For this programme, those 40 hours are estimated to be broken down and split into lectures, seminars and other guided teaching opportunities and then independent study. This is a general rule across the entire academic year and may change week by week.

• Year 1 : 20% Lectures, seminars or similar and 80% Independent study
• Year 2: 15% Lectures, seminars or similar and 85% Independent study
• Year 3: 10% Lectures, seminars or similar and 90% Independent study

Assessment Methods

Assessments - you will be assessed in a variety of ways to help you transition to a new style of learning. At the beginning of each module, you will be given information on how and when you will be assessed. Assessments methods will vary with each module and could include:

• coursework, such as essays
• group and individual presentations

Feedback - you will receive feedback on each assessment within three weeks, so you can learn from each assignment. You will also be given feedback on any exams that you take. If you should fail an exam, we will ensure that particularly detailed feedback is provided to help you prepare for future exams.

Studying for BA English and Creative Writing at the University of Birmingham is an unparalleled opportunity to engage with a diverse cultural, textual and linguistic discipline, at the same time as developing your own writing 'voice' and 'genre'.

You may go on to a career as a novelist, screenwriter, poet or journalist, but of course the skill of writing also qualifies you for a wide range of other careers. Whatever path you choose, you will also find the practical skills that you have acquired on your degree course extremely useful such as oral presentation, professional documentation, group work and the uses of information technology. 

Our graduates have started careers with employers including the BBC, Headline Publishing Group, Mirror Group Newspapers and Oxford University Press, in roles such as account executive, editorial assistant, marketing assistant and sales and events coordinator. Many of our graduates pursue postgraduate study to specialise in an academic area or prepare for careers such as law and teaching.

Developing your career

The University of Birmingham is the top choice for the UK's major employers searching for graduate recruits, according to The Graduate Market 2024 report . Our Careers Network are here to offer you tailored, expert advice on your career plans and support you with finding and applying for jobs, internships and further study. There are hundreds of events to help you meet potential employers and learn more about the breadth of opportunities and career sectors available to you.

Support will be offered to you covering the whole job application process, including CVs, LinkedIn, application forms, interviews and assessment centres.  You can also email our experienced Careers Advisors and College Teams to review your applications or answer any careers related question, alongside our on campus and online 1:1 appointments.

We have a number of exclusive work experience programmes such as our B-Experienced programme, which will give you professional experience to set you apart in the graduate market. We also offer work experience bursaries, which allow you to apply for funding to support you during any unpaid internships in the UK and rest of the world.

First years can take part in The Birmingham Project , with themes including celebrating arts and culture and shaping a global society. There’s also a successful Mentoring Programme , where you can gain access to experienced Mentors who can empower, inspire and inform you about their experiences.  As a University of Birmingham student you will also be given access to LinkedIn Learning giving free access to real world training courses to kick-start your careers.

If you want to earn money WorkLink advertises convenient part-time job opportunities on campus to fit round your studies.  

Extra-curricular activities

To enhance your career prospects even further, you may want to engage in extra-curricular activities to broaden your skills and your network of contacts. The Birmingham Award is the University of Birmingham’s employability programme, supporting you to develop and recognise the attributes you gain through extra-curricular activities. The award is supported by graduate employers and offers you an opportunity to showcase participation in activities outside of your degree programme.’

There are 300+ student groups and volunteering opportunities offered by the Guild of Students (our Students’ Union) so you’re bound to find activities that you want to be involved in whilst meeting friends who share your interests.

• Check your eligibility
• Student life

• Schools & departments

Creative Writing MSc

Awards: MSc

Funding opportunities

Programme website: Creative Writing

The community has been one of my favourite parts. The department has very warm and encouraging staff. Some of my classmates are now close friends, and we still workshop stories across time zones, and complain to each other about writing - and not writing! Bhavika Govil, prize-winning fiction writer MSc in Creative Writing, 2020

Introduction to Postgraduate Study at the University of Edinburgh

Join us online on 25 September to learn more about Scotland, the city of Edinburgh and postgraduate study at the University.

Find out more and register

Programme description

Based in the first UNESCO World City of Literature, this one-year, full-time taught Masters programme is tailored towards your practice in either fiction or poetry.

There is a strong practical element to the programme, helping you develop your creative skills through:

• presenting your work for peer discussion
• hearing from guest writers and other professionals on the practicalities of life as a writer

You will also sharpen your critical skills through:

• seminars exploring the particulars of your chosen form
• option courses in literature, helping you move from theoretical considerations to practical applications

The programme culminates with the publication of ‘From Arthur’s Seat,’ an anthology of student work.

Why Edinburgh

Literature has been taught here for over 250 years, and today Edinburgh thrives on its designation as the first UNESCO World City of Literature. The city is home to the National Library of Scotland and the Scottish Poetry Library, and a number of celebrated publishing outlets, from Canongate and Polygon, to Luath Press, Birlinn and Mariscat. The University hosts the prestigious James Tait Black Awards, established in 1919 and one of the oldest literary prizes in Britain.

There are lots of opportunities to write and share your work, from ‘The Student,’ the UK’s oldest student newspaper (founded in 1887 by Robert Louis Stevenson), to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you will find:

• library readings and bookshop launches
• spoken word gigs
• cabaret nights
• poetry slams

Edinburgh isn’t just historic – it’s a modern hub for literature. That’s part of what makes the city great for writing.

Austin Crowley, MSc in Creative Writing, 2023

We team teach our programme so that you benefit from the input of a range of tutors, as well as your fellow students and our Writer in Residence, the poet and author Michael Pedersen, who also co-ordinates a range of student writing prizes and our annual industry and networking event.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark
• Dr Patrick Errington - Poetry/Fiction
• Dr Miriam Gamble - Poetry
• Professor Alan Gillis - Poetry
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Programme structure

Over the duration of the programme, you will:

• take two core courses, both worth 40 credits
• two optional courses chosen from a wide range of subjects, both worth 20 credits

The core activities in Creative Writing are:

• tutor-led workshops, in which you will present your work-in-progress and critique the work of your fellow students
• regular seminars exploring techniques and issues specific to your practice (either fiction or poetry) and the statements and theories of practitioners

Optional courses

We have a large number of option courses to choose from, including preferred courses for fiction and poetry (which will be offered to Creative Writing students in the first instance), and courses from across the Department of English Literature and the School of Literatures, Languages and Cultures.

Visiting speakers

Throughout the programme, you will be expected to attend readings and talks by visiting speakers. Early on, these will be from published writers and, later, advisors from the writing business: literary agents, magazine editors and publishers.

Dissertation

The final element of the programme is your dissertation, a piece of creative writing (worth 60 credits) written with the advice and support of a designated supervisor.

Fiction dissertations are between 15,000 words and 20,000 words, and poetry dissertations between 25 and 30 pages.

Learning outcomes

On successful completion of this course, you should be able to:

• identify, conceptualise and define formal elements of craft in your chosen field (poetry or fiction) within published works and within works by your peers
• remain open to criticism and respond effectively and creatively to feedback on your own creative work
• work from initial conception through multiple drafts to the final version of a creative piece within your chosen field (fiction or poetry)
• transfer editorial skills and creative abilities from one context to another
• analyse creative works within your chosen field (fiction or poetry), work with a focus on craft effectiveness, and articulate strengths and weaknesses in a piece of writing in a constructive manner

Career opportunities

Over the course of this programme, you will complete a body of creative work that has been rigorously peer reviewed.

Our students go on to careers in a wide variety of fields, including:

• arts administration
• web and audio book editing
• script and ghost writing
• gaming narrative design

Some decide to extend their studies and take a PhD with us.

Many of our alumni go on to achieve literary success, publishing novels and short story and poetry collections, and winning awards. Our graduates’ recent successes include:

debut novels from:

• Amanda Block (The Lost Storyteller, published by Hodder Studio)
• Karin Nordin (Where Ravens Roost, published by Harper Collins)
• Marielle Thompson (Where Ivy Dares to Grow, published by Kensington Books)
• August Thomas (Liar’s Candle, published by Simon and Schuster)
• Rosie Walker (Secrets of a Serial Killer, published by One More Chapter)
• Mark Wightman (Waking the Tiger, published by Hobeck Books and shortlisted for Scottish Crime Debut of the Year 2021)

debut short story collections from:

• Dayle Furlong (Lake Effect, published by Cormorant Books)
• Dima Alzayat (Alligator and Other Stories, shortlisted for the James Tait Black Award for Fiction)
• a non-fiction debut from Sonali Misra (21 Fantastic Failures, published by Rupa Publications India)

debut poetry collections from:

• Rebecca Tamás (WITCH, published by Penned in the Margins)
• Naomi Morris (Hyperlove, published by Makina Books)
• Aileen Ballantyne (Taking Flight, published by Luath Press)
• the 2022 Edwin Morgan Poetry Award, won by Alyson Kissner
• the 2021 Brotherton Poetry Prize, won by Lauren Pope
• the 2021 Pontas & JJ Bola Emerging Writers Prize, won by Bhavika Govil

Meet our graduates

From Arthur’s Seat – stories from the heart of Edinburgh

Tim Tim Cheng

• Bhavika Govil
• Dima Alzayat

What's the best type of masters programme for you?

Entry requirements.

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK 2:1 honours degree, or its international equivalent, in any discipline. This will often be in a directly related subject like English Literature/Creative Writing, but we welcome applicants from all academic backgrounds.

Applicants who are entered into selection will be asked to provide a sample of written work to enable their suitability for the programme to be assessed.

Students from China

This degree is Band C.

• Postgraduate entry requirements for students from China

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

• Fees and costs

Read our general information on tuition fees and studying costs:

Scholarships and funding

Featured funding.

If you are intending to study full time on this Creative Writing programme, you are eligible for a William Hunter Sharpe Memorial Scholarship which will contribute towards your tuition fees.

You do not need to apply for this scholarship – all eligible candidates who apply for the programme by Monday 6 May 2024 will be considered for them and contacted if successful.

• Find out more about the William Hunter Sharpe Memorial Scholarship and other scholarships in literatures, languages and cultures

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

• your programme
• the duration of your studies
• your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

• UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: College of Arts, Humanities & Social Sciences Admissions Office
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

This programme is not currently accepting applications. Applications for the next intake usually open in October.

Start date: September

Application deadlines

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Please be aware that applications must be submitted and complete, i.e. all required documents uploaded, by the relevant application deadline in order to be considered in that round. Your application will still be considered if you have not yet met the English language requirement for the programme.

Deadlines for applicants applying to study in 2024/25:

(Revised 27 March 2024 to extend Round 3 application deadline)

• How to apply

The online application process involves the completion of a web form and the submission of supporting documents.

You should supply a portfolio of writing.

• For poetry, this should be six (6) pages of poetry, starting a new page for each new poem of 14 lines or over.
• For fiction, this should be a complete story or stories, or an equivalent amount from a longer work (between 2,500 and 3,500 words).

These are firm limits.

If you are undecided about whether to apply for fiction or poetry, you should send a sample of both, i.e. six (6) pages of poetry and 2,500-3,500 words of fiction (if offered a place it will be for one or the other).

Work in other forms (for example journalism, life writing or advertising) will not be considered.

Personal statement

When writing your personal statement, consider the following questions:

• What do you most hope to learn/gain from a Creative Writing degree, and why is ours the programme for you?
• Tell us about your writing: what are you interested in and why? Are there aspects of your current practice you're particularly proud of? Things you know you need to work on?

What (if any) prior experience do you have of studying Creative Writing?

Guidance on the application process and supporting documents

All supporting documents, including references, must be uploaded to the online application system by the deadline date.

Find out more about the general application process for postgraduate programmes:

MSt in Creative Writing

• Entry requirements
• Funding and Costs

College preference

• How to Apply

About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

• short fiction
• radio drama
• screenwriting
• stage drama
• narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Department for Continuing Education and this role will usually be performed by the Course Director.

You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

It is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff. Under exceptional circumstances a supervisor may be found outside the Department for Continuing Education.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. 

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included publishing creative work in a chosen field, careers in arts/media, and doctoral programmes in creative writing.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or upper second-class undergraduate degree with honours  in a related field.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

• Assessors are looking for writers with a proven record of commitment to their craft, whose work demonstrates significant creative promise. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.
• Applicants do not need to be previously published, but the MSt is unlikely to be suitable for those who are just starting out on their writerly and critical development.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Interviews are normally held as part of the admissions process.  

For those applying by the January deadline, interviews are generally held in February and March. For March applicants, interviews are generally held in March and April.

The decision to call an applicant for interview is based on the University Admission Board's assessment of your portfolio, statement of purpose, academic and professional track record and references. Interviews will be conducted in person or by telephone. All applicants whose paper submissions indicate they are qualified for entry will generally be interviewed, either in person or by telephone/Skype. There are always two interviewers. Interviews usually last up to approximately 30 minutes and provide an opportunity for the candidate to discuss his/her application and to explore the course in more detail.

The interview is designed to ascertain, through a range of questions, the shape and emphasis of the candidate's writing and reading, and general suitability for the demands of the MSt. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

The department is committed to supporting you to pursue your academic goals. 

The Rewley House Continuing Education Library , one of the Bodleian Libraries, is situated in Rewley House. The department aims to support the wide variety of subjects covered by departmental courses at many academic levels. The department also has a collection of around 73,000 books together with periodicals. PCs in the library give access to the internet and the full range of electronic resources subscribed to by the University of Oxford. Wi-Fi is also available. The Jessop Reading Room adjoining the library is available for study. You will have access to the Central Bodleian and other Bodleian Libraries.

The department's Graduate School provides a stimulating and enriching learning and research environment for the department's graduate students, fostering intellectual and social interaction between graduates of different disciplines and professions from the UK and around the globe. The Graduate School will help you make the most of the wealth of resources and opportunities available, paying particular regard to the support and guidance needed if you are following a part-time graduate programme. The department’s graduate community comprises over 600 members following taught programmes and more than 70 undertaking doctoral research.

The department provides various IT facilities , including the Student Computing Facility which provides individual PCs for your use. Many of the department's courses are delivered through blended learning or have a website to support face-to-face study. In most cases, online support is delivered through a virtual learning environment. 

Depending on the programme you are taking with the department, you may require accommodation at some point in your student career. Rewley House is ideally located in central Oxford; the city's historic sites, colleges, museums, shops and restaurants are only a few minutes’ walk away. The department has 35 en-suite study bedrooms, all with high quality amenities, including internet access.

The Rewley House dining room has seating for up to 132 people. A full meal service is available daily. The department operates a Common Room with bar for students. 

Department for Continuing Education

The need for new learning opportunities throughout life is now recognised throughout society. An intensive, initial period of higher education is not always enough in times of rapid social, economic and technological change. The Department for Continuing Education is known worldwide as a leading provider of extended learning for professional and personal development.

The department provides high-quality, flexible, part-time graduate education, tailored for adults. Students can undertake graduate-level certificates, diplomas and taught master’s degrees in a wide range of subjects. Increasing numbers of courses are delivered in mixed mode, combining intensive periods of residence in Oxford with tutored online study.

The department recruits adult students of all ages on a regional, national and international level. Many courses are offered jointly with other academic departments around the University. Courses are offered in the following areas:

• Mathematical, physical and life sciences
• Medical and health sciences
• Social sciences .

All postgraduate students on the department's courses are members of its Graduate School. The Graduate School aims to provide a stimulating and enriching environment for learning and research. It also fosters intellectual and social interaction between students coming from different disciplines and professions. Interdisciplinary research seminars, training opportunities and other events are offered by the Graduate School in support of this goal.

All masters' and DPhil applicants are considered for Clarendon Scholarships . The department is committed to seeking scholarship support for other students wherever possible.

View all courses   View taught courses View research courses

The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the department's website.

Annual fees for entry in 2024-25

IMPORTANT : Please note that while most of the content of these pages relates to the course starting in 2024-25, this information about course fees and the additional information section on this page relate to entry in 2025-26 . The remaining content will be updated for 2025-26 entry later in September.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

The Fees and Funding  section of this website provides further information about course fees , including information about fee status and eligibility  and your length of fee liability .

Additional information

This course has residential sessions (residences and retreats) in Oxford. You will need to meet your travel costs in attending these sessions. The tuition fee includes the cost of board and lodging during the residences and retreats (eg for a four day residence, three nights accommodation will be provided). Further, as part of your course requirements, you will need to complete a research placement in the second year. For this placement you will need to meet your travel and accommodation costs, and any other incidental expenses. You may be able to apply for small grants from your department and/or college to help you cover some of these expenses. Further information about departmental funding can be found on the department's website. Please check with your specific college for bursary or other funding possibilities.

Living costs

In addition to your course fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.

For the 2024-25 academic year, the range of likely living costs for full-time study is between c. £1,345 and £1,955 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our living costs page. The current economic climate and high national rate of inflation make it very hard to estimate potential changes to the cost of living over the next few years. When planning your finances for any future years of study in Oxford beyond 2024-25, it is suggested that you allow for potential increases in living expenses of around 5% each year – although this rate may vary depending on the national economic situation. UK inflationary increases will be kept under review and this page updated.

If you are studying part-time your living costs may vary depending on your personal circumstances but you must still ensure that you will have sufficient funding to meet these costs for the duration of your course.

Students enrolled on this course will belong to both a department/faculty and a college. Please note that ‘college’ and ‘colleges’ refers to all 43 of the University’s colleges, including those designated as societies and permanent private halls (PPHs). 

If you apply for a place on this course you will have the option to express a preference for one of the colleges listed below, or you can ask us to find a college for you. Before deciding, we suggest that you read our brief  introduction to the college system at Oxford  and our  advice about expressing a college preference . For some courses, the department may have provided some additional advice below to help you decide.

The following colleges accept students on the MSt in Creative Writing:

• Blackfriars
• Brasenose College
• Campion Hall
• Harris Manchester College
• Keble College
• Kellogg College
• Lady Margaret Hall
• Oriel College
• Regent's Park College
• St Catherine's College
• Somerville College
• Wadham College
• Wycliffe Hall

Before you apply

Our  guide to getting started  provides general advice on how to prepare for and start your application. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

If it's important for you to have your application considered under a particular deadline – eg under a December or January deadline in order to be considered for Oxford scholarships – we recommend that you aim to complete and submit your application at least two weeks in advance . Check the deadlines on this page and the  information about deadlines and when to apply  in our Application Guide.

Application fee waivers

An application fee of £75 is payable for each application to this course. Application fee waivers are available for the following applicants who meet the eligibility criteria:

• applicants from low-income countries;
• refugees and displaced persons; 
• UK applicants from low-income backgrounds; and 
• applicants who applied for our Graduate Access Programmes in the past two years and met the eligibility criteria.

You are encouraged to  check whether you're eligible for an application fee waiver  before you apply.

Do I need to contact anyone before I apply?

You do not need to make contact with the department before you apply but you are encouraged to visit the relevant departmental webpages to read any further information about your chosen course.

If you have any questions about the course, these should be directed to the course administrator via the contact details provided on this page.

Completing your application

You should refer to the information below when completing the application form, paying attention to the specific requirements for the supporting documents . 

If any document does not meet the specification, including the stipulated word count, your application may be considered incomplete and not assessed by the academic department. Expand each section to show further details.

Referees: Three overall, academic and/or professional

Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.

Your references will support your commitment to creative writing and suitability to pursue a course of this nature at graduate level. Both professional and academic references are acceptable.

Official transcript(s)

Your transcripts should give detailed information of the individual grades received in your university-level qualifications to date. You should only upload official documents issued by your institution and any transcript not in English should be accompanied by a certified translation.

More information about the transcript requirement is available in the Application Guide.

A CV/résumé is compulsory for all applications. Most applicants choose to submit a document of one to two pages highlighting their academic and writerly achievements and any relevant professional experience.

Statement of purpose: A maximum of 750 words

The statement of purpose should contain sufficient detail to allow it to be assessed against the indicated criteria.

Your statement should be written in English and explain your motivation for applying for the course at Oxford, your relevant experience and education, and the specific areas that interest you and/or in which you intend to specialise.

If possible, please ensure that the word count is clearly displayed on the document.

This will be assessed for:

• your reasons for applying
• evidence of motivation for and understanding of the proposed area of study
• the ability to present a reasoned case in English
• commitment to the subject, beyond the requirements of the degree course
• capacity for sustained and intense work
• reasoning ability and quality of written expression
• capacity to address issues of writerly and critical significance.

Written work: A maximum of 2,000 words of prose fiction or narrative non-fiction or 10 short poems or 15 minutes of dramatic writing (stage, screen, radio or TV)

Your portfolio of creative writing for assessment can be in any of the four genres, or in more than one. It should be clearly indicative of your ability in creative writing.

This will be assessed for excellence in creative writing.

Start or continue your application

You can start or return to an application using the relevant link below. As you complete the form, please  refer to the requirements above  and  consult our Application Guide for advice .

Application Guide   Apply

ADMISSION STATUS

Closed to applications for entry in 2024-25

Register to be notified via email when the next application cycle opens (for entry in 2025-26)

12:00 midday UK time on:

Friday 19 January 2024 Latest deadline for most Oxford scholarships

Friday 1 March 2024 Applications may remain open after this deadline if places are still available - see below

A later deadline shown under 'Admission status' If places are still available,  applications may be accepted after 1 March . The 'Admissions status' (above) will provide notice of any later deadline.

*Three-year average (applications for entry in 2021-22 to 2023-24)

Further information and enquiries

This course is offered by the Department for Continuing Education

• Course page  and blog on  department website
• Funding information from the department
• Academic staff
• Departmental research
• Continuing Education Graduate School
• Postgraduate applicant privacy policy

Course-related enquiries

Advice about contacting the department can be found in the How to apply section of this page

✉ [email protected] ☎ +44 (0)1865 280145

Application-process enquiries

See the application guide

Visa eligibility for part-time study

We are unable to sponsor student visas for part-time study on this course. Part-time students may be able to attend on a visitor visa for short blocks of time only (and leave after each visit) and will need to remain based outside the UK.

English with Creative Writing BA (Hons)

Undergraduate degree

Discover what it's like to study the BA (hons) English degree at City, University of London.

Key information

This programme allows you to take a range of innovative creative writing modules – including screenwriting and writing for gaming - to complement the study of English writing throughout the world. You will graduate with a wide range of creative and applied professional skills.

• 3 years full-time
• 4 years with placement or study abroad year

Institution

City, University of London

Northampton Square

Entry requirements

Below is a list of countries with information on each about which qualifications we accept. If your country is not listed please email [email protected] .

Contextual offers

We apply a contextual admissions process for UK undergraduate applicants who have been in care, attend a low performing school, live in an area where few students go to university, or are the first generation of their family to enter Higher Education.

Those who are eligible may receive a conditional offer with reduced entry requirements, typically up to two grades lower for A-levels and one grade (or eight tariff points) for BTEC or mixed qualifications.

Mixed qualifications

Typically the only scenario where we make conditional offers expressed as UCAS tariff points is when an applicant presents mixed qualifications, most typically a combination of A Levels and a BTEC qualification.

In this instance, we may make a tariff point offer to present the applicant with more flexibility on equivalencies. In this case, please be aware that we may still ask for a specific score across certain qualifications and subjects. E.g. 'This offer is conditional on you achieving 128 tariff points. This must include A Level Mathematics at grade B.'

Subject exclusions

We do not accept General Studies and Critical Thinking. These subjects will not be included in any conditional offer we make.

Extended Project Qualification (EPQ)

We welcome applications from students who are completing relevant EPQ Projects. Whilst we recognise the value of these projects in preparing students for independent learning at university, the EPQ is unlikely to form part of any conditional offer we make.

The EPQ will also not lower the specifics of any conditional offer we choose to make. We will consider the EPQ as part of the holistic assessment of the application and it could be used to form part of our final decision at Confirmation stage.

We recognise that there will be differences of opportunity varying by school and college. As not all students will have the opportunity to sit AS Level exams, it is unlikely we will include AS Level grades in any offer we choose to make. Where students have completed an AS Level subject, we will consider this as part of the holistic assessment of the application and it could be used to form part of our final decision at Confirmation stage.

University preparation programmes

If you do not qualify for direct entry, you may wish to take a foundation programme first. These programmes are designed to prepare students for entry to City's undergraduate courses.

Access to Higher Education

We welcome Access course applications from 'mature' students. These applicants will be considered on the basis of their own merits. Please be aware that Access students are often asked for further information to supplement their application, this is normally in the form of a questionnaire.

A typical offer for an Access applicant would be:

• Access to HE course with 60 credits overall to include 45 credits at Level 3 with 24 Level 3 credits at Distinction and 21 Level 3 credits at Merit.
• The Access qualification should be supplemented by at least a grade 6 (B) in Mathematics and grade 4 (C) in English Language at GCSE.

The Zimbabwe GCE A Level is considered on a grade for grade basis with GCE A Levels.

Visa requirements

International Students coming to study in the UK may need to apply for a visa or entry clearance to come to the UK to study. The way that you apply may vary depending on the length of your course. There are different rules for:

• Students on courses of more than six months
• Students on courses of less than six months

For more information see our main Visa page .

The School Certificate / General Certificate of Education.

Students must successfully complete a recognised foundation course.

Tot Nghiep Pho Thong Trung Hoc (Upper Secondary School Graduation Certificate) students must successfully complete a recognised foundation course.

Uzbekistan Certificate of Secondary Education.

Certificate of Complete General Secondary Education.

Advanced Certificate in Education (UACE) is considered on a grade for grade basis with GCE A Levels.

Advanced Placements.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the US equivalent required.

The equivalents provided are intended as a guide only and individual applications are assessed on a case-by-case basis.

The following A-level equivalences to Advanced Placements will typically be applied:

• A-level AAA = Advanced Placements 555
• A-level AAB = Advanced Placements 554
• A-level ABB = Advanced Placements 544
• A-level BBB = Advanced Placements 444
• A-level BBC = Advanced Placements 443
• A-level BCC = Advanced Placements 433.

Thanawaya (General Secondary Education Certificate Examination)- students must successfully complete a recognised foundation course.

Secondary certificate.

Mathayom Suksa 6 (Senior High School Leaving Certificate) students must successfully complete a recognised foundation course.

Certificate of Secondary Education (CSE)

Senior High School Leaving Certificate students must successfully complete a recognised foundation course.

Junior College Diploma

The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Switzerland

Federal Maturity Certificate/Maturitatzeugnis/Cantonal Maturity Certificate. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

International Students from within the European Economic Area (EEA) may need to apply for a Student visa or entry clearance to come to the UK to study if they do not have EU Settlement Status.

• Students on courses of less than six months.

Avgångsbetyg / Slutbetyg från Gymnasieskola. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Sri Lankan General Certificate of Education (Advanced Level).

Considered equivalent to UK A-levels on a like for like basis.

Título de Bachillerato (LOGSE)

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Polish equivalent required.

The following A-level equivalences to Título de Bachillerato (LOGSE) will typically be applied:

• A-level AAA = 8
• A-level AAB = 7.8
• A-level ABB = 7.6
• A-level BBB = 7.4
• A-level BBC = 7.2
• A-level BCC = 7.

Please contact Admissions to confirm the requirements for your course of interest.

South Korea

Korean High School Diploma students must successfully complete a recognised foundation course.

South Africa

The National Senior Certificate will be accepted for direct entry to certain undergraduate courses normally

Maturitetno spričevalo (Matura Certificate). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Vysvedčenie o maturitnej skúške (Secondary School Leaving Certificate). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Singapore-Cambridge GCE A-levels considered equivalent to UK A-levels on a like-for-like basis.

Polytechnic Diploma students considered for year 1 or year 2 entry on a case-by-case basis depending on subjects taken and CGPA.

Please contact Admissions to confirm your eligibility and the requirements for your course of interest.

Secondary School Leaving Diploma/Matura. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Saudi Arabia

Thanawaya (General Secondary Education Certificate) - students must successfully complete a recognised foundation course.

The Rwanda Advanced Certificate of Education (A-level)

The Attestat o Srednam Obrazov

Diplomă de Bacalaureat. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Diploma/Certificado Nível Secundário de Educação. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the rquirements for your course of interest.

Swiadectwo Dojrzałości / Matura.

The following A-level equivalences to Swiadectwo Dojrzałości / Matura will typically be applied:

• A-level AAA = Swiadectwo Dojrzałości / Matura 80% average from 3 extended subjects
• A-level AAB = Swiadectwo Dojrzałości / Matura 78% average from 3 extended subjects
• A-level ABB = Swiadectwo Dojrzałości / Matura 76% average from 3 extended subjects
• A-level BBB = Swiadectwo Dojrzałości / Matura 74% average from 3 extended subjects
• A-level BBC = Swiadectwo Dojrzałości / Matura 72% average from 3 extended subjects
• A-level BCC = Swiadectwo Dojrzałości / Matura 70% average from 3 extended subjects.

Higher Secondary Certificate (HSC).

Thanawaya (General Education Diploma) - students must successfully complete a recognised foundation course.

Vitnemål fra den Videregående Skole (VVO). The exact requirements MAY differ between courses.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Norwegian equivalent required.

The following A-level equivalences to Vitnemal will typically be applied:

• A-level AAA = 5
• A-level AAB = 4.5
• A-level ABB = 4.5
• A-level BBB = 4
• A-level BBC = 4
• A-level BCC = 3.5

Senior School Certificate/West African Senior School Certificate

Netherlands

Voorbereidend Wetenschappelijk Onderwijs (VWO). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

The Moroccan Diplôme du Baccalauréat/Attestation du Baccalauréat

Titulo Académico de Bachiller / Diploma de Bachiller / Bachillerato General - students must successfully complete a recognised foundation course.

The CIE A Level sat in Mauritius is considered on a grade for grade basis with GCE A Levels sat in the UK.

Advanced Matriculation and Matriculation Certificate Examination are comparable to A Levels with the same grading system as UK A levels.

STPM / UEC.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Malaysian equivalent required.

The following A-level equivalences to STPM will typically be applied:

• A-level AAA = STPM AAA
• A-level AAB = STPM AAB
• A-level ABB = STPM ABB
• A-level BBB = STPM BBB
• A-level BBC = STPM BBC
• A-level BCC = STPM BCC.

The following A-level equivalences to UEC will typically be applied:

• A-level AAA = UEC AAAAAA
• A-level AAB = UEC AAAABB
• A-level ABB = UEC AABBBB
• A-level BBB = UEC BBBBBB
• A-level BBC = UEC BBBBCC
• A-level BCC = UEC BBCCCC.

Diplôme de Fin d'Etudes Secondaires. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Brandos Atestatas (Certificate of Maturity). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Lebanese Baccalaureate - students must successfully complete a recognised foundation course.

Atestats par visparejo videjo izglitibu (Certificate of General Secondary Education). The exact requirements from the above qualification differ between courses.

Kenya Certificate of Secondary Education (KCSE)

Certificate of Completed Secondary Education.

Thanawaya (Certificate of General Secondary Education) - students must successfully complete a recognised foundation course.

Kotogakko Sotsugyo Shomeisho (Upper Secondary School Leaving Certificate) students must successfully complete a recognised foundation course.

Senmonshi (vocational degree), Jun-Gakushi (associate degree) and Tanki Daigaku Shuryo Shoshois (Junior College Certificate of Graduation) considered for direct entry on a case-by-case basis. Please contact Admissions to confirm the requirements for your course of interest.

Diploma di Esame di Stato.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Italian equivalent required.

The following A-level equivalences to Diploma di Esame di Stato will typically be applied:

• A-level AAA = Diploma di Esame di Stato 85%
• A-level AAB = Diploma di Esame di Stato 84%
• A-level ABB = Diploma di Esame di Stato 80%
• A-level BBB = Diploma di Esame di Stato 78%
• A-level BBC = Diploma di Esame di Stato 76%
• A-level BCC = Diploma di Esame di Stato 74%.

Irish Leaving Certificate. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Surat Tanda Tamat Belajar Sekolah Menengah Umum Tingkat Atas (Senior Secondary School Certificate of Completion) students must successfully complete a recognised foundation course.

Diploma III & IV students considered for year 1 entry on a case-by-case basis. Please contact Admissions to confirm the requirements for your course of interest.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Indian equivalent required.

The following A-level equivalences to HSC XII will typically be applied:

• A-level AAA = CBSE & ICSE Exam Board HSC XII 80%
• A-level AAB = CBSE & ICSE Exam Board HSC XII 78%
• A-level ABB = CBSE & ICSE Exam Board HSC XII 76%
• A-level BBB = CBSE & ICSE Exam Board HSC XII 74%
• A-level BBC = CBSE & ICSE Exam Board HSC XII 72%
• A-level BCC = CBSE & ICSE Exam Board HSC XII 70%

Stúdentspróf. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Érettségi. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Hong Kong Diploma of Secondary Education.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Hong Kong equivalent required.

The following A-level equivalences to HKDSE will typically be applied:

• A-level AAA = HKSDE 555 (excluding Liberal Studies and Chinese)
• A-level AAB = HKSDE 555 (excluding Liberal Studies and Chinese)
• A-level ABB = HKSDE 554 (excluding Liberal Studies and Chinese)
• A-level BBB = HKSDE 554 (excluding Liberal Studies and Chinese)
• A-level BBC = HKSDE 544 (excluding Liberal Studies and Chinese)
• A-level BCC = HKSDE 544 (excluding Liberal Studies and Chinese).

Greek Apolytirion. Please note that exact requirements may differ between courses.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Greek equivalent required.

The following A-level equivalences to Greek Apolytirion will typically be applied:

• A-level AAA = 18/20 plus; 18/20 in two PanHellenics
• A-level AAB = 18/20 plus; 17/20 in two PanHellenics

German Abitur.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the German equivalent required.

The following A-level equivalences to Abitur will typically be applied:

• A-level AAA = Abitur 1.8
• A-level AAB = Abitur 2.0
• A-level ABB = Abitur 2.2
• A-level BBB = Abitur 2.4
• A-level BBC = Abitur 2.6
• A-level BCC = Abitur 2.8.

French Baccalaureate.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the French equivalent required.

The following A-level equivalences to French Baccalaureate will typically be applied:

• A-level AAA = French Baccalaureate 15/20
• A-level AAB = French Baccalaureate 14/20
• A-level ABB = French Baccalaureate 13/20
• A-level BBB = French Baccalaureate 12.5/20
• A-level BBC = French Baccalaureate 12/20
• A-level BCC = French Baccalaureate 11.5/20.

Gümnaasiumi loputunnistus with the Riigieksamitunnistus (Secondary School Leaving Certificate with the State Examination Certificate).

Certificate of Nile International Secondary Education

Hojere Forberedelseseksamen (HF). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Czech Republic

Vysvědčení o maturitní zkoušce / Maturita (Secondary School Leaving Certificate). The exact requirements from the above qualification differ between courses.

Apolytirion. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

The following A-level equivalences to Apolytirion will typically be applied:

• A-level AAA = 19 (91 – 95)
• A-level AAB = 18.5 (88 – 90)
• A-level ABB = 18 (86 – 90)
• A-level BBB = 18 (86 – 90)
• A-level BBC = 17.5 (83 – 85).

Maturalna svjedodzba (Matura Certificate). The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Bachiller Académico/Technico

Senior High School Certificate students must successfully complete a recognised foundation course.

Gaokao students with exceptional grades considered for direct entry on a case-by-case basis. Please contact Admissions to confirm the requirements for your course of interest.

Grade 12 high school graduation certificate / diploma. Please note that exact requirements may differ between provinces.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Canadian equivalent required.

The following A-level equivalences to Canadian year 12 Diplomas will typically be applied:

• A-level AAA = 85% average across 5 best Grade 12 subjects
• A-level AAB = 80% average across 5 best Grade 12 subjects
• A-level ABB = 77% average across 5 best Grade 12 subjects
• A-level BBB = 75% average across 5 best Grade 12 subjects
• A-level BBC = 72% average across 5 best Grade 12 subjects
• A-level BCC = 70% average across 5 best Grade 12 subjects.

The Cameroonian GGCE is normally considered like for like with UK A levels.

Diploma Za Sredno Obrazovanie.

Please refer to the UK entry requirements for this course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bulgarian equivalent required.

The following A-level equivalences to Diploma Za Sredno Obrazovanie will typically be applied:

• A-level ABB = Diploma Za Sredno Obrazovanie 5.3 average and 5 in state exams
• A-level BBB = Diploma Za Sredno Obrazovanie 5.0 average and 4 in state exams
• A-level BBC = Diploma Za Sredno Obrazovanie 4.5 average and 4 in state exams
• A-level BCC = Diploma Za Sredno Obrazovanie 4.0 average and 4 in state exams
• A-level CCC = Diploma Za Sredno Obrazovanie 4.0 average and 4 in state exams.

Brunei-Cambridge GCE A-levels considered equivalent to UK A-levels on a like for like basis.

• Certificado de Conclusao de Ensino Médio
• Certificado de Conclusao de Segundo Grau

Botswana National qualifications

Diploma van Secundair Onderwijs/Certificat d'Enseignement Secondaire Supérieur.

General Secondary Education Certificate.

Reifeprufungszeugnis/Maturazeugnis. The exact requirements from the above qualification differ between courses. Please contact Admissions to confirm the requirements for your course of interest.

Titulo de Bachiller.

The Baccalaureat de l'Enseignement Secondaire

Diplome e Matures Shteterore (Diploma of State Matura). Students must successfully complete a recognised foundation course. Alternatively, IB, A Levels, or other European system will be considered.

If you are unable to find your country equivalents in the above list, City will consider other international qualifications on a case by case basis.

Please contact the Admissions team for more details.

English language requirements

If your first language is not English, we will require evidence of English language proficiency. Minimum requirements are:

English language programmes

Don’t meet the English language requirements? INTO City, University of London offers English language programmes to help prepare you for study at university. These intensive and flexible courses are designed to improve your English ability for entry to degree courses.

Why choose this course?

in London for student satisfaction in English studies three years in a row (NSS Survey 2022-2024)

Study in the heart of London, a global hub of literary creativity.

Explore your artistic side and learn how to write fiction and creative non-fiction, and for films, television and games.

• Course overview

Teaching and assessment

Fees and funding, how to apply, english with creative writing ba (hons) degree course overview.

This course is subject to approval for 2025 entry.

This programme builds on our international reputation in creative writing, media and the creative industries.

Your first year is shared with BA English. Throughout your degree you will study the written word across time and space, from Shakespeare to popular music, comic books to Chimamanda Ngozi Adichie.

By the end of your studies, you will be able to communicate in different professional and critical forms, using the written and spoken word.

You will also develop a set of specialised and applied skills in contemporary forms of creative writing, from short stories and literary journalism to screenplays and game dialogue. You’ll graduate with a compelling portfolio of sample writings.

• Immerse yourself in world literature and study in Central London, which has inspired so many iconic stories.
• Learn how to write in a range of genres and voices, including screenplays, poetry, short stories, narrative non-fiction and gaming narrative.
• Develop applied creative skills in communication, persuasion, individuality, writing for different audiences, and awareness of different creative industry markets.
• Learn from a team of expert lecturers who are passionate about creativity and the written word.

Course content

Develop your own creative and professional skills while immersing yourself in the study of English in this three year-degree.

Year 1: Develop a thorough grounding in reading, writing, academic and creative skills. Encounter a range of texts from around the world, explore how creative writing represents issues like social justice, and develop your own skills in storytelling.

Year2: Take core modules in creative short fiction and screenplay writing. Deepen your understanding of writing in English by choosing from a range of modules focusing on global and English literature, publishing, writing for media and communications, and advertising.

Year 3: Take core modules in writing for gaming and long-form journalism. Choose from a range of options including contemporary approaches to writing in English, media, marketing and publishing. Cap your degree with an optional creative writing project.

Study abroad

As an Undergraduate student you can undertake a period of study abroad whilst completing the programme.

This is possible through the Exchange Programme, a year of study at one of our European and/or international partner universities via a sandwich year, which is undertaken between completing Programme Stage 2 and entering Programme Stage 3, extending the degree to four years.

The resulting degree title awarded would be: BA English with Study Abroad.

We have strong links with Universities such as:

• Curtin University
• University of Queensland
• Queensland University of Technology.

North America

• University of British Columbia
• Concordia University
• Northeastern University
• Toronto Metropolitan University.
• Koç University.

Your modules will be delivered using a combination of:

• Practical workshops
• Interactive sessions
• Small seminars
• Personal tutorials

Lectures will provide you with commentary and explanation of key content areas. Most modules also offer small seminars and workshops, where you can develop your understanding of key texts and ideas through discussion and debate as well as hone your practical and professional skills. This versatility of approach will not only facilitate discussion but allow you to generate your own content, with different readerships, forms and functions in mind.

Assessment methods

Your programme will be assessed via a range of coursework and practical assignments, which may include:

• Professional, reflective, and creative assignments and portfolios
• Group assignments, including projects, performances, and presentations
• Live showcase events.

Fees for year 2025/26

To be confirmed

International

The fees indicated are for undergraduate entry in the 2025/26 academic year only. Fees for future years may be subject to an inflationary increase in the region of 5%.

Funding options

Explore up-to-date information about funding options, available financial support and typical living costs .

• Fee waivers are available for this course.
• Means tested support is available for 2025/26 entry.

Additional expenses

Some of our degrees may involve additional expenses which are not covered by your tuition fees.  Find out more about additional expenses .

You will graduate with a unique blend of intellectual and creative skills.

Our employability-focused curriculum strongly emphasises the practical application of your skills in a professional context. You’ll have the opportunity to take a work placement module or year, apply for a year’s study abroad, or undertake shorter and intensive work placements.

Delivered through world-class teaching dedicated to enhancing your job prospects, this course prepares you for a range of possible career options, including:

• creative writing
• writing for film, television and other media including games
• advertising and marketing
• library and archival professions
• civil service.

More information on the Careers support available at City is available on our website.

Placement opportunities

As an English student at City, you will have the opportunity to take a second-year elective module, ‘Work Placement’. You may also apply to take a sandwich year between years two and three of your degree. Our careers team will help you secure a placement in the areas that meet your future ambitions.

Previous students have taken their placements in a wide range of sectors, including:

• Publishing (Penguin)
• Teaching Assistant (Secondary)
• Marketing (Intern at 11 Investors recruitment group)
• Theatre work (Chickenshed)
• Charity work (Oxfam books).

Applications for degree courses must be made through the Universities and Colleges Admissions Service (UCAS).

You can apply through your school or college using the Apply system, which enables you to submit your application directly to the  UCAS website .

You can apply to up to five universities or institutions on the form. The UCAS code for City, University of London is C60 .

Please take care to enter the correct course code when applying, particularly for subjects with a Foundation year or with BEng (Hons) and MEng (Hons) or BSc (Hons) and MSci (Hons) options.

UCAS has implemented an 'invisibility of choices' policy so that, on the initial application and while you are receiving decisions, each institution can see only their entry and not those of other institutions you have chosen. This ensures that your application for a course at City is considered solely on your academic and personal qualities.

You should submit your completed application form to UCAS with a £27.50 application fee.

For enquiries about the admissions process at City, please contact our Admissions Office

Complete the Admissions enquiry form .

Call: +44 (0)20 7040 8716.

When to apply

Your application for entry in September 2025 should arrive at UCAS between September 2024 and 31 January 2025. Applications that arrive after 31 January 2025 will be considered only at City's discretion.

Contacting UCAS

Website: www.ucas.com

Address: Universities and Colleges Admissions Service (UCAS), Rosehill, New Barn Lane, Cheltenham, Gloucestershire, GL52 3LZ

• from inside the UK 0871 468 0468
• from outside the UK +44 (0)871 468 0468

For callers with hearing difficulties:

• from inside the UK use the Text Relay service on 18001 0871 468 0468
• from outside the UK dial +44 151 494 1260 (text phone) and then ask the operator to dial 0871 468 0468.

Our students

BA (Hons) English student Ruth’s insights

Ask a student

Want to find out more about student life? Chat with our student ambassadors and ask any question you have

Your studies are supported by a team of committed and enthusiastic teachers and researchers, experts in their chosen field. On occasion we also work with external professionals to enhance your learning and appreciation of the wider subject.

Dr Hetta Howes

Senior Lecturer in Medieval and Early Modern Literature

• Department of Media, Culture and Creative Industries

Dr Minna Vuohelainen

Dr Sarah Jilani

Lecturer in English

What's happening

Nov  06

Postgraduate Open Evening

Join us at our Postgraduate Open Evening to learn more about our postgraduate courses and discover all the benefits of studying at City, University of London.

Wednesday, 6 th November 2024 , 17:00 – 19:00

Location: Northampton Square

Audience: Prospective students

Wednesday, 10 th January 2024

Stories shape our world as concretely as infrastructure

Dr Dominic Davies publishes new book The Broken Promise of Infrastructure, which investigates the cultural politics of infrastructure in Britain.

Friday, 10 th March 2023

‘Working with Words’ opens up career possibilities for English students

Careers-focused module boosts BA English students’ employability at City.

Related courses

Journalism ba (hons).

Train for a career in journalism with this hands on degree. Develop the skills you need to become a print, broadcast or online journalist, alongside research and critical thinking skills.

Award: Bachelor of Arts (Honours)

Duration: 3 years (4 years with placement or study abroad year)

History BA (Hons)

Our fascinating three-year History BA Hons degree invites you to explore the events, force and ideas that have shaped modern and international history.

Useful links

• School of Communication & Creativity
• Creative writing and publishing at City, University of London
• English at City, University of London

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• BA (Hons) English and Creative Writing

English and Creative Writing

If you want to get serious about creative writing, the Manchester Writing School – with a proven reputation for developing gifted students into award-winning professional writers – is the ideal place to start.

Clearing 2024

This course is open for Clearing applications.

• Find out how Clearing works
• Apply through Clearing
• Call us on: +44 (0)161 247 3000 Call the Clearing helpline

Course overview

Our creative writing courses are taught by world-renowned writers from The Manchester Writing School ; one of the most successful of its kind in the UK, with more than 95 graduates and MA students who’ve gone on to become published writers. But skilled writers must also be well-developed readers and this course offers the best of both worlds, allowing you to combine Creative Writing and English as part of a joint degree.

While studying and practising creative writing, you’ll take a range of options from the English degree, including American literature, film, television and cultural studies. As you progress, you’ll have the chance to take part in creative writing workshops, focussing on two options from the selection of: prose, poetry, script and digital. Our placement ro...

What you need to know

• When does the course start? September 2024 September 2025

3 years full-time

4 years with placement year or study abroad

4-9 years part-time

• Where will I study this course? Manchester

Features and benefits

"Looking at other people's writing and learning about history, sociology and philosophy broadens your own perspective and helps you to think about things in different ways, to become a better writer." Samman BA (Hons) English and Creative Writing

Course information

In creative writing, students study and practise the art and craft of writing in a wide range of established and new forms, from prose fiction and poetry to screenwriting and writing for computer games. A range of award-winning and internationally celebrated writers teach on the BA programme, including Helen Mort, Andrew McMillan, Andrew Hurley, Kim Moore, Malika Booker, Susan Barker, Lara Williams, Michael Symmons Roberts, Rachel Genn, Rachel Lichtenstein, Anjum Malik, Nikolai Duffy, Catherine Fox, Livi Michael, Gregory Norminton, Adam O’Riordan, Joe Stretch, Antony Rowland and Jean Sprackland.

Accreditations, awards and endorsements

Teaching Excellence Framework 2023-2027 We have received an overall gold status in the Teaching Excellence Framework (TEF), meaning we're rated as an outstanding university for our student experience.

National Student Survey 2024 (NSS) 96% of students were positive about teaching staff being good at explaining things.

You will explore genres and understand these in terms of formal and thematic properties. You will examine the relationships between poetry, prose and drama by studying some of the major works that define each genre. You will also consider the reasons why writers make generic and formal choices and in your own creative writing, you will be encouraged to experiment in genres and forms, engaging critically with issues raised by each.

Approaches to Narrative

An introduction to the analysis of narrative forms and genres, focussing primarily on pre-20th Century, 20th and 21st Century texts.

Language and Technique

An introduction to writing techniques focussing primarily on the crafting processes of poetry and prose. 

This unit introduces key skills for university study, progressing to research, writing and project development. You will learn skills of close reading and textual analysis, practice on a range of cultural forms and focussed on representations of Manchester as a diverse, international city. You will then develop your own independent project and put into practice the analytical skills developed. 

Story and Structure

An introduction to the conventions of storytelling focussing on forms such as flash fiction, short stories, screenwriting and writing for theatre.

Study and assessment breakdown

• Year 1 30% lectures, seminars or similar; 70% independent study
• Year 2 30% lectures, seminars or similar; 70% independent study
• Year 3 100% placement (optional)
• Year 4 10% lectures, seminars or similar; 90% independent study
• Year 1 100% coursework
• Year 2 100% coursework
• Year 4 100% coursework

Optional foundation year

• Study 25% lectures, seminars or similar; 75% independent study
• Assessment 100% coursework

Placement options

Placement opportunities may be available both in the UK and abroad, in a variety of roles and sectors.

Our dedicated placement team have developed excellent links with various industries. You will be offered support through a preparation programme of activities that includes guidance on selection procedures, working overseas, CV preparation, interview and selection techniques.

You will begin to specialise by taking two out of four writing workshop modules in poetry, script and digital taught by practising writers. You will be encouraged to experiment, to engage with issues raised by formal choices such as point of view and diction, and to develop workshop and editorial skills. You will also learn about the history of the literary transmission of texts. This focuses specifically on texts and their relation to technologies of the age, and the nature and resources of the literary artist. In addition, you will select option units from the wider English programme, including opportunities to study film, and American literature and culture.

Please note, these option units are indicative of what options may be on offer in Year 2 of this programme but may be subject to change.

Creative Workshop 1

Students focus on two literary forms chosen from a list (for example prose, poetry, scriptwriting) and follow an intensive workshop for one semester. 

Remake/Remodel

Students explore literary adaptation, analysing how texts survive and evolve - how the meanings of stories, characters, poems, songs and ideas change across time and across forms. Students will be supported to make adaptations of material encountered on the unit. Students then explore the artistic process underpinning literary adaptation, examining a range of strategies by which a text or existing cultural artefact might be re-made. Students will make their own literary adaptation of an existing story, character, painting, videogame, piece of music or film, whilst reflecting critically on the process.  

Option units

American contemporary literature & culture.

You will practise reading in context, focussing on the relationships between aesthetic form, thematic content and historical context in a diverse range of texts and genres from the late 20th and early 21st centuries.

American Postwar Literature & Culture

A unit that is about reading in context, focussing on the relationships between aesthetic form, thematic content and the historical context in a diverse range of texts and genres from the 1940's-1970's.

Cultures of Resistance

This unit investigates cultures of resistance and their historical conditions. To do so, it places a range of resistant cultural texts in dialogue with relevant theoretical and critical material. 

Engaging the Humanities 1

An innovative unit which applies interdisciplinary methods and perspectives in a professional and/or public setting. Students work in interdisciplinary teams on one of a range of projects to showcase interdisciplinary skills in practice.

Engaging the Humanities 2

An innovative unit that applies interdisciplinary methods, approaches and perspectives of humanities and social science disciplines to contemporary socio-economic challenges, complementing Engaging the Humanities 1. Each year the unit will address a different contemporary issue or theme.

European Cinemas

This unit examines the films, industries, festivals and issues that make up the vibrant cinemas associated with the continent of Europe.

Fit for the Future

The unit will take students through the various stages of recruitment from identifying strengths and skills, to job searching and CVs, using platforms such as LinkedIn, and interview practice. Students will build up a portfolio of tasks related to employability, for instance, CV, video interview, assessment centre and reflect on their learning across the unit.

Global Challenges: Green Literature, Film and Media

This unit will analyse the current climate crisis applying the methodologies of creative writing, English literature, or film and media studies.

Manchester City of Literature

This unit will explore the organisations and activities that make up Manchester’s UNESCO City of Literature network, and assess ways in which literary activity can help cities address contemporary global challenges.

Postcolonial Literature and Culture

This unit explores the legacies of British colonialism as engaged in the literature and culture of postcolonial nations.

Postwar & Contemporary Literature & Culture

A unit that is about reading in context. You will initially focus on a diverse range of texts and genres from the 1940s to the 1970s, considering the relationships between aesthetic form, thematic content and historical context.  Focus will then move onto the relationships between aesthetic form, thematic content and historical context in a diverse range of texts and genres from the late 20th and early 21st centuries.

Romanticism

This unit examines British literature and culture during one of its most significant periods, from the Revolutionary Controversy of the 1790s to the end of the Romantic movement around 1830.

Shakespeare and Adaptation: Stage and Screen

This module considers the adaptation and reinvention of Shakespearean drama in late-twentieth and twenty-first century stage and screen productions.

World Cinemas

This unit explores the production, reception and dissemination of non-Anglo-American cinema and provides students with the necessary tools to explore global screen cultures. In this unit students will interrogate the issues and experiences of transnational interaction and cross-cultural appropriation, the problems with the concept of authentic `national cinema', and consider the depiction of 'third world' and 'diaspora' populations.

19th Century Writing to Modernism

A unit that is about reading in context, focussing on the relationship between aesthetic form, thematic content and historical context in a diverse range of texts and genres from the 19th to early 20th centuries. 

If you choose one of our four-year routes, Year 3 will be spent on placement or studying abroad.

In your final year, you will work with a writer from our team to design and undertake an extended creative project in an area of your choice. Please note that the following list of units is indicative and may be subject to change.

Creative Project

You will work with a supervisor from our creative writing team to define an independent project in a form, and on a topic, of your choosing. This may be focussed on the production of a creative artefact -  e.g. a book of poems, a screenplay or a novel chapter - or may involve working on a creative project with an external partner beyond the University, for example an organisation in the creative industries. You will conduct preliminary research, submit a detailed proposal, and undertake a major piece of creative work. 

Introduction to Teaching

The unit will aim to introduce English as a core curriculum subject in secondary schools and as an A-level subject. It will provide students with insight into the application of their subject specialism to teaching in school and colleges in England, covering aspects of both curriculum content and subject pedagogy.

Study Abroad Semester

The Study Abroad unit will involve study for one semester at an approved partner University overseas.

American Cinema & National Identity

This unit will focus on representations of the United States’ history, culture and selfhood promulgated by the nation’s movie industry from the early twentieth century to the present day; exploring how Hollywood has articulated, interrogated and dominated available ideas of American national identity.

American Sounds and the City

American Sounds and the City combines the study of American literature, film and music to explore the soundscapes of the American city. 

American Spaces

Touching upon a broad range of genres, this unit is concerned with critical and creative conceptions of 'space' and travel (both geographic and metaphorical) in American literature from colonial times to the present.

LGBTQ+ Screens and Cultures

This unit draws on LGBT Studies and Queer Studies to analyse cultural constructions (and manifestations) of non-normative sex, sexes and sexualities.

Cultures of Life and Death: Debates In Contemporary Literature, Film and Theory

This unit investigates the question of the human in contemporary cultural debate. To do so, it draws upon theoretical and critical work in the field and sets these conceptual frameworks in dialogue with a wide range of literary and cinematic texts. 

Escapade: Writing Creative Non-Fiction

This unit teaches you how to tell true stories in a post-truth world, how to narrate real-life events (escapades) through innovations in essay writing, observational fieldnotes, literary journalism, life writing and narrative scholarship in a range of media and to understand the ethical consequences of doing so. 

Gothic on Screen

This unit provides an analytical study of the gothic mode on screen.

Introduction to Book Publishing

This unit will introduce students to all parts of the book publishing process and industry. Through practical exercises and interactive lectures, students will learn how the industry developed, specialist genres such as children's publishing and how publishers commission, edit, design and produce books in all formats. 

Popular Fiction: Reading and Writing Genre

This unit explores novels and novellas for adults that can be categorised as belonging to recognisable commercial and popular genres. You will be expected to engage both critically and creatively a range of genres.

Postcolonialism & Popular Culture

This unit explores the relationship between postcolonialism and popular culture, examining the ways in which colonial histories and legacies are interrogated, mythologised or sublimated within popular cultural forms.

Race and Popular Culture

This unit explores the relationship between race, postcolonialism and popular culture, examining the ways in which colonial histories and legacies are interrogated, mythologised or sublimated within popular cultural forms.

Reading and Writing Children's Literature

This unit provides an analytical study of a range of classic and modern texts written for children. It also uses these texts as models for the production of new texts. The unit also covers appropriate techniques for writing for children. 

Reading and Writing Games

This unit provides an analytical study of a range of twenty and twenty-first century games, both analogue and digital. Students will be introduced to the critical and historical field of game studies, and given guidance on the appropriate techniques for writing for gaming and the experience of working with pre-determined project briefs.

Reading and Writing Poetry

This unit focuses on reading and analysing a representative range of work by contemporary poets, and introduces students to relevant critical work. It equips students with critical, analytical and writing skills to read and write poetry effectively. Assessment will give students the opportunity to produce written work in critical and creative modes, and to reflect analytically on their own work. The unit will provide students with the opportunity to attend a major poetry event (e.g. the Forward Prize or the T. S. Eliot prize awards) and to visit poetry readings. 

Reading Contemporary Poetry

This unit introduces students to the range and diversity of contemporary poetry, and develops students' own critical skills in relation to the study of contemporary poetry.

Reading Games

This unit provides an analytical study of a range of twenty and twenty-first century games, both analogue and digital. Students will be introduced to the critical and historical field of game studies, and given guidance on the appropriate critical approaches and terminology to enable them to read games and gaming.

Renegade: Writing Literary Fiction

Students will read and research a range of texts and map the terrain of contemporary literary fiction. Students will engage in current debates around the meaning and vitality of literary fiction and the way it intersects with various political movements. Students will engage and experiment with the formal innovation that defines contemporary literary fiction. Students will ultimately offer their own creative responses to the formal and political concerns of the moment through their own creative writing. 

Representing Trauma

This unit is concerned with critical and creative conceptions, constructions and depictions of forms of violence and trauma, and introduces students to representations and theories of trauma drawn from multiple locations (temporal and geographic).

The Global Body

This unit explores ideas and attitudes towards human bodies, medicine and technology in contemporary world literature, film and theory.

Writing and Place

This unit will critically analyse the representation of place in key contemporary texts. These texts, drawn from a range of genres, will be evaluated within the frameworks (including literary geography and ecocriticism) provided by contemporary theoretical debates. The unit will also situate creative and conceptual writing about place within the context of 'real world debates': topics to be covered will include environmental crisis, regeneration and the post-industrial city, and digital technologies and spatial literacy.

Writing Literary Fiction

Writing series drama.

A creative advanced Scriptwriting course which develops skills in team storylining and individual scriptwriting skills in the context of the study of contemporary professional practice.

Whether you’ve already made your decision about what you want to study, or you’re just considering your options, there are lots of ways you can meet us and find out more about student life at Manchester Met.

• a virtual experience campus tour
• chats with current students

Taught by experts

Your studies are supported by a department of committed and enthusiastic teachers and researchers, experts in their chosen field.

We often link up with external professionals too, helping to enhance your learning and build valuable connections to the working world.

Entry requirements

Please note our entry requirements may differ slightly at Clearing. Please call the Clearing helpline on +44 (0)161 247 3000 for more details.

GCE A levels - grades BCC or equivalent

Pearson BTEC National Extended Diploma - grade DMM

Access to HE Diploma - Pass overall with a minimum 106 UCAS Tariff points

UAL Level 3 Extended Diploma - grade of Merit overall

OCR Cambridge Technical Extended Diploma - grade DMM

T level - We welcome applications from students undertaking T level qualifications. Eligible applicants will be asked to achieve a minimum overall grade of Merit as a condition of offer

IB Diploma - Pass overall with a minimum overall score of 26 or minimum 104 UCAS Tariff points from three Higher Level subjects

Other Level 3 qualifications equivalent to GCE A level are also considered. 

A maximum of three A level-equivalent qualifications will be accepted towards meeting the UCAS tariff requirement. 

AS levels, or qualifications equivalent to AS level, are not accepted. The Extended Project qualification (EPQ) may be accepted towards entry, in conjunction with two A-level equivalent qualifications.

Please contact the University directly if you are unsure whether you meet the minimum entry requirements for the course.

Specific GCSE requirements

GCSE grade C/4 in English Language or equivalent, e.g. Pass in Level 2 Functional Skills English

International Baccalaureate points

Ielts score required for international students.

There’s further information for international students on our international website if you’re applying with non-UK qualifications.

Fees and funding

Foundation year students.

UK and Channel Islands full-time foundation year fee: £9,250 per year for the foundation year. This tuition fee is agreed subject to UK government policy and parliamentary regulation and may increase each academic year in line with inflation or UK government policy for both new and continuing students.

EU and Non-EU international full-time foundation year fee: £18,500 per year. When progressing from the pre-degree foundation year to the linked degree. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study)

UK and Channel Island Students

Full-time fee: £9,250 per year. This tuition fee is agreed subject to UK government policy and parliamentary regulation and may increase each academic year in line with inflation or UK government policy for both new and continuing students.

Part-time fee: £2312.50 per 30 credits studied per year. This tuition fee is agreed subject to UK government policy and parliamentary regulation and may increase each academic year in line with inflation or UK government policy for both new and continuing students.

EU and Non-EU International Students

Full-time fee: £18,500 per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £4625 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Additional Information

A degree typically comprises 360 credits, a DipHE 240 credits, a CertHE 120 credits, and an integrated masters 480 credits. The tuition fee for the placement year for those courses that offer this option is £1,850, subject to inflationary increases based on government policy and providing you progress through the course in the normal timeframe (no repeat years or breaks in study). The tuition fee for the study year abroad for those courses that offer this option is £1,385, subject to inflationary increases based on government policy and providing you progress through the course in the normal timeframe (no repeat years or breaks in study).

Part-time students may take a maximum of 90 credits each academic year.

Additional costs

Specialist costs.

Compulsory estimate : £300

For the BA (Hons) English and Creative Writing course, students must have access to a copy of all set texts. Primary texts are held in the University library but students often prefer to possess their own copy. Prices vary but many are cheaply available and set texts are often available online for no cost. Students often buy texts second hand, and there is a book exchange in the atrium of the Geoffrey Manton building. Students often choose to buy their own laptops but computers are available on campus. Students may also need to print their assignments and other documents.

Some option units include trips to relevant events or venues, such as theatres, exhibitions and libraries, which are all optional.

Find out more about financing your studies and whether you may qualify for one of our bursaries and scholarships

First Generation

Dedicated funding and support for first generation students

Career prospects

Graduates enter a wide range of careers, especially media work and teaching, where their transferable skills are particularly relevant. Recent graduates have become school and college teachers, and gained employment in fields as diverse as banking, finance, manufacturing and publishing.

There is also the opportunity to engage in further study and professional training, for example some of our graduates go on to study MA English Studies at postgraduate level where you have the opportunity to build your own bespoke masters experience, reflecting your interests in the further study of English. Alongside this we offer MA Publishing , delivered in collaboration with industry professionals, and many of our students go on to study MA/MFA Creative Writing at our Manchester Writing School , under the creative direction of Professor Carol Ann Duffy DBE (Poet laureate 2009-2019).

Want to know more

Got a question.

You can apply for this course through Clearing.

Call our friendly team to find out more about this course and applying through Clearing .

Please have the following information handy:

• Which courses interest you
• Your UCAS Personal ID (PID), if you're registered on UCAS
• Your academic qualification details

If you are an international student, please also have the following ready:

• English Language qualifications

Call us on +44 (0)161 247 3000

You can review our current terms and conditions before you make your application. If you are successful with your application, we will send you up to date information alongside your offer letter.

Manchester is your city, be part of it

Your new home, your new city, why university, related courses, english and film, creative writing.

Programme review Our programmes undergo an annual review and major review (normally at 6 year intervals) to ensure an up-to-date curriculum supported by the latest online learning technology. For further information on when we may make changes to our programmes, please see the changes section of our terms and conditions .

Important notice This online prospectus provides an overview of our programmes of study and the University. We regularly update our online prospectus so that our published course information is accurate. Please check back to the online prospectus before making an application to us to access the most up to date information for your chosen course of study.

Confirmation of regulator The Manchester Metropolitan University is regulated by the Office for Students (OfS). The OfS is the independent regulator of higher education in England. More information on the role of the OfS and its regulatory framework can be found at officeforstudents.org.uk .

All higher education providers registered with the OfS must have a student protection plan in place. The student protection plan sets out what students can expect to happen should a course, campus, or institution close. Access our current student protection plan .

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English and Creative Writing BA (Hons)

Key information.

• 94%   of our research overall in  English Language and Literature   was assessed to  be world leading or internationally excellent   (REF 2021)
• Top 100  in the world for English Language and Literature   (QS World University Rankings by Subject 2024)

We live in challenging and exciting times – there’s more need than ever to learn from the past and forge imaginative new visions of the future.  With our rich tradition of critical excellence and radical creative practice, Sussex is a perfect place to combine English and Creative Writing. 

On this course, you’ll explore the powerful, complex and even weird world of literature and of writing in its broadest scope. Reading classic books as well as diverse new texts, you’ll:

• understand how critical thinking and careful reading are powerful and necessary in our changing world

experience teaching and research that link creativity with criticism, and literature with politics

situate English literary traditions within global and historical contexts, understanding how English functions within and across cultures

push boundaries of creative expression through intellectual rigour and historical acuity.

You’ll be taught by engaged and passionate teachers and researchers who will guide you through each year of your degree.

You’ll join a vibrant and welcoming intellectual community with links to the worlds of media, literature, publication, education and beyond – gaining valuable skills to equip you for life after university. When you graduate, you’ll have the critical thinking and practical creative skills to make a valuable contribution to society.

We understand that deciding where and what to study is a very important decision. We’ll make all reasonable efforts to provide you with the courses, services and facilities described in this prospectus. However, if we need to make material changes, for example due to government or regulatory requirements, or unanticipated staff changes, we’ll let you know as soon as possible.

Join us at an Open Day

Saturday 5 October and Saturday 19 October 9am–3.30pm

Entry requirements

• UK requirements
• International requirements

Other UK qualifications

Access to he diploma.

Cambridge Pre-U Principal Subjects (including A-level mixes)

International Baccalaureate

Pearson BTEC Level 3 National Diploma and one A-level

Pearson BTEC Level 3 National Extended Certificate and two A-levels

Pearson BTEC Level 3 National Extended Diploma (formerly BTEC Level 3 Extended Diploma)

Scottish Highers

Welsh Baccalaureate Advanced

European Baccalaureate

Other international qualifications

Czech Republic

Netherlands

South Africa

Switzerland

Typical offer

We look at your full profile considering everything you are studying, including the High School Graduation Diploma, Grade 12 GPA, SAT tests and subject tests and/or ACT grades and AP tests. We expect to see a combination of these qualifications. Alongside your High School Graduation Diploma, we would ideally like to see 3 good AP scores with either, a combined SAT test score (evidence-based reading and writing and mathematics) of 1300, or a combined ACT score of 26 Please check the individual course pages for our typical A-level offer and see below for the corresponding scores we would require from AP test scores: A Level requirements AP test grades AAA 555 AAB 554 ABB 544 BBB 444 We will also accept a combination of any 3 AP tests and SAT subject test where a score of 600 in an SAT subject test can be substituted for an AP test in the above table If you are applying for a degree with an A level subject requirement in Mathematics, Physics, Chemistry or Biology will normally need to hold an AP test in that subject. College level credits We also accept college level 3-credit courses in academic subjects as the equivalent of a UK A Level on a case by case basis.  These can be combined with AP tests and or SAT subject tests Associate degrees An Associate degree with a GPA of 3.0 will meet our entry requirements for year 1. Foundation Year entry Students who have a High School Diploma and SAT or ACT tests only would be eligible to apply for our Foundation Year My country is not listed If your qualifications aren’t listed or you have a question about entry requirements, contact us English language requirements Ielts (academic). 6.0 overall, including at least 5.5 in each component Check your IELTS qualification meets all of our language requirements Find out more about IELTS IELTS scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course. We accept IELTS One Skills Retake. We do not accept IELTS Online. Other English language requirements Proficiency tests, cambridge advanced certificate in english (cae). 169 overall, including at least 162 in each skill Check your Cambridge Advanced Certificate in English (CAE) qualification meets all of our language requirements Find out more about Cambridge English: Advanced. We would normally expect the CAE test to have been taken within two years before the start of your course. You cannot combine scores from more than one sitting of the test. Cambridge Certificate of Proficiency in English (CPE) Check your Cambridge Certificate of Proficiency in English (CPE) qualification meets all of our language requirements Find out more about Cambridge English: Proficiency. We would normally expect the CPE test to have been taken within two years before the start of your course. Pearson (PTE Academic) 59 overall, including at least 59 in all four skills. Check your Pearson (PTE Academic) qualification meets all of our language requirements Find out more about Pearson (PTE Academic). Please refer to our English language requirements above, and as listed for each of our  undergraduate courses , to find the appropriate English level for the course you are applying for. PTE (Academic) scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course. We do not accept the PTE Academic Online test. TOEFL (iBT) 80 overall, including at least 17 in Listening, 18 in Reading, 20 in Speaking, 17 in Writing. Check your TOEFL qualification meets all of our language requirements Find out more about TOEFL (iBT) . TOEFL (iBT) scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course. We do not accept TOEFL (iBT) Home Edition. The TOEFL Institution Code for the University of Sussex is 9166. English language qualifications As/a-level (gce). Grade C or above in English Language. Hong Kong Advanced Level Examination (HKALE)/ AS or A Level: grade C or above in Use of English GCE O-level Grade C or above in English. Brunei/Cambridge GCE O-level in English: grades 1-6. Singapore/Cambridge GCE O-level in English: grades 1-6. GCSE or IGCSE Grade C or above in English as a First Language (grade 4 or above in GCSE from 2017). Grade B or above in English as a Second Language Ghana Senior Secondary School Certificate If awarded before 1993: grades 1-6 in English language. If awarded between 1993 and 2005: grades A-D in English language. Hong Kong Diploma of Secondary Education (HKDSE)  Level 4, including at least 3 in each component in English Language. Indian School Certificate (Standard XII) The Indian School Certificate is accepted at the grades below when awarded by the following examination boards: Central Board of Secondary Education (CBSE) – English Core only: 70% Council for Indian School Certificate Examinations (CISCE) - English: 70% or Grade 3 International Baccalaureate Diploma (IB) English A or English B at grade 5 or above. Kenya Certificate of Secondary Education Grades A – C in English Malaysian Certificate of Education (SPM) 119/GCE O-level If taken before the end of 2008: grades 1-5 in English Language. If taken from 2009 onwards: grade C or above in English Language. The qualification must be jointly awarded by the University of Cambridge Local Examinations Syndicate (UCLES). West African Senior School Certificate Grades 1-6 in English language when awarded by the West African Examinations Council (WAEC) or the National Examinations Council (NECO). Country exceptions Select to see the list of exempt english-speaking countries. If you are a national of one of the countries below, or if you have recently completed a qualification equivalent to a UK Bachelors degree or higher in one of these countries, you will normally meet our English requirements. Note that qualifications obtained by distance learning or awarded by studying outside these countries cannot be accepted for English language purposes. You will normally be expected to have completed the qualification within two years before starting your course at Sussex. If the qualification was obtained earlier than this we would expect you to be able to demonstrate that you have maintained a good level of English, for example by living in an English-speaking country or working in an occupation that required you to use English regularly and to a high level. Please note that this list is determined by the UK’s Home Office, not by the University of Sussex. List of exempt countries Antigua and Barbuda New Zealand St Kitts and Nevis St Vincent and the Grenadines Trinidad and Tobago United Kingdom ** Canada: you must be a national of Canada; other nationals not on this list who have a degree from a Canadian institution will not normally be exempt from needing to provide evidence of English. Admissions information for applicants Transfers into Year 2 Yes. . We don’t accept transfers into the third or final year. For details on any additional costs, check out the Fees and scholarships section. Don’t meet our entry requirements? If you don't meet our entry requirements, we recommend our in-house Foundation Year course to prepare you for Year 1 of your chosen degree: Arts and Humanities (with a foundation year) BA (Hons) This is a single-honours course, allowing you to focus in depth on your core subject. Find out about our types of undergraduate degrees, their structure, modules and credits Please be aware that some module details are missing from our prospectus information at the moment. This is due to a technical problem that we are working hard to fix. Please check these pages again later for full course details. Thank you. Year 1 at Sussex Year 2 at Sussex Experience Year Year 3 at Sussex Core modules Core modules are taken by all students on the course. They give you a solid grounding in your chosen subject and prepare you to explore the topics that interest you most. Autumn teaching Acts of Writing 1 Critical Approaches Encountering Poetry Spring teaching Acts of Writing 2 Special Topic (Writing Workshop Spring) Thinking Literature Alongside your core modules, you can choose options to broaden your horizons and tailor your course to your interests. This list gives you a flavour of our options, which are kept under review and may change, for example in response to student feedback or the latest research. While it’s our aim for students to take their preferred combinations of options, this can’t be guaranteed and will be subject to timetabling. Options may be grouped and if so, students will be able to choose a set number of options from the selection available in any particular group. Special Topic (Writing Workshop Autumn) Radical Theory We regularly review our modules to incorporate student feedback, staff expertise, as well as the latest research and teaching methodology. We’re planning to run these modules in the academic year 2024/25. However, there may be changes to these modules in response to feedback, staff availability, student demand or updates to our curriculum. We’ll make sure to let you know of any material changes to modules at the earliest opportunity. We’ll do our best to provide as much optional choice as we can, but timetabling constraints mean it may not be possible to take some module combinations. The structure of a small number of courses means that the order of modules or the streams you choose may determine whether modules are core or optional. This means that your core modules or options may differ from what’s shown here. Check back in January 2025 for more details of the modules running in the academic year 2025/26. Advanced Writing Workshop: Process Advanced Writing Workshop: Technique History and Practice of Songwriting Literature and Philosophy Media and Crisis Reading Post-Colonial Texts Science and Literature Screenwriting The Art of Short Fiction Video Games: Creative & Critical Writing Word & Image Writing Fiction Arts and Lifestyle Journalism Communication Design Contemporary Stylistics: The Discourse of Film and Drama Romanticism Sense and Sexuality: Women and Writing in the Eighteenth Century Staging the Renaissance: Shakespeare The Politics of Children's Literature Writing on Performance: Critical and Creative Writing Poetry Study abroad (optional) Apply to study abroad – you’ll develop an international perspective and gain an edge when it comes to your career. Find out where your course could take you If your application to study abroad is successful, you’ll have to meet the academic requirements at Sussex and also at the partner university. Find out more about studying abroad as a Sussex student Placement (optional) To help you gain experience and increase your employability, you can apply for an optional placement as part of your course. You’ll be responsible for applying for and securing your placement. Our dedicated careers team can provide you with information and advice. If you’re successful in obtaining a placement, this will form part of your course. Find out more about placements and internships Please note that if you’re receiving – or applying for – USA federal Direct Loan funds, you can’t transfer to the version of your course with an optional study abroad period in any country or optional placement in the USA if the number of credits for the placement/internship exceeds 25% of the total credits for your course. Find out more about American Student Loans and Federal Student Aid Writing Portfolio Extra-Terrestrial Cultures: Imagining Outer Space and its Alien Inhabitants Posthuman/Premodern Psychoanalysis and Literature Serial Fictions Topics in African American Literature Virginia Woolf Writing Race, Gender, and the Social: Experiments Beyond Representation Writing the Environment Championing Literacy Placement Class, Culture and Contemporary Writing Gender, Race and Society in Early Modern Drama Modern Nature Queer Fictions Join our creative community Our degree is supported by research centres, including the: Centre for Creative and Critical Thought Centre for Early Modern and Medieval Studies Centre for Life History and Life Writing Research Centre for Modernist Studies Centre for Photography & Visual Culture Centre for the Study of Sexual Dissidence. You’ll be part of the community of research and creative practice based around the   Centre for Creative and Critical Thought . We run annual events including the  celebrated Sussex Poetry Festival and the innovative Quick Fictions . In 2022, we’re launching a brand new in-house poetics press. The student experience and student outcomes are typically very high quality. This rating was awarded in 2023, for four years. ( Teaching Excellence Framework 2023 ) Find out more about our approach to teaching and supporting you to thrive We’re one of the UK’s most exciting English departments. Whether at the cutting edge of critical theory, pioneering interdisciplinary approaches, or challenging assumptions about language, performance, and the canon, our faculty have been at the forefront of every major development that has shaped the subject since the 1960s.   We’ve been teaching Creative Writing for over 20 years and our faculty includes: screenwriters journalists artists .    Dr Will Abberley Senior Lecturer in Victorian Literature View profile of Will Abberley Dr Natalia Cecire Senior Lecturer in English & American Literature View profile of Natalia Cecire Prof Sara Crangle Professor of Modernism and the Avant-Garde View profile of Sara Crangle Dr Marina Dekavalla Senior Lecturer in Media and Communication View profile of Marina Dekavalla Dr Sam Ladkin Senior Lecturer in Creative and Critical Writing View profile of Sam Ladkin Dr Emma Newport Senior Lecturer in English Literature View profile of Emma Newport Mr Jeremy Sheldon Lecturer in Filmmaking and Script Writing View profile of Jeremy Sheldon Dr Samuel Solomon View profile of Samuel Solomon Prof Keston Sutherland Professor of Poetics View profile of Keston Sutherland Prof Pamela Thurschwell Professor of Modern and Contemporary Lit View profile of Pamela Thurschwell Dr Helen Tyson Senior Lecturer in 20th and 21st CenturyBritish Literature View profile of Helen Tyson Dr Hope Wolf Reader in Literature and Visual Culture View profile of Hope Wolf Note that your fees, once they’re set, may be subject to an increase on an annual basis. Find details on our Tuition fees page . Additional costs Note about additional costs. Please note that all costs are best estimates based on current market values. Activities may be subject to unavoidable change in response to Government advice. We’ll let you know at the earliest opportunity. We review estimates every year and they may vary with inflation. Find out how to budget for student life . This module may involve workshops with theatre practitioners and there may be a small additional charge for students to support this. Writing and the Environment Module There are occasional trips to local sites, which may include the natural environment, galleries, and/or museums. Students will need to cover the costs of local travel. The School covers the cost of Disclosure and Barring Service checks, but students will need to cover the cost of local travel. Placements are all within the local area and the School will try to take students’ location/travel arrangements into account in matching people to placements. Sussex Modernism Module There are occasional trips to museums, galleries and cultural partners. Students will need to cover the cost of local travel, and possibly the cost of some entrance fees Sussex Writes Students who lead creative writing workshops in secondary schools will have their reasonable travel and other costs covered. Find out about typical living costs for studying at Sussex Find out about our terms and conditions Scholarships Details of our scholarships are not yet set for entry in the academic year 2025/26. Whatever writing specialism you choose during your studies, you’ll develop your ability to comprehend, to imagine and to create. These skills are valued by employers across a wide range of sectors. You’ll rely on your skills in any role where you’re expected to: interpret complex information connect with stakeholders propose innovative solutions. On your course, you’ll be able to choose options based on skills needed in arts organisations, charities and industry. This includes the opportunity to apply for placements. As a graduate, you’ll have the real-world experience for a range of careers including: (digital) media policy research the public and charity sectors film and theatre care professions. Our undergraduate courses also prepare you for   Masters degrees , such as our Creative and Critical Writing MA. What to do with an English, Literature and Creative Writing degree Explore the careers you might be interested in after studying for a degree in English, Literature and Creative Writing Working while you study Our Careers and Entrepreneurship team can help you find part-time work while you study. Find out more about career development and part-time work A-level - contextual offer Pearson btec level 3 national diploma and one a-level - contextual offer. Grade B in A-level and Merit, Merit in Pearson BTEC Level 3 National Diploma. Pearson BTEC Level 3 National Extended Certificate and two A-levels - contextual offer Grades BC in A-levels and Merit in BTEC Level 3 National Extended Certificate.  Pearson BTEC Level 3 National Extended Diploma (formerly BTEC Level 3 Extended Diploma) - contextual offer Ask a student. Chat to Sussex students online via the UniBuddy chat platform. Contact us with any questions about your course. +44 (0)1273 876787 Ask us a question Find out about the School of Media, Arts and Humanities Useful links Open Days and events Accommodation Student life Guide to study International students How to apply Order a printed prospectus Tips for writing a UCAS personal statement Explore our campus Experience Sussex life in our virtual tour. Start your virtual tour What do you want to do next? Courses Browse our courses by subject area Unibuddy Ask a student Open Day Book an Open Day Sussex Life Find out about life at Sussex CHOOSE ONE OR MORE Popular universities University of Kent University of East Anglia UEA University of Chester Coventry University University of Aberdeen University of Portmouth Nottingham Trent University University of Sunderland London Metropolitan University London South Bank University University of East London BROWSE ALL UNIVERSITIES Course search Popular undergraduate courses. Computer Science LLB Bachelor of Laws Biomedical Sciences Physiotherapy Sports Science Open days search Upcoming open days. Birkbeck, University of London University of Wolverhampton Cranfield University University of Glasgow Middlesex University Article search Popular topics. Clearing advice for students Clearing advice for parents Clearing advice for teachers League tables Getting ready for uni Popular articles What is UCAS Extra? Applying directly into Clearing Clearing success stories What's a university open day How university rankings can help you through Clearing BROWSE ALL ADVICE SUBJECT LEAGUE TABLE 2025 From Shakespearean sonnets to the complexities of the English language, there are many areas of English to study and a multitude of transferable skills to be gained – applicable to a wide range of careers. These rankings outline the best universities for English in the UK, including English Language and English Literature courses. You can search for the best unis for English on our English Language and Literature league table and then filter these results by the factors you find most important. You can search by region, entry standards, student satisfaction, graduate prospects, and more. Comparing courses using these filters will then help you decide which courses to apply for. OTHER LEAGUE TABLES University League Tables Arts, Drama & Music League Table Download league tables QUICK LINKS Methodology Looking for Clearing advice? The Clearing concierge has the answers University ranking University name Overall score Entry standards Student satisfaction Research quality Graduate prospects 1 2 3 4 5 1 6 1 7 1 8 1 9 10 7 11 1 12 1 13 14 2 15 16 2 17 1 18 1 19 9 20 3 21 3 22 2 23 2 24 1 25 7 26 4 27 1 28 1 29 8 30 2 31 10 32 4 33 34 7 35 1 36 3 37 2 38 39 1 40 10 41 19 42 11 43 8 44 2 45 11 46 2 47 12 48 10 49 17 50 1 51 13 52 53 10 54 7 55 2 56 8 57 10 58 4 59 16 60 18 61 8 62 17 63 7 64 14 65 4 66 2 67 20 68 13 69 4 70 16 71 6 72 1 73 12 74 5 75 1 76 5 77 3 78 7 79 16 80 8 81 5 82 4 83 5 84 2 85 10 86 3 87 6 88 4 89 6 90 12 91 1 92 2 93 3 94 1 95 4 96 1 University of Oxford VIEW COURSES University of Cambridge VIEW COURSES University of St Andrews VIEW COURSES Durham University VIEW COURSES UCL (University College London) VIEW COURSES University of Warwick VIEW COURSES IN CLEARING Loughborough University IN CLEARING VIEW COURSES IN CLEARING University of York IN CLEARING VIEW COURSES The University of Edinburgh VIEW COURSES IN CLEARING Lancaster University IN CLEARING VIEW COURSES University of Exeter VIEW COURSES University of Birmingham VIEW COURSES University of Leeds VIEW COURSES University of Manchester VIEW COURSES University of Bristol VIEW COURSES Newcastle University VIEW COURSES University of Nottingham VIEW COURSES King's College London, University o... VIEW COURSES IN CLEARING University of Strathclyde IN CLEARING VIEW COURSES IN CLEARING Royal Holloway, University of Londo... IN CLEARING VIEW COURSES IN CLEARING Cardiff University IN CLEARING VIEW COURSES University of Southampton VIEW COURSES University of Glasgow VIEW COURSES IN CLEARING University of Surrey IN CLEARING VIEW COURSES University of Liverpool VIEW COURSES IN CLEARING University of Aberdeen IN CLEARING VIEW COURSES University of Sheffield VIEW COURSES IN CLEARING University of Sussex IN CLEARING VIEW COURSES IN CLEARING University of Leicester IN CLEARING VIEW COURSES IN CLEARING University of Plymouth IN CLEARING VIEW COURSES IN CLEARING University of East Anglia UEA IN CLEARING VIEW COURSES GET PROSPECTUS IN CLEARING Queen's University Belfast IN CLEARING VIEW COURSES IN CLEARING City, University of London IN CLEARING VIEW COURSES IN CLEARING Queen Mary University of London IN CLEARING VIEW COURSES University of Stirling VIEW COURSES IN CLEARING Swansea University IN CLEARING VIEW COURSES IN CLEARING University of Hull IN CLEARING VIEW COURSES IN CLEARING Aston University, Birmingham IN CLEARING VIEW COURSES IN CLEARING University of Lincoln IN CLEARING VIEW COURSES IN CLEARING Aberystwyth University IN CLEARING VIEW COURSES IN CLEARING Keele University IN CLEARING VIEW COURSES IN CLEARING University of Bedfordshire IN CLEARING VIEW COURSES IN CLEARING University of Reading IN CLEARING VIEW COURSES IN CLEARING Edge Hill University IN CLEARING VIEW COURSES IN CLEARING Bath Spa University IN CLEARING VIEW COURSES IN CLEARING University of Kent IN CLEARING VIEW COURSES IN CLEARING Manchester Metropolitan University IN CLEARING VIEW COURSES IN CLEARING Bangor University IN CLEARING VIEW COURSES IN CLEARING Northumbria University, Newcastle IN CLEARING VIEW COURSES IN CLEARING Oxford Brookes University IN CLEARING VIEW COURSES IN CLEARING Nottingham Trent University IN CLEARING VIEW COURSES IN CLEARING Liverpool John Moores University IN CLEARING VIEW COURSES IN CLEARING University of Huddersfield IN CLEARING VIEW COURSES IN CLEARING Anglia Ruskin University IN CLEARING VIEW COURSES IN CLEARING Canterbury Christ Church University IN CLEARING VIEW COURSES IN CLEARING Birmingham City University IN CLEARING VIEW COURSES University of Westminster, London VIEW COURSES IN CLEARING Sheffield Hallam University IN CLEARING VIEW COURSES IN CLEARING Liverpool Hope University IN CLEARING VIEW COURSES IN CLEARING Teesside University, Middlesbrough IN CLEARING VIEW COURSES IN CLEARING University of Worcester IN CLEARING VIEW COURSES Falmouth University VIEW COURSES IN CLEARING University of Northampton IN CLEARING VIEW COURSES IN CLEARING University of Winchester IN CLEARING VIEW COURSES IN CLEARING Brunel University London IN CLEARING VIEW COURSES IN CLEARING Bournemouth University IN CLEARING VIEW COURSES IN CLEARING University of Greenwich IN CLEARING VIEW COURSES IN CLEARING University of Gloucestershire IN CLEARING VIEW COURSES IN CLEARING University of Essex IN CLEARING VIEW COURSES IN CLEARING Staffordshire University IN CLEARING VIEW COURSES IN CLEARING Ulster University IN CLEARING VIEW COURSES University of Dundee VIEW COURSES IN CLEARING University of Roehampton IN CLEARING VIEW COURSES IN CLEARING Edinburgh Napier University IN CLEARING VIEW COURSES IN CLEARING University of Chester IN CLEARING VIEW COURSES IN CLEARING University of Portsmouth IN CLEARING VIEW COURSES IN CLEARING Birmingham Newman University IN CLEARING VIEW COURSES IN CLEARING Goldsmiths, University of London IN CLEARING VIEW COURSES IN CLEARING University of Chichester IN CLEARING VIEW COURSES IN CLEARING University of Sunderland IN CLEARING VIEW COURSES IN CLEARING Leeds Beckett University IN CLEARING VIEW COURSES IN CLEARING University of Brighton IN CLEARING VIEW COURSES IN CLEARING York St John University IN CLEARING VIEW COURSES IN CLEARING University of Derby IN CLEARING VIEW COURSES IN CLEARING Bristol, University of the West of ... IN CLEARING VIEW COURSES IN CLEARING University of Hertfordshire IN CLEARING VIEW COURSES University of Wolverhampton VIEW COURSES IN CLEARING De Montfort University IN CLEARING VIEW COURSES Kingston University VIEW COURSES IN CLEARING Leeds Trinity University IN CLEARING VIEW COURSES IN CLEARING Bishop Grosseteste University IN CLEARING VIEW COURSES IN CLEARING University of Central Lancashire IN CLEARING VIEW COURSES IN CLEARING University of Salford IN CLEARING VIEW COURSES IN CLEARING St Mary's University, Twickenham IN CLEARING VIEW COURSES IN CLEARING Coventry University IN CLEARING VIEW COURSES IN CLEARING Cardiff Metropolitan University IN CLEARING VIEW COURSES 100% 100% 97% 96% 95% 95% 94% 94% 94% 94% 94% 94% 94% 93% 93% 93% 93% 93% 92% 92% 92% 91% 91% 91% 91% 91% 91% 90% 90% 90% 90% 90% 89% 89% 89% 89% 89% 89% 89% 89% 89% 89% 88% 88% 88% 88% 88% 88% 88% 88% 88% 88% 87% 87% 87% 87% 87% 87% 87% 87% 87% 87% 87% 86% 86% 86% 86% 86% 86% 86% 85% 85% 85% 85% 85% 85% 85% 84% 84% 84% 84% 84% 84% 84% 83% 83% 83% 83% 82% 82% 82% 82% 82% 82% 81% 80% 95% 96% 96% 93% 92% 81% 79% 79% 91% 76% 82% 79% 82% 84% 84% 72% 72% 81% 100% 73% 70% 73% 93% 62% 70% 85% 74% 68% 62% 66% 72% 73% 53% 65% 84% 68% 59% 67% 64% 64% 54% n/a 63% 60% 63% 61% 60% 61% 68% 58% 59% 62% 64% 54% 50% 60% 54% 58% 57% 51% 57% 58% 53% 63% 58% 57% 56% 64% 58% n/a 59% 82% 51% 81% 61% 63% 45% 58% 58% 65% 56% 53% 57% 64% 58% 56% 50% 56% 55% 51% 49% 54% 55% 49% 58% 48% n/a n/a 84% 77% 81% 80% 82% 79% 72% 82% 79% 77% 75% 75% 72% 78% 78% 74% 81% 76% 75% 79% 77% 84% 80% 85% 79% 77% 79% 75% 77% 79% 84% 76% 75% 82% 84% 78% 80% 83% 80% 82% 79% 78% 81% 76% 75% 83% 78% 80% 85% 84% 76% 78% 87% 80% 78% 76% 82% 81% 78% 82% 85% 79% 77% 74% 84% 79% 79% 83% 84% 79% 75% 83% 80% 83% 92% 75% 82% 60% 80% 77% 81% 81% 80% 84% 76% 79% 82% 82% 82% 85% 78% 78% 75% 78% 89% 86% 86% 84% 87% 86% 82% 90% 90% 82% 85% 89% 90% 88% 83% 94% 89% 89% 85% 87% 88% 89% 85% 86% 88% 81% 85% 88% 89% 86% 87% 80% 78% 85% 79% 85% 84% 74% 75% 69% 83% 82% 81% 73% 81% 87% 86% 77% 83% 90% 75% 84% 86% 79% 82% 88% 84% 80% 72% 79% 63% 79% 73% 67% 77% 70% 68% 67% 81% 69% 77% 78% 81% 75% 70% 71% 72% 80% 72% 75% 68% 78% 63% 62% 71% 70% 80% 82% 77% 73% 62% 74% 70% 70% 82% 57% 89% 87% 86% 85% 78% 83% 84% 78% 79% 82% 81% 77% 76% 75% 81% 75% 78% 78% 72% 86% 78% 74% 75% 80% 73% 80% 71% 69% 74% 73% 65% 72% 83% 73% 74% 66% 74% 80% 72% 73% 67% 62% 71% 75% 72% 72% 74% 68% 67% 69% 75% 71% 73% 70% 68% 70% 69% 69% 71% 71% 77% 77% n/a 69% 76% 74% 73% 60% 68% 72% 71% 68% 58% 66% 69% 63% n/a 74% n/a 79% 64% 64% 69% 69% 63% 65% 53% 64% 54% 61% 67% 58% 70% n/a 58% 57% This table was updated on 24 May 2024.  Read the  University and subject tables methodology  to find out where the data comes from, how the tables are compiled and explanations of the measures used.  All measures used to compile the tables are available on the full table view. Maximum scores for the measures:  Overall score: maximum score of 1000  Entry standards: no maximum score   Student satisfaction: maximum score of 4  Research quality: maximum score of 4  Continuation: maximum score of 100  Graduate prospects – outcomes: maximum score of 100  Graduate prospects – on track: maximum score of 100  The following institutions have courses in this subject but insufficient data to be included in the ranking:   - London Metropolitan University - Plymouth Marjon University - University of Bolton - University of Buckingham - University of South Wales - University of Suffolk - University of Wales Trinity Saint David - University of the Highlands and Islands (UHI) Filter by region East Midlands East of England North East England North West England Northern Ireland South East England South West England West Midlands Yorkshire and the Humber Subject league tables Accounting & Finance Aeronautical & Aerospace Engineering African & Middle Eastern Studies Agriculture & Forestry American Studies Anthropology Archaeology Architecture Art & Design Asian Studies Biological Sciences Business & Management Studies Celtic Studies Chemical Engineering Childhood & Youth Studies Civil Engineering Communication & Media Studies Complementary Medicine Counselling, Psychotherapy & Occupational Therapy Creative Writing Drama, Dance & Cinematics Electrical & Electronic Engineering Food Science Forensic Science General Engineering Geography & Environmental Science Health Studies History of Art, Architecture & Design Iberian Languages Information Technology & Systems Land & Property Management Linguistics Manufacturing & Production Engineering Materials Technology Mathematics Mechanical Engineering Medical Technology & Bioengineering Nursing & Midwifery Optometry, Ophthalmics & Orthoptics Paramedic Science Pharmacology & Pharmacy Physics & Astronomy Russian & East European Languages Social Policy Social Work Speech & Language Therapy Theology & Religious Studies Tourism, Transport, Travel & Heritage Studies Town & Country Planning and Landscape Design Veterinary Medicine CHOOSE A REGION University group, choose a group. Enquire Now About SI-UK All Global Offices Find Your UK University Course Free Service Premium Service Visa Service Oxbridge Service Medicine Service Art and Design Service View all Services UCAS and Applying UK University Rankings 2024 University Subject Guide Scholarships and Funding All UK Study Information Undergraduate Postgraduate and Masters All Study Options UK University Profiles UK University Study Guide Language Centre Home Pearson Academic English Test University News Open Days and Events Work with Us We use cookies to give you the best online experience. Please let us know if you agree to these cookies. Updates for International Students If you are an international student interested in UK study from January or September 2022 and need advice and support on topics such as travel, quarantine and financing your studies, stay up to date with the latest Studying in the UK and Coronavirus (COVID-19) information. 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I'd highly recommend this service to any and all of my many friends interested.   Brishti Basu Biosciences at Coventry University Leading Universities and SI-UK Partners © 2024 SI-UK All rights reserved Privacy Policy --> Book your Free Consultation A member of the SI-UK team will be in touch within 24 hours to arrange your initial consultation with one of our UK education experts. Study Undergraduate English literature and creative writing ba (ucas qw38). 29 September 2025 3 years full-time Qualification Bachelor of Arts (BA) Warwick Writing Programme University of Warwick Book your Open Day place Enquire now Find out more about our English Literature and Creative Writing degree at Warwick Studying English Literature and Creative Writing (BA) at Warwick will transform your understanding of literature, of yourself, and of the world. It will also fully prepare you to thrive in any profession that values intellectual rigour, creativity, and the ability to communicate a message that matters. General entry requirements A level typical offer. AAA or A*AB to include grade A in English Literature or English Language and Literature (combined). A level contextual offer We welcome applications from candidates who meet the contextual eligibility criteria and whose predicted grades are close to, or slightly below, the contextual offer level. The typical contextual offer is ABB, including A in English Literature or English Language and Literature (combined). See if you’re eligible. General GCSE requirements Unless specified differently above, you will also need a minimum of GCSE grade 4 or C (or an equivalent qualification) in English Language and either Mathematics or a Science subject. Find out more about our entry requirements and the qualifications we accept. We advise that you also check the English Language requirements for your course which may specify a higher GCSE English requirement. Please find the information about this below. IB typical offer 36 to include 6 at Higher Level in English Literature or combined English Language and Literature. IB contextual offer We welcome applications from candidates who meet the contextual eligibility criteria and whose predicted grades are close to, or slightly below, the contextual offer level. The typical contextual offer is 32 including grade 6 in Higher Level English Literature or English Language and Literature (combined). See if you’re eligible. Other UK qualifications We welcome applications from students taking BTECs alongside A level English Literature or English Language and Literature (combined). Scotland Advanced Highers AA in two Advanced Highers including English, and AAB in three additional Highers subjects. Welsh Baccalaureate AAB in three subjects at A level including A in English Literature or English Language and Literature (combined) plus grade C in the Advanced Welsh Baccalaureate Skills Challenge Certificate. Access to Higher Education Diplomas We will consider applicants returning to study who are presenting a QAA-recognised Access to Higher Education Diploma on a case-by-case basis. Typically, we require 45 Credits at Level 3, including Distinction in 33 Level 3 credits and Merit in 12 Level 3 Credits. We may also require subject specific credits or an A level to be studied alongside the Access to Higher Education Diploma to fulfil essential subject requirements. International qualifications English Language requirements All applicants have to meet our English Language requirements Link opens in a new window . If you cannot demonstrate that you meet these, you may be invited to take part in our Pre-sessional English course at Warwick Link opens in a new window . This course requires: Band B Learn more about our English Language requirements Link opens in a new window . Frequently asked questions Contextual data and differential offers. Warwick may make differential offers to students in a number of circumstances. These include students participating in a Widening Participation programme or who meet the contextual data criteria . Differential offers will usually be one or two grades below Warwick’s standard offer. Warwick International Foundation Programme (IFP) All students who successfully complete the Warwick IFP and apply to Warwick through UCAS will receive a guaranteed conditional offer for a related undergraduate programme (selected courses only). Find out more about standard offers and conditions for the IFP . Taking a gap year We welcome applications for deferred entry. We do not typically interview applicants. Offers are made based on your UCAS form which includes predicted and actual grades, your personal statement and school reference. Course overview Creative work can happen anywhere, but in our School of Creative Arts, Performance and Visual Cultures you can learn the craft of writing and work with other emerging writers in a place of energy and ideas. If you intend to pursue a career as an author, or to work in the creative industries or teaching, this practical course will teach you about the creative writing process and help you become a better reader, with a deeper understanding of literary history, literary theory and the past and future of creative writing. You will be taught by practising and award-winning writers, bridging the gap between academic and creative approaches to literature. Our course is number one for creative writing in the UK (The Times Good University Guide 2023) and has 91.7% overall student satisfaction in National Student Survey. You will undertake real-world writing tasks and will regularly meet, engage with, and learn from industry professionals, including publishers, editors, literary agents, poets, and authors. Our graduates enter the world with advanced communicative, imaginative, and critical abilities, plus practical and vocational literary writing skills including composition, interpretation, and evaluation. In addition, you will develop argument, analysis and speaking skills, and a capacity for independent thought. Many of our graduates have become professional novelists, poets, dramatists, filmmakers, and performers. Study abroad As a student on our English degrees, you will have the opportunity to spend your third year at one of our partner institutions in Europe, China, or North America. You will then return to Warwick to complete your fourth and final year of your degree. You will be able to apply to transfer to the four-year course when you are in your second year at Warwick, subject to availability of places from the University's International Office. Core modules In your first year you will gain the foundation you need to become a better reader and writer. In Modes of Writing, we explore writing in different forms, including poetry, fiction, non-fiction, and writing for performance and new media. Through studying Medieval and Early Modern Literature, you will appreciate the context of contemporary beliefs and social developments. Epic into Novel will give you an understanding of some of the great texts of classical and modern times. The Written World will introduce you to some of the ideas and themes in literary theory, with a particular focus on texts that are important to writers. As a second year you will progress to Composition and Creative Writing, in which you explore and deepen your practice of fiction and non-fiction. You will take an English Literature module focusing on texts from before 1900 , as well as any module from English Literature, Creative Writing, or another University department. In your final year you will progress to the Personal Writing Project, your opportunity to work one-to-one with a tutor on an extensive piece of writing in fiction, non-fiction, poetry, drama, screenwriting, or a genre of your choice. In addition, you will select a global literature module, as well as any module from English Literature, Creative Writing, or another University department. Modes of Writing This is a core module for first-year undergraduates reading for the degree QW38 English Literature and Creative Writing. The module is 100% fully assessed. The module complements The Written World and prepares you for the more specialist writing modules in years two and three such as Composition and Creative Writing, The Practice of Poetry, The Practice of Fiction and The Personal Writing Project. The module also complements other academic optional modules in which writing, imitation, rhetoric or translation may be practised or studied. Read more about the Modes of Writing module Link opens in a new window , including the methods of teaching and assessment (content applies to 2023/24 year of study). Medieval and Early Modern Literature Taking you from the mythical court of King Arthur to the real world of ambition, intrigue, and danger in the courts of Henry VIII and Elizabeth I, this module introduces you to early literature in a global context. You will study texts like Chaucer’s Canterbury Tales , Thomas More’s Utopia , Edmund Spenser’s The Faerie Queene , and Shakespeare’s sonnets to explore some of the period’s highest ideals—‘trawthe’ or integrity—as well as some of humanity’s darkest impulses: greed, deception, revenge, and desire. Read more about the Medieval and Early Modern Literature module Link opens in a new window , including the methods of teaching and assessment (content applies to 2023/24 year of study). Epic into Novel Tracking the transition from the epics of the ancient world to their incarnation as texts of modernity, this module introduces you to some of the most influential and formative works of world literature. You will study central texts of the classical world, such as Gilgamesh , Homer’s Iliad, Virgil’s Aeneid, and Catullus; ancient epics from India and Africa; Milton’s Paradise Lost ; as well as responses to ancient epic by Tennyson, Margaret Atwood, Seamus Heaney, and Maria Dahvana Headley. Reading across history and cultures, between languages and genres, you will develop the skills to analyse narrative, character, and style. Read more about the Epic into Novel module Link opens in a new window , including the methods of teaching and assessment (content applies to 2023/24 year of study). The Written World This module will introduce students on the BA in English Literature and Creative Writing to ideas and theories from literary studies, linguistics, critical theory, translation studies and cultural studies that will underpin more specialised scholarly and creative study in the second and third years. Read more about the The Written World module Link opens in a new window , including the methods of teaching and assessment (content applies to 2023/24 year of study). Composition and Creative Writing You will develop your fiction and non-fiction writing through practice of the processes involved, from inception, through drafting and revision, to considerations of audience. You will gain insights into narrative form, including traditional and experimental methods. Read more about the Composition and Creative Writing module Link opens in a new window , including the methods of teaching and assessment (content applies to 2023/24 year of study). Personal Writing Project The Personal Writing Project will see you working closely with a practitioner to advance your technical and critical skills in the development of a portfolio of work focused on a specific genre. You will gain an appreciation of the research and methodology needed for large-scale creative works and in so doing, gain the maturity and confidence to advance your career as a professional writer. Read more about the Personal Writing Project module , including the methods of teaching and assessment (content applies to 2023/24 year of study). Optional modules Optional modules can vary from year to year. Example optional modules may include: The Practice of Poetry The Practice of Fiction Screenwriting Advanced Screenwriting US Writing and Culture 1780-1920 Romantic and Victorian Poetry The Seventeenth Century Game Theory: Interactive and Video Game Narratives Assessment is a combination of creative projects, portfolios, essays, and optional performance. For example, in our Shakespeare and Selected Dramatists of his Time module, student creative work recently included film and radio adaptations, musical compositions, painting, sculpture and photography inspired by Shakespeare's texts. Practising writers deliver teaching through workshops and seminars. Also, writers and publishers visit and engage with you at our weekly Warwick Thursdays events. Most core modules in your first year are taught through lectures and seminars. In your second and third years, optional modules are normally taught in seminars and workshops. Working together, we seek to improve our students’ skills and confidence through writing workshops, peer review and live performances. You will be encouraged to attend and participate at spoken word events in the local area. Class sizes Targeted teaching with class sizes of 10 - 15 students (on average). Typical contact hours Guided learning of typically eight contact hours per week. Seminars are usually 1.5 hours each. Tuition fees Tuition fees cover the majority of the costs of your study, including teaching and assessment. Fees are charged at the start of each academic year. If you pay your fees directly to the University, you can choose to pay in instalments. Home students Undergraduate fees. If you are a home student enrolling in 2024, your annual tuition fees will be £9,250 . In the future, these fees might change for new and continuing students. 2+2 course fees If you are a home student enrolling in 2022 for a 2+2 course through the Centre for Lifelong Learning, your annual tuition fees will be £6,750 . In the future, these fees might change for new and continuing students. How are fees set? The British Government sets tuition fee rates. Learn more about fees from UCAS Link opens in a new window . Overseas students If you are an overseas or EU student enrolling in 2024, your annual tuition fees will be as follows: Band 1 – £24,800 per year (classroom-based courses, including Humanities and most Social Science courses) Band 2 – £31,620 per year (laboratory-based courses, plus Maths, Statistics, Theatre and Performance Studies, Economics, and courses provided by Warwick Business School, with exceptions) Fees for 2025 entry have not been set. We will publish updated information here as soon as it becomes available, so please check back for updates about 2025 fee rates before you apply. Fee status guidance We carry out an initial fee status assessment based on the information you provide in your application. Students will be classified as Home or Overseas fee status. Your fee status determines tuition fees, and what financial support and scholarships may be available. If you receive an offer, your fee status will be clearly stated alongside the tuition fee information. Do you need your fee classification to be reviewed? If you believe that your fee status has been classified incorrectly, you can complete a fee status assessment questionnaire. Please follow the instructions in your offer information and provide the documents needed to reassess your status. Find out more about how universities assess fee status. Link opens in a new window Additional course costs As well as tuition fees and living expenses, some courses may require you to cover the cost of field trips or costs associated with travel abroad. For departmental specific costs, please see the Modules tab on this web page for the list of core and optional core modules with hyperlinks to our Module Catalogue Link opens in a new window (please visit the Department’s website if the Module Catalogue hyperlinks are not provided). Associated costs can be found on the Study tab for each module listed in the Module Catalogue (please note most of the module content applies to 2024/25 year of study). Information about module specific costs should be considered in conjunction with the more general costs below: Core text books Printer credits Dissertation binding Robe hire for your degree ceremony Further information Find out more about tuition fees from our Student Finance team . Scholarships and bursaries Learn about scholarships and bursaries available to undergraduate students. We offer a number of undergraduate scholarships and bursaries to full-time undergraduate students. These include sporting and musical bursaries, and scholarships offered by commercial organisations. Find out more about funding opportunities for full-time students. Link opens in a new window International scholarships If you are an international student, a limited number of scholarships may be available. Find out more information on our international scholarship pages. Link opens in a new window You may be eligible for financial help from your own government, from the British Council or from other funding agencies. You can usually request information on scholarships from the Ministry of Education in your home country, or from the local British Council office. Warwick Undergraduate Global Excellence Scholarship We believe there should be no barrier to talent. That's why we are committed to offering a scholarship that makes it easier for gifted, ambitious international learners to pursue their academic interests at one of the UK's most prestigious universities. Find out more about the Warwick Undergraduate Global Excellence Scholarship. Link opens in a new window Part-time fee waiver Find out more about the Warwick scholarship for part-time students. Link opens in a new window Warwick Bursary for low income students We provide extra financial support for qualifying students from lower income families. The Warwick Undergraduate Bursary is an annual award of up to £3,000 per annum. It is intended to help with course-related costs and you do not have to pay it back. Find out more about your eligibility for the Warwick Undergraduate Bursary. Link opens in a new window Sanctuary scholarships for asylum seekers As part of the 'City of Sanctuary' movement, we are committed to building a culture of hospitality and welcome, especially for those seeking sanctuary from war and persecution. We provide a range of scholarships to enable people seeking sanctuary or asylum to progress to access university education. Find out more about the Warwick Undergraduate Sanctuary Scholarships for asylum seekers. Link opens in a new window Find out more about Warwick undergraduate bursaries and scholarships. Eligibility for student loans Your eligibility for student finance will depend on certain criteria, such as your nationality and residency status, your course, and previous study at higher education level. Check if you're eligible for student finance . Home students residing in England Tuition fee loan. You can apply for a Tuition Fee Loan to cover your tuition fees. It is non-means tested, which means the amount you can receive is not based on your household income. The Loan is paid directly to the University so, if you choose to take the full Tuition Fee Loan, you won’t have to set up any payments. Maintenance Loan for living costs You can apply for a Maintenance Loan towards your living costs such as accommodation, food and bills. This loan is means-tested, so the amount you receive is partially based on your household income and whether you choose to live at home or in student accommodation. Find out more about government student loans for home students residing in England. Link opens in a new window Home students residing outside of England Find out more about student funding for home students residing outside of England. Link opens in a new window EU students If you’re starting a course on or after 1 August 2021, you usually must have settled or pre-settled status under the EU Settlement Scheme Link opens in a new window to get student finance. If you are an EU student and eligible for student finance you may be able to get a Tuition Fee Loan to cover your fees. It is non-means tested, which means the amount you may receive is not based on your household income. The Loan is paid directly to the University so, if you choose to take the full Tuition Fee Loan, you won't have to set up any payments. Help with living costs For the 2024 academic year, you may be eligible for help with your living costs if both of the following apply: You have lived in the UK for more than 3 years before the first day of the first academic year of your course You have Settled Status ( see further details on Settled Status) Link opens in a new window If you are coming to the UK from 1st January 2021, you may need to apply for a visa Link opens in a new window to study here. Please note: Irish citizens do not need to apply for a visa or to the EU Settlement Scheme. Find out more about government student loans for EU students Link opens in a new window Repaying your loans You will repay your loan or loans gradually once you are working and earning above a certain amount (for students starting their course after 1 August 2023 the repayment threshold is £25,000). Repayments will be taken directly from your salary if you are an employee. If your income falls below the earnings threshold, your repayments will stop until your income goes back up above this figure. Find out more about repaying your student loan. Link opens in a new window Your career Graduates from our course have gone on to work for employers including: Bloomsbury Publishing British Council Cambridge University Press Civil Service The Forward Poetry Foundation Pan Macmillan The Poetry Society Penguin/Random House Royal Opera House The Society of Authors The Sunday Times Teach First They have pursued roles such as: Authors, writers, dramatists, poets, and translators Journalists, newspaper, and periodical editors Creative directors Arts officers, producers, and directors Musicians and composers Marketing associate professionals Academics and researchers Higher Education administrators Helping you find the right career Our staff have excellent links not only with other writers but also with publishing houses, literary journals and agencies, with national and regional organisations such as the Arts Council, PEN, and with other creative writing programmes both in Britain and in the USA. We also run the Young Writer of the Year Award jointly with The Sunday Times and host the prestigious Warwick Prize for Women in Translation. Our School of Creative Arts, Performance and Visual Cultures also has a dedicated professionally qualified Senior Careers Consultant to support you. They offer impartial advice and guidance, together with workshops and events throughout the year. Examples of workshops and events include: Discovering Careers in the Creative Industries Careers in Publishing and Journalism Freelancing Careers in the Public Sector Warwick careers fairs throughout the year Find out more about careers support at Warwick. Link opens in a new window Welcome to the Warwick Writing Programme, an internationally acclaimed writing programme that attracts writers and literary translators from across the globe. If you join us you will immerse yourself in contemporary and experimental narratives, including screenwriting, literary translation, gaming, spoken word and fieldwork. We foster and maintain excellent creative industry links and networks to enable our students to achieve their career ambitions. We are title partner for The Sunday Times and University of Warwick Young Writer of the Year Award, whose recent winners have included Raymond Antrobus, Adam Weymouth and Sally Rooney. We are also the home of the Warwick Prize for Women in Translation. Our teaching staff of novelists, poets, non-fiction writers, screenwriters and literary translators includes Lucy Brydon, A.L. Kennedy, Tim Leach, Nell Stevens, Maureen Freely, Gonzalo C. Garcia, David Morley, Dragan Todorovic and Jodie Kim. Find out more about us on our website Link opens in a new window Explore our new Faculty of Arts building The department recently moved into the brand new £57.5 million Faculty of Arts building. This means, as an Arts student at Warwick, you’ll find your home amongst brand new teaching, learning and social spaces, including specialist facilities, all designed to support collaborative working and to enable your creativity and innovation to flourish. The sustainably built, eight-storey building is located next to the newly refurbished Warwick Arts Centre in the heart of the University’s creative and cultural arts quarter. Explore our new Faculty of Arts building further. Life at Warwick Within a close-knit community of staff and students from all over the world, discover a campus alive with possibilities. A place where all the elements of your student experience come together in one place. Our supportive, energising, welcoming space creates the ideal environment for forging new connections, having fun and finding inspiration. Accommodation Arts, Culture and Events Clubs and societies Food and drink Sports and Fitness Wellbeing support Keep exploring life at Warwick Find out how to apply to us, ask your questions, and find out more. Warwick Accommodation Finding the right accommodation is key to helping you settle in quickly. We have a range of residences for undergraduate students on campus. Explore Warwick Accommodation You won't be short of ways to spend your time on campus - whether it's visiting Warwick Arts Centre, using our incredible new sports facilities, socialising in our bars, nightclub and cafés, or enjoying an open-air event. Or if you need some peace and quiet, you can explore lakes, woodland and green spaces just a few minutes’ walk from central campus. Explore our campus We have lots of cafés, restaurants and shops on campus. You can enjoy great quality food and drink, with plenty of choice for all tastes and budgets. There is a convenience store on central campus, as well as two supermarkets and a small shopping centre in the nearby Cannon Park Retail Park. Several of them offer delivery services to help you stay stocked up. And don't miss our regular food market day on the Piazza with tempting, fresh and delicious street food. Soak up the atmosphere and try something new, with mouth-watering food for all tastes. Explore food and shops Explore Students' Union venues We currently have more than 300 student-run societies. So whether you’re into films, martial arts, astronomy, gaming or musical theatre, you can instantly connect with people with similar interests. Or you could try something new, or even form your own society. Explore our societies Sports and fitness Staying active at Warwick is no sweat, thanks to our amazing new Sports and Wellness Hub, indoor and outdoor tennis centre, 60 acres of sports pitches, and more than 60 sports clubs. Whether you want to compete, relax or just have fun, you can achieve your fitness goals. Explore sports at Warwick Studying on campus Our campus is designed to cater for all of your learning needs. You will benefit from a variety of flexible, well-equipped study spaces and teaching facilities across the University. The Oculus, our outstanding learning hub, houses state-of-the-art lecture theatres and innovative social learning and network areas. The University Library provides access to over one million printed works and tens of thousands of electronic journals Different study spaces offering you flexible individual and group study spaces. Studying at Warwick Travel and local area Our campus is in Coventry, a modern city with high street shops, restaurants, nightclubs and bars sitting alongside medieval monuments. The Warwickshire towns of Leamington Spa and Kenilworth are also nearby. The University is close to major road, rail and air links. London is just an hour by direct train from Coventry, with Birmingham a 20-minute trip. Birmingham International Airport is nearby (a 20-minute drive). Travelling from campus Wellbeing support and faith provision Our continuous support network is here to help you adjust to student life and to ensure you can easily access advice on many different issues. These may include managing your finances and workload, and settling into shared accommodation. We also have specialist disability and mental health support teams. Our Chaplaincy is home to Chaplains from the Christian, Jewish and Muslim faiths. We provide regular services for all Christian denominations and a Shabbat meal every Friday for our Jewish students. There is also an Islamic prayer hall, halal kitchen and ablution facilities. Student support How to apply Learn more about our application process. Key dates for your application to Warwick. Writing your personal statement Make an impression and demonstrate your passion for your course. After you've applied Find out how we process your application. Our Admission Statement Read Warwick's Admission Statement Useful links Access to Warwick degrees Contextual Offers Entry requirements Exemption from part of a degree Guidance for parents and carers International applicants Returners to study Students with disabilities Younger applicants 3 ways to connect Join us at a live event. You can ask about courses, applying to Warwick, life at Warwick, visas and immigration, and more. See event calendar Link opens in a new window Warwick Experience Take a virtual, student-led campus tour. Then join an interactive panel session, where you can hear from and chat to our current students and staff. Book a tour Link opens in a new window Student blogs Explore our student blogs in Unibuddy. You can read about campus life from students themselves, and register to post questions directly to students. Ask a student Link opens in a new window Explore campus with our virtual tour Our 360 tour lets you: Watch student videos View 360 photography and drone footage Learn about facilities and landmarks Explore our campus virtually through our 360 campus tour now Come to an Open Day Don’t just take it from us, come and see for yourself what Warwick is all about. Whether it's a virtual visit or in-person, our University Open Days give you the chance to meet staff and students, visit academic departments, tour the campus and get a real feel for life at Warwick. Open Days at Warwick Sign up for updates Discover more about our courses and campus life with our helpful information and timely reminders. Why Warwick Discover why Warwick is one of the best universities in the UK and renowned globally. About Warwick Find out more about life at Warwick including: Open days and online events Sign up for emails. Register to take part in our next Open Day Page updates We have revised the information on this page since publication. See the edits we have made and content history . 9th in the UK (The Guardian University Guide 2024) Link opens in a new window 67th in the world (QS World University Rankings 2024) Link opens in a new window 6th most targeted university by the UK's top 100 graduate employers Link opens in a new window (The Graduate Market in 2024, High Fliers Research Ltd. Link opens in a new window ) About the information on this page This information is applicable for 2025 entry. Given the interval between the publication of courses and enrolment, some of the information may change. It is important to check our website before you apply. Please read our terms and conditions to find out more. We use cookies to help our site work, to understand how it is used, and to tailor ads that are more relevant to you and your interests. By accepting, you agree to cookies being stored on your device. You can view details and manage settings at any time on our cookies policy page. BA (Hons) — 2025 entry English Literature and Creative Writing If you’re an aspiring writer and literature enthusiast, our English Literature and Creative Writing BA (Hons) degree has the ideal combination of topics for you. Key course information Ba (hons) with placement, why choose this course. Engage in intellectually challenging teaching in literature and creative writing, with acclaimed writers and scholars as well as enthusiastic and experienced teachers who convey ideas and explain techniques and methodologies enthusiastically and accessibly   As a student of English Literature and Creative Writing BA (Hons) at Surrey, you will become part of a community of literary and cultural scholars, writers, and creative practitioners, and will be able to explore the opportunities and challenges of studying, practising, and producing critical and creative forms of expression.   We have a firm eye on your future employability. We’ll equip you with skills that employers value – clear and compelling communication skills, independent thinking and collaborative working. If you choose to take one of our award-winning Professional Training placements , you’ll be able to enhance your readiness for employment.   Top 9 in the UK English literature is ranked top 9 for overall student satisfaction* in the National Student Survey 2024 12th in the UK For English in the Guardian University Guide 2024 Surrey is ranked 12th in the Complete University Guide 2025 *Measured by % positivity across all questions for all providers listed in the Guardian University Guide league tables. English Literature and Creative Writing alumna launches short story collection What you need to know about studying English literature Introducing Literature and Languages Course details open, what you will study. On our English Literature and Creative Writing BA (Hons) course, you’ll study vital and influential works of literature, you'll read and discuss contemporary writing as well as classics in a wide range of genres.    You’ll explore canonical as well as more experimental forms, texts, and authors alongside perspectives, world views, and creative practices that have been historically silenced, marginalised, or endangered. Throughout the programme, you’ll develop sensitivity and appreciation for a diverse range of cultures and forms of artistic expressions, as well as emotional and cultural intelligence when discussing them with your peers and tutors.    The programme includes innovative modules Science-Fiction and Renaissance Lives, plus a new Creative Writing poetry module and identities module, alongside our excellent existing creative writing and period-based literary modules in Medieval, Early Modern, 19th century, Modernist and Contemporary Studies.    You’ll develop a wide range of creative writing skills and knowledge, looking at forms such as novels, short stories, poetry, plays, screenplays, graphic novels and writing for games.     You will study classic works like those of Shakespeare and George Eliot, as well as writing by contemporary authors including Kazuo Ishiguro, Chimamanda Ngozi Adichie and Jhumpa Lahiri.     Genres you’ll study include travel writing, 19th-century theatre and fiction, science-fiction, contemporary global literatures, medieval literature, romantic literature, early modern, modernist and contemporary literatures.     Our creative writing modules will develop your understanding of the techniques used and challenges faced by the writers you study on your English literature modules. You’ll assess the potential and challenges of forms of artistic expression that are increasingly central in contemporary culture and society, such as digital storytelling, video-gaming, blogging and podcasting. Your studies will also help you find inspiration and root your own creative work in the authors and literary traditions you’ll be exploring.    You’ll gain professional and transferable skills in communications, writing, and critical thinking. You’ll learn how to write at a professional level in a variety of modes: analytical commentary and interpretive analysis, literary criticism, prose fiction, poetry, and writing for stage, screen, gaming and beyond. These skills are paramount in a wide range of professional environments and career paths, such as writing, editing, copywriting, teaching, publishing, marketing, journalism, social media and communications roles.   Culture and arts at Surrey As a BA (Hons) English Literature and Creative Writing student at Surrey, you’ll find yourself in an exciting and creatively invigorating environment.  Alongside your lectures, tutorials, seminars and workshops, you'll have a wide range of opportunities to engage with our vibrant research culture and arts activities.   Literary events on and around campus include the annual Morag Morris Poetry Lecture, the Surrey Poetry Festival and the Surrey New Writers Festival.   Literature and Languages also regularly host talks by major writers and critics, as well as literary agents, publishers and other speakers of interest.   Our current Distinguished Writer in Residence is the acclaimed writer,  Neel Mukherjee , and our new Poet in Residence for 2023-24 is Briony Hughes. Both offer regular writing workshops and, in the case of our Distinguished Writer in Residence, one-on-one writing surgery sessions.   Dr Liz Bahs Programme leader Literature and Languages This course is taught by academic staff from Literature and Languages, part of the School of Arts, Humanities and Creative Industries. Course structure Open The academic year is divided into two semesters of 15 weeks each. Each semester consists of a period of teaching, revision/directed learning and assessment.  The structure of our programmes follow clear educational aims that are tailored to each programme. These are all outlined in the programme specifications which include further details such as the learning outcomes. English Literature and Creative Writing BA (Hons) English Literature and Creative Writing BA (Hons) with placement Please note: The   full module listing for the optional Professional Training placement part of your course is available in the relevant programme specification. Modules listed are indicative, reflecting the information available at the time of publication. Modules are subject to teaching availability, student demand and/or class size caps. The University operates a credit framework for all taught programmes based on a 15-credit tariff. Course options Year 1 - ba (hons), introduction to creative writing. This introductory module will provide a theoretical and practice-based introduction to narrative and poetics. We will discuss technical elements of poetry and prose, and address the similarities and differences among various forms. In addition, we will consider historical and literary movements in relation to different formal techniques and their cultural contexts. During the seminar session, students will engage in writing exercises and connected to the topic of the weekly lecture and workshop original work with other students, benefitting from that key peer group feedback and support that will help guide and sustain their practice as writers. Throughout the module, we will examine creative processes and practices and the role of revision in the wider writing process itself. Students will have the opportunity to discuss their own processes in a self-reflective critical commentary that will accompany their final portfolio of creative work.   THINKING LIKE A CRITIC I This module introduces students to key theoretical debates and critical methodologies relating to literature and literary studies. It extends the student's knowledge of the different approaches we can take to literary studies, the various questions we can ask of literature, and the diverse forms of knowledge and insight that the study of literature can yield. Simultaneously, it allows students to identify the approaches and concerns in which they have been previously (and often unwittingly) been trained and those which most interest them going forward; it then helps them develop and enhance their understanding and application of their preferred methodologies. The module is in this way both complementary and foundational to all the other modules students will take in both their first year and in subsequent years: it gives them a vital tool-kit they will deploy on all modules. Topics and methodologies to be explored include questions of form and the close reading of literary texts; the political and ideological implications of literary texts; the interrelationships between texts, genres and culture more generally; the relationship between texts and their various historical contexts; and the evolution of the academic discipline of English Literature from the early 20th to the early 21st century. Students are trained not only to understand some of the most influential literary theories and methodologies, but also to appraise, compare and critique these different approaches. They will also undertake their own theoretically-informed critical analyses of literary texts, thereby also developing their ability to apply different methodologies and theoretical approaches. The module's themes and focus are then extended by the semester 2 companion module ELI1011 Theories of Reading II, which continues the survey of key literary theories. Both these modules form a foundation for levels 5 and 6 where the theoretical knowledge and application skills will be further reinforced. LITERARY HISTORIES I This module introduces students to different periods in literary history from the medieval period to the late Eighteenth Century through the examination of a variety of texts. Students will study texts in English from the medieval period, the Early Modern period, the Restoration, and the neo-Classical period. Throughout the module students will learn to interpret literature by focusing on aspects of its historical including social, environmental, global and cultural context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will remain sensitive to the interplay between English literary traditions and those in other countries and the increasingly multicultural dimension of English literary history. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading as well as their own interpretations of the set texts in ways that will develop their critical thinking, research, and communication skills. By enabling students to gain the critical skills and knowledge required to study literature historically this module will provide a foundation for their further study of historical literary periods in semester 2 of their first year and for their study of literature in their second and final years. UNDERSTANDING THE NOVEL   This module is designed to introduce students to the academic study of the novel. Over the course of the module students will learn to read narrative fiction closely and critically, and to consider the relations between prose texts and the political, cultural, and intellectual contexts in which they are written and read. Focusing on novels in English from a range of historical periods and national contexts, the module examines fundamental aspects of the novel such as formal structure, characterisation, narrative, and voice, and important novelistic genres such as realism and the Gothic. It also considers the novel form’s representation of key issues such as subjectivity, gender, race, and politics. By enabling students to acquire the knowledge and critical skills needed to study and analyse novels, this module will provide a foundation for the study of prose fiction at degree level. This module connects to other period specific modules throughout the degree at levels 5 and 6. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years   UNDERSTANDING STAGE AND SCREEN This module is designed to introduce the academic study of drama and film. By studying three modern British plays and their adaptations to the screen you will develop an understanding of how drama and film are distinguished from other printed forms of literature alongside an appreciation of their cultural significance. Students on the module will be encouraged to think about the relationship between texts and their immediate historical and political contexts. You will be trained in the use of technical terms for drama and films, and will be introduced to the visual and audio analysis appropriate to both forms. Students will have the opportunity to develop creative as well as critical responses to the films and plays studied.   THINKING LIKE A WRITER Building on your semester 1 creative writing module, this module will further examine prose and poetry, and will also address writing for the stage, screen and even for games! Additionally, this module will encourage students to reflect on what it might mean to ‘think like a writer’. It will introduce students to writing for the stage as well as the big and small screen, through the work of individuals who are both critics and creative practitioners in their respective fields. The module also examines the creative work of poets, playwrights, screenwriters, prose writers and writers for the new spaces of digital and electronic media often in the light of these authors’ critical writing, and helps students to think about how their own creative and critical practice might inform each other. The module also includes an introduction to narrative and creative writing theory that will be explored in greater depth in the second and final years of your creative writing programme.   THINKING LIKE A CRITIC II The module builds on ELI1033, continuing to give students the necessary methodologies for undertaking close reading of literary texts and a self-aware understanding of their own subject positions in doing so. It provides wide coverage of different forms of literary theory and sets this alongside discussions of how to carry out critical analyses on literary texts. The module acts as a basis for levels 5 and 6, where the theoretical knowledge and application skills will be reinforced. Together with a rigorous study of a wide range of theoretical traditions, students will also analyse, through collaborative exercises and seminar discussions, short texts and cultural phenomena. In this way, they will develop the critical skills necessary to appreciate how theoretical texts can provide us with powerful tools to discuss important social questions that affect contemporary societies. LITERARY HISTORIES II This module introduces students to the main periods in literary history from Romanticism to Postmodernism by examining a variety of texts from these periods. Students will study texts in English from the Romantic and Victorian periods and from modernism and postmodernism. Throughout the module students will learn to interpret literature by focusing on aspects of its historical (including social, cultural, environmental, and global) context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will explore the increasingly multicultural dimension of English literary history in the modern period. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading and develop their own interpretations of the set texts. This module enables students to build upon and expand the critical skills and knowledge acquired in semester 1 modules by enhancing students' capabilities in these areas and encouraging a deeper study of literature historically, this module will also provide a foundation for the study of literature across a range of time periods in levels 5 and 6. In particular, the module connects to other period specific modules throughout the degree especially at level 5. UNDERSTANDING POETRY This module is designed to give students the confidence to read, study, and enjoy poetry. Over the course of the module students will learn to read and think critically and creatively about poems in English from a range of genres, historical periods and sub/cultures, about the formal elements of verse (such as rhyme, lineation, stanza structure, and metre), and about the social, political,global and intellectual contexts that shape poetic writing. The module will introduce and examine the technical features of poetry as a form, and offer an in-depth consideration of some of the most important poetic genres: epic, lyric, dramatic, and free verse. In the final week of the module, a lecture given by one of Surrey University’s professional poets will introduce students to the most recent trends in contemporary poetry. By enabling students to acquire the knowledge and critical skills needed to appreciate and analyse poems, this module will provide a foundation for the study of poetry at degree level. Peer-led discussion of debates around poetry, and workshopping and portfolio-building in seminars, fosters resilience and confidence (in analytical and/or creative writing; sharing ideas and written work in class) whilst developing transferable writing, communication and presentation skills suitable for a range of careers. This module connects to other first year modules in both the English literature and creative writing streams to ground students in the basics of their discipline, setting the scene for more in depth knowledge and practice development in modules throughout the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years. GLOBAL LITERATURES This module introduces students to global literatures across geocultural spaces and historical periods through the study and critical analysis of a range of texts written in multiple languages and from both Western and non-Western perspectives. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. The central question that will guide our discussions is how literary texts engage with the idea of the world. You will work collaboratively to develop critical and analytical skills that will enable you to appreciate: (1) how literary texts foster historical awareness and sensitivity to global issues affecting contemporary societies; (2) how literature is deeply shaped by cultural, political, and social forces; (3) how texts actively create narrative worlds that respond to specific symbolic and cultural needs. Building upon the theoretical foundations acquired during the first year, students will reflect on the value and challenges of studying literature today from a global, multilingual and  comparative perspective. Optional modules for Year 1 - FHEQ Level 4 Students choose two of the available creative writing optional modules (one in each semester) Year 2 - BA (Hons) Elements of narrative. This module explores the varied formal and technical challenges facing creative writers, examining the affordances and constraints of different modes of writing and the cultural, historical and theoretical contexts which impact upon how texts (including prose fiction, poetry, screenplays and dramatic scripts) are written and understood, and to translate this understanding into more effective creative practice. CONTEMPORARY POSTCOLONIAL FICTIONS AND CULTURES By focusing on a wide range of postcolonial fictions, this module explores what it means to write in a postcolonial context and allows students to reflect on the legacies of colonialism today. Student will discuss how colonialism and postcoloniality affect both content and fictional form, and will be encouraged to use the solid theoretical foundations built during the first year in the programme to critically analyse postcolonial fictions and cultures. The skills in interpretive analysis and research they will acquire in this module will be fundamental in preparing them for the dissertation project at the conclusion of their learning journey. Students will be able to explore a wide range of artistic forms¿prose, poetry, drama, and film and will develop crucial skills in critical analysis, connective thinking, and digital competency during our seminar discussions and in online activities. This module is part of a global strand embedded in our programme. In addressing prominent global issues such as colonialism, migration, diaspora, racial, gender, and class inequalities this module offers students tools to understand how and why literature can be a powerful instrument of critique and analysis of a persistently unequal world. The module further provides a theoretical underpinning that will enable students to draw connections between contemporary fictions and postcolonial and decolonial theories. Building on the introduction to modernism covered in the first-year core modules, this module explores a period in literature that was to bring innovation across the spectrum of cultural endeavour. Through a range of exciting and innovative works of literature from around the world, you will be introduced to the key ideas underlying the theories and practises of modernist writers in the period between 1900 and 1945. By exploring the concept of multiple global modernisms, the module builds global and cultural skills that will enable you to critically engage with the key themes central to modernist thought. As well as acquiring in-depth knowledge of the individual texts on the module, you will be able to develop a sense of how movements in modernist literature relate both to each other and to other disciplines such as philosophy, economics, politics, and art. Through the independent research undertaken for assessment and a particular focus on the skills required for advanced secondary source research, this module will also develop resourcefulness and digital skills. MONSTERS, MYSTICS AND DEMONS This module explores a range of literary texts produced in England at the end of the Middle Ages, paying particular attention to issues of language, gender, race, social status, travel, and religion. It explores the relationship between the self and the other, focusing on ideas of perfection and monstrosity, and the divine and the demonic. The module explores three interrelated themes that speak to the historical, social, and religious contexts of late Medieval English literature: 1) Monstrous Masculinities and Femininities 2) Travellers’ Tales: Encountering the Other and 3) Visions of Another Order. Alongside analysing examples the literature of the period, you will practice translating passages from late medieval literary texts in the workshops. In addition to the set primary texts, you will examine relevant examples from historical texts and visual that help to further illuminate these three thematic strands. INTRODUCTION TO TEFL This is a module for Level 5 students in the School of  Literature and Languages. It is taught over one semester, with three contact hours per teaching week.The module considers a range of approaches to teaching English as a Foreign Language, approaches which can be applied to the teaching of other languages. It provides practice and assessment in lesson planning and in teaching through peer teaching tasks. The skills developed on the module such as speaking in front of groups and decision making are transferable to a number of other careers. The module is capped at 14 students in each semester.   NINETEENTH-CENTURY LITERATURE AND CULTURE This module gives students a broad and deep understanding of nineteenth-century literature in relation to a range of social, cultural and political contexts. Following a roughly chronological trajectory the module picks up key issues (industrialisation, the impacts of empire, faith and doubt) and examines them through key texts and authors of the period. The module pushes students to think in nuanced ways about the relationship between text and context and about the cultural forces which have promoted or marginalised historical voices. TRANSLATION FRENCH-ENGLISH I This is a practical introduction to translation from French to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from French to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from French to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Francophone cultures. TRANSLATION GERMAN-ENGLISH I This is a practical introduction to translation from German to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from German to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from German to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of German-speaking cultures. TRANSLATION SPANISH-ENGLISH I This is a practical introduction to translation from Spanish to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from Spanish to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from Spanish to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Spanish-speaking cultures. SIGNIFICANT OTHERS: VICTORIAN CREATIVE PARTNERSHIPS This interdisciplinary module, focused on Victorian creative partnerships, explores connections between texts, individuals, couples, circles and movements. It investigates the ways in which female and male figures worked in various forms of partnership: as spouses, siblings, friends and lovers. It examines a range of Victorian texts including poems, short stories, plays, novels and novellas, letters and diaries as well as visual texts. It engages with the themes of gender, sexuality, identity, power, partnership, co/authorship and readership. The module introduces students to contextual debates about sexual politics, gender and representation in the nineteenth-century, and seeks to understand how writers responded and contributed to them. It also reads nineteenth-century figures and texts in relation to more recent feminist and gender theory, revealing their continued cultural importance. Authors studied include: tthe Brownings, the Brontës, George Eliot and George Henry Lewes, Arthur Hugh Clough and Matthew Arnold, Charles Dickens and Wilkie Collins, the Rossettis, and Michael Field. WRITING POETRY: COMPOSITION AND CRAFT This module explores elements of poetic craft, discourse, and techniques for writing poetry through the close analysis of lyric, narrative, dramatic, and hybrid modes in contemporary poetry written for the page and / or performance and exhibition. The module introduces students to contemporary and innovative discussions including topics such as formal and free poetic structures, sound effect and rhythm, poetic voice and persona, writing communities, poetic intent and play. The module asks students to engage with the development of their own writing alongside of reading and listening to contemporary poetry, essays, and manifestos by chosen 'companion poets' they will encounter in the module. UNDERSTANDING POPULAR CULTURE: FROM DICKENS TO DISNEY This innovative, interdisciplinary and university-wide module explores multiple aspects of popular culture in the contemporary world. The module considers how and why some works acquire the status of popular culture and how these works permeate everyday life. Through an overview of contemporary issues and approaches to popular culture in social, literary, filmic, musical and sociological contexts, you will consider the values inherent in some cultural works, and how these transform to reflect societal preoccupations. You will examine case studies from Dickens through Disney to the Diva, considering the creative choices and the critical reception. This module will equip you with a sophisticated understanding of the academic approaches to culture which will inform and illuminate your work in other disciplines. In particular the module embeds the University Pillars of Resourcefulness & Resilience, Digital Capabilities, Global and Cultural Capabilities. This original module is delivered by staff specialising in diverse forms of popular culture across the university, including from the Department of Music and Media, School of Literature and Languages and GSA. CONTEMPORARY STORYTELLING This module allows you to explore various modes of storytelling in a contemporary context, with a view to developing your narrative skills. The course will engage with contemporary fiction, poetry, non-fiction, film, and theatre and will help you to to investigate and understand the multiple ways readers and writers engage with storytelling and narrative. There will be lectures on each topic, with workshop-style seminars that are designed to help you engage with and analyse your own writing and the writing of others, with the aim of helping students to hone your ability to edit and create.  GENDER AND SEXUALITY IN CONTEMPORARY TEXTS AND CULTURES This module explores how a culturally diverse range of contemporary texts negotiate issues of gender and sexuality. Using a variety of formats (novels, poems, graphic novels, films and even comedy) we will reflect on what writing about gendered experiences and queer desire entails and how these lived and embodied intimacies affect form and determine meaning. The module provides a theoretical underpinning that will enable you to construct links between contemporary texts and relevant trans-inclusive and anti-racist theories about intersectional identities and LGBTQIA2S+* literature and culture. In this module, you will not just read about queer theory, you will hear directly from the theorists: The module provides podcast conversations with several prominent scholars from the field to enrich your reading of secondary literature with a digital research communication tool. You will be able to expand the knowledge of feminism, queer studies, and intersectional thinking that you have built in your first year of studies and reflect on how these discourses affect you and your peers in your day-to-day life, while also considering unfamiliar perspectives and cultures. ROMANTIC LITERATURE: 1789-1830 Following on from the brief introductions to Romanticism at Level 4 , this module allows students to explore in more depth and detail the profound literary and cultural innovations that took place in the Romantic period (roughly, 1789-1830), and which continue to shape culture and society today. The module forms part of a set of historically focused pre-1900 ‘period’ modules that focus on specific literary periods as a way of studying literature: students must take at least one of these modules to complement the more contemporary focus of other modules, so as to gain greater knowledge of both the evolution of English literature over time and the variant forms and concerns of literature in different historical periods. Examining a broad range of canonical and non-canonical Romantic texts (and thus highlighting the diversity of authors and styles in the period), the module each week uses a selection of representative writers to explore a key form or theme: for example, Nature, imagination, the self and subjectivity, sentimentalism and feeling, and shifting notions of masculinity and femininity. Famous writers such as Blake, Wordsworth, Keats and Byron are read alongside authors who are less well known today (for example, Charlotte Smith, Anna Letitia Barbauld, Ignatius Sancho and Henry Derozio) to give students a rich, synchronic understanding of the key concerns, debates, alliances and animosities distinctive to this specific period in British literary history. At the same time, students explore the global contexts and connections driving the evolution of English literature and of British culture more broadly in this period, and they also consider the ongoing relevance of Romantic-era concerns and debates to 21st century society (for example, Romantic writers’ diverse reactions to increasing globalization, and the emergence of modern environmental and conservationist thinking). THE AMERICAN CENTURY This module draws attention to and interrogates the changing relationship between the 'self' and 'society' in twentieth-century American culture. Approaching this topic from an interdisciplinary perspective, the module examining three interrelated areas that address the major social, political, and aesthetic developments of the 'American Century': 1) urbanisation, commerce and the American city, 2) transnationalism and American identity, and race, nation, and the body in contemporary America. In addition to the primary texts, students will examine relevant examples from film, art, music, and design that help to further illuminate these three thematic strands. In particular, this module focuses on students’ global awareness and understanding, both regarding American literary and culture, as well as the ways in which successive periods of migration and transnational exchange have led to widespread American influence in a range of cultural domains. Through analysis of a range of texts and cultural materials, students will gain deeper insight into the impact and influence of American culture in the twentieth century and beyond to develop global and cultural capabilities. SCIENCE FICTION This module explores the meanings and developments of science fiction throughout the twentieth and twenty-first centuries, as well as focusing on the relationship between this innovative form and the cultural, political, ethical and ecological sustainability issues addressed in the texts. Discussion and analysis will focus not only on what worlds or peoples are imagined in science fiction and why, but also on how such core features of science fiction have been developed, challenged and reconfigured by various political and historical movements and events (such as the cold war, feminism, black civil rights movements, gay liberation, imperial endeavours, global warming and other ecological sustainability narratives, among others). The module will give particular attention to technological developments and their relationship to the human, addressing the ways in which the human is rethought and reimagined through its interaction with technological innovation. Themes that will be addressed may include alternative futurisms, artificial intelligence, body modifications, alien species and/or worlds, dystopian and utopian imaginaries, future technologies, technology and sustainability, technology and identity and struggles for freedom. Science fiction will therefore be engaged with through the lens of contemporary theories (such as postcolonialism, gender studies, ecocriticism and posthumanism), as well as with attention to changing interpretations of the meaning of the genre in its diverse socio-political and global cultural contexts.  This module connects to other contemporary literature modules on the programme in your second year and is part of the contemporary literature route that students can choose as a focus of their degree, which includes module in the first and final years of the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years. TEACHING LANGUAGES AND LITERATURE This module takes students off campus and into local schools. They work closely with MFL or English Literature teachers, shadowing them or taking small groups of school students, and gaining an insight into the teaching profession. This module complements ELA2012 Introduction to TEFL, by allowing students to see teaching strategies and techniques in the real world. The Module has the backing of the "Undergraduate Ambassadors Scheme" ( www.uas.ac.uk ). WRITING THE VICTORIANS: NEO-VICTORIANISM IN CONTEMPORARY CULTURE This module aims to explore a variety of neo-Victorian texts to examine how the legacy of the Victorians continues to inform contemporary culture. Students will be asked to consider the significance of neo-Victorian writing in the context of postmodernity and will analyse the literary, cultural and commercial impacts of the genre. The module will begin by considering early examples of neo-Victorian texts that emerged in the 1950s and 60s before exploring the expansion of the genre in the twentieth and twenty-first centuries. It will cover a range of neo-Victorian productions including novels, poetry, film and TV adaptations that are informed by well-known Victorian texts in order to examine the wider cultural impact of contemporary engagements with the Victorian period, and will ask students to analyse issues of race, class, gender and sexuality which are interrogated and challenged by neo-Victorian works. The module draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years. TRANSLATION ENGLISH-FRENCH I This is a practical introduction to translation from English to French. Students will learn to express some basic concepts and terminology in translation in French and will learn through translating short texts from English to French and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to French and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness. TRANSLATION ENGLISH-SPANISH I This is a practical introduction to translation from English to Spanish. Students will learn to express some basic concepts and terminology in translation in Spanish and will learn through translating short texts from English to Spanish and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to Spanish and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness. INTRODUCTION TO SOCIOLINGUISTICS Sociolinguistics explores language as a social phenomenon, examining both how social factors affect language, and what language can tell us about society. This module introduces students to the interaction between language and society. We start by considering the linguist variables that reflect our social identity, before examining how speaker’s responses to external social factors influences the way in which languages are used, lost and standardized. This module is taught in English at FHEQ Level 5. Introduction to Sociolinguistics builds on themes in linguistics introduced at throughout modules taught at Level 4 and provides in-depth preparation for Level 6 modules that focus in detail on the sociolinguistics of specific languages including French and Spanish. COMMUNICATION IN SOCIETY Communication is a key skill in the information society, from making sense of the world around you to making yourself heard in different settings, including university, work, with friends and family, and in society. This module will introduce students to key concepts in communication as they are relevant to communicating in 21st century society. Accounting for the fact that most of our communication is mediated in some way, the module will give students a strong contextual understanding in mediated communication. This is followed by an interdisciplinary approach to communication in which students will learn about the way we communicate and understand communication in a range of areas, including business, medical settings, science, language, and psychology. Optional modules for Year 2 - FHEQ Level 5 For further information regarding programme structure and module selection, please refer to the course catalogue . Year 3 - BA (Hons) Language diversity. This module, which assumes no prior knowledge of languages other than English, is intended to give students an insight into the diversity of human communication systems found throughout the world. In order to understand how language works, we need to examine the variety of systems to be found, some of which differ drastically from what we know and what we might expect. This module builds on the skills students have developed in constructing arguments and finding evidence in support of their reasoning through their modules at Levels 4 and 5, by demonstrating how complimentary skills are applied in scientific research related to language. Students are introduced to alternative ways of thinking about the world around us to further develop their ability to scrutinise and assess evidence. QUEER ECOLOGIES AND ENVIRONMENTAL LITERATURE Environmental literature is deeply entwined with queer, decolonial and intersectional perspectives: Place and race, space and class, feminist and LGBTQIA2s+* issues, all meet in the queer ecologies we will explore in this module. We will learn about the (queer) history of writing about the environment, about the role of protest in literature and about how describing the world around us in texts actually changes the shape of the natural and built environment. Building on skills and knowledge you have acquired in previous modules on literary history and on theoretical approaches, the module aims to expand your knowledge of global ecocritical and queer writing and theory and to enable you to critically analyse contemporary depictions of climate change dystopias, of human and non-human animal relationships, of protest poetry, and of queer environmental fiction. We will discuss novels, poetry, performances, Youtube videos, as well as the odd social media account, and always combine our readings with a specific theoretical concept to help you learn how to put knowledge into practice. Since the module will also give you some insight into research communication, you will have the option of creating a research-based podcast as your final assessment. The module will include a workshop on podcasting, which will teach you new digital skills and enable you to develop an independent project, potentially in cooperation with collaborators outside of the seminar room. You will also contribute to a collaborative digital glossary, taking charge of creating a communal knowledge resource with formative feedback from your lecturer and comments and questions from fellow students. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. We will discuss a global and culturally diverse range of primary texts, as well as theory texts, and cover, for example, Indigenous knowledges from different parts of the planet. CONTEMPORARY SHAKESPEARE This module introduces students to a range of creative and critical strands and debates related to contemporary Shakespearean performance. These may include global and intercultural Shakespeare, adaptations on stage and screen, applied Shakespeare, gender - and colour-blind Shakespeare, cultural politics and ethics. Drawing on relevant critical debates on how and why Shakespeare is performed today within diverse and multicultural societies, students will be able to engage with case-studies of UK and international productions and artists. The module will pay attention to key terms such as diversity, diaspora, hybridity and inclusivity and enable students to draw on these in informed critical analysis and discussion. CREATIVE WRITING AND PROFESSIONAL PRACTICE This module is intended to follow on from previous CW modules and help you develop with an advanced engagement with questions of form and craft. It will concentrate on the practicalities of writing creatively within the context of a broad narrative frame. The focus of the module is on prose fiction and on poetry, as well as helping you produce polished and professional quality work in either or both modes. This module also provides knowledge and advice on the processes of getting published, the workings of the publishing industry and invites reflection on the challenges and opportunities of writing professionally.     THE GOTHIC IMAGINATION, 1800S PRESENT The Gothic has been a fixture of British and American literary history and popular culture from its origins in the eighteenth century, and continues to capture and haunt the human imagination. Straddling both 'high' and 'low' art forms, appealing to elite as well as mass audiences, the Gothic thrives on blurring boundaries and dissolving traditional dichotomies- between, for example, self and other, human and inhuman, civilisation and savagery, public and private identities This optional level 6 module focuses on Gothic literary and cultural production from Horace Walpole's 1764 seminal Gothic novel The Castle of Otranto up to the stylized Goth aesthetic and obsession with true crime Gothic figures in twenty-first-century cinema and television. Drawing on a variety of literary and visual texts this module demonstrates how Gothic fictions are born out of hyper-tense socio-political and psychological states, symbolising and expressing anxieties about class, ethnicity, nationality, sexuality and gender. Gothic texts are situated in their historical, biographical, geographical and global contexts, offering a nuanced understanding of the proliferation of the genre across periods, disciplines and borders. As well as exploring famous Gothic figures of the vampire and the zombie, we also consider the Gothic as a mode of writing, and as a mode of cultural engagement with the traumas of post/modernity. The module confronts topics including otherness and the limits of the human, monstrous doubling, the horrors of addiction, grotesque transformation, and the ethics and dangers of science. It traces the evolution of the Gothic, covering: Gothic origin; European Gothic; Gothic satire; Romantic and Neo/Victorian Gothic; Female and Feminist Gothic; American and African-American Gothic; and Goth culture. Through studying the texts, debates and themes of the module, and through the assessments, you will develop transferable skills in critical thinking and reading, independent research and groupwork, presentation and communication, digital capabilities and analytical writing. RULE BREAKERS, UPSTARTS & GENRE RAPSCALLIONS: GENRE WRITING FROM COMMERCIAL TO SUBVERSIVE Often dismissed as disposable entertainment, derided for rehashing formulaic plot devices, popular genre fiction may better be considered literature that tests the generic boundaries within which it operates. This Level 6 Creative Writing module aims to establish the fundamental techniques, strategies, and conventions of popular genres and modes (such as mystery, horror, graphic narrative), as well as ways writers may choose to subvert those conventions, with an eye toward developing original creative projects that engage—in some way—with genre. This module is intended to complement the range of Creative Writing modules offered at level 6, focussing on genre construction and reception across a variety of contexts. One of the keys to becoming a more sophisticated writer is to become a more careful reader. Whether you love or hate, are exhilarated, or bored by a text, you can always learn from it. To that end, we will read and discuss relevant literary and theoretical works in detail, considering both the elements of craft that contribute to the construction of different genres (character, plot, form, structure, and so on), as well as the aesthetic and conceptual frameworks that underpin each text, particularly where writers may subvert genre expectations. And to make use of all our reading, we will learn to articulate responses to set texts through a series of writing exercises in which you are encouraged to experiment—and have fun—with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other’s work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically informed manner. Attendance is compulsory. THE AGE OF CHIVALRY: MEDIEVAL AND EARLY MODERN ROMANCE This module introduces students to the huge variety of medieval and Early Modern romance from the twelfth to the early-seventeenth centuries. The texts will be read either in Middle English or in translation (languages covered will be Latin, French, Middle English, Arabic, Spanish, and Welsh). The module explores the genre with a particular interest in gender and sexuality, instances of transgression, multi-culturalism, and multilingualism. It also investigates the traditional connection of romances with female readership. The module is subdivided into three interconnected areas: stories of knightly chivalry, tales of the supernatural, and reactions to romance. As well as the primary texts, students will study examples of contemporary historical material to help them contextualise both the romances and these three thematic areas. The module will build on students’ understanding of medieval and Early Modern texts and historical contexts developed from modules in the first and second years. Additionally, the module will enable students to further engage their interests in literary history, the development of romance as a genre, and examining literature through key critical and theoretical lenses such as gender theory, queer theory, critical race theory, and ecocriticism. After taking this module, students will have a detailed understanding of the fluid and expansive nature of romance and its changing historical and social contexts. They will also have been afforded the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path. WRITING GAMING Gaming has existed as a mode of play and expression since the earliest times of human existence. In the latter part of the 20th and into the first two decades of the 21st Century (the period we will focus on with this module), there has been a vast expansion of the forms, modes and technologies employed in gaming and game play. Out of wargaming and board gaming practices (and often the interfaces of these) in the post-World War II era, increasingly complex and sophisticated character and narrative focussed Role-Playing Games (RPGs) developed as well as other narrative forms that connect gaming with interactive textuality, such as gamebooks, Collectable Card Games, online interactive fiction, video games and multi-player online gaming platforms. There has been, in the early 21st century, additionally, a large increase in the number of board games being produced and played, while wargaming also remains an active and vibrant aspect of gaming culture. An aspect of gaming that has sometimes fallen short, in ‘quality’ terms, though, is the writing that underpins both the rules systems and the ‘story’ component of games (background, character, description. narrative, dialogue, terminology, etc.) This is perhaps unsurprising as games have been primarily written by gamers rather than professional writers; many of these, of course, go on to develop their writing skills and become accomplished writers in their own right. More and more, though, creative writers are specifically incorporated into the game design and realisation processes (for both analogue and virtual gaming environments) to improve the quality of the gaming experience. In this module students will receive an overview of the gaming field and examine aspects of this that specifically pertain to writing for games. What approaches work well for games and gaming modes? How are these different from writing for and in other forms and media? What writing skills are particularly useful? Do we have the freedom to write outside of limiting industry constraints and models? What are the new forms of writing practice that are emerging in relation to games and gaming? We will also be interested in analysing games and gaming critically as cultural objects, and situating them within the broader context of contemporary cultural and literary theory. This is not a module that will teach students how to code and/or produce and design video games (or, indeed commercial analogue games). We will touch on aspects of game design, game production, gaming studies, critical digital studies, etc., but the focus for this module will be on writing creatively for games: writing gaming. Expert guest speakers from the gaming and independent gaming industries will be included in the teaching provision for this module. If students have specific coding, visual art or musical/sound art skills that they would like to bring to their exercises and assignments, they can certainly draw on these skills, but if they don’t, that is completely fine – none of these are required for this module. In each seminar we will first spend some time discussing the set texts and the techniques and standpoints employed by writers and other artists, before moving on to the workshop part of the session where students will produce work in accordance with the task set for that week, within and outside of the classroom. We will read and discuss a selection of pieces at the end of each class. This process will help students grow in confidence, both in presentational terms and in terms of delivering and receiving feedback on their work, in a safe and supportive setting. In addition, each week there will be a scheduled 2-hour gaming session where students will gather to explore individual and collaborative gaming in practice. Different approaches to gaming will be proposed each week, or students can opt to work during this time on longer gaming experiences and projects. At the end of the semester students will produce a creative portfolio of gaming writing, alongside a critical commentary reflecting on the creative work produced and using theories, concepts and practices studied on the module, OR an academic critical essay examining some aspect of writing for games OR a Game Demo alongside a critical commentary reflecting on the demo produced and using theories, concepts and practices studied on the module. Possible submissions for the creative portfolio include online interactive fiction (e.g. Twine, Squiffy), a gamebook text, a tabletop game text (board game, card game, wargame, Role-Playing Game), a game demo, a game setting, a game system, Game Design Documentation (GDD) for a proposed game, a 'creative essay', gaming portfolio as creative essay, a zine, a website for a game, etc. This module connects to other contemporary literature modules on the programme in the 2nd and final years where the emphasis is on 20th and 21st Century approaches to creating and examining literatures and our cultural responses to them. As such, it is part of the contemporary literature route that students can choose as a focus of their degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.   CHILDREN'S LITERATURE The module offers students the opportunity to learn about children’s literature across a variety of genres, ages, as well as about its historical development and socio-cultural contexts. The module will require students to engage the critical thinking skills and theoretical knowledge that they have acquired in modules across their first and second years in a new context, enabling them to think deeply about the ways in which children’s literature should be studied with the same rigorous approach that they would apply to texts written for adults. In particular, students will be encouraged to consider how genre, form, gender, race, identity, setting, temporality,. They will also confront their own relationship to texts that they read as children or young adults and consider what components result in effective writing for children which will enable them to engage with complex critical concepts, and develop their own writing both creative and critical. Through participating in group discussions in the lecture-seminars, students will develop a detailed understanding of how to analyse children’s literature and how to write for children. The module will also afford students the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path. At the end of the semester students will produce a work of children’s literature alongside a commentary reflecting upon their creative work OR a critical essay that focusses on two works of children’s literature using the theories, concepts and practices studied. SCREENWRITING The module offers students the opportunity to learn the processes for writing a compelling script for film or television. Through analysing film clips, reading extracts from screenplays, engaging with theoretical concepts, and participating in class discussions and workshops students will be offered a comprehensive overview of the screenwriting process. The module builds upon the knowledge and skills from students’ BA studies in English Literature and Creative Writing at Level 4. It develops critical and creative skills for modules including the dissertation and aligns with other critical and creative modes in other at Level 6.  The two-hour workshops address the needs of in-depth writing and analysis at level 6. At the end of the semester students will produce a professionally formatted script for a short film or television episode alongside a commentary reflecting upon their creative work and/or a critical essay that focusses on films/ TV episodes of their own choice using theories, concepts and practices studied on the module. MOBILITIES OF NATION AND EMPIRE: VICTORIAN LITERATURE 1850-1890 This module explores the relationship between national and imperial identities in literature from the 1850s to 1890s by writers from Britain and beyond, including Charles Dickens, Elizabeth Gaskell, Wilkie Collins, Behramji Malabari and James Africanus Horton. The module introduces students to contextual debates about the nation-state and its imperial engagements, and seeks to understand how authors respond and contribute to these ideas through literature both from within and beyond Britain. The module engages with these themes through a focus on concepts of space and mobility, using literary journeys as a way into understanding how novelists construct a dialogue between national and imperial spaces in literary texts. It draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years. BUILDING STORIES- METHODS AND MATERIALS OF CONTEMPORARY WRITING "Literature was never only words, never merely immaterial verbal constructions. Literary texts, like us, have bodies, an actuality necessitating that their materialities and meanings are deeply interwoven into each other"-N. Katherine Hayles, Writing Machines. In this level 6 Creative Writing module, we will, as Hayles argues, consider the materiality of a variety of print-based and digital-born literature with an eye toward developing original creative projects. We will read and discuss relevant literary and theoretical works in detail, considering the medium (and technology, where appropriate) involved in their construction, as well as the aesthetic and conceptual frameworks that underpin each text. And to make use of all of our reading, students will learn to articulate responses to set texts through a series of writing exercises in which they are encouraged to experiment-to get their hands dirty, to play, to have fun-with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other's work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically-informed manner. Attendance is compulsory. MEDIEVAL WOMEN'S WRITING This module explores the centrality of texts written by and for medieval women to both the history of medieval literature and to women's literary history. You will be introduced to a range of works written for and about women in England between the 11th and 15th centuries and will examine in detail the major female authors writing from the 12th to the 15th centuries, such as the courtly writer Marie de France, the English woman mystic Julian of Norwich, and the visionary Margery Kempe. Texts will be read either in Middle English or in modernized versions, or (in the case of texts written in the French of the English, in translation). The module will explore a range of literary forms and genres, including saints' lives, romance and lais, mystical and visionary writing and women's letters. You will be asked to critically analyse and/or engage creatively with the texts, paying attention to your linguistic, literary, religious and socio- historical contexts and focusing on issues such as antifeminism, social hierarchies, literacy, multingualism and multi-culturalism, and gender and sexuality. The module provides you with a working knowledge of tools on used by researchers and writers examining and engaging with historically remote literatures and cultures, building on previous modules on global literatures and theories of gender and sexuality. These tools include not only the ability to analyse and critically evaluate texts and ideas, but also to understand them within their wider historical, geographical and social contexts, as well as practical tools of reading and translating Middle English texts. LIFE WRITING The module asks students what it means to write a life. We consider the function of auto/biography and the ways in which its writers from different global and cultural settings have reflected on the possibilities of truth-telling, the significance of subjectivity and the distillation of narrative from the everyday. It explores writing that bears witness to war and injustice, that blurs the lines between fact and fiction, and re-makes the self through bold experimentation with language. The module examines a variety of forms and modes that Life Writing might take - biography, autobiography, diaries, poetry, journals and others – and gives students the opportunity to create and/or analyse these forms in their assessment. Semester 1 & 2 Dissertation. The dissertation module is intended to provide students with an opportunity to select a research topic relating to an aspect of literary study which has engaged their own particular interest, and to explore it in detail through guided self-study. Each student will be assigned a tutor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.   CREATIVE WRITING SUBMISSION This module provides students with the opportunity to explore the challenges of producing a large scale portfolio of creative writing accompanied by self-reflective critical commentary. This Dissertation portfolio may consist of a single extended piece of writing or a collection of pieces of a shorter length. An agreed word count for students submitting poetry should be negotiated with their supervisor, although as a rule 5,000 words of creative prose is considered equivalent to 150 lines of poetry. Each student will be assigned a supervisor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. This module also allows students to reflect at length on the project’s rigourous relationship to previous work in the field, form or genre, on the writing processes and thinking behind the creative choices made, and to locate the work productively in literary and theoretical contexts. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.   Optional modules for Year 3 - FHEQ Level 6 Year 1 - ba (hons) with placement, optional modules for year 1 (with pty) - fheq level 4, year 2 - ba (hons) with placement, optional modules for year 2 (with pty) - fheq level 5, year 3 - ba (hons) with placement, optional modules for year 3 (with pty) - fheq level 6, professional training year module (full-year work). This module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement.  It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment.  The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning, and is a process that involves self-reflection, documented via the creation of a personal record, planning and monitoring progress towards the achievement of personal objectives.  Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement.  Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written and presentation skills. PROFESSIONAL TRAINING YEAR MODULE (WORK-STUDY 50/50) This module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement.  It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment.  The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning, and is a process that involves self-reflection, documented via the creation of a personal record, planning and monitoring progress towards the achievement of personal objectives.  Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement.  Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written skills. PROFESSIONAL TRAINING YEAR MODULE (FULL-YEAR STUDY) This module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement.  It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment.  The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning and is a process that involves self-reflection. Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement.  Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written skills. Optional modules for Professional Training Year (PTY) - Students must choose one of the above three modules. Teaching and learning Our creative writing lecturers are all published writers as well as experienced lecturers and researchers, who bring their creative and professional experience and insight to the classroom – and to the creative writing you produce.  In our lectures, we introduce a diverse variety of classic and contemporary texts and a wide range of modes of writing – everything from sonnets to screenplays, novels to flash fiction. In your weekly workshops, you are encouraged to experiment with these techniques and types of writing yourself, receiving regular detailed feedback from your tutors and suggestions from your peers.   At Surrey, we believe that English literature and creative writing fit together perfectly as parts of a joint degree. The reading in your English literature modules will inspire the work you produce in your creative writing classes. The theoretical discussions and practical exercises you undertake in your creative writing modules will inform your understanding of the creative and technical decisions made by the writers you study in English literature classes.   This programme is designed not only to deepen your understanding and enjoyment of English literature, but to help build the confidence and skills you’ll need to write creatively to a professional standard yourself.  Independent study Practical sessions We assess modules individually and award credits for the successful completion of each one. Assessment takes place through a combination of examination and/or coursework, practical examinations and reports.  Check individual module information to see full details at a module level.  General course information Contact hours. Contact hours can vary across our modules. Full details of the contact hours for each module are available from the University of Surrey's  module catalogue . See the modules section for more information. New students will receive their personalised timetable in Welcome Week. In later semesters, two weeks before the start of semester. Scheduled teaching can take place on any day of the week (Monday – Friday), with part-time classes normally scheduled on one or two days. Wednesday afternoons tend to be for sports and cultural activities. View our code of practice for the scheduling of teaching and assessment (PDF) for more information. Stag Hill is the University's main campus and where the majority of our courses are taught.  Career opportunities Open We offer careers information, advice and guidance to all students whilst studying with us, which is extended to our alumni for three years after leaving the University. The survey, Graduate Outcomes 2024, HESA, shows that 90 per cent of our Literature and Languages undergraduates go on to further study or employment in a wide variety of careers.   English literature graduates are ideally qualified for such professions as journalism, marketing, management, communications, publishing, the media industries, teaching, writing and arts administration.  Some examples of careers our graduates have gone on to include:  Graduate Trainee, Dale Carnegie Training  Editorial Assistant, The Handbook  Junior Account Executive, Livewire Public Relations  Teacher of English, Teach First  Editor and Marketing Executive, Warner Group Publications  Editorial Assistant, Hachette UK  Copywriter, Tesco MPC.  See the developing careers of some of our alumni . If you’d like to pursue further study, our courses will provide you with essential knowledge and skills, as well as offering informed support and guidance to assist you in your studies.  Hear from our students Open Student - English Literature with Creative Writing BA (Hons) "The staff on my course are brilliant. The literature academics and creative writers know their areas so well and are excited to share and build their knowledge with their students." Luana Vasconcelos Student - English Literature and Creative Writing BA (Hons) "It’s just incredible to be able to write my own work and explore different formats. I’ve always been a prose writer, but by my final year I’ve written poems, short stories and scripts as well." Entry requirements Open Learn more about the qualifications we typically accept to study this course at Surrey. Typical offer Overall: ABB-BBB. Required subjects: Grade B at English Language or English Literature. Please note: A-level General Studies and A-level Critical Thinking are not accepted. Applicants taking an A-level science subject with the Science Practical Endorsement are expected to pass the practical element. GCSE or equivalent: English Language at Grade 4 (C) and Mathematics at Grade 4 (C). BTEC (QCF Level 3) Extended Diploma Overall: DDD-DDM. Required subjects: Please contact the Admissions team to discuss suitability International Baccalaureate Diploma Overall: 33-32.  Required subjects: English Literature or English Literature HL5/SL6. GCSE or equivalent: Mathematics (either course) HL4/SL4. European Baccalaureate Overall: 78%-75%. Required subjects: English Literature or English Literature with at least 7.5. GCSE or equivalent: Mathematics 6. Access to HE Diploma Overall: QAA-recognised Access to Higher Education Diploma with 45 level 3 credits overall including 30 at Distinction and 15 at Merit - 27 at Distinction and 18 credits at Merit. Required subjects: Please contact the Admissions team to discuss suitability. GCSE or equivalent: English Language and Mathematics at Grade 4 (C). Scottish Highers Overall: AABBB-ABBBB. Required subjects: English Language or English Literature. GCSE or equivalent: English Language - Scottish National 5 - C Maths - Scottish National 5 - C. Welsh Baccalaureate Overall: Pass overall with ABB-BBB from a combination of the Advanced Skills Challenge Certificate and two A-levels. Required subjects: A-level English Literature or English Language. Please note: A-level General Studies and A-level Critical Thinking are not accepted. Applicants taking an A-level science subject with the Science Practical Endorsement are Expected to pass the practical element.  GCSE or equivalent: English Language and Mathematics ­– Numeracy as part of the Welsh Baccalaureate. Please check the A-level dropdown for the required GCSE levels. Extended Project Qualification (EPQ) Applicants taking the Extended Project Qualification (EPQ) will receive our standard A-level offer for this programme, plus an alternate offer of one A-level grade lower, subject to achieving an A grade in the EPQ. The one grade reduction will not apply to any required subjects. Applicants can only receive one grade reduction from the published grades, an EPQ grade reduction can’t be applied in addition to other grade reductions made through other schemes such as Contextual Admissions or In2Surrey. Country-specific qualifications International students in the united kingdom, english language requirements. IELTS Academic: 6.5 overall with 6.0 in writing and 5.5 in each other element. View the  other English language qualifications that we accept. If you do not currently meet the level required for your programme, we offer intensive pre-sessional English language courses , designed to take you to the level of English ability and skill required for your studies here. International Foundation Year If you are an international student and you don’t meet the entry requirements for this degree, we offer the International Foundation Year at the Surrey International Study Centre. Upon successful completion, you can progress to this degree course. Selection process We normally make offers in terms of grades. If you are a suitable candidate you will be invited to an applicant day. During your visit to the University you can find out more about the course and meet staff and students. Recognition of prior learning We recognise that many students enter their higher education course with valuable knowledge and skills developed through a range of professional, vocational and community contexts.   If this applies to you, the recognition of prior learning (RPL) process may allow you to join a course without the formal entry requirements or enter your course at a point appropriate to your previous learning and experience.   There are restrictions on RPL for some courses and fees may be payable for certain claims. Please see the code of practice for recognition of prior learning and prior credit: taught programmes (PDF) for further information. Contextual offers Did you know eligible students receive support through their application to Surrey, which could include a grade reduction on offer? Fees and funding Open Explore  UKCISA’s website for more information if you are unsure whether you are a UK or overseas student. View the  list of fees for all undergraduate courses. The annual tuition fees for courses starting in September 2025 Payment schedule Students with Tuition Fee Loan: the Student Loans Company pay fees in line with their schedule. 50% payable 10 days after the invoice date (expected to be early October of each academic year) 50% in January of the same academic year. The exact date(s) will be on invoices. Students on part-time programmes where fees are paid on a modular basis, cannot pay fees by instalment. Sponsored students: must provide us with valid sponsorship information that covers the period of study. Professional training placement fees If you are studying on a programme which contains a Professional Training placement year there will be a reduced fee for the academic year in which you undertake your placement. This is normally confirmed 12 to 18 months in advance, or once Government policy is determined. Placements and study abroad Open Our award-winning Professional Training placement scheme gives you the chance to spend a year in industry, either in the UK or abroad. We have thousands of placement providers to choose from, most of which offer pay. So, become one of our many students who have had their lives and career choices transformed. English literature and creative writing placements Unusually for a course like this, we also offer the opportunity for you to do a Professional Training placement. You can gain experience in degree-related professions such as publishing, marketing, the media industries, teaching or arts administration. Surrey was the first English course to introduce a Professional Training component, in 2008, and our experience as a leader in professional training will help you make the most of the year. Some examples of organisations that participate in the scheme include: Brighton and Hove Independent Picture Production Company British Council Grand Connaught Rooms NBC Universal Toyota (PR and Press Communications) Winning Moves (a leading UK board game company). A Professional Training placement will give you the opportunity to develop valuable transferable skills in analysis, reflection, communication and organisation. Applying for placements Students are generally not placed by the University. But we offer support and guidance throughout the process, with access to a vacancy site of placement opportunities. Find out more about the application process . Professional Training placement at Toyota Discover more about English literature student Alice's placement experience within the social media team. Study and work abroad Studying at Surrey opens a world of opportunity. Take advantage of our  study and work abroad  partnerships, explore the world, and expand your skills for the graduate job market.  The opportunities abroad vary depending on the course, but options include study exchanges, work/research placements, summer programmes, and recent graduate internships. Financial support is available through various grants and bursaries, as well as Student Finance.  Perhaps you would like to volunteer in India or learn about Brazilian business and culture in São Paulo during your summer holidays? With 140+ opportunities in 36+ different countries worldwide, there is something for everyone. Explore your options via our  search tool  and find out more about our current partner universities and organisations.  Partner institutions You have the opportunity to spend one semester or the full academic year on a study or work placement abroad. Places include: La Trobe University, Australia Monash University, Australia Swinburne University of Technology, Australia University of Sydney, Australia University of Wollongong, Australia Nanyang Technological University, Singapore Seoul National University, South Korea Cincinnati University, US North Carolina State University, US Northern Arizona University, US Texas Tech, US University of Central Florida, US University of North Texas, US. If you’re more interested in a professional experience, you could have the chance to work with a partner organisation outside the UK. Apply for your chosen course online through UCAS, with the following course and institution codes. Institution code S85 Course UCAS code BA (Hons) G669 BA (Hons) with placement 393F Apply via UCAS Related courses English Literature BA (Hons) English Literature and French BA (Hons) English Literature and Spanish BA (Hons) About the university of surrey. Accommodation We have a range of housing to suit all requirements and budgets. There are more than 6,000 rooms available (en-suite, single-sex, studio flat, shared or single). Student life At Surrey we offer a friendly university campus set in beautiful countryside, with the convenience and social life of bustling Guildford on your doorstep. Need more information? Contact our Admissions team or talk to a current University of Surrey student online. Next open day BA (Hons)View UPG13F0022U BA (Hons) with placementView UPG13S0022U Terms and conditions When you accept an offer to study at the University of Surrey, you are agreeing to follow our policies and procedures , student regulations , and terms and conditions . We provide these terms and conditions in two stages: First when we make an offer. Second when students accept their offer and register to study with us (registration terms and conditions will vary depending on your course and academic year). View our generic registration terms and conditions (PDF) for the 2023/24 academic year, as a guide on what to expect. This online prospectus has been published in advance of the academic year to which it applies. Whilst we have done everything possible to ensure this information is accurate, some changes may happen between publishing and the start of the course. It is important to check this website for any updates before you apply for a course with us. Read our full disclaimer . MA Creative Writing The MA in Creative Writing at Bristol is designed for writers who would like to begin publishing their work. In warm, supportive workshops, you will be helped to improve your writing and in lectures and seminars you will increase your understanding of the industrial and critical contexts of contemporary literature. You will be taught industry-focused content by experienced published writers. A special unit will introduce you to issues in contemporary publishing. Guest writers and experts from industry will speak, bringing up-to-date knowledge and expertise to the course. We also work closely with local writing groups and writing initiatives. You will work with a professional writer one-on-one as your manuscript develops. Welcomed into the University's prestigious Department of English , you will be taught by groundbreaking researchers about contemporary critical issues in literature. You will be encouraged to read widely and books will be suggested for you by faculty. At the end of the course, you should be able to speak confidently and intelligently about your work and your reading. Twilight teaching allows people with working or caring responsibilities to study - as do the part-time options. A strong writing portfolio will allow access without a first degree in a related subject - or indeed without a first degree. Times of classes will be announced well in advance, so that students can accommodate study in their busy lives. On demand academic talks Hear directly from an academic giving you a deeper insight into this programme. Programme structure For full-time students, in the first term: Workshop One (20 credits) Critical Issues in Contemporary Literature (20 credits) Exploration for Creative Dissertations (20 credits). In the second term: Workshop Two (20 credits) Critical Issues in Contemporary Publishing (20 credits) Planning a Creative Dissertation (20 Credits). This is followed by the Creative Dissertation (60 Credits) over the summer period. Two years part-time study requires attendance at one seminar in the first teaching block (TB1) and one seminar in the second teaching block (TB2). In the second year, the two years part-time study option requires attendance at one seminar in TB1, one seminar in TB2, and tutorials over the summer period. Three years part-time study requires attendance at one seminar in TB1 and one seminar in TB2 in the first year. In the second year, it again requires attendance at one seminar in TB1 and one seminar in TB2. The third year of study requires the student to attend tutorials only. Visit our programme catalogue for full details of the structure and unit content for our MA Creative Writing. World-leading research The University of Bristol is ranked fifth for research in the UK ( Times Higher Education ). 94% of our research assessed as world-leading or internationally excellent. Entry requirements Places are offered on the basis of a portfolio of writing. We are looking for writers with potential to soon begin publishing their work. It is helpful, but not essential, for the applicant to have some idea of the project they hope to undertake during the course of the degree. Evidence of prior study in the area, a long-standing writing practice, workshop experience, and extensive reading can also strengthen the application. However, the most essential element of the application is the writing itself. We are currently only accepting submissions for fiction, creative non fiction (for example, memoir) and poetry. The portfolio should be no longer than 20 pages of fiction or creative non-fiction (double spaced, 12-point font) or 8-10 pages of poetry. See international equivalent qualifications on the International Office website. Read the programme admissions statement for important information on entry requirements, the application process and supporting documents required. If English is not your first language, you will need to reach the requirements outlined in our  profile level A. Further information about  English language requirements and profile levels . Fees and funding Fees are subject to an annual review. For programmes that last longer than one year, please budget for up to an 8% increase in fees each year. More about tuition fees, living costs and financial support . Alumni discount University of Bristol students and graduates can benefit from a 25% reduction in tuition fees for postgraduate study.  Check your eligibility for an alumni discount. Funding for 2024/25 MyWorld Scholarships: UK offer holders for this programme may be eligible for a scholarship of up to £5,000 towards their tuition fees. Information about eligibility and the application process can be found on the MyWorld website .  Creative Writing is among the subjects eligible for funding from the Postgraduate Master's Loan . The Faculty of Arts also offers funding opportunities for taught and research programmes. International students are encouraged to apply for the Think Big Postgraduate Scholarship . Further information on funding for prospective UK and international postgraduate students. Career prospects Graduates of the MA in Creative Writing often enter portfolio careers, where creative writing becomes only one element of their income. Other elements may include: workshop delivery proofreading The close-reading skills developed on a master's in Creative Writing can also prepare graduates for careers in publishing. Advanced skills in understanding nuance and tone have helped graduates secure work in business communications, marketing and corporate social media. How to apply Apply via our online application system. For further information, please see the guidance for how to apply on our webpages. Overseas applicants: 10 July 2024. Home applicants: 26 July 2024. Please note that due to high demand, some programmes may close earlier than advertised. Early applications are advised to avoid disappointment. Places are limited and allocated on a continuous basis from September 2023 until all places are filled. Faculty of Arts School of Humanities Department of English Explore more Explore events, take a virtual tour, make an enquiry. King's College London Creative writing research phd. Key information The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing. Key Benefits Our unique programme offers students: a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme practical experience in public engagement, through curating and chairing public literary events at King’s a community of fellow writers and collaborative projects English Department We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture. The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms. Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature. Their most recent publications are: Benjamin Wood The Young Accomplice (Penguin Viking, 2022) – fiction A Station on the Path to Somewhere Better (Scribner, 2018) – fiction Edmund Gordon The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction Loop of Jade (Chatto & Windus, 2015) – poetry Anthony Joseph Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry The Frequency of Magic (Peepal Tree Press, 2019) – fiction Lara Feigel The Group (John Murray Press, 2020) – fiction Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction Daughters of the Labyrinth (Corsair, 2021) – fiction Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry Emerald (Chatto & Windus, 2018) – poetry Andrew O'Hagan Mayflies (Faber & Faber, 2020) – fiction The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction *may vary according to research leave and availability. King's Alumni The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf. Course Detail Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College. At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour. That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry. Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme. After three years (full-time) or six years (part-time), students are expected to submit either: a novel or short story collection a poetry collection a full-length work of creative non-fiction In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential). How to apply Fees or Funding Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s. UK Tuition Fees 2023/24 Full time tuition fees: £5,820 per year (MPhil/PhD, Creative Writing) Part time tuition fees: £2,910 per year (MPhil/PhD, Creative Writing) International Tuition Fees 2023/24 £22,900 per year (MPhil/PhD, Creative Writing) £11,450 per year (MPhil/PhD, Creative Writing) UK Tuition Fees 2024/25 £6,168 per year (MPhil/PhD, Creative Writing) £3,084 per year (MPhil/PhD, Creative Writing) International Tuition Fees 2024/25 £24,786 per year (MPhil/PhD, Creative Writing) £12,393 per year (MPhil/PhD, Creative Writing) These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions. Study environment Base campus Strand Campus Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties. PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced. We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library. Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include: Benjamin Wood (Senior Lecturer in Creative Writing) Supervises projects in fiction. Edmund Gordon (Senior Lecturer in Creative Writing) Supervises projects in fiction and creative non-fiction. Sarah Howe (Lecturer in Poetry) Supervises projects in poetry. Anthony Joseph (Lecturer in Creative Writing) Supervises projects in poetry and fiction. Jon Day (Senior Lecturer in English) Supervises projects in creative non-fiction and fiction Lara Feigel (Professor of Modern Literature) Supervises projects in creative non-fiction and fiction. Ruth Padel (Professor Emerita of Poetry) Andrew O’Hagan (Visiting Professor) *Teaching staff may vary according to research leave and availability. Our programme also incorporates the following taught components: Thesis Workshop A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course. The Writing Life A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer. Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson. Other elements of professional development are included in the degree: Agents-in-Residence Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses. Undergraduate Teaching Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation. Reading Series Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing. Postgraduate Training There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions. Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so. Entry requirements Find a supervisor Search through a list of available supervisors. Accommodation Discover your accommodation options and explore our residences. Connect with a King’s Advisor Want to know more about studying at King's? We're here to help. Learning in London King's is right in the heart of the capital. Home › University › Best UK Universities For Every Degree › Best UK University For Creative Writing Best UK University For Creative Writing Published November 26, 2022 The best UK universities for creative writing include the University of Leeds, Strathclyde, Warwick, Birmingham, and more. Each university has its strengths, values, and unique qualities to offer you.  We know your struggles. It takes a lot of work and research to determine which university to apply to. Where do you even begin? How do you know if a renowned university offers Creative Writing courses? The anxiety plus lack of direction can stress any student.  That’s why we ensure our Creative Writing summer school participants have access to 1:1 personalised consultations with expert writers. So they know what to do for their next steps in education.  We’ve also gathered a list of some of the Top Creative Writing Universities in the UK. To give you a clear start for your journey. Read on!  University of Leeds The University of Leeds is one of the best universities in the UK. Do you know that the Complete University Guide 2023 ranks Leeds #16 in the UK? It’s also a member of the prestigious Russell group due to its high-quality research. What’s Leeds’ core value? Collaboration. By working with others, it aims to address local and worldwide challenges, especially in the following: Promoting social justice Reducing inequality And helping to execute the UN Sustainable Development Goals.  True to its spirit of collaboration, Leeds wants its students to experience a sense of belonging. So you can feel valued for a contribution that only you can bring with your unique talents and expertise. What makes the University of Leeds one of the best universities for Creative Writing? The Complete University Guide 2023 ranks Leeds #1 in the UK for Creative Writing.  In addition, Leeds’ English Literature with Creative Writing BA is #9 in the UK and #32 in the world.    By taking the Creative Writing course at Leeds, you’ll experience producing creative writing works such as: Life writing Travel accounts Themes you’ll encounter as you examine past and present literature include: Climate change Social class Where do Leeds English Literature & Creative Writing graduates go? Discover Uni reports that 93% proceed to work or study further within 15 months after graduation. They find success in a variety of creative writing careers , such as: Civil Service Management Consultancy Do you value collaboration? Are you looking for a university to help you achieve your career goals? Then check out the University of Leeds! University of Strathclyde, Glasgow The University of Strathclyde at Glasgow is renowned for being “the place of useful learning.” True to its reputation, it was named the University of the Year twice by the Times Higher Education University Awards.  In addition, the Times and Sunday Times Good University Guide 2020 named Strathclyde the “ Scottish University of the Year .” What core values serve as the foundation of Strathclyde’s excellent reputation? People-oriented Collaborative Ambitious  The University of Strathclyde is one of the best UK universities for Creative Writing. Do you know that the Complete University Guide 2023 ranks Strathclyde #2 in the UK for Creative Writing? Here are some of the undergraduate Creative Writing courses available: English & Creative Writing (BA Hons) English and Creative Writing & Journalism, Media and Communication (BA Hons) English and Creative Writing & Psychology (BA Hons) English and Creative Writing & History (BA Hons) English and Creative Writing & Law (BA Hons) English and Creative Writing & Social Policy (BA Hons) English and Creative Writing & Human Resource Management (BA Hons) Let’s take a closer look at English and Creative Writing & Journalism, Media, and Communication (BA Hons.) Discover Uni states that 95% of Strathclyde Creative Writing graduates proceed to work or study further within 15 months after graduation. Common careers graduates go into include: Creative Writing Administration What are some of the topics you may encounter during the course?  Shakespeare The Construction of Scotland Detective Fiction Writing War Children’s Literature Victorian Gothic Contemporary Travel Writing What are some of the skills you’ll gain through the course? Proficiency with professional practices Textual interpretation and analysis Critical and constructive thinking and working skills Responsibility Excellent communication skills Problem-solving Collaboration Are you eager to learn these skills by studying at one of the best universities in the UK? You may want to explore the University of Strathclyde, Glasgow! University of Warwick The University of Warwick is the #6 Most Targeted University by UK’s Top 100 Graduate Employers according to The Graduate Market in 2021, High Fliers Research Ltd.  In addition, the UK government’s 2018 Longitudinal Education Outcomes ranked Warwick within the Top 10 UK schools. Why? Because its graduates have some of the highest earnings over 11 subjects 5 years after graduation.  Warwick is also distinguished due to its impactful research. The Research Excellence Framework (REF) 2021 reports that 92% of its research is “world-leading.”  Why is Warwick’s English Literature and Creative Writing BA degree among the best in the UK? Because Discover Uni reports that a whopping 100% of graduates proceed to work or study further within 15 months after graduation.  Where do Warwick English Literature and Creative Writing BA graduates go after completing the course? They proceed to work in a variety of careers, including: Journalists Newspaper and periodical writers and editors Translators Creative directors Researchers Employers include: The Poetry Society Bloomsbury Publishing Cambridge University Press Penguin/Random House The Forward Poetry Foundation The Sunday Times The Society of Authors British Council Royal Opera House Are you searching for a Top UK university with excellent employability and high-salary opportunities? Definitely check out Warwick! We’ve also included it in our a-level requirements for creative writing list. University of Birmingham Do you know that the University of Birmingham is known as the original ‘redbrick’ university? Its effective leadership through the years continues to be its hallmark. Core values include: Inspirational Thinking Financial Stability Strong Partnerships on Local, National, and International Levels The University of Birmingham is one of the best universities in the UK. With the Complete University Guide 2023 ranking it #14 in the UK.  In addition, Birmingham is a member of the esteemed Russell Group. Its research ranking is #12 in the UK for Research Power according to the Research Excellence Framework 2021. Why is the University of Birmingham one of the Top UK universities for Creative Writing? Because The Guardian 2023 ranks it #1 in the UK for the subject. While the Complete University Guide 2023 ranks it #4 .  What Creative Writing courses are available at Birmingham for undergraduates? There are two options you can choose from: English Literature and Creative Writing BA Film and Creative Writing BA When you examine English Literature and Creative Writing BA, you’ll discover that the course aims to give you a foundation in all major genres of Creative Writing, including: Drama  Media Writing Here’s the highlight: your expert tutors, who are practising and winning writers themselves, will support you in finding your voice. Where do Birmingham English Literature and Creative Writing graduates go after completing the course? Discover Uni reports that 90% proceed to work or study further within 15 months after graduation. Career paths include: Marketing Assistant Sales and Events Coordinator Editorial Assistant Account Executive Here are some of the employers who hired Birmingham English Literature and Creative Writing graduates: Oxford University Press Headline Publishing Group Mirror Group Newspapers  Do you want expert, practising writers to help you find your voice and support you in finding your career path? Try out Birmingham! University of Chichester Be original. Be you. That’s what the University of Chichester aims to help you achieve. For you to be inspired in who you are.  Have you heard that Chichester is one of the best universities in the UK? The Times and Sunday Times Good University Guide 2022 ranks it #7 in the UK for Teaching Quality. And the Complete University Guide 2023 declares it #10 in the UK for Student Satisfaction.  Why study Creative Writing at the University of Chichester? Because the Guardian University Guide 2023 ranks it #2 for the subject. There are several Creative Writing courses available at Chichester for undergraduates, including: BA (Hons) Creative Writing BA (Hons) Creative Writing and English BA (Hons) Creative Writing and History BA (Hons) Creative Writing and Philosophy & Ethics BA (Hons) Creative Writing and Theology BA (Hons) Creative Writing and Screenwriting BA (Hons) Screenwriting Looking closer at BA (Hons) Creative Writing, here are some of the things you’ll learn: Creating Characters Writing Non-Fiction Visual Storytelling (e.g. exploring Mangas) Writing Poetry Fiction for Children Screenwriting Contemporary Short Fiction Digital Writing Such is the brilliance of Chichester’s Creative Writing course that many of its graduates become published writers and gain notable prizes, such as the Bridport Prize.  Others have had stories and poems featured in prominent magazines such as Staple and The Paris Review. The novel of one former student, Bethan Roberts, entitled “My Policeman”, is set for adaptation on the silver screen. What other career paths do Chichester Creative Writing graduates take? Copywriting Looking to earn great success in your future writing career? You may want to check out the University of Chichester! University of Central Lancashire Looking to achieve your potential? That’s what the University of Central Lancashire aspires to help you with. As its motto states, “from the earth to the sun.” True enough, the ​Higher Education Statistics Agency 2018 states that 95.5% of its graduates are employed or enrolled within 6 months after completing their course.  What’s more, the 2020 Student Welfare League Table ranks Central Lancashire #1 for the amount of money invested in student well-being services. Why is the University of Central Lancashire one of the best universities for Creative Writing? Because The Guardian 2023 ranks it #3 for Creative Writing in the UK.  Also, Central Lancashire regularly invites literary agents, publishers, professional writers, and editors to help students gain valuable insights regarding their future careers.  Where do Central Lancashire Creative Writing students go after completing their course? Discover Uni reports that 80% of Central Lancashire Creative Writing students proceed to employment or further education within 15 months after graduation.  Recent career paths include: Travel and Tourism Advertising Public Service The University of Central Lancashire is terrific in helping you find a teaching position. Why? Because they have strong links with schools in the region. So if you’re aiming to be a great writer or you want to become a teacher, consider Central Lancashire! Sheffield Hallam University For Sheffield Hallam University, it’s all about knowledge applied. Aside from its immense diversity, Sheffield Hallam is dedicated to providing opportunity. Do you know that 53% of its students are the first to attend university in their family?  Sheffield Hallam is among the best universities in the UK. The UK Social Mobility Awards named it the “ University of the Year ” because of its impressive work in advancing social mobility by improving access to higher education.  Plus, the most recent QS Stars gave Sheffield a five-star rating overall. And a Top Mark for 7 out of 8 categories, including: Graduate Employability Inclusiveness Hospitality and Leisure Management Why is Sheffield Hallam University one of the best for Creative Writing? The Guardian 2023 ranks Sheffield Hallam #4 for Creative Writing in the UK. And Discover Uni reports that 91% of students were satisfied with the quality of the course.  The full-time Creative Writing course at Sheffield Hallam aims to help you tell engaging stories in various forms and genres. You’ll learn and gain confidence through a variety of methods, including: Writing workshops  Trips and Retreats Lectures, seminars, and personal tutorials Collaborating with different audiences and organisations Live performances and readings Coming up with and pitching ideas Masterclasses from expert guest writers Where do Sheffield Hallam graduates go after completing the course? They go on to have successful careers in the following industries, such as: Creative Industries (e.g. media, theatre) Arts Organisations Charity Sector Social Work  Government (local and regional) Are you eager to learn how to tell immersive stories through engaging methods such as workshops, retreats, and masterclasses? Then, go for Creative Writing at Sheffield Hallam. Edge Hill University Edge Hill University believes knowledge creates life-changing opportunities. That’s why it has been providing access to impactful knowledge since 1885! Do you know that Edge Hill is a renowned university in the UK? The Times and Sunday Times Good University Guide 2022 recently awarded it the “Modern University of the Year” title.  What’s more, the Graduate Outcomes 2019/2020 reports that 95.4% of its students are employed or enrolled in further study within 15 months after graduation. Edge Hill is also Top 2 in the UK for University Facilities, according to the Whatuni Student Choice Awards 2022.  Why is Edge Hill University one of the Top Creative Writing schools in the UK? The Guardian 2023 ranks Edge Hill #5 in the UK for Creative Writing. And its Creative Writing students have a £17 million state-of-the-art building to thrive and learn in, with features such as: IT Facilities Seminar Rooms Lecture Theatre Tutorial Spaces Edge Hill offers two main Creative Writing courses: Creative Writing BA (Hons) Creative Writing and English Literature BA (Hons) Let’s take a closer look at Creative Writing BA (Hons). The Creative Writing course at Edge Hill is a practice-led course where you’ll encounter modules such as: Scriptwriting Games Writing And by working together with creative organisations such as the Crooked Dice Game Design Studio or the Edge Hill University Press, you’ll find your niche soon enough! Newcastle University Newcastle University is ranked #122 in the world, according to the QS World University Rankings 2023. The same league table awarded it the 5-star overall rating for Teaching Excellence.  With such excellent teaching, it’s no wonder that 95% of its UK/EU graduates were employed or enrolled in further study within 6 months after graduation in 2016. In addition, Newcastle graduates benefit from careers support up to three years after graduation.  What does Newcastle aspire to be? It aims to be people-focused. Harnessing the power of innovation, academic excellence, and creativity to benefit individuals and organisations.  Why is Newcastle University one of the UK’s best universities for Creative Writing? The Sunday Times Good University Guide 2023 ranks Newcastle #2 in the UK for Creative Writing. And the Complete University Guide 2023 ranks it #5 in the same category. Also, Discover Uni reports that 100% of Newcastle English Literature with Creative Writing students were employed or enrolled in further study within 15 months after graduation. What are some of the employability skills you’ll learn by studying the course? Making marketing briefs Writing website copy Creating captivating fiction Coming up with persuasive arguments Managing projects Analysing complex sources and datasets Working independently Newcastle English Literature with Creative Writing students can take a work placement to develop their professional expertise. Past placements include: Journalism and Broadcasting Digital Media and Marketing Sustainable Energy Museum and Heritage Are you looking to maximise your employability at one of the UK’s best Creative Writing universities? Check out Newcastle University! Royal Holloway, University of London Royal Holloway aims to nurture a community that inspires individuals to succeed. It’s one of the best universities in the UK, given that the Complete University Guide 2023 ranks it #33 .  What’s Royal Holloway most known for? It’s best known as a research-intensive academic institution. The Research Excellence Framework (REF) 2021 ranks it within the Top 25% of UK Research. What makes Royal Holloway one of the Top UK Universities for Creative Writing? The Complete University Guide 2023 declares it #6 in the UK for Creative Writing. The Times and Sunday Times Good University Guide 2022 declares Royal Holloway #1 in the UK for Creative Writing.  There are 3 undergraduate Creative Writing degrees you can choose from: English and Creative Writing (BA) American Literature and Creative Writing (BA) Drama and Creative Writing (BA) Let’s take a closer look at English and Creative Writing (BA.) By taking both subjects together, you’ll learn to become a critical reader and a confident writer.  What major skills will you develop by taking the English and Creative Writing course at Royal Holloway? Writing using your unique voice Literary criticism Writing techniques Create and refine artistic work Presentation Communication Negotiation Do you want to become a critical reader and a confident writer at one of the best Creative Writing schools in the UK? Check out the Royal Holloway, University of London! Best UK University For Creative Writing? You now have a solid idea of where you can study to give you the best foundation for your Creative Writing-related career goals. Which ones from the list are your Top 3? Real Alumni Stories Learn more about our alumni through their success stories. Real stories about our Alumni Students share their programme experiences Case studies from Alumni heading to Oxbridge Alumni insights and stats Empower Your Child's Future: Book Your Complimentary Consultation Now Receive tailored advice to match your child's interests and goals. Gain insights from our experienced programme consultants. Get answers in real-time, making your decision-making process smoother and more informed. Subscribe to the Immerse Education newsletter for £100 off your programme* * Terms and Conditions may apply Download Our Prospectus I'm a Parent I'm a Student First Name * Last Name * Which subjects interest you? 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For students Current Students website Email web access Make a payment MyExeter (student app) Programme and module information Current staff website Room Bookings Finance Helpdesk IT Service Desk Popular links Accommodation Job vacancies Temporary workers Future Leaders & Innovators Graduate Scheme New and returning students New students website Returning Students Guide Wellbeing, Inclusion and Culture Wellbeing services for students Wellbeing services for staff Equality, Diversity and Inclusion Israel, Palestine, and the Middle East Postgraduate Taught MA Creative Writing Postgraduate Taught home Creative Writing MA Masters applications for 2023 entry are now closed. Applications for September 2024 will open on Monday 25 September. Applications are now open for programmes with a January 2024 start. View our programmes » UCAS code 1234 Duration 1 year full time 2 years part time Entry year September 2024 Campus Streatham Campus Discipline Contact Programme Director:  Web:  Phone:   (UK)    (non-UK) Typical offer 2:2 Honours degree At the University of Exeter, we don’t just teach you how to write to get published. Our team of internationally acclaimed authors understand that your ambitions, and powers of creative writing, are far greater than that Our modules are designed to enable you to write for better futures, to: promote social justice, protect our planet, support child wellbeing, comfort and entertain, and inspire others to action Experiment in new literary genres, and study and respond to diverse contemporary writers Excellent links with the worlds of publishing, literary journalism and broadcasting, book festivals and prizes providing insights into the workings of the literary marketplace Establish the contacts necessary for successful publication Whether you like writing poetry, prose fiction, short stories, film scripts, game narratives, children’s books or young adult (YA) novels, we invite you to join us on our mission to write to make a difference Apply online View 2024 Entry Fast Track (current Exeter students) Open days and visiting us Get a prospectus Programme Director: Professor Andy Brown Web: Enquire online Phone: +44 (0)1392 72 72 72 Discover MA Creative Writing at the University of Exeter. 88% of our English research is internationally excellent Based on research rated 4* + 3* in REF 2021, submitted to UoA27 English Language and Literature Top 50 in the world for English Language and Literature QS World University Subject Rankings 2024 A thriving and supportive writing community - our team of prize-winning and best-selling authors will help you develop your creative writing skills Top 10 in the UK for English 9th in The Times and The Sunday Times Good University Guide 2024 Entry requirements We will consider applicants with a 2:2 Honours degree with 53% or above in their first degree in a relevant subject area. While we normally only consider applicants who meet this criteria, if you are coming from a different academic background which is equivalent to degree level, or have relevant work experience, we would welcome your application. Applicants will be asked to submit a sample of creative writing which can be roughly 2,000 words of prose or 3-4 poems. Entry requirements for international students English language requirements. International students need to show they have the required level of English language to study this course. The required test scores for this course fall under Profile E . Please visit our English language requirements page to view the required test scores and equivalencies from your country. Course content The MA in Creative Writing is designed for students to develop a longer piece of work during the MA, or find out what their strengths are in the different forms. It is for people, of any age, whether recent graduates or older, who wish to grow their talent quickly by acquiring knowledge and practice in the art of fiction, poetry, life-writing, nature writing or the writing of screenplays. Our Creative Writing staff are well-published, practicing writers who take great pride in designing and delivering modules in their specialist areas. Full time students take two modules in term 1, two modules in term 2, and write their dissertations in term 3. Each module has one two-hour seminar per week, with homework set that involves intensive, self-motivated practice and research. The modules we outline here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand. 2024/25 entry Uk fees per year:. £12,000 full-time; £6,000 part-time International fees per year: £24,300 full-time; £12,150 part-time Scholarships For more information on scholarships, please visit our scholarships and bursaries page. *Selected programmes only. Please see the Terms and Conditions for each scheme for further details. Find out more about tuition fees and funding » Teaching and research Learning and teaching. Whether you already know what kind of books or screenplays you wish to write or are still searching for the best form in which to express your creativity, we offer the chance to try your hand in a range of genres, and to benefit from feedback tailored to your writing needs. A programme of visiting speakers takes place throughout the academic year with writers, publishers and agents coming to talk to students about the next steps in their careers. The roll call changes every year to reflect both our students’ interests and new trends. Recent guest lecturers have included the Booker prize winning novelist Hilary Mantel; the Commonwealth Writers’ Prize-winning novelist Hisham Matar; the Pulitzer Prize winning US Poet Laureate Natasha Trethewey; the writer, editor and publisher Richard Cohen, and many others. Our MA can be taken over one-year full time, or two years part time. During your study, you will build a portfolio of creative work for possible publication, including a dissertation in your chosen genre. You will also be able to take a range of optional modules and explore literary genres and forms with a mutually supportive, like-minded group of fellow writers. Research areas Exeter’s creative writing staff practise and publish in a range of literary genres. Their experience of the literary world is not limited to writing and teaching. They also worked – and continue to work - as editors, publishers, agents, radio producers, and journalists. This wealth of experience is reflected in the vibrancy and diversity of our workshops and tutorials. As a creative writing student, you will also benefit from the academic expertise of the many world-leading scholars working in the English Department at our Exeter Campus, a lively community of doctoral students, and the activities of four dedicated research centres: the Medieval and Renaissance Research Group; the 18th-Century Narrative Consortium; the Victorian Studies Research Group; and the 20th and 21st Century Literature, Creative Writing and Film Research Group. John Wedgwood Clarke Vesna Goldsworthy Wendy O’Shea-Meddour Ellen Wiles Andy has a notable national reputation as a poet, poetry commentator and poetry tutor. He is the author of 10 poetry collections and editor of several anthologies, including A Body of Work: Poetry & Medical Writing , for Bloomsbury. He has interests in Ecopoetics, and the Medical Humanities, and often collaborates with scientists. He is also a musician who performs regularly around the region. Profile page John is an award-winning poet, prose nonfiction writer and broadcaster. His full poetry collections include Ghost Pot (2013) and Landfill (2017) both of which explore place, ecology and the relationship between science and poetry. He regularly works across disciplines and has led major Arts Council-funded arts projects including Dictionary of Stone and Sea Swim. He presented The Books that Made Britain (2016) & Through the Lens of Larkin (2017), both for BBC4. A prize-winning poet, memoirist, novelist and broadcaster. Vensa’s books have been translated into twenty languages and serialised by the BBC. Before becoming an academic in English Literature and Creative Writing, Vesna spent fifteen years in publishing and as a producer at the BBC. Sam has written eight novels, two books on the craft of writing, and two films. In 2010 he won an Eric Gregory Award; in 2004 his novel The Unnumbered was long-listed for the Man-Booker prize. His first novel won the Somerset Maugham Award. An internationally successful children’s writer, as well as an academic with nearly twenty years lecturing experience. Since her debut in 2012, Wendy has published 15 children’s books and her work has been translated into 16 languages. Award-winning titles include: A Hen in the Wardrobe (2012), the Wendy Quill series (2013-2015), and How the Library (not the Prince) Saved Rapunzel (2015). Ellen’s first novel, The Invisible Crowd (Harper Collins, 2017) was awarded a Victor Turner Prize. Her first book, Saffron Shadows and Salvaged Scripts: Literary Life in Myanmar Under Censorship and in Transition (Columbia University Press, 2015) was the first to explore this literary culture through interviews and translations. Her new book, Live Literature: The Experience and Cultural Value of Literary Performance Events from Salons to Festivals (Palgrave, 2021), uses literary ethnography to explore participant experience, and has been described as ‘groundbreaking’, ‘stylish’, and ‘compelling’. Nazneen Ahmed Pathak Ben’s debut novel Doggerland uses the lens of speculative fiction to engage with pressing contemporary issues such as renewable energy, ocean waste, climate change and the scale-effects of the Anthropocene. It was selected as a Guardian Book of the Year 2019. Nazneen writes fiction for children and poetry for adults. Her first book, City of Stolen Magic , a historical fantasy for middle-grade readers, comes out with Puffin in summer 2023. She is represented by Louise Lamont at LBA Books, and currently holds the post of Hampshire Poet for 2022-23. Whether your ambition is to become a full-time writer, a teacher of writing, or to develop a creative career which includes writing in one of its many forms, we have a strong track record of supporting our students through to publication and doctoral level work. While at Exeter, our MA students publish their creative work in   RIPTIDE   and in the new postgraduate journal   EXCLAMATION . The Creative Writing Society also run a journal called Enigma. Former University of Exeter students who have gone on to develop a writing career include poets such as Luke Kennard, Abi Curtis, Eleanor Rees, Izzy Galleymore, Jaime Robles, Jos Smith, Sally Flint, and Samuel Tongue; novelists Virginia Baily, Lucy Wood, and Ruth Gilligan; and non-fiction writers such as Miriam Darlington. Many of our former students now work in film, broadcasting, advertising, journalism, PR, publishing, teaching – including the teaching of creative writing – as well as other careers in the growing number of fields where good writing is an asset. Careers and employment support While studying at Exeter you can also access a range of activities, advice and practical help to give you the best chance of following your chosen career path. For more information visit  Careers pages . Related courses English literary studies ma. Streatham Campus Creativity: Innovation and Business Strategy MA Film and screen studies ma, curation: art and business ma, international film business ma, publishing ma, theatre practice ma, ma media and communications. View all English courses Why Exeter? Student life Our campuses International students Apply for a Masters Immigration and visas Tuition fees and funding Connect with us Information for: Current students New students Alumni and supporters Quick links St Luke's Campus Penryn Campus Truro Campus Using our site Accessibility Freedom of Information Modern Slavery Act Statement Data Protection Copyright & disclaimer Cookie settings Streatham Campus in Exeter The majority of students are based at our Streatham Campus in Exeter. The campus is one of the most beautiful in the country and offers a unique environment in which to study, with lakes, parkland, woodland and gardens as well as modern and historical buildings. Find out more about Streatham Campus. St Luke's Campus in Exeter Located on the eastern edge of the city centre, St Luke's is home to Sport and Health Sciences, the Medical School, the Academy of Nursing, the Department of Allied Health Professions, and PGCE students. Find out more about St Luke's Campus. Penryn Campus near Falmouth, Cornwall Our Penryn Campus is located near Falmouth in Cornwall. It is consistently ranked highly for satisfaction: students report having a highly personal experience that is intellectually stretching but great fun, providing plenty of opportunities to quickly get to know everyone. Find out more about Penryn Campus. Module details MA Creative Writing Course options Key Details Course Overview UEA pioneered the teaching of Creative Writing more than 50 years ago and is globally regarded as a leader of the subject. UEA has mentored countless award-winning authors, including Booker Prize winners Ian McEwan, Anne Enright, and Nobel Laureate Sir Kazuo Ishiguro.  But today Creative Writing is changing, and so are we. Stories are now adapted from novels to streaming platforms to games and so much more. Digital technologies and AI are reshaping writing's possibilities and practical applications. Exciting fusion genres from authors across the globe are dominating bestseller lists and streaming platforms. Career opportunities in the creative industries across the world are increasingly vibrant and ever more dynamic.  This course will equip you to engage with this world and its vast audiences, now and in the future.  You'll have the unique opportunity to work across forms of writing to help you discover and enhance your talent. You'll explore prose fiction and non-fiction, script and poetry, and hybrid, multimodal, and cross-genre writing. You'll also have the opportunity to develop all kinds of industry-oriented genre writing, from speculative fiction to young adult, fantasy to historical. You'll learn how AI and digital technology are transforming our ideas of writing and writers. You'll also find opportunities to experiment with writing for multiple digital realities and platforms, which are widely accessible and easily integrated. Most of all, you’ll develop skills to get noticed, published and build an audience in this digital world.   At the same time, you'll benefit from UEA's established teaching excellence, creative writing workshops, and unrivalled connections with the fast-changing publishing industry in the UK and beyond. You'll become part of the university’s vibrant creative writing ecosystem, with events such as UEA Live , research and internship opportunities in the British Archive for Contemporary Writing , and a host of more informal occasions to share and celebrate your work and hear from prize-winning alumni. You’ll study in the historic city of Norwich, one of UNESCO’s Cities of Literature . You'll benefit from UEA's exceptional expertise in the world-wide breadth and history of literature, building your confidence and authority as a writer.  You'll graduate a respected and versatile writer, steeped in practical and professional knowledge. You might translate that experience into a career in the creative industries, such as publishing and editing, writing for advertising, marketing, arts, culture, heritage and GLAM (Galleries, Libraries, Archives, and Museums) sector organisations, VR and XR experiences, digital gaming, streaming TV, and more. You may be embarking on a new writing career or you may be an established professional looking to upskill in a changing environment. Perhaps you want to understand more about writing and feel the thrill of seeing your work come together on page or screen. Whatever your ambitions, this course will inspire and enable you to discover your own voice and make the most of it in the next stage in your writer’s journey.  Study and Modules This is a year-long course. You'll take two taught modules each semester, and then over the summer you'll complete your dissertation (submitted early September) with the support of your supervisor.    In the autumn semester, you'll take a Creative Writing workshop in which you'll explore and experiment with a range of forms of writing, from genre fiction to screenwriting and poetry, establishing a competency and confidence across genres.   At the same time and in dialogue with this module, you'll also be studying the ways digital technology is reshaping writing. This may in turn inspire your creative workshop, leading you to work with multimodal forms or interactive narratives. By the end of the semester, you'll have a firm sense of the exciting potential of writing for new technologies and have begun to incorporate that potential into your writer’s toolkit.   In the second semester, you'll take a second Creative Writing workshop where you'll continue to establish your craft, confidence and professionalism as a writer across forms. By the end of the semester, you might decide to specialise in a single form or continue to commit to the path of versatility and hybrid experimentation.   Alongside this second semester module, you'll choose from a rich range of optional modules across the School and Faculty. These draw especially on the wealth of knowledge and experience of the School's literary critics, and currently include modules on writing and play (which encourages your own playful experiments in writing), contemporary fiction, or how writing is inspired by place. These modules will help put your own writing into context and provide you with touchstones for your own creations.  Over the summer, you'll plunge into the thrilling culmination of your MA – your creative writing dissertation. You'll be supported by a member of our Creative Writing team as you write your project, which will become your calling-card as a writer and help to launch the next phase of your career.     Compulsory Modules Workshop: introduction to forms, workshop: finding your forms, creative writing in a digital world, creative writing dissertation, creative writing research methodology conference, optional a modules, theory and practice of fiction, creative encounters, adaptation and interpretation, process and product in translation, creative-critical writing, ludic literature, environmental humanities: human cultures and the natural world, digital storytelling, japanese literature, the non fiction novel, the poetics of place, critically queer: sex, gender and sexuality. Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, the University will endeavour to consult with students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will inform students. Teaching and Learning Throughout the course, you'll benefit from UEA's unrivalled Creative Writing tuition and literary critical expertise. Expert creative writers will both lead your workshops and supervise your dissertation, helping to mentor you as you find your voice as a writer. You'll encounter leading practitioners of many of the forms you'll explore – novelists, scriptwriters, poets – who will help you to hone your craft and give their tips and insights into success in each genre.  Literature tutors will introduce you to traditions of writing from across the globe, helping you to interpret them and put them into context. But they'll also support you in your own creative experimentation. UEA has many years of experience pioneering forms of 'creative-critical' pedagogy, where you are invited to demonstrate your critical thinking and understanding through writing creatively. In this exciting environment, creative and critical thinking are often fused together.   Finally, your encounters with contemporary creative digital technology will be facilitated by our cutting-edge BLOC resources . These include our Music and Media Suite, which offers facilities for podcasting, digital design and publishing, audio production, and access to a host of creative software. These facilities are also supported by a superb team of professional technicians who will support you as you discover new creative abilities.   Over the course of the MA, you’ll build and develop your portfolio of writing. At the end of each of the workshops you'll submit work which demonstrates your growing versatility, craft, and experience as a writer. In your module focused on digital writing, you’ll also be assessed on the underlying writing you produce for a digital form – this could be writing for a podcast, game, XR experience, or even a combination of forms. Your optional module may invite you to write a literary critical essay, further creative work, or an experimental creative-critical piece. Finally, your dissertation will bring your whole creative journey together, where you’ll produce an original piece of 12-15,000 words in length (or equivalent weight, in your chosen form(s)). This piece will be a reflection of the writer you have become. It may demonstrate your growing mastery of a single form – a substantial extract from a work of genre fiction, for instance – or it may show off your dexterity in moving across forms. You may also choose to focus on the digital side of your degree, producing writing for multimodal platforms, such as digital gaming or immersive VR experience.  Entry Requirements UK and International fee-paying students. Choose UK or International above to see relevant information. The entry point is in September each year. Degree classification Bachelors degree - 2.2 Degree Subject Any subject Candidates are required to submit a portfolio of writing for assessment with their application  of 2500-3000 words in length. This could be part of a novel, non-fiction prose, script, poetry, a combination of short pieces from multiple forms, or a hybrid piece which combines forms together. Our  Admissions Policy applies to the admissions of all postgraduate applicants. UK Bachelors degree - 2.2 or equivalent  Any subject  Applications from students whose first language is not English are welcome. We require evidence of proficiency in English (including writing, speaking, listening and reading):    IELTS:  6.5 overall (minimum 6 in all areas)  We also accept a number of other English language tests. Review our English Language Equivalencies for a list of example qualifications that we may accept to meet this requirement.   Test dates should be within two years of the course start date.   If you do not meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the required English skills. Fees and Funding Tuition fees for the Academic Year 2025/26 are:  UK Students: £10,675 International Students: £22,700 We estimate living expenses at £1,023 per month.  Further Information on tuition fees can be found  here . Course Related Costs Please see Additional Course Fees for details of course-related costs.  How to Apply How to apply. Applications for Postgraduate Taught programmes at the University of East Anglia should be made directly to the University.  To apply please use our  online application form .  Further information If you would like to discuss your individual circumstances prior to applying, please do contact us:  Postgraduate Admissions Office  Tel: +44 (0)1603 591515  Email:  [email protected]   International candidates are also encouraged to access the  International Students  section of our website.  Employability After the course. You'll graduate as a confident creative writer, with an understanding of genre, audience, and the craft needed to shape writing. You'll also have a strong awareness of the contemporary writer's world and the digital dexterity needed to navigate it. This may lead to a career as a successful novelist or scriptwriter. You'll also be ready for careers across the creative industries: in publishing and journalism; marketing; roles in the arts, culture, heritage and GLAM (galleries, libraries, archives and museums) sectors; writing for digital gaming and the creative computing sectors. The creative confidence our courses give graduates have also underpinned successful business entrepreneurship. Graduates from our Creative Writing MA courses go on to careers in teaching or undertake PhDs (including UEA's own creative-critical PhDs). Many also undertake our courses for the profound pleasure and sense of achievement given by writing itself.   Examples of careers that you could enter include:  Novelist/Scriptwriter  Publishing or Journalism  Marketing  Arts/GLAM-sector roles  Writing for digital gaming or creative computing sectors  Teaching or Academic careers  Discover more on our Careers pages .   Related Courses Ma creative writing scriptwriting. Develop your writing craft, industry knowledge, and dramaturgical understanding as you learn with renowned writers for theatre, screen, and radio along with visiting specialists on this world-leading ... MA Creative Writing Prose Fiction Transform yourself as a writer by studying the craft of prose fiction with an internationally excellent cohort of other writers. This course, taught by distinguished and committed faculty, will challe... MA Creative Writing Poetry Immerse yourself in the craft and study of poetry, discovering more about the variety and nuances of the artform, and about yourself as a poet. Learning from practising and highly-regarded poets, you’... Creative Writing starting September 2025 for 1 years 20 Best universities for Creative Writing in London, ENG Updated: February 29, 2024 Art & Design Computer Science Engineering Environmental Science Liberal Arts & Social Sciences Mathematics Below is a list of best universities in London ranked based on their research performance in Creative Writing. A graph of 120K citations received by 9.53K academic papers made by 20 universities in London was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores. We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website. Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles. 1. University College London For Creative Writing 2. King's College London 3. University of London 4. London School of Economics and Political Science 5. Queen Mary University of London 6. Goldsmiths, University of London 7. Birkbeck, University of London 8. SOAS, University of London 9. University of East London 10. City, University of London 11. University of Roehampton 12. Middlesex University 13. Imperial College London 14. University of Westminster 15. London Metropolitan University 16. London South Bank University 17. University of Greenwich 18. University of the Arts London 19. St George's, University of London 20. Royal College of Art Universities for Creative Writing near London University City 12 94 Ealing 17 88 Kingston upon Thames 24 46 Uxbridge 29 67 Hatfield, England 32 25 Egham 43 44 Guildford 46 95 Luton 57 32 Reading, England 71 19 Brighton, England 76 58 Brighton, England Art & Design subfields in London Creative Writing The Department of English offers creative writing instruction in multiple formats and offers several degrees and qualifications. Undergraduate At the undergraduate level, students who are enrolled in a B.A. program at UT Austin can pursue the Creative Writing Certificate . We offer two MFA programs in creative writing: the  New Writers Project                 and the  Michener Center  for Writers. 309 IMAGES Best UK University For Creative Writing Top UK Universities For Creative Writing The Best Universities in the UK 2018/2019 Revealed Best UK Universities For English: Top 8 8 most beautiful universities in Britain 5 Best Universities to Study Creative Writing in the UK VIDEO Ella's Home of Creative Writing: Live FORMAL english subjuntive passive Intermediate English Creative Writing Class English Creative Writing ( Class III SGOU, Reading and Writing English, Block 3, Unit 5, REPORTED SPEECH| Summary Class Crafting Success Stories Submit My Dissertation With Me + Master's Degree Study Tips COMMENTS Creative Writing Rankings 2025 League tables of the universities for Creative Writing, 2025. Compare universities, courses, prospects and career options. UK's 100+ best Creative Writing universities [2024 Rankings] Below is the list of 100 best universities for Creative Writing in the United Kingdom ranked based on their research performance: a graph of 640K citations received by 54.6K academic papers made by these universities was used to calculate ratings and create the top. Creative Writing Rankings 2025 Full league tables of the best universities for Creative Writing, 2025. Compare universities, courses, prospects and career options. The 6 Best UK Universities for Creative Writing Degrees A creative writing degree can unlock your potential and provide access to a world of career and writing opportunities. In this post, we offer an overview of some of the best universities for creative writing degrees in the UK. England's best Creative Writing universities [2024 Rankings] Below is the list of 96 best universities for Creative Writing in England ranked based on their research performance: a graph of 549K citations received by 45.6K academic papers made by these universities was used to calculate ratings and create the top. News, sport and opinion from the Guardian's US edition We would like to show you a description here but the site won't allow us. English and Creative Writing By combining the study of creative writing with English, you'll become an informed and critical reader as well as a confident and expressive writer - whether specialising as a poet, playwright, or author of fiction. Studying at one of the UK's most dynamic English departments will challenge you to develop your own critical faculties. BA English Literature and Creative Writing Course details for prospective students on our BA English and Creative Writing undergraduate degree programme at the University of Birmingham. Ucas code Q3W8. Creative Writing MSc Study MSc in Creative Writing at the University of Edinburgh. Our postgraduate degree programme is taught by established authors and poets and will hone your editorial and literary skills. Find out more here. MSt in Creative Writing The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth. The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work ... English with Creative Writing BA (Hons) Study English with Creative Writing at the leading London university for English Studies. City is ranked 1st in London and 6th in the UK in the National Student Survey 2024. Skip to: ... A-level AAA = 85% average across 5 best Grade 12 subjects; English and Creative Writing Course overview Our creative writing courses are taught by world-renowned writers from The Manchester Writing School; one of the most successful of its kind in the UK, with more than 95 graduates and MA students who've gone on to become published writers. But skilled writers must also be well-developed readers and this course offers the best of both worlds, allowing you to combine Creative ... English and Creative Writing BA : University of Sussex With our rich tradition of critical excellence and radical creative practice, Sussex is a perfect place to combine English and Creative Writing. On this course, you'll explore the powerful, complex and even weird world of literature and of writing in its broadest scope. Reading classic books as well as diverse new texts, you'll: push ... Top UK Universities For Creative Writing Looking to Study Creative Writing in the UK? Here's our full guide on the top universities for Creative Writing in the UK. We have curated a list of high-ranking universities which offer affordable, globally-recognised qualifications for Creative Writing in English. English Rankings 2025 From Shakespearean sonnets to the complexities of the English language, there are many areas of English to study and a multitude of transferable skills to be gained - applicable to a wide range of careers. These rankings outline the best universities for English in the UK, including English Language and English Literature courses. Top 10 UK Universities for English Studies 2024 Top 10 UK Universities for English Studies 2024 English studies programmes in the UK offer a combination of language, creative, and literature modules, which develop skills in creative thinking, written and verbal communication, and analytical discussion. English Literature and Creative Writing BA (UCAS QW38) Visit UCAS. Find out more about our English Literature and Creative Writing degree at Warwick. Studying English Literature and Creative Writing (BA) at Warwick will transform your understanding of literature, of yourself, and of the world. It will also fully prepare you to thrive in any profession that values intellectual rigour, creativity ... English Literature and Creative Writing As a student of English Literature and Creative Writing BA (Hons) at Surrey, you will become part of a community of literary and cultural scholars, writers, and creative practitioners, and will be able to explore the opportunities and challenges of studying, practising, and producing critical and creative forms of expression. MA Creative Writing Find out about the University of Bristol's MA in Creative Writing, including structure, entry requirements and career prospects. Creative Writing Research PhD Creative Writing Research PhD. The PhD in Creative Writing at King's is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing. Best UK University For Creative Writing Table of Contents The best UK universities for creative writing include the University of Leeds, Strathclyde, Warwick, Birmingham, and more. Each university has its strengths, values, and unique qualities to offer you. Creative Writing MA The MA in Creative Writing is designed for students to develop a longer piece of work during the MA, or find out what their strengths are in the different forms. It is for people, of any age, whether recent graduates or older, who wish to grow their talent quickly by acquiring knowledge and practice in the art of fiction, poetry, life-writing ... MA Creative Writing 2025/26 UEA pioneered the teaching of Creative Writing more than 50 years ago and is globally regarded as a leader of the subject. UEA has mentored countless award-winning authors, including Booker Prize winners Ian McEwan, Anne Enright, and Nobel Laureate Sir Kazuo Ishiguro. But today Creative Writing is changing, and so are we. QS World University Rankings for English Language and Literature 2024 Discover the world's top universities for English Language and Literature. Explore the QS World University Rankings by Subject in various disciplines. 20 Best universities for Creative Writing in London, ENG Below is the list of 20 best universities for Creative Writing in London, ENG ranked based on their research performance: a graph of 120K citations received by 9.53K academic papers made by these universities was used to calculate ratings and create the top. Creative Writing The Department of English offers creative writing instruction in multiple formats and offers several degrees and qualifications. Undergraduate. At the undergraduate level, students who are enrolled in a B.A. program at UT Austin can pursue the Creative Writing Certificate. Graduate. We offer two MFA programs in creative writing: the New Writers ... assignment essay homework paper phd report resume review speech thesis